[111] That in the combination of this Enkidu with tales of primitive

man, inconsistent features should have been introduced, such as the

union of Enkidu with the woman as the beginning of a higher life,

whereas the presence of a hunter and his father shows that human

society was already in existence, is characteristic of folk-tales,

which are indifferent to details that may be contradictory to the

general setting of the story.

[112] Pennsylvania tablet, lines 102-104.

[113] Line 105.

[114] Tablet I, 1, 9. See also the reference to the wall of Erech as

an "old construction" of Gilgamesh, in the inscription of An-Am in

the days of Sin-gamil (Hilprecht, _Old Babylonian Inscriptions_, I,

No. 26.) Cf IV R2 52, 3, 53.

[115] The invariable designation in the Assyrian version as against

_Uruk ribîtim_, "Erech of the plazas," in the old Babylonian version.

[116] In Ungnad-Gressmann, _Das Gilgamesch-Epos_, p. 123 _seq._

[117] See Jensen, p. 266. Gilgamesh is addressed as "judge," as the

one who inspects the divisions of the earth, precisely as Shamash is

celebrated. In line 8 of the hymn in question, Gilgamesh is in fact

addressed as Shamash.

[118] The darkness is emphasized with each advance in the hero's

wanderings (Tablet IX, col. 5).

[119] This tale is again a nature myth, marking the change from the

dry to the rainy season. The Deluge is an annual occurrence in the

Euphrates Valley through the overflow of the two rivers. Only the

canal system, directing the overflow into the fields, changed the

curse into a blessing. In contrast to the Deluge, we have in the

Assyrian creation story the drying up of the primeval waters so

that the earth makes its appearance with the change from the rainy

to the dry season. The world is created in the spring, according to

the Akkadian view which is reflected in the Biblical creation story,

as related in the P. document. See Jastrow, _Sumerian and Akkadian

Views of Beginnings_ (_JAOS_, Vol 36, p. 295 seq.).

[120] As-am in Sumerian corresponding to the Akkadian Sabatu, which

conveys the idea of destruction.

[121] The month is known as the "Mission of Ishtar" in Sumerian, in

allusion to another nature myth which describes Ishtar's disappearance

from earth and her mission to the lower world.

[122] _Historical Texts_ No. 1. The Sumerian name of the survivor

is Zi-u-gíd-du or perhaps Zi-u-su-du (cf. King, _Legends of Babylon

and Egypt_, p. 65, note 4), signifying "He who lengthened the day of

life," i.e., the one of long life, of which Ut-napishtim ("Day of

Life") in the Assyrian version seems to be an abbreviated Akkadian

rendering, with the omission of the verb. So King's view, which is

here followed. See also _CT_ XVIII, 30, 9, and Langdon, _Sumerian Epic

of Paradise_, p. 90, who, however, enters upon further speculations

that are fanciful.

[123] See the translation in Ungnad-Gressmann, _Das Gilgamesch-Epos_,

pp. 69, _seq._ and 73.

[124] According to Professor Clay, quite certainly Amurru, just as

in the case of Enkidu.

[125] Gressmann in Ungnad-Gressmann, _Das Gilgamesch-Epos_, p. 100

_seq._ touches upon this _motif_, but fails to see the main point that

the companions are also twins or at least brothers. Hence such examples

as Abraham and Lot, David and Jonathan, Achilles and Patroclus,

Eteokles and Polyneikes, are not parallels to Gilgamesh-Enkidu, but

belong to the _enlargement_ of the _motif_ so as to include companions

who are _not_ regarded as brothers.

[126] Or Romus. See Rendell Harris, l. c., p. 59, note 2.

[127] One might also include the primeval pair Yama-Yami with their

equivalents in Iranian mythology (Carnoy, _Iranian Mythology_,

p. 294 _seq._).

[128] Becoming, however, a triad and later increased to

seven. Cf. Rendell Harris, l. c., p. 32.

[129] I am indebted to my friend, Professor A. J. Carnoy, of the

University of Louvain, for having kindly gathered and placed at my

disposal material on the "twin-brother" _motif_ from Indo-European

sources, supplemental to Rendell Harris' work.

[130] On the other hand, _Uruk mâtum_ for the district of Erech, i.e.,

the territory over which the city holds sway, appears in both versions

(Pennsylvania tablet, 1. 10 = Assyrian version I, 5, 36).

[131] "My likeness" (line 27). It should be noted, however, that

lines 32-44 of I, 5, in Jensen's edition are part of a fragment K 9245

(not published, but merely copied by Bezold and Johns, and placed at

Jensen's disposal), which may represent a _duplicate_ to I, 6, 23-34,

with which it agrees entirely except for one line, viz., line 34 of

K 9245 which is not found in column 6, 23-34. If this be correct,

then there is lacking after line 31 of column 5, the interpretation

of the dream given in the Pennsylvania tablet in lines 17-23.

[132] _ina sap-li-ki_, literally, "below thee," whereas in the old

Babylonian version we have _ana si-ri-ka_, "towards thee."

[133] Repeated I, 6, 28.

[134] _ul-tap-rid ki-is-su-sú-ma_. The verb is from _parâdu_,

"violent." For _kissu_, "strong," see _CT_ XVI, 25, 48-49. Langdon

(_Gilgamesh Epic_, p. 211, note 5) renders the phrase: "he shook his

murderous weapon!!"--another illustration of his haphazard way of

translating texts.

[135] Shown by the colophon (Jeremias, _Izdubar-Nimrod_, Plate IV.)

[136] Lines 42-43 must be taken as part of the narrative of the

compiler, who tells us that after the woman had informed Enkidu that

Gilgamesh already knew of Enkidu's coming through dreams interpreted

by Ninsun, Gilgamesh actually set out and encountered Enkidu.

[137] Tablet I, col. 4. See also above, p. 19.

[138] IV, 2, 44-50. The word _ullanum_, (l.43) "once" or "since,"

points to the following being a reference to a former recital, and

not an original recital.

[139] Only the lower half (Haupt's edition, p. 82) is preserved.

[140] "The eyes of Enkidu were filled with tears," corresponding to

IV, 4, 10.

[141] Unless indeed the number "seven" is a slip for the sign sa. See

the commentary to the line.

[142] I.e., paid homage to the meteor.

[143] I.e., the heroes of Erech raised me to my feet, or perhaps in

the sense of "supported me."

[144] I.e., Enkidu.

[145] I.e., "thy way of life."

[146] I.e., the man.

[147] I.e., an idiomatic phrase meaning "for all times."

[148] I.e., Enkidu became like Gish, godlike. Cf. col. 2, 11.

[149] He was thrown and therefore vanquished.

[150] Epithet given to Ninsun. See the commentary to the line.

[151] Scribal error for _an_.

[152] Text apparently _di_.

[153] Hardly _ul_.

[154] Omitted by scribe.

[155] _Kisti_ omitted by scribe.

[156] I.e., at night to thee, may Lugal-banda, etc.

[157] The enumeration here is according to Langdon's edition.

An Old Babylonian Version of the Gilgamesh Epic · 第 9 / 9 段