CHAPTER XIX.

THE UNDERGROUND PASSAGE.

As he reached the corner, Sturgis came upon Sprague, who was waiting

for a car.

"Oh! I say, old man," exclaimed the artist, hardly able to conceal his

elation, "I am glad to see you. I have news to tell you."

"So have I. But I am in a hurry now. Come along with me; we can

exchange confidences on the way."

"Very well; whither are you bound?"

"I am on the track of big game. Can you spare a couple of hours? I

think I can promise you an interesting afternoon."

"What is it? The Knickerbocker bank case?"

"Yes."

Sprague readily consented to accompany his friend.

"By the way," inquired Sturgis, "have you any weapons?"

"Any quantity of them among the properties of the studio," replied

Sprague surprised; "but I do not go about armed in broad daylight."

"You would better have a revolver," said the reporter. "You will

probably have no occasion to use it," he added in answer to his

friend's glance, "but it is best to be on the safe side."

"Very well; I shall go home for one. Where am I to meet you?"

"At police headquarters in about half an hour. Let me see; it is now

nearly five o'clock. Say at half-past five. It will be necessary to

obtain a couple of warrants and the help of the police before we start."

After Sprague had left him, Sturgis approached Detective Conklin, who

was still at his post.

"Has Chatham shown up while I was in there?" he asked, indicating

Murdock's house.

"No, sir."

"Did you notice the man with whom I went in?"

"Yes, sir."

"Well, let Chatham go for the present and stick close to that man if he

stirs from the house. I shall be back in less than an hour."

"All right, sir."

When Sprague reached police headquarters, he found the reporter ready

to start with four detectives. He had not, therefore, any opportunity

for conversation with his friend until the party reached its

destination. There two of the detectives relieved the men previously on

duty, while the others accompanied Sturgis and Sprague to the office of

the Manhattan Chemical Company.

It was after six o'clock. The place was closed for the night and seemed

quite deserted. One of the men rang the bell. The tinkling echoes died

away, but no sign of life manifested itself from within. Then he seized

the pull and plied it again repeatedly and vigorously.

"That will do," observed Sturgis presently; "the old woman is coming as

fast as she can."

"What old woman?" asked the detective.

"I don't know. Perhaps I ought to have said an old woman. I hear her

hobbling on the stairs."

The detective placed his ear to the keyhole. After listening

attentively, he turned to the reporter with an incredulous smile.

"Well, Mr. Sturgis," said he, "if you can hear anything in there, your

ears are sharper than mine. That's all I can say."

"She is on the second flight," replied the reporter quietly. "Now she

is in the second-story hall,--and now you can surely hear her coming

down the last flight."

By this time, sure enough, the sound of footsteps began to be audible

to the other three men; and presently the door opened and disclosed the

scared face of an old Irish woman.

"And phwat might yez be wantin', gintlemin, to be after scarin' an ould

woman most to death wid yer ringin'?" she asked, somewhat aggressively.

"We want to see Mr. Chatham," replied one of the detectives.

"Mister who, is it?"

"Thomas Chatham. Show me the way to his room. I'll go right up, and my

friends will wait for me here."

"Mister Thomuz Chathum, is it?" said the old woman; "well, ye've come

to the wrong house to see him, I do be thinkin', fer he don't live

here."

"Come, that won't do," said the detective sharply; "we belong to the

police, and we saw Chatham enter this house."

At the mention of the police, the old hag's parchment face became a

shade yellower and her eyes glistened.

"Sure, thin, if he do be hidin' here, it's mesilf as 'ud know it," she

said after a short interval; "but yez can foind 'um, if yez loike; yez

can foind 'um."

Whereupon she turned and hobbled off, leaving the intruders to their

own resources.

They found themselves in a narrow hallway. On the right was a rickety

staircase leading to business offices in the upper part of the

building; on the left, a door opening into the office of the Manhattan

Chemical Company, and at the end of the hall another door, marked,

PRIVATE OFFICE

NO ADMITTANCE.

One of the detectives tried this door and found it locked. Whereupon he

placed his shoulder to it and prepared to force it in.

"Wait a minute," said Sturgis; "let me see if I cannot open it."

The detective stepped aside with a quizzical expression upon his face.

"I guess you will find it pretty solid for your weight," said he.

The reporter took from his pocket a piece of bent wire, and, with a

few dexterous turns of the wrist, he shot the bolt of the lock.

"You would make an expert cracksman," said the detective. "I didn't

know you possessed that accomplishment in addition to all your other

ones."

The four men entered the private office. The room was quite dark,

the shutters being closed and the blinds drawn. As their eyes became

accustomed to the obscurity they were able to distinguish the outlines

of a desk, a table, and a few chairs.

Sturgis went at once to a door in the corner. With the aid of his

skeleton key he had soon thrown this open. After peering for an instant

into the darkness, he took from his pocket a candle, which he lighted.

Then, beckoning to his companions, he started cautiously to descend.

The other men followed him and soon found themselves in the cellar,

which they proceeded to search.

On the street side there was a recess extending for a few feet under

the area in front of the house. The opening above was covered by an

iron grating, over which was a wooden cover securely fastened on the

inside by a chain and padlock. A number of carboys were carefully

piled along the east wall to within a few feet from the rear of the

building. Here, in the northeast corner, rose narrow shelving, on which

were arranged a collection of bottles containing a varied assortment of

chemicals.

The detectives searched the cellar.

"Our man is not here, at any rate," said the leader, when at last he

had returned to the foot of the stairs; "perhaps he'll try to give us

the slip by way of the roof. Come along, Jim; let's go upstairs now.

Hello! what are you doing there, Mr. Sturgis? Think you'll find him in

one of those bottles?"

The reporter appeared to be closely inspecting the chemicals on the

narrow shelves.

"Who knows?" he replied coolly, continuing his examination.

The detective bit his lip and looked the unpleasant things he thought

it best not to say.

"Well, Jim and I will take a look upstairs while you are busy here."

And the two men went up the dark stairway, Sprague remaining behind

with the reporter.

"None so blind as those that won't see," said the latter,

sententiously.

At the same time he placed his hand upon one of the shelves and gave it

a lateral push. It responded slightly, and the entire shelving, with

the door which it concealed, opened outward.

"I thought so," continued the reporter; "this looks as if it might lead

somewhere. Will you come, Sprague?"

"How did you find the combination so quickly?" asked the artist,

preparing to follow his friend.

"It is not a combination--only a concealed bolt. Our friends of the

detective force might have discovered it themselves if they had taken

the trouble. The first thing I noticed was that a truck had recently

been wheeled through the cellar in the direction of this door, from

under the grating on the street side. And this truck was not here;

neither was a large case which we know was delivered here to-day.

The trail extended clear up to the wall below the shelving; and yet

no truck, even unloaded, could pass below that lowest shelf. The

conclusion was evident. I sounded the back of the shelving and found

that it covered an opening of some kind. After that, all that remained

was to notice that one of the shelves was slightly soiled in just one

spot, as though by the repeated contact of a hand. From this, I argued

that the bolt must be attached to this board. And it was. That is all."

As he spoke, the reporter entered a dark and narrow passage.

"Don't shut the door," said he to his companion, who followed him.

At that moment, however, the artist stumbled: and, instinctively

holding out his hands to save himself from falling, he released his

hold of the door, which closed with a slam.

"That is unfortunate," said Sturgis; "we may have to lose some time

in learning how to work the bolt from this side. Hold on; it will

be prudent to keep open a line of retreat, in case of unforeseen

emergencies. Hello! we are in luck. Nothing concealed on this side;

the bolt in plain sight; works easily. All's well. Then let us go on;

unless I am greatly mistaken, we shall find another exit on the other

side."

After following the underground passage for some distance, the men

climbed some steps and reached a square chamber, on one side of which

rose a stairway leading to a door above. The room was surmounted by a

skylight, which was wide open, admitting a draught of cold air from the

outside.

Sturgis set down his lighted candle and proceeded to examine his

surroundings. In the middle of the room stood a truck, upon which lay

a long pine box. A table and a chair constituted the only furniture

of the place. At one side, there was a long, low, lead-lined tank,

filled to the depth of about two feet with a dark viscous liquid. Near

it lay a few empty carboys. In the floor there was what seemed to be

a hot-air register, of large size and of peculiar construction. The

walls were bare, unbroken, save by the projection of the mouthpiece of

a speaking-tube, and by a set of shelves filled with flasks, crucibles,

alembics and the other paraphernalia of a chemist's laboratory.

After the reporter had finished reconnoitering, he sat down upon the

long box in deep thought. Sprague observed him with silent curiosity

for a while; and then, with growing impatience,

"I say, old man," he ventured at last to ask, "did you bring me here,

armed to the teeth, to see you go off into a trance?"

Sturgis started like a man suddenly awakened from a deep sleep.

"Eh? What?--Oh, yes--those confidences. Well, you start in with yours.

I am trying to find the dénouement of my story. I feel that it is just

within my grasp; and yet I cannot seem to see it yet. But I can listen

to you while I am thinking. Go on."

"I have not any story to tell," said Sprague, somewhat offended at his

friend's apparent indifference to what he had to say.

"Oh, yes, you have," retorted Sturgis, with a conciliatory smile; "you

said you had news to tell me. Well, tell away. I am listening most

respectfully in spite of my apparent absorption."

"What a strange fellow you are, Sturgis," laughed Sprague good

naturedly. "All I wanted to tell you--and you are the first to hear

of it,--is the, to me, rather important fact that I am engaged to be

married."

"You are?" exclaimed Sturgis with genuine pleasure. "I congratulate

you, old fellow, from the bottom of my heart."

He seized the artist's hand and shook it in his hearty grasp.

"To the original of the picture you wanted to show me yesterday?" he

asked.

"Yes."

"Then she was not betrothed to the other fellow, after all?"

"No; that seems to have been a mistake."

"I am glad of that, very glad," said the reporter. "By the way, you

have not yet told me the young lady's name."

"I thought I had mentioned it yesterday morning. Didn't I? No? My

fiancée is Miss Murdock."

At the sound of this name Sturgis started visibly, and a shadow crossed

his features.

"Miss Murdock?" he echoed.

"Yes," said Sprague. "What is it? You do not seem pleased."

Then, as a sudden thought struck him:

"I hope I am not treading on your toes, old fellow," he said, putting

his hand gently upon his friend's shoulder, and trying to read his

thought in his clear gray eyes. "But how absurd! Of course you cannot

be a rival for Miss Murdock's affections, since you do not even know

her----"

"No," laughed Sturgis, regaining his composure, "I am not your rival.

As to the other point, while I can hardly claim an acquaintance with

the young lady, I think I saw her not more than a couple of hours ago."

"A couple of hours ago!" exclaimed Sprague; "why, I was with her myself

then."

"I know that now, although I was not aware of it at the time."

"What, were you at the Murdocks' at the same time as I was?" asked

Sprague, surprised.

"I had just come from there when I met you. I was in Murdock's study

while you were--er--busy in the parlor."

"In Murdock's study? How long were you there?"

"About half an hour, I should judge," replied Sturgis, "and perhaps

fifteen minutes more in the hall, while Murdock was engaged."

"I suppose Chatham was still with him," mused Sprague.

Sturgis started at the name.

"Chatham!" he ejaculated; "what do you know about Chatham?"

"What, are you interested in Chatham?" asked the artist, curiously.

"I know very little about him, only that he is one of my disappointed

rivals."

And he thereupon related to the reporter what he knew of Chatham's suit.

Sturgis listened with deep attention to his friend's narrative, and

ruminated in silence long after the artist had ceased speaking.

At last he started up with a sudden exclamation, and walking over to

the side of the tank, he looked into the depths of its oily contents,

as if fascinated by some horrible thing he saw there.

Sprague came and stood beside him and gazed curiously into the viscous

liquid. There was nothing there that he could see.

"What is it?" he asked.

Without replying, Sturgis took from his pocket a bone-handled knife and

carefully dipped one end of the handle into the fluid in the leaden

tank. At once the liquid began to seethe and boil, giving out dark

pungent fumes.

"I thought so," muttered the reporter, under his breath; "that man is

truly a genius--the genius of evil."

"Who?" asked Sprague.

Sturgis made no reply. His eyes were wandering about the room, as if in

search of something.

"Hand me a couple of those long glass tubes from that shelf yonder," he

said, earnestly.

The artist complied with the request. Dipping these tubes into the

oily liquid, Sturgis, after considerable difficulty, managed to seize

with them a small dark object which lay at the bottom of the tank.

With infinite precaution, he brought it to the surface. It had the

appearance of a flattened leaden bullet.

"What is it?" inquired Sprague.

"Sit down," answered Sturgis, in a low, tense voice. "I have just found

the last link which completes my chain of evidence; I am now prepared

to tell you such a story as you will scarcely credit, even with the

absolute proofs before your eyes."

The Sturgis wager · 第 19 / 25 章