CHAPTER XIV

CARRINGTON MEWS,

_12th March._

Dear Agatha,--The letter you sent in answer to my wire has remained too

long unanswered, but I have, since Katherine's death, been immersed in

correspondence of a most uninteresting and tedious description. The work

entailed in the settling of affairs is colossal, and when I haven't been

writing tiresome business epistles, or others even more tiresome to

people who never remembered my existence when I was a poor man, the

lawyers have had me in their octopus-like clutches.

You will notice that I refer to my poverty in the past tense. Yes,

Agatha, I have no longer to consider whether I can afford a glass of ale

with my chop for lunch, or half a crown for admission to the pit (to be

quite correct, I should say three shillings, the odd sixpence being

one's contribution towards the expenses of the war). I can even, if I

wish, call a taxi to take me round the corner, or ask Mrs. Darling to

dine with me at the Ritz. Katherine left me all she possessed. She did

it, I believe, with qualms as to the wisdom of the deed, but, as I have

remarked before, "blood is thicker than water," and the habit of giving,

where I am concerned, had become with Katherine a habit. Her

forebodings, however, were apparent in the wording of her will, and her

lawyer treated me to quite a sermon when I called to sign some papers

the other day. He said it behoved me to take up the social duties

entailed in the possession of a house in Curzon Street, together with an

income of five thousand a year. The Countess, he reminded me, had always

been very punctilious in the discharge of her obligations as a member of

the aristocracy, and it would be an act of ingratitude on my part if I

failed to carry on the family traditions. (I wonder if he has, at any

time, seen me with Mrs. Darling.) He hinted at the desirability of my

settling down with a suitable wife. Mrs. Darling, by the way, has

already had her say on this subject, putting it a little more crudely,

and with a rather unflattering reference to "Old Parr". By the way, she

refuses absolutely to go any more jaunts round London with me. She says

if I don't know my place, she knows hers, and that she has no ambition

to "git into the papers". She added that there had been a man with a

camera hanging about the Mews lately, and she shouldn't wonder if he

wasn't waiting to snapshot the heir to the Countess of Corbridge's

thousands.

Mrs. Darling, alas! has altered. Gone is her air of good comradeship,

gone _her_ meat puddings, and _my_ snowy pocket handkerchiefs. She says

I can afford to lunch out properly now, and send my washing to a laundry

in the country. She seems to have lost interest in me since I ceased to

want anything of her. It's a trait I have noticed in women in whom the

maternal instinct is strongly developed. But if Mrs. Darling is

faithless to me, I am not faithless to her. I have plans for the old

lady which I shall unfold in due course. Katherine pensioned her

housekeeper, who is retiring, and I propose taking Mrs. Darling with me

to Curzon Street. She will be almost as difficult to transplant from

Carrington Mews as I shall, but a companion in misfortune softens the

blow, and we shall help each other.

Dear me, Agatha, but this is a doleful letter, and to tell the truth, my

mood is not hilarious. I would give a good deal to have Katherine back

in Curzon Street, and myself secure in a life of vagabondage. When I

think of all this new life entails I lose heart, and fear to lose my

youth also.

Now I come to think of it, that's an admission worthy of Old Parr

himself. Lose my youth at sixty-five! Haven't I already lost it? The

answer is--No, for youth and vagabondage are synonymous. There is only

one person who can help me in such a crisis, and that person is

yourself. Existence has become too complex to be faced alone. I want

some one to help me spend this money in the service of those to whom a

few pounds makes the difference between heaven and hell, and your talent

for philanthropy has always been handicapped by lack of means. There is,

though, a condition attached which may put you off the bargain--George

Tallenach is, as Mrs. Darling will tell you, "not everybody's money".

But years ago there was a woman who stuck up for George when no one else

had a good word to say for him. If now he asks her to change the duties

of friend for those of a wife, will she think it too late?

Adieu, Agatha, and may the meeting, and the answer, come soon.

GEORGE TALLENACH.

_Postscript._

George sealed the letter and moved to his armchair by the hearth. The

March evening was chill and the fire was companionable. He was in no

hurry to light his lamp, for there was always at such an hour the book

in the grate which could be best read in the dark.

Turning its leaves to-night he found the record of a past which, if it

offered nothing else, certainly provided variety of interest, and

through its changing scenes there had always been Agatha. Agatha who, in

those days when they first met, had been a beauty with a score of

admirers. He had never understood why she had given them all the go-by

to remain true to his unworthy self. He supposed it had become a habit.

If Agatha had a fault it was that she was given to habits. She was also

inclined to be conventional. He had seen her wince involuntarily when he

had shocked some social prejudice, but the wince had been hustled into a

corner by the smiling eyes that said, "It's very silly of me, I know".

There was no doubt his friendship had saved her from the worst perils of

spinsterhood. She would take to Curzon Street like a fish to water, and

she would accept Mrs. Darling with the wince and its accompanying smile.

The smile he had no doubt would triumph in the end, for Mrs. Darling was

a sport and Agatha was no snob.

His chin dropped on his chest as the scene shifted to those days of

vagabondage which had come with the gift of Katherine's two hundred a

year. Days when the London streets had been the scene of limitless

wanderings, providing undying interest and entertainment, romance and

adventure. They had been happy days--were they ended?

The door opened with a jerk, letting in a draught and Mrs. Darling.

"Jest as I expected!" she exclaimed. "I ses to myself as I was comin' up

the stairs, I ses, 'I wouldn't mind bettin' 'e's sittin' there in the

dark, lettin' the fire out,'" and the speaker, after making a vigorous

onslaught on a smouldering lump of coal, looked round for matches.

"I don't want the lamp lit yet," complained George.

But Mrs. D. calmly proceeded with her self-elected task. "Sittin' in the

dark's only fit for blind people and lovers," she stated, and her eyes

went towards the stamped letter which lay on the writing pad.

"I'm jest goin' to the post, I'll take it," she offered, and a few

minutes later, as she dropped the letter into the box, she said to

herself, "If he _'as_ asked her to marry 'im, it's jest as well not to

give 'im the chance of changin' 'is mind."

THE END.

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HOW TO MAKE A FORTUNE OR THE ART OF GROWING MONEY.

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THE SEAS OF GOD A. W. Armstrong.

TALES OF TWO CONTINENTS Robert Barr.

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CURIOUS HAPPENINGS Marjorie Bowen.

THE FOOL OF FORTUNE E. C. Buley.

A BIT AT A TIME Dion Clayton Calthrop.

THE HOOFSLIDE Anthony Carlyle.

THE DEVIL'S CHAPEL Sophie Cole.

THE CYPRESS TREE Sophie Cole.

A VARIETY ENTERTAINMENT Sophie Cole.

JOHN FITZHENRY Ella McMahon.

THE LOVE CHIT Maud Mallet.

ISLAND TALES Jack London.

TAKE JOY HOME S. C. Nethersole.

THE GENTLE BIGAMIST Horace W. C. Newte.

PANSY MEARES Horace W. C. Newte.

THE ROGUE'S PROGRESS Horace W. C. Newte.

THE SOCIALIST COUNTESS Horace W. C. Newte.

THE LOOSING OF THE LION'S WHELPS John Oxenham.

DOLLY AND HER DIARY "Pan."

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SMOKE AND SHORTY Jack London.

HEARTS OF THREE Jack London.

THE LITTLE LADY OF THE BIG HOUSE Jack London.

JERRY OF THE ISLANDS Jack London.

A DAUGHTER OF THE SNOWS Jack London.

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(*)FOOTLIGHTS Arthur Applin.

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THE GREATER CLAIM Arthur Applin.

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THE DUCHESS, THE ARTIST, AND THE PICTURE BOOK Harold Begbie.

A LONDON GIRL Harold Begbie.

THE CRUISE OF THE SCANDAL Victor Bridges.

GOLDEN BARB'S VICTORY E. C. Buley.

THE LUCK OF MAPLEDOWN E. C. Buley.

(*)THE CYPRESS TREE Sophie Cole.

A LONDON POSY Sophie Cole.

THE LOITERING HIGHWAY Sophie Cole.

THE GATE OF OPPORTUNITY Sophie Cole.

THE HOUSE IN WATCHMAN'S ALLEY Sophie Cole.

THE PRIDE OF THE FANCY George Edgar.

DAYS OF PROBATION Louise Gerard.

LIFE'S SHADOW SHOW Louise Gerard.

FLOWER OF THE MOON Louise Gerard.

A TROPICAL TANGLE Louise Gerard.

THE VIRGIN'S TREASURE Louise Gerard.

THE WITCH CHILD Louise Gerard.

THE WAVES OF CIRCUMSTANCE Louise Gerard.

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KRIS GIRL Beatrice Grimshaw.

GUINEA GOLD Beatrice Grimshaw.

CRUMP FOLK GOING HOME Constance Holme.

THE MYSTERY OF THE YELLOW ROOM Gaston Leroux.

THE RED ONE Jack London.

MICHAEL, BROTHER OF JERRY Jack London.

THE CRUISE OF THE SNARK Jack London.

THE HUMAN DRIFT Jack London.

WAR OF THE CLASSES Jack London.

REVOLUTION Jack London.

THE IRON HEEL Jack London.

THE ROAD Jack London.

THE JACKET Jack London.

THE NIGHTBORN Jack London.

JOHN BARLEYCORN Jack London.

A SON OF THE SUN Jack London.

ADVENTURE Jack London.

VOYAGING IN WILD SEAS Mrs. Jack London.

A WOMAN AMONG THE HEAD-HUNTERS Mrs. Jack London.

JACK LONDON AND HAWAII Mrs. Jack London.

JACK LONDON IN THE SOUTHERN SEAS Mrs. Jack London.

(*)THE FLY IN THE BOTTLE Maud Mallet.

AN ENGLISH GIRL IN PARIS Constance E. Maud.

MY FRENCH FRIENDS Constance E. Maud.

RED GOLD Roy Norton.

ANCIENT MARINERS Morley Roberts.

THE MADONNA OF THE BEECHWOOD Morley Roberts.

IN THE NIGHT Joan Sutherland.

THE DAWN Joan Sutherland.

THE EDGE OF EMPIRE Joan Sutherland.

BEYOND THE SHADOW Joan Sutherland.

FETTERED (Cophetua's Son) Joan Sutherland.

THE HIDDEN ROAD Joan Sutherland.

THE PRICE OF A SOUL Paul Trent.

AN UNKNOWN LOVER Mrs. G. de Horne Vaizey.

GRIZEL MARRIED Mrs. G. de Horne Vaizey.

BIG TREMAINE Marie Van Vorst.

(*)MARY MORELAND Marie Van Vorst.

ALL THE BROTHERS WERE VALIANT Ben Ames Williams.

THE TEMPLE OF DAWN I. A. R. Wylie.

THE DUCHESS IN PURSUIT I. A. R. Wylie.

THE SHINING HEIGHTS I. A. R. Wylie.

THE DAUGHTER OF BRAHMA I. A. R. Wylie.

THE RAJAH'S PEOPLE I. A. R. Wylie.

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WHEN GOD LAUGHS Jack London.

BEFORE ADAM Jack London.

TURTLES OF TASMAN Jack London.

CHILDREN OF THE FROST Jack London.

LOST FACE Jack London.

THE GOD OF HIS FATHERS Jack London.

LOVE OF LIFE Jack London.

THE HOUSE OF PRIDE Jack London.

SOUTH SEA TALES Jack London.

THE SCARLET PLAGUE Jack London.

THE STRENGTH OF THE STRONG Jack London.

THE CRUISE OF THE DAZZLER Jack London.

AN ODYSSEY OF THE NORTH Jack London.

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THE RAINY DAY Harold Begbie.

CLOSED DOORS Harold Begbie.

PADDY DORAN E. C. Buley.

THE FLYING JOCKEY E. C. Buley.

CAN A MAN BE TRUE Winifred Graham.

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THE LONELY LOVERS Horace W. C. Newte.

CALICO JACK Horace W. C. Newte.

PANSY MEARES Horace W. C. Newte.

LENA SWALLOW Horace W. C. Newte.

A PILLAR OF SALT Horace W. C. Newte.

RUTH, THE WOMAN WHO LOVED Horace W. C. Newte.

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