_In Which Mary Bids Farewell to the Old Life; and in Which She Finds
Happiness on the High Seas._
Contrary Mary was Contrary Mary no longer. Since Roger had gone,
taking Cousin Patty with him--gone without the word to her for which
she had waited, she had submitted to Gordon's plans for her, and to
Aunt Frances' and Porter's execution of them.
Only to Grace did she show any signs of her old rebellion.
"Did you ever think that I should be beaten, Grace?" she said,
pitifully. "Is that the way with all women? Do we reach out for so
much, and then take what we can get?"
Grace pondered. "Things tie us down, but we don't have to stay
tied--and I am beginning to see a way out for myself, Mary."
She told of her talk with Roger and of her own strenuous desire to
help; but she did not tell what she had said to him at the last. There
was something here which she could not understand. Mary persistently
refused to talk about him. Even now she shifted the topic.
"I don't want to strive," she said, "not even for the sake of others.
I want to rest for a thousand years--and sleep for the next thousand."
And this from Mary, buoyant, vivid Mary, with her almost boyish
strength and energy.
The big house was to be closed. Aunt Isabelle would go with Mary.
Susan Jenks and Pittiwitz would be domiciled in the kitchen wing, with
a friend of Susan's to keep them company.
Mary, wandering on the last day through the Tower Rooms, thought of the
night when Roger Poole had first come to them. And now he would never
come again.
She had not been able to understand his abrupt departure. Yet there
had been nothing to resent--he had been infinitely kind, sympathetic,
strong, helpful. If she missed something from his manner which had
been there on the day of his arrival, she told herself that perhaps it
had not been there, that her own joy in seeing him had made her imagine
a like joy in his attitude toward her.
Cousin Patty had cried over her, kissed her, and protested that she
could not bear to go.
"But Roger thinks it is best, my dear. He is needed at home."
It seemed plausible that he might be needed, yet in the back of Mary's
mind was a doubt. What had sent him away? She was haunted by the
feeling that some sinister influence had separated them.
A pitiful little figure in black, she made the tour of the empty rooms
with Pittiwitz mewing plaintively at her heels. The little cat, with
the instinct of her kind, felt the atmosphere of change. Old rugs on
which she had sprawled were rolled up and reeking with moth balls. The
little white bed, on which she had napped unlawfully, was stripped to
the mattress. The cushions on which she had curled were packed
away--the fire was out--the hearth desolate.
Susan Jenks, coming up, found Mary with the little cat in her lap.
"Oh, honey child, don't cry like that."
"Oh, Susan, Susan, it will never be the same again, never the same."
And now once more in the garden, the roses bloomed on the
hundred-leaved bush, once more the fountain sang, and the little bronze
boy laughed through a veil of mist--but there were no gay voices in the
garden, no lovers on the stone seat. Susan Jenks kept the paths trim
and watered the flowers, and Pittiwitz chased butterflies or stretched
herself in the sun, lazily content, forgetting, gradually, those who
had for a time made up her world.
But Mary, on the high seas, could not forget what she had left behind.
It was not Susan Jenks, it was not Pittiwitz, it was not the garden
which called her back, although these had their part in her regrets--it
was the old life, the life which had belonged to her childhood and her
girlhood the life which had been lived with her mother and father and
Constance--and Barry.
As she lay listless in her deck chair, she could see nothing in her
future which would match the happiness of the past. The days lived in
the old house had never been days of great prosperity; her father had,
indeed, often been weighed down with care--there had been times of
heavy anxieties--but, there had been between them all the bond of deep
affection, of mutual dependence.
In Gordon's home there would be splendors far beyond any she had known,
there would be ease and luxury, and these would be shared with her
freely and ungrudgingly, yet to a nature like Mary Ballard's such
things meant little. The real things in life to her were love and
achievement; all else seemed stale and unprofitable.
Of course there would be Constance and the baby. On the hope of seeing
them she lived. Yet in a sense Gordon and the baby stood between
herself and Constance--they absorbed her sister, satisfied her, so that
Mary's love was only one drop added to a full cup.
It was while she pondered over her future that Mary was moved to write
to Roger Poole. The mere putting of her thoughts on paper would ease
her loneliness. She would say what she felt, frankly, freely, and when
the little letters were finished, if her mood changed she need not send
them.
So she began to scribble, setting down each day the thoughts which
clamored for expression.
Porter complained that now she was always writing.
"I'd rather write than talk," Mary said, wearily; and at last he let
the matter drop.
_In Mid-Sea._
DEAR FRIEND O' MINE:
You asked me to write, and you will think that I have more than kept my
promise when you get this journal of our days at sea. But it has
seemed to me that you might enjoy it all, just as if you were with us,
instead of down among your sand-hills, with your sad children (are they
really sad now?) and Cousin Patty's wedding cakes.
There's quite a party of us. Leila and her father and the Jeliffes and
Colin kept to their original plan of coming in May, and we decided it
would be best to cross at the same time, so there's Aunt Frances and
Grace and Aunt Isabelle, and Porter--and me--ten of us. If you and
Cousin Patty were here, you'd round out a dozen. I wish you were here.
How Cousin Patty would enjoy it--with her lovely enthusiasms, and her
interest in everything. Do give her much love. I shall write to her
when I reach London, for I know she will be traveling with us in
spirit; she said she was going to live in England by proxy this summer,
and I shall help her all I can by sending pictures, and you must tell
her the books to read.
To think that I am on my way to the London of your Dick Whittington! I
call him yours because you made me really see him for the first time.
"_There was he an orphan, O, a little lad alone._"
And I am to hear all the bells, and to see the things I have always
longed to see! Yet--and I haven't told this to any one but you, Roger
Poole, the thought doesn't bring one little bit of gladness--it isn't
London that I want, or England. I want my garden and my old big house,
and things as they used to be.
But I am sailing fast away from it--the old life into the new!
So far we have had fair weather. It is always best to speak of the
weather first, isn't it?--so that we can have our minds free for other
things. It hasn't been at all rough; even Leila, who isn't a good
sailor, has been able to stay on deck and people are so much interested
in her. She seems such a child for her widow's black. Oh, what
children they were, my boy Barry and his little wife, and yet they were
man and woman, too. Leila has been letting me see some of his letters;
he showed her a side which he never revealed to me, but I am not
jealous. I am only glad that, for her, my boy Barry became a man.
But I am going to try to keep the sadness out of my scribbles to you,
only now and then it will creep in, and you must forgive it, because
you see it isn't easy to think that we are all here who loved him, and
he, who loved so much to be with us, is somewhere--oh, where is he,
Roger Poole, in that vast infinity which stretches out and out, beyond
the sea, beyond the sky, into eternity?
All day I have been lying in my deck chair, and have let the world go
by. It is clear and cool, and the sea rises up like a wall of
sapphire. Last night we seemed to plough through a field of gold. The
world is really a lovely place, the big outside world, but it isn't the
outside world which makes our happiness, it is the world within us, and
when the heart is tired----
But now I must talk of some one else besides my self.
Shall I tell you of Delilah? She attracts much attention, with her
gracious manner and her wonderful clothes. All the people are crazy
about her. They think she is English, and a duchess at least. Colin
is as pleased as Punch at the success he has made of her, and he just
stands aside and watches her, and flickers his pale lashes and smiles.
Last night she danced some of the new dances, and her tango is as
stately as a minuet. She and Porter danced together--and everybody
stopped to look at them. The gossip is going the rounds that they are
engaged. Oh, I wish they were--I wish they were! It would be good for
him to meet his match. Delilah could hold her own; she wouldn't let
him insist and manage until she was positively mesmerized, as I am.
Delilah has such a queenly way of ruling her world. All the men on
board trail after her. But she makes most of them worship from afar.
As for the women, she picks the best, instinctively, and the ice which
seems congealed around the heart of the average Britisher melts before
her charm, so that already she is playing bridge with the proper
people, and having tea with the inner circle. Even with these she
seems to assume an air of remoteness, which seems to set her apart--and
it is this air, Grace says, which conquers.
When people aren't coupling Porter's name with Delilah's, they are
coupling it with Grace's. You should see our "red-headed woodpeckers,"
as poor Barry used to call them. When they promenade, Grace wears a
bit of a black hat that shows all of her glorious hair, and Porter's
cap can't hide his crown of glory. At first people thought they were
brother and sister, but since it is known that they aren't I can see
that everybody is puzzled.
It is all like a play passing in front of me. There are charming
English people--charming Americans and some uncharming ones. Oh, why
don't we, who began in such simplicity, try to remain a simple people?
It just seems to me sometimes as if everybody on board is trying to
show off. The rich ones are trying to display their money, and the
intellectual ones their brains. Is there any real difference between
the new-rich and the new-cultured, Roger Poole? One tells about her
three motor cars, and the other tells about her three degrees. It is
all tiresome. The world is a place to have things and to know things,
but if the having them and knowing them makes them so important that
you have to talk about them all the time there's something wrong.
That's the charm of Grace. She has money and position--and I've told
you how she simply carried off all the honors at college; she paints
wonderfully, and her opinions are all worth listening to. But she
doesn't throw her knowledge at you. She is interested in people, and
puts books where they belong. She is really the only one whom I
welcome without any misgivings, except darling Aunt Isabelle. The
others when they come to talk to me, are either too sad or too
energetic.
Doesn't all that sound as if I were a selfish little pig? Well, some
day I shall enjoy them all--but now--my heart is crying--and Leila,
with her little white face, hurts. Mrs. Barry Ballard! Shall I ever
get used to hearing her called that? It seems to set her apart from
little Leila Dick, so that when I hear people speak to her, I am always
startled and surprised.
And now--what are you doing? Are you still planting little gardens,
and talking to your boy--talking to your sad people? Cousin Patty has
told me of your letter to your bishop, who was so kind during
your--trouble--and of his answer--and of your hope that some day you
may have a little church in the sand-hills, and preach instead of teach.
Surely that would make all of your dreams come true, all of _our_
dreams, for I have dreamed too--that this might come.
Sometimes as I lie here, I shut my eyes, and I seem to see you in that
circle of young pines, and I pretend that I am listening; that you are
saying things to me, as you say them to those poor people in the
pines--and now and then I can make myself believe that you have really
spoken, that your voice has reached across the miles. And so I have
your little sermons all to myself--out here at sea, with all the blue
distance between us--but I listen, listen--just the same.
_In the Fog._
Out of the sunshine of yesterday came the heavy mists of to-day. The
sea slips under us in silver swells. Everybody is wrapped to the chin,
and Porter has just stopped to ask me if I want something hot sent up.
I told him "no," and sent him on to Leila. I like this still world,
and the gray ghosts about the deck. Delilah has just sailed by in a
beautiful smoke-colored costume--with her inevitable knot of
heliotrope--a phantom lady, like a lovely dream.
Did I tell you that a very distinguished and much titled gentleman
wants to marry Delilah, and that he is waiting now for her answer?
Porter thinks she will say "yes." But Leila and I don't. We are sure
that she will find her fate in Colin. He dominates her; he dives
beneath the surface and brings up the real Delilah, not the cool,
calculating Delilah that we once knew, but the lovely, gracious lady
that she now is. It is as if he had put a new soul inside of the
worldly shell that was once Delilah. Yet there is never a sign between
them of anything but good comradeship. Grace says that Colin is
following the fashionable policy of watchful waiting--but I'm not sure.
I fancy that they will both wake up suddenly to what they feel, and
then it will be quite wonderful to see them.
Porter doesn't believe in the waking-up process. He says that love is
a growth. That people must know each other for years and years, so
that each can understand the faults and virtues of the other. But to
me it seems that love is a flame, illumining everything in a moment.
Porter came while I was writing that--and made me walk with him up and
down, up and down. He was afraid I might get chilled. Of course he
means to be kind, but I don't like to have him tell me that I must
"make an effort"--it gives me a sort of Mrs. Dombey feeling. I don't
wonder that she just curled up and died to get rid of the trouble of
living.
I knew while I walked with Porter that people were wondering who I
was--in my long black coat, with my hair all blown about. I fancy that
they won't link my name, sentimentally, with the Knight of the Auburn
Crest. Beside Grace and Delilah I look like a little country girl.
But I don't care--my thick coat is comfortable, and my little soft hat
stays on my head, which is all one needs, isn't it? But as I write
this I wonder where the girl is who used to like pretty clothes. Do
you remember the dress I wore at Constance's wedding? I was thinking
to-day of it--and of Leila hippity-hopping up the stairs in her one
pink slipper. Oh, how far away those days seem--and how strong I
felt--and how ready I was to face the world, and now I just want to
crawl into a corner and watch other people live.
Leila is much braver than I. She takes a little walk every morning
with her father, and another walk every afternoon with Porter--and she
is always talking to lonesome people and sick people; and all the while
she wears a little faint shining smile, like an angel's. Yet I used to
be quite scornful of Leila, even while I loved her. I thought she was
so sweetly and weakly feminine; yet she is steering her little ship
through stormy waters, while I have lost my rudder and compass, and all
the other things that a mariner needs in a time of storm.
_Before the storm._
The fog still hangs over us, and we seem to ride on the surface of a
dead sea. Last night there was no moon and to-day Aunt Frances has not
appeared. Even Delilah seems to feel depressed by the silence and the
stillness--not a sound but the beat of the engines and the hoarse hoot
of the horns. This paper is damp as I write upon it, and blots the
ink, but--I sha'n't rewrite it, because the blots will make you see me
sitting here, with drops of moisture clinging to my coat and to my
little hat, and making my hair curl up in a way that it never does in
dry weather.
I wonder, if you were here, if you would seem a ghost like all the
others. Nothing is real but my thoughts of the things that used to be.
I can't believe that I am on my way to London, and that I am going to
live with Constance, and go sightseeing with Aunt Frances and Grace,
and give up my plans for the--Great Adventure. Aunt Isabelle sat
beside me this morning, and we talked about it. She will stay with
Aunt Frances and Grace, and we shall see each other every day. I
couldn't quite get along at all if it were not for Aunt Isabelle--she
is such a mother-person, and she doesn't make me feel, as the rest of
them do, that I must be brave and courageous. She just pats my hand
and says, "It's going to be all right, Mary dear--it is going to be all
right," and presently I begin to feel that it is; she has such a
fashion of ignoring the troublesome things of this world, and simply
looking ahead to the next. She told me once that heaven would mean to
her, first of all, a place of beautiful sounds--and second it would
mean freedom. You see she has always been dominated by Aunt Frances,
poor thing.
Do you remember how I used to talk of freedom? But now I'm to be a
bird in a cage. It will be a gilded cage, of course. Even Grace says
that Constance's home is charming--great lovely rooms and massive
furniture; and when we begin to go again into society, I am to be
introduced to lots of grand folk, and perhaps presented.
And I am to forget that I ever worked in a grubby government
office--indeed I am to forget that I ever worked at all.
And I am to forget all of my dreams. I am to change from the Mary
Ballard who wanted to do things to the Mary Ballard who wants them done
for her. Perhaps when you see me again I shall be nice and clinging
and as sweetly feminine as you used to want me to be--Roger Poole.
The mists have cleared, and there's a cloud on the horizon--I can hear
people saying that it means a storm. Shall I be afraid? I wonder. Do
you remember the storm that came that day in the garden and drove us
in? I wonder if we shall ever be together again in the dear old garden?
_After the storm._
Last night the storm waked us. It was a dreadful storm, with the wind
booming, and the sea all whipped up into a whirlpool.
But I wasn't frightened, although everybody was awake, and there was a
feeling that something might happen. I asked Porter to take me on
deck, but he said that no one was allowed, and so we just curled up on
chairs and sofas and waited either for the storm to end or for the ship
to sink. If you've ever been in a storm at sea, you know the
feeling--that the next minute may bring calm and safety, or terror and
death.
Porter had tucked a rug around me, and I lay there, looking at the
others, wondering whether if an accident happened Delilah would face
death as gracefully as she faces everything else. Leila was very white
and shivery and clung to her father; it is at such times that she seems
such a child.
Aunt Frances was fussy and blamed everybody from the captain down to
Aunt Isabelle--as if they could control the warring elements. Surely
it is a case of the "ruling passion."
But while I am writing these things, I am putting off, and putting off
and putting off the story of what happened after the storm--not because
I dread to tell it, but because I don't know quite how to tell it. It
involves such intimate things--yet it makes all things clear, it makes
everything so beautifully clear, Roger Poole.
It was after the wind died down a bit that I made Porter take me up on
deck. The moon was flying through the ragged clouds, and the water was
a wild sweep of black and white. It was all quite spectral and
terrifying and I shivered. And then Porter said; "Mary, we'd better go
down."
And I said, "It wasn't fear that made me shiver, Porter. It was just
the thought that living is worse than dying."
He dropped my arm and looked down at me.
"Mary," he said, "what's the matter with you?"
"I don't know," I said. "It is just that my courage is all gone--I
can't face things."
"Why not?"
"I don't know--I've lost my grip, Porter."
And then he asked a question. "Is it because of Barry, Mary?"
"Some of it."
"And the rest?"
"I can't tell you."
We walked for a long time after that, and I was holding all the time
tight to his arm--for it wasn't easy to walk with that sea on--when
suddenly he laid his hand over mine.
"Mary," he said, "I've got to tell you. I can't keep it back and
feel--honest. I don't know whether you want Roger Poole in your
life--I don't know whether you care. But I want you to be happy. And
it was I who sent him away from you."
And now, Roger Poole, what can I say? What can _any_ woman say? I
only know this, that as I write this the sun shines over a blue sea,
and that the world is--different. There are still things in my heart
which hurt--but there are things, too, which make it sing!
MARY.
When Mary Ballard came on deck on the morning after the storm,
everybody stared. Where was the girl of yesterday--the frail white
girl who had moped so listlessly in her chair, scribbling on little
bits of paper? Here was a fair young beauty, with her head up, a clear
light shining in her gray eyes--a faint flush on her cheeks.
Colin Quale, meeting her, flickered his lashes and smiled: "Is this
what the storm did to you?"
"What?"
"This and this." He touched his cheeks and his eyes. "To-day, if I
painted you, I should have to put pink on my palette--yesterday I
should have needed only black and white."
Mary smiled back at him. "Do you interpret things always through the
medium of your brush?"
"Why not? Life is just that--a little color more or less, and it all
depends on the hand of the artist."
"What a wonderful palette He has!" Her eyes swept the sea and the sky.
"This morning the world is all gold and blue."
"And yesterday it was gray."
Mary flashed a glance at him. His voice had changed. Delilah was
coming toward them. "There's material I like to work with," he said,
"there's something more than paint or canvas--living, breathing beauty."
"He's saying things about you," Mary said, as Delilah joined them.
Delilah, coloring faintly, cast down her eyes. "I'm afraid of him,
Mary," she said.
Colin laughed. "You're not afraid of any one."
"Yes, I am. You analyze my mental processes in such a weird fashion.
You are always reading me like a book."
"A most interesting book," Colin's lashes quivered, "with lovely
illustrations."
They laughed, and swept away into a brisk walk, followed by curious
eyes.
If to others Mary's radiance seemed a miracle of returning health, to
Porter Bigelow it was no miracle. Nothing could have more completely
rung the knell of his hopes than this radiance.
Her attitude toward him was irreproachable. She was kinder, indeed,
than she had been in the days when he had tried to force his claims
upon her. She seemed to be trying by her friendliness to make up for
something which she had withdrawn from him, and he knew that nothing
could ever make up.
So it came about that he spent less and less of his time with her, and
more and more with Leila--Leila who needed comforting, and who welcomed
him with such sweet and clinging dependence--Leila who hung upon his
advice, Leila who, divining his hurt, strove by her sweet sympathy to
help him.
Thus they came in due time to London. And when Leila and her father
left for the German baths, Porter went with them.
It was when he said "Good-bye" to Mary that his voice broke.
"Dear Contrary Mary," he said, "the old name still fits you. You never
could, and you never would, and now you never will."
Followed for Mary quiet days with Constance and the beautiful baby,
days in which the sisters were knit together by the bonds of mutual
grief. The little Mary-Constance was a wonderful comfort to both of
them; unconscious of sadness, she gurgled and crowed and beamed,
winning them from sorrowful thoughts by her blandishments, making
herself the center of things, so that, at last, all their little world
seemed to revolve about her.
And always in these quiet days, Mary looked for a letter from across
the high seas, and at last it came in a blue envelope.
It arrived one morning when she was at breakfast with Constance and
Gordon. Handed to her with other letters, she left it unopened and
laid it beside her plate.
Gordon finished his breakfast, kissed his wife, and went away.
Constance, looking over her mail, read bits of news to Mary. Mary, in
return, read bits of news to Constance. But the blue envelope by her
plate lay untouched, until, catching her sister's eye, she flushed.
"Constance," she said, "it is from Roger Poole."
"Oh, Mary, and was that why Porter went away?"
"Yes." It came almost defiantly.
For a moment the young matron hesitated, then she held out her arms.
"Dearest girl," she said, "we want you to be happy."
Mary, with eyes shining, came straight to that loving embrace.
"I am going to be happy," she said, almost breathlessly, "and perhaps
my way of being happy won't be yours, Con, darling. But what
difference does it make, so long as we are both--happy?"
The letter, read at last in the shelter of her own room, was not long.
_Among the Pines._
Even now I can't quite believe that your letter is true--I have read it
and reread it--again and again, reading into it each time new meanings,
new hope. And to-night it lies on my desk, a precious document,
tempting me to say things which perhaps I should not say--tempting me
to plead for that which perhaps I should not ask.
Dear woman--what have I to offer you? Just a home down here among the
sand-hills--a little church that will soon stand in a circle of young
pines, a life of work in a little rectory near the little church--for
your dreams and mine are to come true, and the little church will be
built within a year.
Yet, I have a garden. A garden of souls. Will you come into it? And
make it bloom, as you have made my life bloom? All that I am you have
made me. When I sat in the Tower Rooms hopeless, you gave me hope.
When I lost faith in myself, it shone in your eyes. When I saw your
brave young courage, my courage came back to me. It was you who told
me that I had a message to deliver.
And I am delivering the message--and somehow I cannot feel that it is a
little thing to offer, when I ask you to share in this, my work.
Other men can offer you a castle--other men can give to you a life of
ease. I can bring to you a life in which we shall give ourselves to
each other and to the world. I can give you love that is equal to any
man's. I can give you a future which will make you forget the past.
Not to every woman would I dare offer what I have to give---but you are
different from other women. From the night when you first met me
frankly with your brave young head up and your eyes shining, I have
known that you were different from the rest--a woman braver and
stronger, a woman asking more of life than softness.
And now, will you fight with me, shoulder to shoulder? And win?
Somehow I feel that you will say "Yes." Is that the right attitude for
a lover? But surely I can see a little way into your heart. Your
letter let me see.
If I seem over-confident, forgive me. But I know what I want for
myself. I know what I want for you. I am not the Roger Poole of the
Tower Rooms, beaten and broken. I am Roger Poole of the Garden,
marching triumphantly in tune with the universe.
As I write, I have a vision upon me of a little white house not far
from the little white church in the circle of young pines--a house with
orchards sweeping up all pink behind it in April, and with violets in
the borders of the walk in January, and with roses from May until
December.
And I can see you in that little house. I shall see you in it until
you say something which will destroy that vision. But you won't
destroy it. Surely some day you will hear the mocking-birds sing in
the moonlight--as I am hearing them, alone, to-night.
I need you, I want you, and I hope that it is not a selfish cry. For
your letter has told me that you, too, are wanting--what? Is it Love,
Mary dear, and Life?
ROGER.