He is kept concealed--for though Turkish vigilance is somewhat
relaxed in Shechem--there would be short shrift for the slayer of
Hamid, were he known to be living still. Perhaps it may be because
of this, that though his wounds slowly heal, John grows no stronger.
A Jewish surgeon, related to Benjamin Sebastia, who is brought by
stealth to see the patient, examines him, and goes away, shaking his
head.
"Too late! It would always have been too late, however soon you had
called me," he says to Sebastia as he takes his leave. "The man must
have had a giant's strength to live through such an ordeal. My
brother was a powerful man, yet he died under the rods.... Heart a
wreck! ... Lungs.... Pff! ... May die at any moment! ... _Shalôm!_
To the Downfall of the Ottoman Power, and the Restoration of Jewry!"
and he drains his glass of Palestine Tokay and refuses his fee, and
goes. And his verdict is cautiously broken to John Hazel, who
comforts weeping Esther, declaring the opinion of a Hebrew in a
_kaftan_ and fur hat and side-curls, with a Paris Diploma--not worth
a British damn! He is even a shade better next day, as though in
sheer defiance of the owner of the Paris Diploma and the side-curls
and _kaftan_....
He has known how the months change by the flowers that Esther brings
him, and others that Inaini, smiling, produces from the folds of her
veil. Great clusters of crimson anemones, crocuses, purple and
white; grape hyacinths, tulips and daffodils--and it is March. More
anemones of varied, jewel-bright colours, purple, pink, and crimson;
jonquils, and white and yellow Marguerites. Yellow, blue and lilac
lupins--narcissus and violets, iris and cyclamen--and wealthy April's
here.... He likes the anemones and looks at them for hours, drowsily
turning them in his well-nigh helpless hands.... For the creamy ones
are like Katherine's skin, and the rose-red are her blushes, and the
brown-gold are--or so he thinks--the colour of her eyes.... The rows
of velvety hairs that fringe the centre of the corolla are black as
her eye-lashes--black as her hair.... But the scent of violets
brings her back, complete in her sweet womanliness, with the Chapel
and Kerr's Arbour for a background to it all....
Now come great sheaves of lilies, phlox and gladioli, and it is May,
the Month of the Rose. Masses of perfume, colour and fragrance are
brought to the cellar in the jeweller's back-yard. And John plays
with them, or stares at the whitewashed wall, or listens as Esther
reads to him from a copy of the Jewish Scriptures, a volume belonging
to their host, printed in Hebrew and Arabic. The Messianic
Prophecies are what he hears most gladly, and oftenest asks for. One
day as she closes the Book at the end of a passage from Isaiah:
"_And He was wounded for our transgressions, and bruised for our
iniquities, and the chastisement of our peace was upon Him, and by
His stripes we are healed._"
"That--that is why it was said to me that night!--" she hears the
slow voice whisper: "'Thou hast suffered for obedience to thy
father's fathers, and for the keeping of the Oath, and for the love
of one woman. But I, that I might do the Will of My Father--and thy
Father--and for the love of all mankind.'"
"O my Cousin!" Habitually now, the soft Arabic speech flows to and
fro between them, "Who was it said those words to thee? ..."
"It was on the night--" the scarred head turns on the high-propped
pillow--"the night after the beating. My hands and feet were
torture, and I had a great thirst. And there came a light on the
wall of the hut, and Somebody spoke to me, and the blood cleared from
my eyes, and I saw Him then...."
"Who--who was He?" She draws an awed breath.
"He said He was my Friend--and I believed Him. You could not see Him
as I did--and doubt any more. Dost thou recall the fresco in the
tomb on Ebal? It is not like--how could it be His likeness? But the
man who made it had seen Him in a Vision, and caught the faintest
shadow of His look."
"I--do not understand...."
"It does not matter. But that is why I was so sure I should not die
just then.... I cannot yet enter Jerusalem, for there is blood upon
my hands that has been shed in vengeance--but, I am to wait near the
City until I get the Sign...."
"Dearest, art thou quite sure--"
"I doubt not, being certain. Now, having breath enough--I would
speak of other things. When I am dead, thou wilt write and tell the
things to my mother--and go to thine own mother at Alexandria. She
is wealthy and so art thou, thou dost need no provision, so the
Fortune of Eli Hazaël, our grandfather, will go to build and endow
the Hebrew University."
"But thy brother, Maurice, what of him?"
"It is borne in on me," the black eyes are momentarily dimmed, "that
Maurice is dead. I have felt it for a long time. My mother must be
sorely grieved. He was her dearest son."
"Art thou not dear to her also?" Esther asks sadly.
"She will sorrow for me too--but not as she does for Maurice. And
she has a good friend, an old flame,--a Dutchman in the City, Herman
Van Ost his name is--and she will marry him now. She would have
married him years ago, but Maurice did not wish it. There is another
task for thee yet, my Sweet. Dost thou shrink from it, Little One?"
"Nay. For thou art Hazaël, and the Head of our House. Surely I will
obey thee. Have thou no doubt of me! ..."
"Kind One! ... Brave One! Little Judith in Israel!-- Surely thou
wilt be rewarded for thy courage and thy faith. Listen now! ... When
I who am the littlest and least of all the Hazaëls shall be gathered
to our fathers--thou shalt seek out Katharine Forbis--wherever thou
shalt hear of her--and carry word from me." The voice deepens and
grows strong: "Say--there is no longer an Hazaël left of the male
line, to guard the Ashes. The Oath is fulfilled--the Debt is paid!
Katharine and her children--and theirs following them--must take upon
them to be Guardians of the Shrine."
"What Oath was it?"
"The Oath made sixteen hundred years ago and more, by Hazaël Aben
Hazaël. Remember!--she is to take the Urn back to Kerr's Arbour, and
house it under the altar in the Chapel there.... And her children
will reverence it--knowing its sacredness. Perhaps," the black eyes
are shining now with a light that is soft and gentle, "perhaps there
will be a little boy--with eyes like his mother's--who will ask for
the story oftener and love it more than the
others--because--because--his name will be John ..."
"Ah, dearest!--dearest! ..."
"Do not cry. All this when I have departed.... Till then I would be
forgotten by all I used to know."
"Then thou wilt say I have done right when I tell thee that some two
months back--when thou wert very feeble--diligent search was made for
thee. Even under the eyes of the Turks and Germans--a man whom thou
knowest ventured into this place."
"One whom I know! ..." The black eyes flash, the scarred head turns
towards her on the pillow: "Is his name Yaill?"
"His name is Colonel Edward Yaill, though sometimes he calls himself
the Emir Fadl Anga. He was garbed as a Moghrabi sugar-merchant--but
I knew his eyes again. So I sought him out, and guessing at thy
pleasure in the matter, I told him thou couldst not be moved--and he
went away from here."
"It is well. Now I talk no more, sweetheart, for breath is hard to
come by. Do one thing that I ask before the daylight goes. Take off
thy veil, little Judith, and let me see thee plainly. For once! I
will not ask again, if my asking hurt thee so!"
She falters a refusal, then yields at his entreaty.
"Shut thine eyes for a little moment, and open when I call...."
He shuts his eyes and opens them, to see Esther sitting at the
bed-foot.... A figure girlish in its youth fulness, pathetic in its
slender fragility, and veilless, save for the tresses of her rich
black silken hair. She parts the hair with two little brown hands,
then throws it back on either side, revealing the face it has
covered--and a sob catches in the man's throat, and his eyes are wet
with tears....
For that side of Esther's face that is never shown is beautiful,
strangely beautiful. The great dark eye under the arched black
eyebrow, the little aquiline nose, with proud curved nostrils, the
delicate mouth, the rounded chin, are of purest Hebrew type. She
bears his scrutiny awhile, then lifts the discarded covering, adjusts
it with quick, slender hands--and is Ummshni once again.
"Will that do? Hast thou looked enough?" she asks with a touch of
sharp regret for her lost heritage of Beauty.
"I have looked.... And I have seen--as I knew I should!" says John
placidly, "that thy face, my little Esther--is lovely as thy soul.
Now I will rest, for I am done. Perhaps I shall walk to-morrow...."
Comes the month of June, with ardent suns, and July with skies of
fire. Esther reads to John in another Book--a copy of the Syriac
Gospels picked up on a stall in the Bazâr--of One Whose teachings she
has been reared to hold as rank blasphemy. But her Hazaël has
commanded it, and she obeys Hazaël, and reads of Him Who raised the
dead to life, and opened the eyes of those born blind, and made the
lame to walk. Here in this land of Palestine nearly two thousand
years ago. But time goes on and this lame man does not walk yet....
It is October, the month of Asphodel, and Shechem is swept clean of
Germans and Turks, as the brown line moves up north. The great
Commander-in-Chief of the E.E.F. has carried out his leopard-pounce
on Nazareth,--whence Von Sanders and his Headquarters Staff have
fled--Tiberias and Amman have been occupied by British Forces, and
the stronghold of Turkish Power at Damascus has fallen, before the
colossal, tottering bulk can balance on its feet.
No available garments of European make can be adapted to John's
hugeness. Esther and the jewel-dealer's wife are in despair, then
hit upon a brilliant idea. A vast pair of Turkish drawers of yellow
and white striped-cotton are tucked into the baggy tops of immense
soft yellow boots. Over an Arab _jubba_ of white cotton material
goes a loose-sleeved Arab over-robe of brown camel-hair. They cover
him with a black felt _tarbûsh_, and a white silk _kuffiyeh_ bound
with a scarlet head-rope, and swathe him in the voluminous folds of a
primrose-coloured _jerd_. Now, with the beard that he has grown in
captivity at Shechem, the mother at home in London would not know her
son again.
The German Commander with his merry men departed in haste for Aleppo
when the huge khaki torrent rolled upon Samaria from the South....
The Turks of the garrison escaped over Jordan, the batteries on the
flank of Ebal were taken by the British, and the Patriarchs and other
notables deported from the Holy City are chartering vehicles to take
them back again.
Some of these are quaint enough. To witness, the ancient
travelling-landau, piled with luggage of a heterogeneous description,
packed with Armenian Fathers, and drawn by a tall camel and a small,
rebellious mule. But the hooded bath-pony-chair of largest size, a
venerable derelict of British make left by some wealthy traveller
years ago to moulder in the courtyard of a Shechem hotel, to which a
diminutive red-tasselled donkey has been harnessed, and in which is
seated a prodigiously obese and bushy-bearded Arab, possibly takes
the palm....
Three women run beside the chair, drawn by the small donkey driven by
an Arab urchin with a sharpened palm-wood stick. As the chair rolls
through the east gate, and moves in the rolling dust-cloud with a
column of other vehicles, past the Wired Place and the Mohammedan
Tombs, the little donkey stops.
"_Shalôm, Sidi_! Health and recovery be thine--and Happiness with
the Blessing!" says the wife of the jewel-dealer, bidding John Hazel
farewell.
"Farewell, O woman of gentle heart.... Remember me to thy husband.
And farewell, kind Inaini.... Sometimes remember us! ..."
"Farewell, my lord.... My lord will not soon forget Shechem!" says
Inaini, with a flash of brilliant eyes and teeth from between her
flowered veils....
"Nor thee. May the Most High reward thee for all thy charity! ..."
"It was nothing!" says the woman, almost sullenly, but John can hear
her sob....
"O my friend! O my sister! Farewell, good-bye! Little Mother of
Ugliness, my heart is sore to part! ..."
The jewel-dealer's wife hugs the little white-robed figure. Esther
embraces her, and then Inaini--and the honest woman and the courtesan
go away together, both red-eyed with weeping behind their shrouding
veils. And the big bath chair drawn by the little donkey--with the
huge Arab in it and the little woman and the native boy running
beside it--is lost in the stream of traffic on the Jerusalem-Shechem
Road.
It is a day of dust and sun, and the big man in the bath chair drawn
by the little donkey is as feeble as he is heavy, and unfitted to
bear fatigue. It is night by the time they have left the plain, and
the road climbs amongst the hills, that are ridged and furrowed with
the traces of War, as the face that is shaded by the white _jerd_,
and the body that the sick heart's throbbing shakes, and the man's
misshapen hands and feet are scarred by the Turkish _asayisi_....
Sunset flames over the Western Sea and all the land is rosy-dyed when
at last he looks on the ancient City, the bourne of his desires. Set
between east and west upon three hills, of which the lesser, Ophel,
has vanished--the limestone spurs of Sion and Moriah upholding her,
she turns her back upon the ocean plain and the mild damp airs that
blow from it, to fill her lungs with the burning winds and
dust-storms of the Wilderness--where the Son of God and Saviour of
mankind was tempted of Satan, and Jordan's yellow waters flow towards
the abyss of the Dead Sea.
They go no farther that night, for the sick man cannot bear it, but
hire two rooms, almost clean, and newly whitewashed, at the Khân of a
little mud-built Mohammedan village that sits on a hill beside the
road.
The left wing of the London Division were entrenched here before the
Occupation, and the Advance that moved them north.... The whitewash
of the Khân of Shafât has familiar names scribbled upon it, attached
to caustic comments on the price of native eggs, dates, cheese,
oranges and olives, as compared with their quality and their size.
And here the little party stay. For the big man in the bath chair
can travel no farther. Many days pass and he can move again; and the
little donkey is harnessed to the chair by its tasselled traces, and
the Arab boy with the palm-stick, and the little veiled woman run by
it--and the queer _cortége_ halts by and by where the broad dusty
track that leads south and a shade west to the Damascus Gate, forks
off on the left to the less broad, better-kept carriage way
that--following the line of the mountain-ridge, leads--south and a
trifle east--to the Mount of Olives, passing the Tombs of the Kings.
In the shadow of the south wall of the royal enclosure, the sick man
signifies his wish to halt. All day he lingers there, content, and
for the greater part in silence; shares with his meek nurse and the
Arab boy such food as they have with them--and when the short dusk
heralds Dark, is loth to leave the spot. Next day they are there
again--and the next day and the next. It is here, he signifies to
his patient nurse, that the Message he waits will reach him--and
content that Hazaël should be content, she knows no other will.