Chapter XVII

Upon a wet evening, several months after the last chapter, two

interminable rows of cars, pulled by slipping horses, jangled along a

prominent side-street. A dozen cabs, with coat-enshrouded drivers,

clattered to and fro. Electric lights, whirring softly, shed a blurred

radiance. A flower dealer, his feet tapping impatiently, his nose and

his wares glistening with rain-drops, stood behind an array of roses

and chrysanthemums. Two or three theatres emptied a crowd upon the

storm-swept pavements. Men pulled their hats over their eyebrows and

raised their collars to their ears. Women shrugged impatient shoulders

in their warm cloaks and stopped to arrange their skirts for a walk

through the storm. People having been comparatively silent for two

hours burst into a roar of conversation, their hearts still kindling

from the glowings of the stage.

The pavements became tossing seas of umbrellas. Men stepped forth to

hail cabs or cars, raising their fingers in varied forms of polite

request or imperative demand. An endless procession wended toward

elevated stations. An atmosphere of pleasure and prosperity seemed to

hang over the throng, born, perhaps, of good clothes and of having just

emerged from a place of forgetfulness.

In the mingled light and gloom of an adjacent park, a handful of wet

wanderers, in attitudes of chronic dejection, was scattered among the

benches.

A girl of the painted cohorts of the city went along the street. She

threw changing glances at men who passed her, giving smiling

invitations to men of rural or untaught pattern and usually seeming

sedately unconscious of the men with a metropolitan seal upon their

faces.

Crossing glittering avenues, she went into the throng emerging from the

places of forgetfulness. She hurried forward through the crowd as if

intent upon reaching a distant home, bending forward in her handsome

cloak, daintily lifting her skirts and picking for her well-shod feet

the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated

rows of men before bars and hurrying barkeepers.

A concert hall gave to the street faint sounds of swift, machine-like

music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near

the girl. He had on evening dress, a moustache, a chrysanthemum, and a

look of ennui, all of which he kept carefully under his eye. Seeing

the girl walk on as if such a young man as he was not in existence, he

looked back transfixed with interest. He stared glassily for a moment,

but gave a slight convulsive start when he discerned that she was

neither new, Parisian, nor theatrical. He wheeled about hastily and

turned his stare into the air, like a sailor with a search-light.

A stout gentleman, with pompous and philanthropic whiskers, went

stolidly by, the broad of his back sneering at the girl.

A belated man in business clothes, and in haste to catch a car, bounced

against her shoulder. "Hi, there, Mary, I beg your pardon! Brace up,

old girl." He grasped her arm to steady her, and then was away running

down the middle of the street.

The girl walked on out of the realm of restaurants and saloons. She

passed more glittering avenues and went into darker blocks than those

where the crowd travelled.

A young man in light overcoat and derby hat received a glance shot

keenly from the eyes of the girl. He stopped and looked at her,

thrusting his hands in his pockets and making a mocking smile curl his

lips. "Come, now, old lady," he said, "you don't mean to tel me that

you sized me up for a farmer?"

A labouring man marched along; with bundles under his arms. To her

remarks, he replied, "It's a fine evenin', ain't it?"

She smiled squarely into the face of a boy who was hurrying by with his

hands buried in his overcoat pockets, his blonde locks bobbing on his

youthful temples, and a cheery smile of unconcern upon his lips. He

turned his head and smiled back at her, waving his hands.

"Not this eve--some other eve!"

A drunken man, reeling in her pathway, began to roar at her. "I ain' ga

no money!" he shouted, in a dismal voice. He lurched on up the street,

wailing to himself: "I ain' ga no money. Ba' luck. Ain' ga no more

money."

The girl went into gloomy districts near the river, where the tall

black factories shut in the street and only occasional broad beams of

light fell across the pavements from saloons. In front of one of these

places, whence came the sound of a violin vigorously scraped, the

patter of feet on boards and the ring of loud laughter, there stood a

man with blotched features.

Further on in the darkness she met a ragged being with shifting,

bloodshot eyes and grimy hands.

She went into the blackness of the final block. The shutters of the

tall buildings were closed like grim lips. The structures seemed to

have eyes that looked over them, beyond them, at other things. Afar off

the lights of the avenues glittered as if from an impossible distance.

Street-car bells jingled with a sound of merriment.

At the feet of the tall buildings appeared the deathly black hue of the

river. Some hidden factory sent up a yellow glare, that lit for a

moment the waters lapping oilily against timbers. The varied sounds of

life, made joyous by distance and seeming unapproachableness, came

faintly and died away to a silence.

Maggie: A Girl of the Streets · 第 17 / 19 章