And Hood, in his fanciful "Midsummer Fairies," sings of

"Daisy stars whose firmament is green."

Burns, whose "Ode to a Mountain Daisy" is so universally admired,

gives, besides, a few brief notices of the daisy:

"The lowly daisy sweetly blows--"

"The daisy's for simplicity and unaffected air."

Tennyson has made the daisy a subject of one of his most

unsatisfactory poems. In "Maud," he writes:

"Her feet have touched the meadows

And left the daisies rosy."

To Wordsworth, the poet of nature, the daisy seems perfectly

intelligible. Scattered throughout the lowly places, with

meekness it seems to shed beauty over its surroundings, and

compensate for gaudy vesture by cheerful contentment. Wordsworth

calls the daisy "the poet's darling," "a nun demure," "a little

Cyclops," "an unassuming commonplace of nature," and sums up its

excellences in a verse which may fitly conclude our attempt to

pluck a bouquet of fresh daisies from the poets:

"Sweet flower! for by that name at last,

When all my reveries are past,

I call thee, and to that cleave fast;

Sweet silent creature!

That breath'st with me in sun and air,

Do thou, as thou art wont, repair

My heart with gladness, and a share

Of thy meek nature!"

--_A.S. Isaacs_.

* * * * *

_COLERIDGE AS A PLAGIARIST._

The Aldine, Vol. 5, No. 1., January, 1872 A Typographic Art Journal · 第 19 / 24 题