The Contribution of a Woman

IT is an easy matter to accept upon authority a given scientific theory and

bring to its support certain selected evidence, but quite another to

carefully observe and report phenomena, inspired, influenced and guided

indeed by the scientific-theory but drawing conclusions no wider or deeper

than individual insight warrants. Scientific knowledge advances not by ready

acceptance of theories but by original observation and experiment and the

following study of dreams is offered as fulfilling in some degree the latter

requirement. While there is a certain familiarity on the part of the writer

with the general theory advanced by Freud and with his principles of

interpretation, there is no acquaintance at first hand with his Die

Traumdeutung, the reading of which has been postponed lest there be excess

of influence.

No apology is offered for this invasion of the domain of psychology by a

layman. The laboratory of the mind is open to all and he who has missed

conventional training may yet chance upon valuable facts and their

interpretation. Neither is apology offered for the intimate nature of the

data reported. Belonging as dreams do to the most personal and private life

of the individual it is nevertheless true that continued and careful study

of this form of mentation insensibly alters one's attitude so that at length

the dream appears as a fact of nature, impersonal and objective.

It is a common remark that if one tells his dreams their number will

increase but this increase is probably only apparent. With attention the

products of the dream-self become more accessible until one who is practiced

in introspection can raise the number of his remembered dreams from one in

two or three nights to five, ten, or even fourteen in a single night. Even

at this maximum of remembrance one feels that but a fraction of the mind's

nocturnal activity is recalled. Images emerge in consciousness and fall back

into obscurity before the waking thought can grasp them. Or it may be more

accurate to say that upon awakening consciousness rises from level to level.

It sometimes happens that when first awake I recall several dreams which

vanish utterly as a sudden shifting of consciousness occurs. Then, upon this

new level, a new set of dreams appears. There is reason to believe that in

thinking again of a dream which has once been recalled it is not the

original dream experience which comes to mind but the copy made in the

waking consciousness when it first emerged. On the other hand visions

recognized as dreams belonging to a long past time occasionally float into

the mind giving rise to the suspicion that they have not before reached the

waking consciousness. It is possible that all dreams are recorded in the

depths of the mind, themselves influencing and merging with later dreams.

The number of my dreams recalled and written out during three years closely

approaches five thousand and without doubt the total number far exceeds

this. I am inclined to the belief that constantly, by day as well as by

night, we are dreaming; that unnoticed and independent trains of thought are

carried on. At times when resting if I fall into an abstracted state--not

of set purpose--I find myself in the midst of a stream of thought appearing,

for the moment, perfectly natural, familiar and intelligible, as if I knew

the beginning and end of the matter. But only for a moment will

consciousness remain at this lower level. There is a sudden return to the

normal plane, the passage fades from memory and I wonder what on earth it

was all about. These phases of subconscious activity differ from dreams

proper in the absence of visual images. The ideas are embodied in words,

heard with the mind one might say. The source may be the same as that of the

night visions but it is evident that during the day the incessant

stimulation of the eye from without leaves no opportunity for the emergence

of the secondary visual images pertaining to subconscious ideas, which, we

are told by Dr. Morton Prince, furnish the perceptual elements of the dream.

The other senses are sometimes represented. Often we are performing, or

trying to perform, some action. But dreams are predominantly visual. Goethe

has said, "I believe men only dream that they may not cease to see."

An account of the probable genesis of the memory images not only furnishes a

clue to the mechanism of dreaming but to the underlying conditions as well.

The lowest forms of life possess no image-forming power. They have no sense

organs; sensation is diffused over the entire form and undifferentiated.

Gradually, as the scale of life is ascended, certain parts of the organisms

become specially sensitive to certain stimuli and eventually individual

organs give separate and distinct reports of phenomena. A substance

hitherto merely felt, is seen, heard, smelled, tasted. The passage from

sensation to perception occurs when but one or two of the sense organs are

stimulated by an object, yet, because of nervous connections established

during former more close and complete experience of the object the remaining

sense organs are faintly roused, sending into consciousness copies of former

sensations. Thus the whole is present to mind while but a part to sense. In

the developing brain the store of memory images of various kinds would

rapidly increase and these images would come at length to have a more or

less independent existence. It is probable that the next step in the making

of mind was the synthesis of one set of sense impressions to form an idea of

the object, the first abstraction, and thenceforth a sensation gave rise to

an idea. There is at this stage no impulse to explain sensations, but

involuntarily, from the store of memory images, and from the reservoir of

ideas above, emerges a representation of the exciting object. If this is one

to which the organism is accustomed the resulting complex in the highest

nerve centers fits the subject, but as evolution proceeds and environment

and capacity for sensation grow more complex, new stimulations occur. In the

absence of the capacity for knowledge and understanding of the object the

developing mind, true to its law, brings forward mental images most nearly

related--those which fit in one or two respects,--and thus we have the birth

of analogy, "the inference of a further degree of resemblance from an

observed degree of resemblance."

To look at one's self is a late endowment. The kitten pursues its own tail

but would chase that of its mother with equal ardor. I once saw a monkey

searching industriously with eyes and hands upon its own body. The sight

was startling. I had never before seen an animal look intelligently at

itself. It was long before man distinguished his self from the world

without, and longer still before he began to understand himself. Physical

and mental phenomena, pain and pleasure, could not be tracked to their

sources and so came to be expressed in terms of the world of nature, and for

a reason precisely similar that portion of the self functioning in sleep

makes use of symbolism. Occasionally the higher thought centers are involved

but the typical dream is the product of a restricted, primitive self,

lacking the resources of the complete personality and limited in power of

expression. In dreams we are deficient in self-consciousness because it is

only a partial self that dreams. Our wishes are rarely given clear and

definite expression for the reason that the section of the mind then active

is incapable of clear, definite and adequate concepts. Symbolism and

reasoning by analogy are the resources of the mind until the power of

knowledge dawns.

Predicating then a dream-self by its nature largely restricted to the use of

symbolism and having at its disposal a vast store of images endlessly

susceptible to influences which combine and alter their form, we reach the

crucial question, what initiates the dream? This is by no means a mere

purposeless thronging of visual images as occasionally happens in the period

preceding sleep when faces, forms and scenes flit aimlessly before the

mind's eye, some bare replicas of stimulations of the eye from without,

others the attendant visual images of past thoughts and experiences and

their distorted combination. Somewhat closer to actual dreaming is the rise

of images accompanying present bodily and mental states. I sometimes see a

body in the posture my own body has that moment assumed and one night, when

recalling a passage from Wilhelm Meister, I saw a young man seated

bareheaded on a doorstep, plainly a picture of Wilhelm at Marianna's

threshold. In the last example we come definitely upon a vision induced from

within, an idea working downward upon the visual centers. Still nearer

dreams, indeed if occurring in sleep they would be classed with them, are

the purely imaginative pictures whose cause is as mysterious as that of the

actual dream. Fire in the wall near the pantry door, a garden with a woman

rising from a clump of bushes, high, rocky mountain tops, a perpendicular

wall of rock and against it a man on a ladder reaching for a flower, a long

vista ending with a pillared temple on a hill,--these are a few of my

visions before sleep. But to return,--why the dream? Are all or most dreams

sexual? Can we say with Freud that they express the fulfillment of repressed

desires?

It is not my purpose to attempt a complete answer to this question as I am

far from understanding even the majority of my own dreams. Broadly speaking

I should say that considering the amount and complexity of the material on

hand which the mind may use and the probable inconceivable number of dreams

it is unlikely that all are concerned with this matter. This question may

well be allowed to rest for the present. But certain convictions have arisen

in my mind as the result of the study of hundreds of personal dreams,

convictions which do not rest upon the arbitrary interpretation of accepted

symbolism, though I am far from questioning the validity of this procedure.

I venture little beyond the region illuminated by individual insight though

examples are cited far exceeding my power of interpretation.

The sexual theory of dreams has by some authorities been characterized as

greatly over-emphasized, as failing to take account of other factors and

interests of human personality. To those critics let me present the matter

briefly and simply. The very fact of a person's being alive today

presupposes an ancestry stretching backward through uncounted ages, an

ancestry whose chief function, up to very recent times, was sexual and

reproductive. Modern interests, business, social, intellectual, religious,

artistic and philanthropic, which today loom so large, are a recent

innovation, occupying in comparison with the period when they were not but a

moment of time. In a vertical section of man--both racial and individual,

they are seen to constitute but a superficial layer, from a contemporary

standpoint predominant and paramount but in the light of the ages secondary

and unstable. Biologically a woman is only an agent for the reproduction of

her kind; more than this, with mind, all save the conscious, socially and

ethically restricted sections, set toward the same end and toward the means

for its accomplishment. There is no gainsaying this fact and in my dreams

which yielded to analysis it stands paramount. I am inclined to disregard

the theory of a "censor" for the reason that after I had admitted to my

thought and frankly considered certain facts, by a thousand devious hints,

by a thousand subterfuges, my subconsciousness continued to express these

same facts by means of obscure symbolism. As the savage seizes upon one link

in a chain of events expecting thereby to repossess the whole, as the native

of Borneo makes a wax figure of his enemy in the belief that as the image

melts, the enemy's body will waste away, as the women of Sumatra when sowing

rice let the hair hang loose down their backs in order that the rice may

grow luxuriantly and have long stalks, so this woman, this under-self,

ignorant of the true law of cause and effect, and unable to form definite

concepts, instinctively selects from the innumerable memories and visual

images at her disposal those having relation to her unfulfilled function and

forms a picture or weaves a tale, expecting through the performance of some

remotely associated act the complete result.

To the events of an hour or so, supremely significant from a biological

standpoint, are related a very large number of my dreams. Again and again

events of that day and of the preceding days form the basis of dreams;

trivial circumstances are revived one by one and fragments of the experience

itself are seized, distorted and each woven into what I can no longer term

"the baseless fabric of a vision." For instance the day preceding I broke

my umbrella and found a shop where it was mended. In dream after dream

appears that broken umbrella under various circumstances and when I ask the

reason for its apparent importance I can not escape the conclusion that the

article in question stands for a period of time, a series of events, in

which the dream-self would again be placed. Apparently on that road

opportunity lay in waiting, therefore by any means at her disposal must that

path be regained. Involuntarily the language of metaphor is assumed in

attempting to describe a process so far removed from actual knowledge. Still

are we driven to avail ourselves of the expedient of primitive man.

Of the dreams presently to be cited only a part fall within the category of

analogical reasoning. In none of the examples is a complete analysis

attempted. The mind of each reader may carry the solution of the problem as

far as it will. I am content merely to furnish a clue. That each dream is

of great significance must not be assumed. But that each one, even though it

appear a mere fanciful reverie, means SOMETHING can hardly be doubted. At

the outset it is acknowledged that the dreams recorded followed a period of

intense emotion when, through the exigencies of life the strongest instinct

of humanity required control and repression. Further the writer is a

musician and a botanist, and especially interested in biological and social

problems. Study of the latter subjects was continued throughout the period

in question. It must be confessed also that though loth to accept the

sexual theory of dreams, once convinced of its at least partial truth I was

on the watch for confirmation. I expected sexual symbolism. On the other

hand each dream was absolutely spontaneous, an utter surprise, having no

slightest likeness to any creation of my waking mind and seeming to rise

from a region so remote as to be not myself. It should be noted also that

the greater number of the nearly five thousand remembered dreams, all but

very few in fact, would have remained in the limbo of the unconscious but

for the persistent and trained effort which rescued them from oblivion.

Neither by, nor apparently for my waking self were they formed.

Each individual mind, besides sharing in the symbolism common to mankind,

has doubtless its own particular and special forms. For instance during the

period covered by my study no less than ninety different varieties of plant

life figured in my dreams, not including indefinite ferns, moss, grass,

weeds and trees, and several plants noted somewhat in detail yet unlike any

form known to me. Of the recognizable plants a number were used somewhat

cleverly for their analogical significance. Of these may be mentioned the

snowball and hydrangea whose flowers as every botanist knows are sterile,

the size of the individual blossom being gained at the expense of loss of

stamens and pistils. These plants were plainly used to indicate barrenness

and the predominance of traits other than sexual. The keen critic will here

interpose an objection. How is the primitive, unreasoning dream-self able

to make use of symbolism whose import is known only to higher and developed

states of mind? The force of the objection is granted and without attempting

fully to answer it I will say that the likeness of the primitive mind of the

race to that surviving in the highly evolved individual is only partial.

Like tendencies exist but the influence of a great body of knowledge above

inevitably alters the action of the latter. Maidenhair fern stood

indubitably in several instances for the pubic hair, once surrounding a

cluster of trailing arbutus when talcum powder of that fragrance had been

used on the body. I dreamed of Linnaea borealis, the little twin-flower, in

connection with a woman who a few days before when told of the birth of

twins to a friend, said, "That is the way to have them come." Lettuce, for

its milky juice obviously, appeared in two bunches on the front of the waist

of a woman into whose house I had broken by leaning against a screen door,

and a lawn bordered by cowslips, our common name for Caltha palustris,

certainly represented a certain lawn that a friend told me had been kept

mown by the cows feeding upon it when driven from pasture.

In each of the above instances the floral symbolism was part of an elaborate

dream having wider significance leaving no doubt as to the accuracy of my

conclusions. A particularly interesting and devious use of flowers occurs

in the following dream--I am in front of a certain house over which, in the

dream, is growing a vine having white, star-like, fragrant blossoms. I want

one flower and the woman living there says I may have it. The name of the

vine seems to be "Dyak." There is no plant having that name but a few

months before I was reading of the Dyak girls of Borneo who "are very

careful of their clothing, and often very vain, but when they are married

they frequently become exceedingly untidy." I quoted the passage in an

article thus fixing it in my mind. The link with the dream consists in the

fact that the woman living in the vine-decorated house is, in reality,

notoriously untidy. Her two daughters as they approached womanhood greatly

improved in the daintiness of their garb, and one had become pregnant--

outside marriage. Another dream:--I see a friend, by name Anna, stoop and

pull from the ground a tiny lily-of-the-valley plant. It has no roots. I

say, "What a pity." This dream had no meaning until into my mind came the

thought of another Anna, a young girl who was led astray and who, I had just

been told, had taken medicine to terminate her pregnancy. When I learned of

this I had thought of the loss of the incipient life. The same night I

dreamed of going upstairs in a shed or barn. At the top of the stairs

something--a door--is in the way. I go by it. A child is there. Again:--I

am crossing a level field and come upon little star-like flowers which I try

to analyse. I find many with pistils but no stamens,--the pollen bearing

organs which effect fertilization. I wonder if they will keep fresh until I

reach home. Once more:--I approach a city. I see woods and two gardens,

either flower or vegetable, from which comes music. On a mound wild flowers

are growing, some white, some small and dark. I gather them. Then very

remote and vague,--my brother is there. I see a long snake which my brother

puts on(?) and covers my flowers. Still another vision was of a branch of

beautiful; fragrant apple blossoms growing through the wall of a room. Some

of the flowers were pistillate, some staminate,--a condition false to nature

as regards the apple.

A dream, which in common with many others, seems not the fulfillment of a

wish but the symbolical expression of a bodily and mental state, is the

following:--After a day of very great physical restlessness I dream that I

am walking in a path by a river. I can not see the water for the

over-hanging trees beneath whose branches grow quantities of Impatiens

fulva, the spotted touch-me-not,--named from the sudden bursting of the pod

when touched. The plant in question I had not seen for some time and the

fitness of the symbolism to the bodily state was too close to be accidental.

After a walk in the spring when the ground was white with the cotton-tufted

seeds of the poplar and I thought if all germinated how overwhelmed we

should be with poplars, I dream that I am sweeping a floor upon which cotton

is scattered, some of which flies and is caught in my hair. I dream of

walking under pine trees whose pollen falls on me, and finally--though

examples of the significant use of plants are by no means exhausted--I have

upon awakening the vision of a pine tree growing from my nose. This strange

anomaly becomes intelligible when I recall that a friend told me that the

pores of her nose were enlarged, and I said mine were also; we had been

talking of a quotation from Emerson relating to nature's fecundity; my

friend was soon to be married; and a line from Emerson often in my thought

is that in regard to pines "throwing out pollen for the benefit of the next

century."

For a musician to dream of playing, or of trying to play, upon an organ or

piano is apparently the most natural thing in the world and an attempt at

interpretation is, to uninstructed common sense, a journey far afield. Yet

the strange and striking variations introduced and the hindrances to my

accomplishment of the act invest the dream with marked significance. For

instance:--It is after church service and I want to play upon the pipe

organ. I find my music. The stool is a kettle of water with a board over

it. A stream of water comes from the organ. There is a horse near which

kicks or bites me. Again:--I play on the piano to a friend who is a German

scholar the opening theme of the Tristan and Isolde Prelude. My friend

tells me the pronunciation of the title of the opera and it sounds to me

like Froebel. That the name of the world-famous music drama, the apotheosis

of passion, should be transformed to that of the notable child educator is

nonsense or otherwise according to the observer's point of view. Another

dream:--Some children want me to play and I go to the piano and try to play

the Spring Song. But the piano stops sounding; only a few bass notes

respond. I dream that a table of sheet music is on fire. Sometimes the

music is too far away or too high for me to see: the notes are flowers, or

books, or animals, or "hanging objects," or queer figures; in the book from

which I play are pictures of the sea, a ship, a person, and birds--sea

gulls, among them. The bed becomes an organ upon which I try to play. I

begin to play the Witches' Dance and there are not enough keys to the piano.

Again the keys are covered by a cloth or there are no keys. An organ behind

me is played and I see no organist, or I move the pedals of an organ and

music begins before the instrument is open. I try to play and the stops are

wrong. Often I search frantically for the hymn given out by the minister

and can not find it. Once I picked flowers in its place, drooping racemes of

sweet alyssum, which I gave to a woman. Oddest of all on the keys of a

piano I see a small boy who salutes me. Lastly, I play for children to

sing. At the top of the page of music are whole notes--easy to play; below

there are whole notes in groups of two, joined like confluent living cells.

There are several examples of punning to record--not brilliant, even

somewhat vulgar yet interesting as exhibiting varieties of mental action. I

dream that I am at a barn yard trying to hold the gate shut. In the yard are

two men, each with an animal, a kid, one light, one dark. The light kid is

unmanageable, pawing and shaking its head. Some days elapsed before the

interpretation dawned upon me but once noted could not be doubted. Several

weeks previously I had a business engagement and of two pairs of

gloves--kids--I hesitated which to wear. I was to do some writing

necessitating their removal and as one fastening of a light glove was

difficult I fixed upon the dark pair, as to ask help would under the

circumstances, have proved exceedingly embarrassing.

A friend had informed me of her approaching marriage. I dream of eating at

a table with her. I take meat but she wants me to do she does. So I return

the meat I had chosen and take spare-rib. This variety of meat I had neither

eaten nor thought of for months and the conclusion that the reference is to

the story of Adam and Eve is inevitable. I dream of eating at the table of

a friend. I am a little sick and cannot eat all that is given me. My friend

points smilingly to a package of stuffed dates on my plate. One date is

apart from the package. This dream relates unmistakably to a day when I had

a pressure of engagements and had not time to eat; when I did feel slightly

ill, and when one very significant engagement was made unexpectedly--a date

apart from the others. A kiss of her lover upon the lips of a young girl

becomes in my dream a piece of court plaster on her upper lip, and a woman

about whose prospective marriage some one asked, returns, in my night vision

to a university to obtain the degree of B. Ed., which in sleep I took to

indicate Bachelor of Education but which is open to a different

interpretation.

Visions of natural scenery are most remote, strange, beautiful and

delightful. They are doubtless composites of actual localities but in their

construction and use fine powers of imagination are at work and real life

seems left far behind. In my dreams of this type the ocean stands as a

symbol of Life itself, of the mighty and profound procreative force the

entrance into whose domination is the crisis of existence. For this

experience is demanded the mightiest symbol. It is evening. I am on the

seashore with my father and mother. Greatwaves are rolling in. I look

backward and see one wave break where we have passed. My mother is afraid

but we cannot turn back. I am calm. Then--this immediately follows--I am

in a kind of tunnel and fear that I shall suffocate. This and the following

might be construed as symbolising my own birth. I am in a boat on the ocean

with my mother. The waves are tremendous and as she goes out on deck to

close a great door I fear she will be washed away. But she is safe. Next

there is a violent jar and the boat is aground. Then I see down a city

street. In a particularly impressive dream I approach the sea at early

morning. I think I shall see the sun rise from the water. I go over a hill

to reach the ocean which is frozen near the shore. I go into a little house

and when I come out I can not close the door. The wind is high and the

waves enormous. Then there is calm and I see a man on horseback in the

water. Next a fog rises and out of the mist a little boat comes toward me,

the oars flashing like silver. Then a little boy comes ashore. There are

strange dreams of a frozen ocean, and of being out in a small boat with a

friend, soon to be married, with ships passing and we afraid. I am near the

ocean and longing to see it, and once trying to go with some one to see the

foundation of the sea but am hindered.

Among visions of mountains is the following.--I see high and beautiful

mountains as I stand on a bridge. I hear the squeal of a horse. Then stones

fall from a mountain-top into the stream and spirals of bright water rise to

meet them. After receiving from a man of vigorous, vital personality an

atomizer for a slight hay fever, I dream of high mountains and at the foot

of one is an irregular patch of red sunlight. Above are two houses, not

side by side. In front of them is a fine, slanting veil of rain. A dream in

which indications of the reputed "father complex" may be found is one of my

father and myself in a team at the top of a high mountain, at the end of the

road. My father wants to drive off among the peaks but I fear that we shall

be lost. I dread the night there but think I can call for help. Somewhat

similar is the following.--I am in a high, steep place with my father. I

fear. He moves a stone and in the hollow of a rock I see moss or fungus.

There are often brief, passing dreams in which no person figures. I see a

bridge across a chasm; it is long and extends beyond where a bridge is

necessary. I see two rivers join and wonder what the resulting stream is

called. I see a river from the side of which emerges a spring of water and a

new stream. A small, steep hill, snow-capped. A river with water above the

banks.

To dream of moving to an old house--what signifies this? Apparently

nothing. If one is to dream it must be of something--houses or people or

scenery. But to dream often of going to live in an ancient house,--of trying

to find in it my room; mosquito netting at the window, not quite tight; from

my room into a smaller one a door which I try to fasten but can not because

at the bottom it is a swaying curtain, the wall paper loose and a mouse hole

near the floor; a long, sunshiny room where I see what appears to be a rat

but which becomes a little kitten, weak from long confinement, that follows

me from room to room and at last through a door leading to a porch;--why all

these accessories? Once I go through many rooms--furnished but

uninhabited--and come to an upper bed chamber where, upon a couch, lies a

woman, quite dead I think; but presently she moves one hand. Again I go

through room after room until I reach one where still another woman--or is

it the same--lies dead on the bed. As I look she becomes a beautiful child

who has lain there forty years. The child stirs and opens its eyes; I think

something should be done to keep it alive but the eyes close, and sleep, or

death, reigns again. After calling upon an expectant mother who showed me

her layette, all white and blue, I dream that I go in an old house to a room

with blue papered walls, a blue and white spread on the bed and a case of

books, one of which is Dickens' Great Expectations. In one old house I find

the bulbs of some plant sprouting on a shelf; in another I open the stove

and find to my surprise that fire is still there. In still another house I

see behind the stove a closed door which I long to open. I go about the

house, up steep, worn stairs, down again and out into a garden where there

is a single strawberry and I think staminate and pistillate plants should be

set out to insure fertilization. Always I think of the closed door and

presently I return to the house and enter the room behind the stove. On the

floor is a green veil of firm texture. And at last there are cobwebs on the

ceiling of my old house and I still search for my room.

After the presentation of this array of symbolism quite spontaneously the

interpretation arose in my mind. The old house is the recurring abode of

life. I would dwell there and take my place in the line of succession.

Quite in line with this symbolism was the very beautiful dream of a young

woman not many months before her bridal which I give in her words--"With a

crowd of unknown people I was to visit and go over a haunted house. The

living room was nicely furnished in antique furniture and the whole house

was very still. We went upstairs, and it passed through my mind that people

who were dead and gone had moved through the rooms. I was coming down the

stairs when suddenly a pipe organ burst forth. That was the haunted

part--music in the air, no organ at all. We were awestricken and I awoke

with the same feeling." In dreams of this character we find it necessary to

predicate a creative, myth-making tendency in the structure of the mind by

means of which currents of life flowing beneath all thought become

articulate.

Coming now to examples of reasoning by analogy directly expressive of the

desire for maternity, I wish to make still more plain my view of the reason

for symbolism. Maternity is untold ages old; intelligent comprehension of

the function very recent. That portion of the mind functioning in

dreams--that is in the majority of dreams--is unable to picture the process

and its necessary antecedents. (Frankly sexual dreams occurred to me very

rarely.) Instinctive acts are the last to be made objects of thought; a

relatively high degree of mental development is necessary before the

requisite detachment from the process can be obtained and as we have seen

this detachment is beyond the power of the self that dreams. Hence the

recourse to analogy and symbolism.

I call upon a woman who is pregnant and whose face is slightly bloated. In

that night's dream I look in a mirror and see that my face is plump. I think

I am too old. I see on the street a young girl in short skirts wheeling a

baby carriage. My friend tells me that the girl is a mother. That night I

dream of being in a shop to buy an article which I in reality intended to

purchase and in addition looking at a dress for a girl of twelve or

fourteen. I hear of a pregnant woman who ran away and worked for a time in

a mill and a night or two after I have a dream of a devious walk with many

details which finally ends at a kind of factory. An expectant mother tells

me of her trip to a neighboring town where a friend gave her a tiny

crocheted jacket. Soon after I start in a dream for that town, afoot, in

the dark, without lantern or money, and hampered and stumbling, make the

weary journey.

A dream which upon analysis proves extremely interesting is the following:--

I come out from a house and stand looking at other houses. I am waiting for

some one, and look toward the street. In the yard I see a large elm tree

nearly sawed off but at one side the wood is continuous,--to indicate that

the tree is still alive. I look up. A bough sways and I am dizzy. I think

the bough will fall. Beneath the tree is a sick woman on a couch. Until the

clue was found this appeared a mere aimless mixture of imagery but one

circumstance makes it very clear. Shortly before I was reading a book on

biology and in the section devoted to the influence of environment on

organisms a portion of the trunk of an elm tree was shown and the influence

of various factors noted as indicated by the annual rings of growth. One

considerable variation was due to the fact that children had swung from one

limb of the tree. At the time of reading the fact made so slight an

impression that after the dream some time elapsed before I recalled it and

then so faintly that I had to refer to the book for verification. Thus we

see upon what slight and obscure basis a dream may be constructed.

That all dreams do not originate in one section or at one level of the mind

is quite evident. The range extends from those which almost merge with

waking thought to creations strangely remote and primitive. When I dream

that Goethe is a guest at my home and I am trying to ask him in regard to

Faust, Wilhelm Meister and Mignon,--when after reading of x-rays, ether

waves and electrons wake with the thought, "To solve the problem of matter

would prove materialism,"--when I dream that I am conversing with a

conservative friend who says that he does not like new religions and I reply

that Moses and Jesus were new once, it is plain that a different stratum of

mind is operative than when I dream that I am in an old fort and chased by

three rats, or that a snake is on my bed and my father kills it with a

pitchfork, or strangest of all, that I throw an egg at the plug of a sap

bucket which it hits and then flies to the left; it is rotten. Again, a

very vague dream, I, see two eggs and then am climbing inside a kind of

tower. A dream which immediately preceded the menstrual period, is as

follows:--I pass a narrow, dark canal which seems to be under cover. On the

very brink is a child and I fear it will fall in. A man is there whose

business it is to save the child but be does not. That this indicates the

impending passage from the body of the ovum can hardly be doubted. Under

like conditions--this before sleep--I see a doorway filled with flowers.

It was natural that after a time I should wonder what event of the day would

be woven into a dream; as I performed certain acts I found myself wondering,

will this appear tonight, and how? One Sunday I walked across lots to church

and on the way picked a twig of balm of Gilead poplar keeping it with me

through service for its fragrance. That night I dream that I am in a

pasture looking for fertile fronds of the cinnamon fern which I fail to

find. I see cows and am afraid.--This based on reality of a few days

before.--At length by a stone I find a fern coiled as in spring. This

becomes a squirrel, the male comes, and then they are lions. The male has a

sprig of leaves which he lays at the feet of the female and which she eats.

I want to know what the leaves are but fear to look closely because of the

lion. I found it difficult to deliberately influence dreams by suggestion.

The dream-self is not to be coerced and usually I over-did the matter. Most

of my examples deal with flowers and perhaps the most apposite is the

following:--I plucked a stem of blossoms of white everlasting and wore it

inside my waist on my bosom all day, asking as I fastened it in,--How will

this reappear in my dream? The following morning as consciousness returned,

I had a vision of a baby's bottle filled with milk and beyond it, more

faint, another similar bottle. It is fair to say that this outcome was

entirely unexpected. Another night after watching Venus, low in the

southwestern sky, I dream that I am molding a statue--strangely enough the

arms as the reference is to the Venus de' Melos--and the figure is that of a

young woman of immoral life.

My store of dreams is so great and varied that the forms of symbolism are by

no means exhausted. The reception of mail is a favorite subject and here

again one may say that this is the most natural of dreams and quite its own

excuse for being. But strange things come in the mail,--pieces of turf in

which are growing tiny plants, boxes of rice, jelly, breakfast food, cooked

fish still warm; and once a sack of mail is emptied upon my door-stone--not

by the postman but by a man who the day before drove past with a little

child. Other recurring motifs are strawberries, yeast, Bologna sausage, ice

cream-- once poured over slices of clear, transparent fruit which I eat,

this very plainly referring to the fertilization of the eggs of fish about

which I read the preceding evening:--"As soon as the female finishes

spawning the male will approach the eggs and eject a milky fluid over them

to effect fertilization. If this is successful the spawn will have a clear,

glassy appearance." The dream-self can turn anything to its use,--I read of

certain suffrage activities in England and forthwith dream that I attend a

suffrage meeting. But the house at which it is held is in reality the home

of a woman nearly my age, who is pregnant.

I pass over all the dreams obviously of an infantile character, and likewise

those of travelling and of packing for a journey. More unusual is the dream

of a flight of birds which twice occurred under conditions which left no

doubt as to its sexual character. A house having a wet sink and a dry one is

the verdict of my dream-self regarding a home in which the woman can bear no

more children because of physical disability; and a railway station where I

go down the steps, pick from the floor a flower--wondering if it is all

right,--reach a restaurant in which seventy have that night been served and

where I lose my flower, symbolizes a house of prostitution mentioned in

Chicago's famous report where one woman served sixty men in one night and

was said to have seven thousand dollars in the bank. Beneath convention

strange unconvention lurks. A young woman of irregular life appears in my

dream as one with soiled skirts, and, very vaguely, some one's else skirts

are soiled also. After seeing a print of Tompkins' painting, Hester Prynne,

heroine of The Scarlet Letter, I dream that I go to a shop, where I have

great difficulty because of darkness, to buy some dark green silk for

embroidering a letter somewhere on my dress. Not to pander to the base in

human nature are these details given but to make known life's realities to

those who are blinded by theories. The frank and honest truth is never foul

and monstrous. Society can be renovated only when all the facts are brought

to light.

In conclusion I give the dreams of a single night:--First, a drunken man and

girl in the same team; I think they should not be there. Then I am on a

porch looking off at a headland with ice at the foot. Farther up the hill

are quantities of ice--a sheet of it over the ground and in one place it is

as if water had been poured and allowed to freeze. In the midst of this

last, which is not on the hill, is a fine and shapely tree with the ice

about it very smooth and shining and slanting somewhat. I think it is a good

place for skating. In the morning as I recalled this dream, quite abruptly

into my mind came the remark of Philina in Wilhelm Meister, after seeing a

woman "great with child," "It were prettier if we could shake children from

the trees." Next I see far off high mountains with sunlight on the summits.

Then I am in a porch enclosed by a wire screen; by me is a woman. From the

window of a building outside, which seems to be a hospital without funds, a

woman looks at me. I want to see far off and shade my eyes with my hands.

I think I must cut the screen in order to see clearly. Then I see a rampart

and beyond it is the ocean. I hear a bird, a robin, on the rampart. Near

it is another bird, large, gray and strange. Then it is a rooster. The key

to this dream lies in the fact that the day before I received an appeal for

financial aid from a hospital and the printed request showed the picture of

a row of nurses each with a tiny baby in her lap. Finally I go into a

bed-room. On the bed is a baby. I uncover it and it moves and cries. It

wants its mother and I go to find her.

That the mind which dreams is not uncognizant of the hopelessness of its

aspirations is strangely indicated by the following for which at the time I

found no direct exciting cause:-- I see two long lines of seeds planted and

at the end of the rows tiny lettuce plants. Near by are apple trees in

blossom. But it is autumn.

Bergson at the close of his essay on dreams hints that the mind may

transcend its conjectured limits and be influenced in profound slumber by

telepathy. This is but an hypothesis which must long await verification. My

own dreams which apparently forecast the future are out-numbered by

erroneous forecasts and one vivid dream of the death of a friend though

coinciding as to the day, is not of great value as evidence as I had been

expecting the news for weeks, and further, beyond the surface portent the

dream is remotely allied in certain details with more personal and vital

memories.

Though the dream process may to a certain extent be made verbally

intelligible he who studies it most best realizes the attendant mystery.

Dream-self, subconscious ideas, visual images,--these are but terms which

bridge the abyss of our ignorance. Further exploration of the mystery is of

value not only from the standpoint of pure science, to whose domain there is

no limit, but also in the interest of education, health, sanity and

morality. It is neither necessary nor wise for all persons to study their

dreams, but for those who shape the growing thought and conduct of the world

a knowledge of even the remotest outposts of human mentality is supremely

important.

The Journal of Abnormal Psychology, Volume 10 · 第 32 / 162 题