The grisly bear maiden, Wimaloimis, is a terrible criminal; she piles

horror upon horror. She tries to eat up the hospitable trout woman who

gives her lodging; she has twins from her own father; she tries to

eat her own children; she brings them to commit matricide under cruel

conditions. The house of Pelops and Lot’s daughters, combined, barely

match her. If the tale of Wimaloimis had belonged to early Greece, and

had survived till the time of the Attic tragedians, the real nature

of the actors in it would have been lost, in all likelihood, and then

it might have served as a striking example of sin and its punishment.

Instead of discovering who the _dramatis personæ_ were really, the people

of that time would have made them all human. In our day, we try to

discover the point of view of the old myth-maker, to learn what it really

was that he dealt with. In case we succeed, we are able to see that many

of the repulsive features of ancient myths were not only natural and

explicable, but absolutely unavoidable. The cloud, a grisly bear, is

a true daughter of the sun. The sun and the cloud are undoubtedly the

parents of the twin brothers, Thunder and Lightning; there are no other

parents possible for them. That the cloud, according to myth description,

tried to devour her own children, and was destroyed at last, and torn

to pieces by them, is quite true. When we know the real elements of the

tale, we find it perfectly accurate and truthful. If the personages in it

were represented as human, it would become at once, what many a tale like

it is made to be, repulsive and horrible.

Among Gaelic tales there are few in which the heroes are of the earliest

period, though there are many in which primitive elements are prominent,

and some in which they predominate. In a time sufficiently remote,

Gaelic tales were made up altogether of the adventures of non-human

heroes similar to those in the tales of America,—that is, heroes in the

character of beasts, birds, and other living creatures, as well as the

phenomena and elements of nature.

Beasts and birds are frequent in Gaelic tales yet; but they never fill

the chief rôle in any tale. At most they are friends of the hero, and

help him; not infrequently he could not gain victory without them. If on

the bad side, the rôle is more prominent, a monster, or terrible beast,

may be the leading opponent, or be one in a series of powerful enemies.

In a few Gaelic tales, phenomena or processes of nature appear still as

chief actors; but they appear in human guise. The two tales in which this

position is most evident, are those of Mor and Glas Gainach,—not the tale

of Mor as given in this volume, but an older tale, and one which, so far

as I know, exists only in fragments and sayings. This tale of Mor, which

I gathered bit by bit in one place and another through West Kerry, is, in

substance, as follows:

Mor (big), a very large woman, came by sea to Dunmore Head, with her

husband, Lear, who could not live with Mor, and went around by sea to the

extreme north, where he stayed, thus putting, as the phrase runs, “All

Ireland between himself and the wife.” Mor had sons, and lived at Dun

Quin (the ruins of her house Tivorye [Mor’s house], are shown yet) at the

foot of Mount Eagle. She lived on pleasantly; much came to her from the

sea. She was very proud of her sons, and cared for no one in the world

except them. The woman increased greatly in substance, was rich and happy

till her sons were enticed away, and went to sea.

One day, she climbed to the top of Mount Eagle, and, for the first time,

saw Dingle Bay with the highlands of Iveragh and Killarney. “Oh, but

isn’t Erin the big country; isn’t it widely spread out!” cried she. Mor

was enormously bulky, and exerted herself to the utmost in climbing the

mountain. At the top, certain necessities of nature came on her; as a

result of relieving these, a number of deep gullies were made in Mount

Eagle, in various directions. These serve to this day as water-courses;

and torrents go through them to the ocean during rainfalls.

News was brought to Mor on the mountain that her sons had been enticed

away to sea by magic and deceit. Left alone, all her power and

property vanished; she withered, lost her strength, went mad, and then

disappeared, no man knew whither. “All that she had came by the sea,”

as people say, “and went with the sea.” She who had been disagreeable

and proud to such a degree that her own husband had to leave her; the

woman whose delight was in her children and her wealth,—became the most

desolate person in Erin, childless, destitute, a famishing maniac that

disappeared without a trace.

There is an interesting variant to this story, referring to Lear, Mor’s

husband. This represents him not as going to the other end of Erin, but

as stopping where he touched land first; there he died, and was buried.

This is the version confirmed by the grave mound at Dunmore Head.

From the artistic point of view, it is to be regretted that the tale

of Mor has not come down to us complete with its variants; but we may

be thankful for what we have. The fragments extant, and the sayings,

establish the character of the tale, especially in view of a most

interesting bit of testimony preserved in a book published in 1757.

After I had collected all the discoverable scraps and remnants of the

tale, I came upon the statement in Smith’s “History of Kerry,” page 182,

that Dunmore Head was called by the people thereabout, “Mary Geerane’s

house.” The author adds the name in Gaelic (which he did not know), in

the following incorrect form: “Ty-Vorney Geerane.” Now this sentence does

not mean Mary Geerane’s house at all, but the house of Mor, daughter of

the sun, Tigh Mhoire ni Greine, pronounced, “Thee Vorye nyee Grainye.”

Here is the final fact needed,—a fact preserved with an ignorance of its

nature and value that is absolutely trustworthy.

What does the story mean now? Mor, daughter of the sun, leaves her

husband, Lear, and comes to land herself. The husband cannot follow; for

Lear is the plain of the sea,—the sea itself in its outward aspect. Lear

is the Neptune of the Gaels. One version represents Lear as coming to his

end at Dunmore Head; the other, as going around the island to Donaghedee,

to live separated from a proud and disagreeable wife by the land of all

Ireland. Each of these variants is equally consonant with the character

of the couple. Let us pursue the tale further. Mor, the cloud woman,—for

this she is,—has issue at Dun Quin, has sons (the rain-drops), and is

prosperous, is proud of her sons, cares only for them; but her sons

cannot stay with her, they are drawn to the sea irresistibly. She climbs

Mount Eagle, is amazed at the view from the summit, sits down there and

performs her last act on earth, the result of which is those tortuous

and remarkably deep channels on the sides of Mount Eagle. After that she

hears on the mountain that her sons are gone, she vanishes from human

ken, is borne out of sight from the top of Mount Eagle.

Such is the myth of the cloud woman, Mor (the big one), a thing of wonder

for the people.

In “Glas Gainach,” with which this volume opens, we have, perhaps, the

best tale preserved by memory in Ireland. The tale itself is perfect,

apparently, and its elements are ancient.

The prize for exertion, the motive for action, in this tale, is a present

from King Under the Wave to his friend the King of Spain. This King of

Spain is, of course, supposititious. Who the former friend was whose

place he usurped, we have no means of knowing; but we shall not be far

out of the way, I think, if we consider him to be the monarch of a

cloud-land,—a realm as intangible as the Nephelokokkygia of Aristophanes,

but real.

In Elin Gow, the swordsmith, we have a character quite as primitive

as the cow or her owners. Elin Gow is found in Scotland as well as in

Ireland. Ellin Gowan’s Height, in Guy Mannering, is simply Elin Gow’s

Height, _Gowan_ (_Gobhan_ in Gaelic) being merely the genitive case of

_Gow_ (_Gobha_). Elin Gow means simply Elin the smith. Under whatever

name, or wherever he may be, Elin Gow occupies a position in Gaelic

similar to that of Hephæstos in Greek, or Vulcan in Latin mythology; he

is the maker of weapons, the forger of the bolt.

In a short tale of Glas Gavlen, which I obtained near Carrick, County

Donegal, it is stated that the cow came down from the sky. According to

the tale, she gives milk in unlimited quantities to all people without

exception. Time after time the rich or powerful try to keep her for

their own use exclusively, but she escapes. Appearing first at Dun

Kinealy, she goes finally to Glen Columkil near the ocean, where a strong

man tries to confine her; but she rises in the air, and, clearing the

high ridge on the northern side of the glen, disappears. Since then,

there is no free milk in Erin, and none but that which common cows give.

The cow, Glas Gainach or Gaunach or Gavlen, for all three refer to the

same beast, betrays at once her relationship with those cows of India so

famous in the Rig Veda, those cloud cows whose milk was rain, cows which

the demon Vritra used to steal and hide away, thus causing drought and

suffering. Indra brought death to this demon with a lightning bolt; for

this deed he received the name Vritrahan (slayer of Vritra). The cows

were freed then from confinement; and the world was refreshed by their

milk, which came to all, rich and poor, in like manner. So far the main

characters of the tale are quite recognizable. Cian and Cormac are simply

names current in Irish history, and are substituted for names of original

heroes, who were characters as far from human and as mythologic as King

Under the Wave or Glas Gainach.

A comparison of Gaelic tales with the Indian tales of America shows that

the Gaelic contain materials some of which is as ancient as the Indian,

while the tales themselves are less primitive.

There are many Indian tales which we can analyze, genuine myths,—a myth,

in its earliest form, being a tale the substance of which is an account

of some process in nature, or some collision between forces in nature,

the whole account being given as a narrative of personal adventure.

Among the Irish tales there are very few ancient myths pure and simple,

though there are many made up of myth materials altogether. The tale

of Mor, reconstructed from fragments, is a myth from beginning to end;

the history of a cloud in the guise of a woman, as Glas Gainach is the

history of a cloud in the guise of a cow.

Tales like Glas Gainach and Mor are not frequent in Gaelic at present;

but tales of modified structure, composite tales to which something

has been added, and from which something has been taken away, are met

with oftener than any. The elements added or taken away are not modern,

however; they are, if we except certain heroes, quite ancient.

In course of time, and through change of religion, ancient heroes were

forgotten in some cases, rejected in others, and new ones substituted;

when the argument of a tale, or part of it, grew less distinct, it was

strengthened from the general stock, made more complete and vivid. In

this way came adventure tales, constructed of materials purely mythic

and ancient. Parts were transferred from one tale to another, the same

incidents and heroes being found in tales quite different in other

respects.

The results to be obtained from a comparison of systems of thought

like the Indian and the Gaelic would be great, if made thoroughly. If

extended to all races, such a comparison would render possible a history

of the human mind in a form such as few men at present even dream of,—a

history with a basis as firm as that which lies under geology. If this

work is to be accomplished, we must make large additions indeed to our

knowledge of primitive peoples. We must complete the work begun in

America. We must collect the great tales of Africa, Asia, and the islands

of the Pacific,—tales which embody the philosophy of the races that made

them. The undertaking is arduous, and there is need to engage in it

promptly. The forces of civilized society, at present, are destroying

on all sides, not saving that which is precious in primitive people.

Civilized society supposes that man, in an early degree of development,

should be stripped of all that he owns, both material and mental, and

then be refashioned to serve the society that stripped him. If he will

not yield to the stripping and training, then slay him.

In view of this state of things, there is no time for delay; primitive

man is changing, and the work is extensive.

Of Chinese thought we know very little, especially of Taoism, the most

ancient system of the country,—the one which has grown up from Chinese

myth-tales. Of African tales, only few have been collected, and those of

small value mainly.

In Asia and Eastern Europe, the Russians have done the best work by far;

besides many good volumes of Slav tales, they have given us much from

the Tartars and Mongols of exceptional value and ancient. In the United

States, little was accomplished till recent years; of late, however,

public interest has been roused somewhat, and, since Major Powell entered

the field, and became Director of the Bureau of Ethnology, more has been

done in studying the native races of America than had been done from the

discovery of the country up to that time.

To sum up, we may say, that the Indian tales reveal to us a whole system

of religion, philosophy, and social polity. They take us back to the

beginning of things; they describe Creation and the establishment of the

present order in the world.

Those tales form a complete series. The whole mental and social life

of the race to which they belong is evident in them. The Gaelic tales

are a fragment of a former system. The earliest tales in that system

are lost; those which formed the Creation myth, and related directly to

the ancient faith and religious practices of the Gaels, were set aside

and prohibited at the introduction of Christianity. In many of those

that remained, leading heroes were changed by design, or forgotten, and

others put in their places. In general, they were modified consciously

and unconsciously,—some greatly, others to a less degree, and a few very

little.

We find various resemblances in the two systems, some of which are very

striking in details, and others in general features; the question,

therefore, rises readily enough: Can we not use the complete system to

aid us in explaining and reconstructing, in some degree, the imperfect

one? We can undoubtedly; and if to materials preserved by oral tradition,

like those in this volume, be added manuscript tales, and those scattered

through chronicles ecclesiastical and secular, we may hope to give some

idea of what the ancient system of Gaelic thought was, and discover

whether the Gaelic gods had a similar origin with the Indian. What is

true of the Gaelic is true also of other ancient systems in Europe, such

as the Slav and Teutonic. These have much less literary material than the

Gaelic; but the Slav has vastly greater stores of oral tradition, and

tales which contain much precious thought from pre-Christian ages.

During eight years of investigation among Indian tribes in North America,

I obtained the various parts of that Creation myth mentioned in this

introduction, from tribes that were remote from one another, and in

different degrees of development. Such tales I found in the east, in

the central regions, and finally in California and Oregon. Over this

space, the extreme points of which are three thousand miles apart, each

tribe has the Creation myth,—one portion being brought out with special

emphasis in one tribe, and another portion in a different one. In tribes

least developed, the earliest tales are very distinct, and specially

valuable on some points relating to the origin and fall of the gods.

Materials from the extreme west are more archaic and simple than those

of the east. In fact the two regions present the two extremes, in North

America, of least developed and most developed aboriginal thought.

In this is their interest. They form one complete system, a single

conception richly illustrated.

Shall we find among tribes of Africa, Australia, and the Pacific Islands,

tales which are component parts of great Creation myths like that of

North America? We shall find them no doubt, if we spend time and skilled

labor sufficient.

The discovery and collection of these materials, and the proper use of

them afterward, constitute, for scientific zeal and activity, a task as

important as self-knowledge is important to man.

* * * * *

In 1887, I made a journey to Ireland; when I collected tales from which

were selected the twenty forming the “Myths and Folk-lore of Ireland,”

Boston, Little, Brown, and Company, 1889. While in Ireland, during that

first visit, and this one, I have met with much good will and kindness

which are pleasant to remember.

I must mention, to begin with, my indebtedness to Rev. P. A. Walsh, of

the St. Vincent Fathers, Cork, a widely known Gaelic scholar, and a man

whose acquaintance with the South of Ireland is extensive and intimate.

Father Walsh gave me much information concerning the people, and letters

to priests. I am greatly obliged to J. J. MacSweeny, Esq., of the Royal

Irish Academy, for help in many ways, and for letters to people in

Donegal. To Rev. Eugene O’Growney, Professor of Gaelic at Maynooth, I am

grateful for letters and advice.

If I were to mention all who have done me deeds of kindness, the list

would be long indeed. I must name, however, in Dingle, the venerable

Canon O’Sullivan and Father Scollard, in Bally Ferriter, Rev. John

O’Leary. To Mr. Patrick Ferriter, of Dingle, a man of keen intelligence

and an excellent Gaelic scholar, I am deeply indebted for assistance

in Gaelic. Canon Brosnan, of Cahirciveen, placed all his knowledge of

the region where he lives at my service, and on one occasion led in an

unwilling story-teller. Father MacDevitt, of Carrick, County Donegal,

assisted me much in his neighborhood. Rev. James MacFadden, of Glena,

County Donegal, and his curate, Rev. John Boyle, of Falcarra, helped me

effectively, and showed the most courteous hospitality. I should return

special thanks to Prof. Brian O’Looney, of Dublin, whose knowledge of

ancient Gaelic lore is unmatched, and who at all times was as willing as

he was able to aid me.

In America, the list of my obligations is short; there is only one man

on that continent to whom thanks are due in connection with this volume,

but that man, like the hero in Gaelic tales, was worth more than the

thousands on all four sides of him. The contents of this book would not

have been collected without the co-operation of Hon. Charles A. Dana, who

published fifty of these Gaelic tales in the Sunday edition of “The Sun.”

At that time no other editor was willing to join in the enterprise; and

I did not feel able to endure both the financial burden and the labor of

finding and collecting Gaelic tales, as I had done in 1887. Mr. Dana,

with his keen eye for literary character, noted at once in the “Myths and

Folk-lore” the originality of Gaelic tales and their heroes. When I told

him that relics like the Cuculin and Gilla na Grakin of my first book

were on the verge of extinction, he joined hands with me to save them,

and I set out on my second journey to Ireland.

JEREMIAH CURTIN.

LONDON, ENGLAND, August, 1894.

HERO-TALES OF IRELAND.

ELIN GOW, THE SWORDSMITH FROM ERIN, AND THE COW GLAS GAINACH.

Once King Under the Wave went on a visit to the King of Spain, for the

two were great friends. The King of Spain was complaining, and very sorry

that he had not butter enough. He had a great herd of cows; but for all

that, he had not what butter he wanted. He said that he’d be the richest

man in the world if he had butter in plenty for himself and his people.

“Do not trouble your mind,” said King Under the Wave. “I will give you

Glas Gainach,—a cow that is better than a thousand cows, and her milk is

nearly all butter.”

The King of Spain thanked his guest for the promise, and was very glad.

King Under the Wave kept his word; he sent Glas Gainach, and a messenger

with instructions how to care for the cow, and said that if she was

angered in any way she would not stay out at pasture. So the king took

great care of her; and the report went through all nations that the King

of Spain had the cow called Glas Gainach.

The King of Spain had an only daughter, and he was to give the cow with

the daughter; and the cow was a great fortune, the best dower in the

world at that time. The king said that the man who would do what he put

on him would get the daughter and the cow.

Champions came from every part of the world, each man to try his fortune.

In a short time hundreds and thousands of men lost their heads in combat.

The king agreed then that any man who would serve seven years, and bring

the cow safe and sound every day of that time to the castle, would have

her.

In minding the cow, the man had to follow her always, never go before

her, or stop her, or hold her. If he did, she would run home to the

castle. The man must stop with her when she wanted to get a bite or a

drink. She never travelled less than sixty miles a day, eating a good

bite here and a good bite there, and going hither and over.

The King of Spain never told men how to mind the cow; he wanted them to

lose their heads, for then he got their work without wages.

One man would mind her for a day; another would follow her to the castle

for two days; a third might go with her for a week, and sometimes a man

could not come home with her the first day. The man should be loose and

swift to keep up with Glas Gainach. The day she walked least she walked

sixty miles; some days she walked much more.

It was known in Erin that there was such a cow, and there was a smith in

Cluainte above here, three miles north of Fintra, and his name was Elin

Gow. He was the best man in Erin to make a sword or any weapon of combat.

From all parts of Erin, and from other lands also, young princes who were

going to seek their fortunes came to him to have him make swords for

them. Now what should happen but this? It came to him in a dream three

nights in succession that he was to go for Glas Gainach, the wonderful

cow. At last he said, “I will go and knock a trial out of her; I will go

toward her.”

He went to Tramor, where there were some vessels. It was to the King of

Munster that he went, and asked would he lend him a vessel. Elin Gow

had made many swords for the king. The king said that he would lend the

vessel with willingness, and that if he could do more for him he would

do it. Elin Gow got the vessel, and put stores in it for a day and a

year. He turned its prow then to sea and its stern to land, and was

ploughing the main ocean till he steered into the kingdom of Spain as

well as if he had had three pilots, and there was no one but himself in

it. He let the wind guide the ship, and she came into the very harbor of

the province where the king’s castle was.

When Elin Gow came in, he cast two anchors at the ocean side and one at

the shore side, and settled the ship in such a way that there was not a

wave to strike her, nor a wind to rock her, nor a crow to drop on her;

and he left her so that nothing would disturb her, and a fine, smooth

strand before her: he left her fixed for a day and a year, though he

might not be absent an hour.

He left the vessel about midday, and went his way walking, not knowing

where was he or in what kingdom. He met no man or beast in the place.

Late in the evening he saw, on a broad green field at a distance, a

beautiful castle, the grandest he had ever set eyes on.

When he drew near the castle, the first house he found was a cottage at

the wayside; and when he was passing, who should see him but a very old

man inside in the cottage. The old man rose up, and putting his two

hands on the jambs of the door, reached out his head and hailed him. Elin

Gow turned on his heel; then the old man beckoned to him to enter.

There were four men in front of the castle, champions of valor,

practising feats of arms. Flashes of light came from their swords. These

men were so trained that they would not let a sword-stroke touch any part

of their bodies.

“Come in,” said the old man; “maybe you would like to have dinner. You

have eaten nothing on the way.”

“That was a mistake of my own,” said Elin Gow; “for in my ship are

provisions of all kinds in plenty.”

“Never mind,” said the old man; “you will not need them in this place;”

and going to a chest, he took out a cloth which he spread on a table, and

that moment there came on it food for a king or a champion. Elin Gow had

never seen a better dinner in Erin.

“What is your name and from what place are you?” asked the old man of his

guest.

“From Erin,” said he, “and my name is Elin Gow. What country is this, and

what castle is that out before us?”

“Have you ever heard talk of the kingdom of Spain?” asked the old man.

“I have, and ’tis to find it that I left home.”

“Well, this is the kingdom of Spain, and that building beyond is the

castle of the king.”

“And is it here that Glas Gainach is?”

“It is,” said the old man. “And is it for her that you left Erin?”

“It is then,” said Elin Gow.

Hero-Tales of Ireland · 第 2 / 28 段