34. Hobbes, "Leviathan," Chapter II; cf. Compound imagination.

35. Freud, "Selected Papers on Hysteria and other Psychoneuroses;" trans.

A. A. Brill, Monograph, Journ. Nerv. and Ment. Dis. Co., 1909, New York; pp.

5, and 177.

36. Spencer's conception of the escapement of nervous excitation is

fundamental in connection with the dream theory here sketched: see the

essays on Laughter and on Music, also many passages in the Synthetic

Philosophy (Biology, Psychology). This conception is not to be confused with

Janet's idea of "derivation," as stated in "Obsessions et Psychasthenie."

The present formulation of the meaning of "apperceptive delay" in dreaming

is based on the neurographic hypothesis, ("The Unconscious," Chapt. V.), and

may be more precisely stated as follows:--

In the given instance, the original or primary neurogram possessed a certain

passive inertia in responding to the stimulus, and it took a relatively long

time for the excitation to raise the neurogic tonus of this primary

neurogram so as to attain the level requisite for conscious imagination. But

it was otherwise with the secondary or sequential neurograms, whose inertia

had already been overcome by the facilitation (Bahnung) of the recent

conversation about scratch-reflexes. For these neurograms to flash their

imaged (conscious) equivalents into the dream-thought, it was enough that

there should be a slight spill-over of excitation from the original

neurogram.

Many examples could be cited from dreams, drowsy states and lapses of

thought, showing the ways in which sequential neurograms produce trial

apperceptions, pending the final revelation, through consciousness, of the

original neurogram. The phenomenon of mental groping, here alluded to, is

familiar in certain aspects; but, as an explanation of cryptic dreams, has

not received the recognition that it deserves. Hence, the trial-and-error

theory of dreams.

37. "Perplex," neologism of the writer; used to indicate a phenomenon

frequent in both normal and psychopathic subjects; to wit, a group of

delimitable stimulus-ideas, persisting as such, and unadjusted--a complex of

persisting and unadjusted stimulus-ideas, demanding resolution; not the same

as "complex" in Psycho-analysis. Cf. Prince's definitions of the varieties

of complexes ("The Unconscious").

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