CHAPTER XXXII

THE DANISH PERIOD

The first onfall of the Danes seems to have been made about the year

795, and for considerably over two centuries Erin was shaken from shore

to shore with ever-recurring alarms, and for many years every centre

of population lived in a state of terror, not knowing what a day might

bring forth. Monasteries and colleges were burnt again and again, and

built again and again, only to be reburnt. Numbers of invaluable books

were destroyed, gold and silver work was carried off in quantities, and

a state of unrest produced, which must have made learning in many parts

of the island well-nigh impossible.

Strange to say, despite the troubled condition of Ireland during these

two or three centuries, she produced a large number of poets and

scholars, the impulse given by the enthusiasm of the sixth and seventh

centuries being still strong upon her. Unquestionably the greatest

name amongst her men of learning during this period is that of the

statesman, ecclesiastic, poet and scholar, Cormac mac Culinan, who was

at once king and bishop of Cashel,[1] and one of the most striking

figures in both the literary and political history of these centuries.

To him we owe that valuable compilation, so often quoted already under

the title of "Cormac's Glossary," which is by far the oldest attempt

at a comparative vernacular dictionary made in any language of modern

Europe.[2] Of course it has been enlarged by subsequent writers, but

the idea and much of the matter remains Cormac's. In its original

conception, it was meant to explain and interpret words and phrases

which in the ninth century had become obscure to Irish scholars, and as

might be expected, it throws light on many pagan customs, on history,

law, romance, and mythology. Cormac's other literary effort was the

compilation of the Saltair of Cashel, now most unhappily lost, but it

appears to have been a great work. In it was contained the Book of

Rights,[3] drawn up for the readjustment of the relations existing

between princes and tribes, and still preserved. St. Benignus was

said to have originally composed in verse a complete statement of the

various rights, privileges, and duties of the High-king, the provincial

kings, and the local chieftains. This, like so much of ancient and

primitive law, was drawn up in verse so as to be thus stereotyped for

the future, and easily remembered at a time when books were scarce.

Cormac seems to have enlarged, modified, and brought it up to date to

suit the changing times, and it was subsequently redacted again in

Brian Boru's day in a sense favourable to Munster.[4] The king-bishop

was a most remarkable man and an excellent scholar. He appears to

have known Latin, Greek, Hebrew, and Danish, and to have been one of

the finest Old Gaelic scholars of his day, and withal an accomplished

poet, though his verses are now lost. He was slain in battle in the

year 908,[5] under circumstances so curiously described in the

fragmentary annals edited by O'Donovan that it may be worth repeating

here. He was, as we know from other sources, betrothed to the Princess

Gormfhlaith or Gormly, daughter of Flann Sionna [Shinna], king of

Meath and High-king of Ireland, but determining to enter the Church

he returned her with her dowry to her father without consummating the

marriage; after this he took orders, and rose in time to be archbishop

of Cashel as well as king of Munster. Gormly, however, was married

against her will to Cearbhall [Caroll], king of Leinster. It was in

the year 908 that Flann, the High-king, with Caroll king of Leinster,

now his son-in-law, prepared to meet Munster and to assert by arms his

right to the presentation of the ancient church of Monasterevan, but it

seems probable that he also bore the king-archbishop a grudge for his

treatment of his daughter Gormly. Here is the annalistic account of the

sequel:--

DEATH OF CORMAC MAC CULINAN.[6]

"The great host of Munster was assembled by the same two, that is,

Flaherty,[7] [abbot of Scattery Island, in the Shannon], and Cormac

[mac Culinan], to demand hostages of Leinster and Ossory, and all the

men of Munster were in the same camp.... And noble ambassadors came

from Leinster from Caroll, son of Muirigan [king of that province],

to Cormac first, and they delivered a message of peace from the

Leinstermen, _i.e._, one peace to be in all Erin until May following

(it being then the second week in autumn), and to give hostages into

the keeping of Maenach, a holy, wise, and pious man, and of other

pious men, and to give jewels and much property to Cormac and Flaherty.

"Cormac was much rejoiced at being offered this peace, and he

afterward went to tell it to Flaherty and how he was offered it from

Leinster. When Flaherty heard this he was greatly horrified, and 't

was what he said, 'This shows,' said he, 'the littleness of thy mind

and the feebleness of thy nature, for thou art the son of a plebeian,'

and he said many other bitter and insulting words, which it would be

too long to repeat.

"The answer which Cormac made him was, 'I am certain,' Cormac said,

'of what the result of this [obstinacy of yours] will be, a battle

will be fought, O holy man,' said he, 'and [I] Cormac shall be under

a curse for it, and it is likely that it will be the cause of death

to thee [also].' And when he had said this he came into his own tent,

afflicted and sorrowful. And when he sat down he took a basketful of

apples and proceeded to divide them amongst his people and said, 'My

dear people,' he said, 'I shall never give you apples again from this

out for ever.' 'Is it so, O dear earthly lord?' said his people; 'why

art thou sorrowful and melancholy with us; it is often thou hast boded

evil for us?' 'It is,' [said Cormac,] 'as I say, and yet, dear people,

what melancholy thing have I said, for though I should not distribute

apples to you with my own hand, yet there shall be some one of you in

my place who will.' He afterwards ordered a watch to be set, and he

called to him the holy, pious, and wise man, Maenach, son of Siadhal

[Shiel], the chief co-arb or successor of Comhghall, and he made his

confession and will in his presence, and he took the body of Christ

from his hand, and he resigned the world in the presence of Maenach,

for he knew that he would be killed in battle, but he did not wish

that many others should know it. He also ordered that his body should

be brought to Cloyne if convenient, but if not to convey it to the

cemetery of Diarmuid, [grand]son of Aedh Roin, where he had studied

for a long time. He was very desirous, however, of being interred at

Cloyne of Mac Lenin. Maenach, however, was better pleased to have him

interred at Disert Diarmada, for that was one of [Saint] Comhghall's

towns, and Maenach was Comhghall's successor. This Maenach, son of

Shiel, was the wisest man of his time, and he now exerted himself much

to make peace, if it were possible, between the men of Leinster and

Munster.

"Many of the forces of Munster deserted unrestrained. There was

great noise, too, and dissension in the camp of the men of Munster

at this time, for they heard that Fiann, son of Malachy [High-king

of Ireland], was in the camp of the Leinster men [helping them] with

great forces of foot and horse. It was then Maenach said, 'Good men of

Munster,' said he, 'you ought to accept of the good hostages I have

offered you to be placed in the custody of pious men till May next,

namely, the son of Caroll, king of Leinster, and the son of the king

of Ossory.' All the men of Munster were saying that it was Flaherty

[the abbot], son of Inmainên alone who compelled them to go [to fight]

into Leinster.

"After this great complaint which they made, they came over Slieve

Mairgé from the west to Leithglinn Bridge. But Tibraidé, successor of

Ailbhé [of Emly], and many of the clergy along with him tarried at

Leithglinn, and also the servants of the army and the horses which

carried the provisions.

"After this trumpets were blown and signals for battle were given

by the men of Munster, and they went forward till they came to

Moy-Ailbhé.[8] Here they remained with their back to a thick wood

awaiting their enemies. The men of Munster divided themselves into

three equally large battalions, Flaherty, son of Inmainên, and

Ceallach, son of Caroll, king of Ossory, over the first division;

Cormac mac Culinan, king of Munster, over the middle division; Cormac,

son of Mothla, King of the Deisi, and the King of Kerry, and the kings

of many other tribes of West Munster, over the third division. They

afterwards came on in this order to Moy-Ailbhe. They were querulous

on account of the numbers of the enemy and their own fewness. Those

who were knowledgeable, that is those who were amongst themselves,

state that the Leinstermen and their forces amounted to three times

or four times the number of the men of Munster or more. Unsteady

was the order in which the men of Munster came to the battle. Very

pitiful was the wailing which was in the battle--as the learned who

were in the battle relate--the shrieks of the one host in the act

of being slaughtered and the shouts of the other host exulting over

that slaughter. There were two causes for which the men of Munster

suffered so sudden a defeat; for Céileachar, the brother of Cingégan,

suddenly mounted his horse and said, 'Nobles of Munster,' said he,

'fly suddenly from this abominable battle, and leave it between the

clergy themselves who could not be quiet without coming to battle,'

and afterwards he suddenly fled accompanied by great hosts. The

other cause of the defeat was: When Ceallach, son of Caroll, saw the

battalion in which were the chieftains of the King of Erin cutting

down his own battalion he mounted his horse and said to his own

people, 'Mount your horses and drive the enemy before you.' And though

he said this, it was not to really fight he said so but to fly.

Howsoever it resulted from these causes that the Munster battalion

fled together. Alas! pitiful and great was the slaughter throughout

Moy-Ailbhe afterwards. A cleric was not spared more than a layman,

there they were all equally killed. When a layman or a clergyman was

spared it was not out of mercy, it was done but out of covetousness,

to obtain a ransom from them, or to bring them into servitude. King

Cormac, however, escaped in the van of the first battalion, but the

horse leaped into a trench and he fell off it. When a party of his

people who were flying perceived this, they came to the King and put

him up on his horse again. It was then he saw a foster son of his own,

a noble of the Eoghanachts, Aedh by name, who was an adept in wisdom

and jurisprudence and history and Latin; and the King said to him,

'Beloved son,' said he, 'do not cling by me, but take thyself out of

it as well as thou canst; I told thee that I should be killed in this

battle.' A few remained along with Cormac, and he came forward along

the way on horseback, and the way was besmeared throughout with much

blood of men and horses. The hind feet of his horse slipped on the

slippery way in the track of blood, and the horse fell right back and

[Cormac's] back and neck were both broken, and he said, when falling,

'In manus tuas, Domine, commendo spiritum meum,' and he gave up the

ghost; and the impious sons of malediction came and thrust spears

through his body, and cut off his head.

"Although much was the slaying on Moy-Ailbhe to the east of the

Barrow, yet the prowess of Leinster was not satiated with it, but they

followed up the rout westwards across Slieve Mairgé, and slew many

noblemen in that pursuit.

"In the very beginning of the battle Ceallach, son of Caroll, king

of Ossory, and his son were killed at once. Dispersedly, however,

others were killed from that out, both laity and clergy. There were

many good clergymen killed in this battle, as were also many kings and

chieftains. In it was slain Fogartach, son of Suibhne [Sweeny], an

adept in philosophy and divinity, King of Kerry, and Ailell, son of

Owen, the distinguished young sage and high-born nobleman, and Colman,

Abbot of Cenn-Etigh, Chief Ollav of the judicature of Erin, and hosts

of others also, quos longum est scribere....

"Then a party came up to Fiann, having the head of Cormac with them,

and 't was what they said to Fiann, 'Life and health, O powerful

victorious king, and Cormac's head to thee from us; and as is

customary with kings raise thy thigh and put this head under it and

press it with thy thigh.' Howsoever Flann spoke evil to them, it was

not thanks he gave them. 'It was an enormous act,' said he, 'to have

taken off the head of the holy bishop, but, however, I shall honour

it instead of crushing it.' Fiann took the head into his hand and

kissed it, and carried thrice round him the consecrated head of the

holy bishop and martyr. The head was afterwards honourably carried

away from him to the body where Meaenach, son of Shiel, successor of

Comhghall, was, and he carried the body of Cormac to Castledermot,

where it was honourably interred, and where it performs signs and

miracles.

"Why should not the heart repine and the mind sicken at this enormous

deed; the killing and the mangling with horrid arms of this holy man,

the most learned of all who came or shall come of the men of Erin for

ever? The complete master in Gaedhlic and Latin, the archbishop most

pious, most pure, miraculous in chastity and prayer, a proficient in

law and in every wisdom, knowledge, and science, a paragon of poetry

and learning, a head of charity and every virtue, a sage of education,

and head-king of the whole of the two Munster provinces in his time!"

Gormly, the betrothed, but afterwards repudiated wife of Cormac, was

also a poet, and there are many pieces ascribed to her. She was, as I

mentioned, married to Caroll king of Leinster, who was severely wounded

in this battle. He was carried home to be cured in his palace at Naas,

and Gormly the queen was constant in her attendance on him. One day,

however, as Caroll was becoming convalescent he fell to exulting over

the mutilation of Cormac at which he had been present. The queen, who

was sitting at the foot of his bed, rebuked him for it, and said that

the body of a good man had been most unworthily desecrated. At this

Caroll, who was still confined to bed, became angry and kicked her over

with his foot in the presence of all her attendants and ladies.

As her father, the High-king, would do nothing for her when she

besought him to wipe out the insult, and procure her reparation from

so unworthy a husband, her young kinsman Niall Glún-dubh, or the

Black-Kneed, took up her cause, and obtained for her a separation

from her husband and restoration of her dowry. When her husband was

killed, the year after this, by the Danes, she married Niall, who in

time succeeded to the throne as High-king of all Ireland, and who was

one of the noblest of her monarchs. He was slain in the end by the

Danes, and the monarchy passed away from the houses both of her father

and her husband, and she, the daughter of one High-king, the wife of

another, bewails in her old age the poverty and neglect into which

she had fallen. She dreamt one night that King Niall stood beside her,

and she made a leap forwards to clasp him in her arms, but struck

herself against the bed-post, and received a wound from which she never

recovered.[9] Many of her poems are lamentations on her kinsman and

husband Niall. They seem to have been current amongst the Highland as

well as the Irish Gaels, for here is a specimen jotted down in phonetic

spelling by the Scotch Dean Macgregor about the year 1512:

"Take, grey monk, thy foot away,

Lift it off the grave of Neill!

Too long thou heapest up the clay

On him who cannot feel.[10]

Monk, why must thou pile the earth

O'er the couch of noble Neill?

Above my friend of gentle birth

Thou strik'st a churlish heel.

Let him be, at least to-night,

Mournful monk of croaking voice,

Beneath thee lies my heart's delight,

Who made me to rejoice.

Monk, remove thy foot, I say!

Tread not on the sacred ground

Where he is shut from me away,

In cold and narrow bound!

I am Gormly--king of men

Was my father, Flann the brave.

I charge thee, stand thou not again,

Bald monk, upon his grave."

Another poet of the ninth century was Flanagan, son of Ceallach, king

of Bregia. He is quoted by the "Four Masters."[11] One poem of his, of

112 lines, on the deaths of the kings of Ireland, is preserved in the

Yellow Book of Lecan.

Mailmura, of Fahan, whom the "Four Masters" call a great poet, was a

contemporary of his, and wrote a poem on the Milesian Migrations.[12]

Several other poets lived in the ninth century, the chief of whom was

probably Flann mac Lonáin, for the "Four Masters" in recording his

death style him "the Virgil of the Scottic race, the chief ollamh of

all the Gaels, the best poet that was in Ireland in his time." Eight of

his poems, containing about one thousand lines, have survived. He was

from the neighbourhood of Slieve Echtgé, or Aughty, in South Connacht.

One of his poems records how Ilbrechtach the harper was travelling over

these barren mountains along with the celebrated poet Mac Liag, and,

as they paused to rest on Croghan Head, Mac Liag surveyed the prospect

beneath him, and said, "Many a hill and lake and fastness is in this

range; it were a great topographical knowledge to know them all." "If

Mac Lonáin were here," said the harper, "he could name them all, and

give the origin of their names as well." "Let this fellow be taken and

hanged," said Mac Liag. The harper begged respite till next day, and in

the meantime Mac Lonáin comes up and recites a poem of one hundred and

thirty-two lines beginning--_Aoibhinn aoibhinn Echtgé árd_.

Amongst other things, he relates that he met a Dalcassian--_i.e._, one

of Brian Boru's people from Clare--at Moy Finé in Galway, who had just

finished serving twelve months with a man in that place, from whom he

had received a cow and a cloak for payment. On his way home to the

Dalcassians with his cloak and his cow he met the poet, and said to

him--

"'Sing to me the history of my country,

It is sweet to my soul to hear it.

Thereupon I sang for him the poem,

Nor did he show himself the least loath:

All that he had earned--not mean nor meagre--

To me he gave it without deduction.

The upright Dalcassians heard of this,

They received him with honour in their assembly;

They gave to him--the noble race--

Ten cows for every quarter of his own cow.'"

Mac Lonáin was the contemporary of Cormac mac Culinan, whom he

eulogises.

Some other poets of great note flourished during the Danish period,

such as Cormac "an Eigeas," who composed the celebrated poem to

Muircheartach, or Murtagh of the Leather Cloaks,[13] son of the Niall

so bitterly lamented by Gormly, on the occasion of his marching round

Ireland, when he set out from his palace at ancient Aileach near

Derry, and returned to it again after levying tribute and receiving

hostages from every king and sub-king in Ireland. This great O'Neill

well deserved a poet's praise, for having taken Sitric, the Danish

lord of Dublin, Ceallachan of Munster, the king of Leinster, and

the royal heir of Connacht as hostages, he, understanding well that

in the interests of Ireland the High-kingship should be upheld,

positively refused to follow the advice of his own clan and march on

Tara, as they urged, to take hostages from Donagh the High-king. On

the contrary, he actually sent of his own accord all those that had

been given him during his circuit to this Donagh as supreme governor

of Ireland. Donagh, on his part, not to be out-done in magnanimity,

returned them again to Murtagh with the message that he, into whose

hands they had been delivered, was the proper person to keep them. It

was to commemorate this that Cormac wrote his poem of two hundred and

fifty-six lines:--

_"A Mhuircheartaigh Mheic Néill náir_

_Ro ghabhais giallu Inse-Fáil."_[14]

But the names of the poets Cinaeth or Kenneth O'Hartigan, and Eochaidh

O'Flynn, are the most celebrated amongst those of the tenth century.

Allusions to and quotations from the first, who died in 975, are

frequent, and nine or ten of his poems, containing some eight hundred

lines, have been preserved perfect for us. Of O'Flynn's pieces,

fourteen are enumerated by O'Reilly, containing in the aggregate

between seventeen and eighteen hundred lines. In them we find in

verse the whole early and mythical history of Ireland. We have, for

instance, one poem on the invasion of Partholan; one on the invasion

of the Fomorians; another on the division of Ireland between the sons

of Partholan; another on the destruction of the tower of Conaing and

the battles between the Fomorians and the Nemedians; another on the

journey of the Nemedians from Scithia and how some emigrated to Greece

and others to Britain after the destruction of Conairé's tower; another

on the invasion of the sons of Milesius; another on the history of

Emania built by Cimbaeth some three hundred years before Christ, up

to its destruction by the Three Collas in the year 331. This poet

in especial may be said to have crystallised into verse the mythic

history of Ireland with the names and reigns of the Irish kings, and

to have thrown them into the form of real history. O'Clery, in his

celebrated Book of Invasions, has drawn upon him very largely, quoting,

often at full length, no less than twelve of his poems. Hence many

people believe that he was one of the first to collect the floating

tribe-legends of very early Irish kings, and the race-myths of the

Tuatha De Danann and their contemporaries, and that he cast them into

that historical shape in which the later annalists record them, by

fitting them into a complete scheme of genealogical history like that

of the Old Testament. But whether all these things had taken solid

shape and form before he versified them anew we cannot now decide.

According to O'Reilly and O'Curry this poet died in 984, nine years

after O'Hartigan; but M. d'Arbois de Jubainville remarks that he has

been unable to find out any evidence for fixing upon this date.

A little later lived Mac Liag, whom Brian Boru elevated to the

rank of Arch-Ollamh of Erin, and who lived at his court at Kincora

in the closest relationship to him and his sons. He has been

credited--erroneously according to O'Curry--with the authorship

of a Life of Brian Boru, which unfortunately has perished, only a

single ancient leaf, in the hand-writing of the great antiquary Mac

Firbis, surviving. Several of his poems, however, are preserved,[15]

containing between twelve and thirteen hundred lines in all, and are

of the highest value as throwing light both on the social state and

the policy of Ireland under Brian. One of his poems gives a graphic

description of the tribute of Ireland being driven to Brian at his

palace in Kincora in the present county of Clare. The poet went out

from the court to have a look at the flocks and herds, and when he

returned he said to the King, "Here comes Erin's tribute of cows to

thee, many a fat cow and fat hog on the plain before thee." "Be they

ever so many," said the King, "they shall be all thine, thou noble

poet." Amongst the other part of the tribute which the poet describes

as coming in to Brian were one hundred and fifty butts of wine from the

Danes of Dublin, and a tun of wine for every day in the year from the

Danes of Limerick. He describes Brian as sitting at the head of the

great hall of Kincora,[16] the king of Connacht sat on his right hand

and the king of Ulster on his left; the king of Tir-Eóghain [Tyrone]

sat opposite to him. At the door-post nearest to Brian sat the king

of Leinster, and at the other post of the open door sat Donough, son

of Brian, and Malachy,[17] king of Meath. Murrough, the king's eldest

son who died so valiantly at Clontarf, sat in front of his father with

his back turned to him, with Angus, a prince of Meath, and the king of

Tirconnell on his left. One of his poems ends with two complimentary

stanzas to Brian Boru, his son Murrough, his nephew Conaing, and Tadhg

[Teig] O'Kelly, the king of Ui Máine--all four of whom a short time

afterwards were left stiff and stark upon the field of Clontarf.

The shadow of the bloody tragedy there enacted hangs heavily over all

Mac Liag's later poems and those of his contemporaries, and there are

few more pathetic pieces in the language than his wail over Kincora

left desolate by the death of almost every chieftain who had gone

forth from it to meet the Danes.

"Oh where, Kincora, is Brian the great!

Oh, where is the beauty that once was thine!

Oh, where are the princes and nobles that sate

At the feast in thy halls, and drank the red wine.[18]

Where, oh, Kincora?

* * * * *

And where is the youth of majestic height,

The faith-keeping prince of the Scots? Even he

As wide as his fame was, as great as his might,

Was tributary, oh, Kincora, to me!

Me, oh, Kincora.

They are gone, those heroes of royal birth,

Who plundered no churches, who broke no trust;

'Tis weary for me to be living on earth

When they, oh, Kincora, lie low in the dust!

Low, oh, Kincora."[19]

In the same strain does Mac Gilla Keefe,[20] another contemporary poet,

lament, in a piece which, according to a manuscript quoted by Hardiman,

called the "Leabhar Oiris," he composed when in the north of Greece,

whither he had travelled in the itinerant Milesian manner on his way to

try if he could find the site of Paradise. The poem begins:--

"Mournful night! and mournful WE!

Men we BE who know no peace.

We no GOLD for STRAINS of PRIDE

HOLD this SIDE the PLAINS of Greece."[21]

"'I remember my setting my face to pay a visit to Brian (Boru) and he

at that time feasting with Cian, the son of Mulloy,[22] and he thought

it long my being absent from him.'

"'God welcome you back to us,' cried Cian, 'O learned one, who comest

[back from the north] from the House of O'Neill. Poet, your wife is

saying that you have almost altogether forsaken your own house.'

"'You have been away for three quarters of year, except from yesterday

to to-day.' 'Why that,' said Murrough, son of Brian, 'is the message

of the raven from the ark!'

"'[Come now] tell us all the wealth you have brought from the north,'

said Brian, the High-king of the host of Carn i Neid, 'tell the nobles

of the men of Innisfail, and swear by my hand that you tell no lie.'

"'By the King who is above me,' [said I], 'this is what I brought from

the north, twenty steeds, ten ounces of gold, and ten score cows of

cattle.'

"'[Why] we, the two of us, shall give him more steeds and more cattle

[than that] without speaking of what Brian will give,' said Cian, the

son of Mulloy.

"'[And] by the King of Heaven who has brought me into silence this

night, and who has darkened my brightness, I got ten times as much as

that at the banquet before Brian lay down.

"'I got seven town-lands, Oh, King of the Kings, who hast sent me from

the west, and a half town-land [besides] near every palace in which

Brian used to be.'

"Said Murrough, good son of Brian, 'To-morrow'--and it was scarce

sensible for him--'as much as you have got last night you shall get

from me myself, and get it with my love.'"[23]

Mag Liag was not at Clontarf himself, but his friend and fellow-poet,

Errard mac Coisé [Cŭsha] was in the train of Malachy, king of Meath,

to whom he was then attached. This poet gave Mac Liag a minute account

of the battle, and Mac Liag himself visited the spot before the slain

had been interred, as we see from another of his poems. In a kind of

dialogue between him and Mac Coisé he makes the latter relate to him

the names of the fallen, and describe the positions in which their dead

bodies were found upon the battlefield. It is exceedingly probable

that it was Mac Liag, perhaps with Mac Coisé's aid, who compiled that

most valuable chronicle called the "Wars of the Gael with the Gaill,"

_i.e._, of the Irish with the Northmen.[24] This narrative bears both

external and internal evidence of its antiquity, for there is a portion

of it preserved in the Book of Leinster, a MS. of about the year 1150.

"The author," says Dr. Todd, who has edited it,[25] "was either

himself an eye-witness of the battle of Clontarf, or else compiled his

narrative from the testimony of eye-witnesses." It is edited in 121

chapters, and is sufficiently long to fill over a hundred of these

pages. Beginning with the earliest Danish invasion at the close of

the eighth century, it traces the progress of the Northmen in forty

chapters up to the time when Mathgamhain [Mahon] and Brian were ruling

over the Dalcassians. After that the book concerns itself chiefly with

the history of Brian, describing the deaths of his brother Mahon, and

the revenge he took, and his gradual but irregular attainment of the

High-kingship, he being the first of the race of Eber who had reached

this dignity for hundreds of years. The distress suffered by the Irish

at the hands of the white foreigners (the Norwegians) and the black

foreigners (the Danes)--who, by the way, were bitter enemies and often

fought with each other, even on Irish soil--is graphically described.

The Northmen put, says the writer,

"a king [of their own] over every territory, and a chief over every

chieftaincy, and an abbot over every church, and a steward over every

village, and a soldier in every house, so that none of the men of Erin

had power to give even the milk of his cow, or as much as the clutch

of eggs of one hen in succour or in kindness to an aged man or to a

friend, but was forced to preserve them for this foreign steward or

bailiff or soldier. And though there were but one milk-giving cow in

the house, she durst not be milked for an infant of one night, nor for

a sick person, but must be kept for the steward or bailiff or soldier

of the foreigners. And however long he might be absent from the house

his share or his supply durst not be lessened: although there were in

the house but one cow, it must be killed for the meal of one night, if

the means of supply could not be otherwise procured....

"In a word," continues the writer in a strain of characteristic

hyperbole, "although there were an hundred sharp, ready, cool,

never-resting, brazen tongues in each head, and a hundred garrulous,

loud-unceasing voices from each tongue, they could not recount nor

narrate, nor enumerate, nor tell, what all the Gael suffered in

common, both men and women, laity and clergy, old and young, noble and

ignoble, of hardship and of injury, and of oppression in every house,

from these valiant, wrathful, foreign, purely-pagan people.

"And though numerous were the oft-victorious clans of the

many-familied Erin," yet could they do nothing against the "untamed,

implacable hordes by whom that oppression was inflicted, because

of the excellence of their polished, ample, treble-heavy, trusty,

glittering corslets, and their hard, strong, valiant swords, and

well-rivetted long spears, and ready brilliant arms of valour,

besides; and because of the greatness of their achievements and of

their deeds, their bravery, their valour, their strength, their venom,

and their ferocity, and because of the excess of their thirst and

their hunger for the brave, fruitful, nobly-inhabited, smooth-plained,

sweet-grassy land of Erin, full of cataracts, rivers, bays."

The book ends with the battle of Clontarf and the "return from

Fingall," _i.e._, the march of the Dalcassians to their homes in

Munster. The death of Brian in this great battle fought on Good Friday,

the 23rd of April,[26] 1014, is thus described:--

DEATH OF BRIAN BORUMHA AT CLONTARF.

"As for Brian, son of Cenneidigh [Kennedy], when the battalions joined

arms in the battle, his skin was spread for him, and he opened his

psalter and joined his hands, and began to pray after the battle had

commenced, and there was no one with him but his own attendant, whose

name was Latean (from whom are the O'Lateans still in Munster.)[27]

Brian said to the attendant, 'Look thou at the battalions and the

combat whilst I sing the psalms.' He sang fifty psalms and fifty

prayers and fifty paternosters, and after that he asked the attendant

how were the battalions. And the attendant answered, 'Mixed and

closely confronted are the battalions, and each of them has come

within the grasp of the other, and not louder on my ears would be the

echo of blows from Tomar's wood if seven battalions were cutting it

down, than the thud-blows on heads and bones and sculls between them.'

And he asked how was Murchadh's [Murrough's son's] standard, and the

attendant said, 'It stands, and many of the banners of the Dál Cais

[North Munster, _i.e._, Brian's own men] around it, and many heads

thrown to it, and a multitude of trophies and spoils with heads of

foreigners are along with it.' 'That is good news indeed,' said Brian.

"His skin cushion was readjusted beneath him, and he sang the psalms

and the prayers and the paters as before, and he again asked the

attendant how the battalions were, and the attendant answered and

said, 'There is not living on earth the man who could distinguish one

from the other, for the greater part of the hosts on each side are

fallen, and those who are alive are so covered with spatterings of

crimson blood and armour, that a man could not know his own son--they

are so intermingled.' He then asked how was Murchadh's standard. The

attendant said it was far from him, and that it passed through the

battalions westward, and was still standing. Brian said, 'The men of

Erin will be well,' said he, 'so long as that standard stands, for

their courage and valour shall remain in them all, so long as they can

see that standard.'

"His cushion was readjusted under Brian, and he sang fifty psalms

and fifty prayers and fifty paters, and all that time the fighting

continued. After that he again asked the attendant how went the

battalions, and the attendant answered, 'It is like as if Tomar's wood

were after burning its undergrowth and young trees, and that seven

battalions had been for six weeks cutting them down, and it with its

stately trees and huge oaks still standing, just so are the battalions

on both sides, after the greater part of them have fallen leaving but

a few valiant heroes and great chieftains still standing. So are

the battalions on both sides pierced and wounded and scattered, and

they are disorganised all round like the grindings of a mill turning

the wrong way; and the foreigners are now defeated, and Murchadh's

standard is fallen.' 'That is piteous news,' said Brian; 'by my word,'

said he, 'the generosity and valour of Erin fell when that standard

fell; and truly Erin has fallen of that, for there shall never come

after him a champion like him. And what the better were I though I

should escape this, and though it were the sovereignty of the world I

should attain, after the fall of Murchadh and Conaing and the other

nobles of the Dál Cais.'

"'Woe is me,' said the attendant, 'if thou wouldst take my advice thou

wouldst get thee to thy horse, and we would go to the camp and remain

there amongst the gillies, and every one who comes out of the battle

will come to us, and round us they will rally, for the battalions are

now mixed in confusion, and a party of the foreigners have rejected

the idea of retreating to the sea, and we know not who shall come to

us where we now are.'

"'Oh God; boy,' said Brian, 'flight becomes me not, and I myself know

that I shall not go from here alive, and what should it profit me

though I did, for Aoibheall [Eevil][28] of Craig Liath [Lee-a], came

to me last night,' said he, 'and she told me that the first of my sons

whom I should see this day would be he who should succeed me in the

sovereignty, and that is Donough,[29] and go thou OLatean,' said he,

'and take these steeds with thee, and receive my blessing and carry

out my will after me, that is to say, my body and soul to God and to

St. Patrick, and that I am to be carried to Armagh, and my blessing

to Donough for discharging my last bequests after me, that is to say,

twelve score cows to be given to the co-arb of Patrick and the Society

of Armagh, and their own proper dues to Killaloe and the Churches of

Munster, and he knows that I have not wealth of gold or silver, but

he is to pay them in return for my blessing and for his succeeding

me. Go this night to Sord [Swords] and desire them to come to-morrow

early for my body, and to convey it thence to Damhliag of Cianan,

and then let them carry it to Lughmhagh [Loo-wā, _i.e._, Louth], and

let Maelmuiré mac Eochadha, the co-arb of Patrick and the Society of

Armagh come to meet me at Lughmhagh.'

"While they were engaged in this conversation the attendant perceived

a party of the foreigners approaching them. The Earl Brodar was there

and two warriors along with him.

"'There are people coming towards us here,' said the attendant.

"'What kind of people?' said Brian.

"'Blue stark-naked people,' said the attendant.

"'My woe,' said Brian, 'they are the foreigners of the armour, and it

is not for good they come.'

"While he was saying this he arose and stepped off his cushion and

unsheathed his sword. Brodar passed him by and noticed him not. One

of the three who were there and who had been in Brian's service

said '_Cing, Cing_!' said he, that is, 'This is the king.' '_No,

no! but príst príst_,' says Brodar, 'not he,' said he, 'but a noble

priest.' 'By no means,' said the soldier, 'but it is the great king

Brian.' Brodar then turned round and appeared with a bright gleaming

battle-axe in his hand, with the handle set in the middle [of the

head]. When Brian saw him he looked intently at him, and gave him a

sword-blow that cut off the left leg at the knee and the right leg at

the foot. The foreigner gave Brian a stroke which crushed his head

utterly, and Brian killed the second man that was with Brodar, and

they fell mutually by each other.

"There was not done in Erin, since Christianity--except the beheading

of Cormac mac Culinan--any greater deed than this. He was, in

sooth, one of the three best that ever were born in Erin, and one

of the three men who most caused Erin to prosper, namely, Lugh the

Long-handed, and Finn mac Cúmhail [Cool], and Brian, son of Kennedy;

for it was he that released the men of Erin and its women from the

bondage and iniquity of the foreigners and the pirates. It was he that

gained five-and-twenty battles over the foreigners, and who killed

them and banished them.... In short, Erin fell by the death of Brian."

The "War of the Gael with the Gaill" appears to me to be a book which

throws a strong light upon the genesis and value of the historical

saga of Ireland. Here is a real historical narrative of unquestionable

authority, and of the very highest value for the history of these

countries, which is contemporaneous,[30] or almost so, with the events

which it relates. Its accuracy on matters of fact have been abundantly

proved from Danish as well as from Irish sources. And yet the whole

account is dressed up and bedizened in that peculiarly Irish garb which

had become stereotyped as the dress of Irish history. It contains the

exaggeration, the necessary touch of the marvellous, and above all the

poetry, without which no Irish composition could hope for a welcome.

First as to the exaggeration: the whole piece is full of it. A good

example is the description of the armies meeting on Clontarf:--

"It will be one of the wonders of the day of judgment to relate the

description of this tremendous onset. There arose a wild, impetuous,

precipitate, furious, dark, frightful, voracious, merciless,

combative, contentious vulture, screaming and fluttering over their

heads. There arose also the Bocanachs and the Bananachs and the wild

people of the glens, and the witches and the goblins and the ancient

birds, and the destroying demons of the air and firmament, and the

feeble demoniac phantom host, and they were screaming and comparing

the valour and combat of both parties."

The reader expected some traditional flourish such as this, and the

essential truth of the narrative is no whit impaired by it.

Nor does the miraculous episode of Dunlang O'Hartigan, fresh from the

embraces of the fairy queen, foretelling to Murrough that he must fall,

detract from the truth that he does fall. Dunlang had promised Murrough

not to abandon him, and he appears beside him on the very eve of the

battle. Murrough gently reproaches him and says:--

"'Great must be the love and attachment of some woman for thee which

has induced thee to abandon me.' 'Alas, O King,' answered Dunlang,

'the delight which I have abandoned for thee is greater, if thou didst

but know it, namely, life without death,[31] without cold, without

thirst, without hunger, without decay, beyond any delight of the

delights of the earth to me, until the judgment, and heaven after the

judgment, and if I had not pledged my word to thee I would not have

come here, and, moreover, it is fated for me to die on the day that

thou shalt die.'

"'Shall I receive death this day then?' said Murrough.

"'Thou shalt, indeed,' said Dunlang, 'and Brian and Conaing shall

receive it, and almost all the nobles of Erin, and Turlough thy son.'

"'That is no good encouragement to fight,' said Murrough, 'and if we

had had such news we would not have told it to _thee_, and moreover,'

said Murrough, 'often was I offered in hills, and in fairy mansions,

this world and these gifts, but I never abandoned for one night my

country nor mine inheritance for them.'"

Some such touch as this, of the weird and the miraculous, the reader

also expected.

As for poetry, the whole piece is full of it. It contains over five

hundred lines of verse, in poems attributed to Brian Boru himself and

his brother Mahon, to Maelmhuadh or Molloy, who so treacherously slew

Mahon, to the sister of Aedh Finnliath [Finleea], king of Ireland in

869;[32] to Cormac mac Culinan, the king-bishop; to Cuan O'Lochain,

a great poet who died in 1024; to Beg mac Dé the prophet, and to

Columcille, his contemporary; to Colman mac Lenin, the poet-saint; to

Gilla Mududa O'Cassidy, a poet contemporaneous with Mac Liag; to Mac

Liag himself; to Gilla Comgaill O'Slevin, inciting O'Neill against

Brian; to a poet called Mahon's blind man; to St. Bercan the prophet;

to an unnamed cleric, and to at least six anonymous poets.

I have dwelt at some length upon these peculiarities of composition,

because I wish to lay stress on the fact that the narrative form and

the romantic dress in which the early history of Ireland is preserved

(through the medium of sagas) need not detract from its substantial

veracity. We can prove the minute accuracy of the Clontarf story

and there seems scarcely more reason to doubt that of the battle of

Moyrath, fought in Adamnan's time, or possibly the _substantial_

accuracy of the battles of Cnoca, or of Moy Léana; we must, however,

remember that with each fresh redaction, fresh miraculous agencies, and

fresh verbiage were added.

The battle of Clontarf put an end to the dream of a Danish kingdom

in Ireland, and though numerous bodies of the Northmen remained in

their sea-coast settlements, and continued for many years after this

to give much trouble, yet it put a stop to all further invasion from

their mother country, and once more the centres of Irish learning and

civilisation could breathe freely.

[1] It was not he, however, who built Cormac's Chapel at Cashel, but

Cormac Mac Carthy, in the twelfth century. I am not sure whether Cashel

had been formed into an archiepiscopal see at this time, but he is

certainly called bishop of Cashel.

[2] The celebrated Vocabularius S. Galli was, according to Zimmer, the

work of an Irish monk.

[3] Leabhar na gCeart.

[4] It has been most carefully edited and translated in a large volume

by O'Donovan for the Celtic Society, in 1847.

[5] 903 according to the "Four Masters."

[6] From the fragment copied by Duald Mac Firbis in 1643 from a vellum

MS. of Mac Egan of Ormond, a chief professor of the old Brehon Law,

a MS. which was so worn as to be in places illegible at the time Mac

Firbis copied it; published by O'Donovan for the Archæological Society.

I have altered O'Donovan's translation very slightly.

[7] In Irish, "Flaithbheartach."

[8] The plain where this battle of Bealach Múghna or Ballaghmoon was

fought is in the very south of the county Kildare, about 2½ miles to

the north of the town of Carlow.

[9] So it is stated in Mac Echagain's Annals of Clonmacnois, but

O'Curry thinks this is a mistake and that she did recover.

[10] The first verse runs thus in modern Gaelic:

"Beir a mhanaigh leat do chos

Tóg anois i de thaoibh Néill

Is ró mhór chuiris de chré

Ar an té le' luidhinn féin."

See p. 75 of the Gaelic part of the book of the Dean of Lismore.

Literally: "Monk, remove thy foot, lift it off the grave of Niall, too

long heapest thou the earth on him by whom I fain would lie!

"Too long dost thou, O monk there, heap the earth on noble Niall. Go

gently, brown friend, press not the earth with thy sole.

"Do not firmly close the grave; sorrowful, cleric, is thy office; lift

[thy foot] off the bright Niall Black-knee; monk, remove thy foot!

"The son of the descendant of Niall of the white gold, 'tis not of my

will that he is bound [in the grave]; let his grave and stone be left:

monk, remove thy foot!

"I am Gormly, who compose the verse; daughter of hardy Flann. Stand not

upon his grave! Monk, remove thy foot!"

[11] One of his pieces, quoted by the "Four Masters," shows he was a

true poet. It is on the death of the king, Aedh Finnliath, who died in

877, and runs thus:--

"Long is the wintry night,

With fierce gusts of wind,

Under pressing grief we have to encounter it,

Since the red-speared king of the noble house lives no longer.

It is awful to observe

The waves from the bottom heaving,

To these may be compared

All those who with us lament him."

_See_ O'Curry's "Manners and Customs," vol. ii. p. 96, and "Four

Masters" _sub anno._

[12] Published by the Irish Archæological Society in the "Irish

Nennius," in 1847.

[13] Na gcochal croicinn.

[14]

"O Muircheartach, son of noble Niall,

Thou hast taken hostages of Inisfail."

[15] The "Four Masters" thought so highly of Mac Liag's poetry that

they actually go out of their way to record both the first verse he

ever composed and the last. An extraordinary compliment!

[16] Or Kancora, in Irish _Ceann Coradh--i.e._, "the head of the weir."

[17] In Irish "Maelsheachlainn," often contracted into the sound of

"M'louglinn," and now always Anglicised Malachy.

[18] Thus Mangan; in the original--

"A Chinn-Choradh, caidhi Brian,

No caidhi an sciamh do bhi ort;

Caidhi maithe no meic righ

Ga n-ibhmís fín ad port?"

[19] Literally: "O Kincora, where is Brian? or where is the splendour

that was upon thee? Where are the nobles and the sons of kings with

whom we used to drink wine in thy halls.... Where is the man most

striking of size, the son of the king of Alba who never forsook us?

Although great were his valour and his deeds, he used to pay tribute to

me (the poet), O Kincora.... They have gone, side by side, the sons of

kings who never plundered church; there shall never be their like in

the world again, so in my wisdom I testify, O Kincora."

_See_ Hardiman's "Irish Minstrelsy," vol. ii. p. 196, where the text

of this poem is published, with a fearful metrical translation which,

under the influence of Macpherson, calls the Dalcassian princes "the

flower of Temora"! which, however, is advantageously used to rhyme with

Kincora!

[20] In Irish: "Mac Giolla Caoimh."

[21] This verse is an imitation of the original, which runs--

"Uathmhar [i] an oidhche _anocht_

A chuideacht [fhíor-]_bhocht_ gan bhréig,

Crodh ni SA[O]ILTÎ dh[ao]ibh air DHUAN

Air an TTAOIBHSI THUAIDH do'n nGréig."

_See_ Hardiman's "Irish Minstrelsy," vol. ii. p. 202, where a poetical

version of this lyric is given in the metre of Campbell's "Exile of

Erin"! He does not say from what MS. he has taken this poem. O'Curry is

silent on Mac Gilla Keefe, but O'Reilly mentions another poem of his on

the provinces of Munster.

[22] In Irish, "Maolmhuadh."

[23] I am not sure that I have translated this correctly.

"Do rádh Murchadh deagh-mhac Bhriain

Air na mhárach, 's níor chiall uaidh

Uiriod a bhfuairís aréir

Geabhair uaim féin's ni air th-fhuath."

[24] Charles O'Conor ascribes it to him, but neither Keating, the "Four

Masters," nor Colgan, who all make use of it, mention a word about the

author.

[25] In the "Master of the Rolls" Series, in 1867. "That the work was

compiled from contemporary materials," says Dr. Todd, "may be proved

by curious incidental evidence. It is stated in the account given of

the Battle of Clontarf that the full tide in Dublin Bay on the day of

the battle (23rd April, 1014) coincided with sunrise, and that the

returning tide at evening aided considerably in the defeat of the

enemy. It occurred to the editor, on considering this passage, that a

criterion might be derived from it to test the truth of the narrative

and of the date assigned by the Irish Annals to the Battle of Clontarf.

He therefore proposed to the Rev. Samuel Haughton, M.D., Fellow of

Trinity College, and Professor of Geology in the University of Dublin,

to solve for him this problem: 'What was the hour of high water at the

shore of Clontarf in Dublin Bay on the 23rd of April, 1014.' The editor

did not make known to Dr. Haughton the object he had in view in this

question, and the coincidence of the result obtained with the ancient

narrative is therefore the more valuable and curious."

Dr. Haughton read a paper on the mathematics of this complex and

difficult question before the Royal Irish Academy, in May, 1861, in

which he proved that the tide--a neap tide--was full along the Clontarf

shore at about 5h. 30m. a.m., and that the evening tide was full in

about 5h. 55m. p.m. "The truth of the narrative," says Dr. Todd, "is

thus most strikingly established. In the month of April the sun rises

at from 5h. 30m. to 4h.30m. The full tide in the morning therefore

coincided nearly with sunrise; a fact which holds a most important

place in the history of the battle, and proves that our author if not

himself an eye-witness, must have derived his information from those

who were. 'None others,' as Dr. Haughton observes, 'would have invented

the fact that the battle began at sunrise and that the tide was then

full in. The importance of the time of tide became evident at the close

of the day, when the returned tide prevented the escape of the Danes

from the Clontarf shore to the north bank of the Liffey.'"

[26] An ancient Irish missal preserved in the Bodleian contains this

petition for the Irish king and his army, in its Litany for _Easter

Eve_: "Ut regem Hibernensium et exercitum ejus conservare digneris--ut

eis vitam et sanctitatem atque victoriam dones." If this missal is

posterior to 1014 it must have been the reminiscence of Clontarf which

inspired the prayer for the day following the battle. If the missal is

older than the battle, then the coincidence is curious. The prayer was

just a day late. The same missal mentions in its Litanies the names

Patrick, Brendan, Brigit, Columba, Finnian, Ciaran, and St. Fursa, and

contains collect, secret and post communion pro rege [for the Irish

king].

[27] Evidently the interpolation of a copyist.

[28] The family _banshee_ of the Royal house of Munster.

[29] In Irish, Donnchadh, pronounced "Dunnăχa," as Murchadh is

pronounced "Murrăχa," in English Murrough.

[30] It is edited from the Book of Leinster, a MS. which was copied

about 1150, which contains the first 28 chapters, from a vellum of

about two centuries later, which wants five chapters at the beginning

and eight at the end, and from a perfect transcript made by the

indefatigable Brother Michael O'Clery in 1635 "out of the book of

Cuconnacht O'Daly," who died according to the "Four Masters," in 1139.

[31] _I.e._, Beside his fairy lover. This incident is greatly expanded

in the modern MS. story of the Battle of Clontarf, of which there

exist numerous copies; in these the gliding of history into romance is

very apparent. In the modern version the fairy Aoibheall is introduced

begging O'Hartigan not to fight and promising him life and happiness

for two hundred years if he will put off fighting for only one day.

"A Dhunlaing seachain an cath

Gus an mhaidin amárach.

Geobhair da chéad bliadhan de ré

Agus seachain cath aon-laé."

[32] This is genuine, and is also quoted by the "Four Masters" and

O'Clery in his Book of Invasions. Probably all the poems are genuine

except the prophecies and the pieces put into the mouths of the actors,

that is of Brian, Mahon, Molloy, and the cleric. These were probably

composed by the writer of the history.

A Literary History of Ireland, from Earliest Times to the Present Day · 第 32 / 44 章