The man stood aside with a great sweep of the hand, and a garlic-ladened

breath given full in Yeoland's face.

"And the lady, sire, a cup of purple; the roads are dry?"

Fulviac pushed up the stairs.

"We are late, and supped as we came. Your private cellar will suit us

better."

"Of a truth, sire, most certainly."

"Send the men back with the horses; Damian has his orders, and your

money-bag."

"Rely on my dispatch, sire."

"Well, then, roll on."

Fat Jean, sweaty deity of pot and gridiron, took the keys from his

girdle and a lantern from a niche in the wall. Going at a wheezy

shuffle, he led them by a long passage and two circles of stairs to a

cellar packed with hogsheads, tuns, and great vats of copper. From the

first cellar a second opened, from the second, a third. In the last

vault Jean rolled a cask from a corner, turned a flagstone on its side,

showed them a narrow stairway descending into the dark.

Fulviac took the lantern, made a sign to Jean, and passed down the

stairway with Yeoland at his heels. The tavern-keeper remained above in

the cellar, and closed the stone when the last gleam of the light had

died down the stair. He rolled the cask back into its place, and felt

his way back by cellar and stairway to the benignant glow of his own

tavern room.

Fulviac and the girl had descended the black well of the stair. Tunnels

of gloom ran labyrinthine on every hand; a musty scent burdened the air,

and fine sand covered the floor. Fulviac held the lantern

shoulder-high, took Yeoland's wrist, and moved forward into a great

gallery that sloped downwards into the depths of the rock. The place

was silent as the death-chamber of a pyramid. The lantern fashioned

fantastic shadows from the gloom.

Yeoland held close to the man with an instinct towards trust that made

her smile at her own thoughts. Fulviac had been in her life little more

than a week; yet his unequivocating strength had won largely upon her

liking--in no sentimental sense indeed, but rather with the calm command

of power. Possibly she feared him a very little. Yet with the despair

of a wrecked mariner she clung to him, in spirit, as she would have

clung to a rock.

As they passed down the gallery with the lantern swinging in Fulviac's

hand, she began to question him with a quiet persistence.

"What place is this?" she said.

For retort, Fulviac pointed her to the wall, and held the lantern to aid

her scrutiny. The girl saw numberless recesses excavated in the rock;

some had been bricked up and bore tablets; others were packed with

grinning skulls. There were scattered paintings on the walls, symbolic

daubs, or scenes from scriptural history. The place was meaningless to

the girl, save that the dead seemed ever with them.

Fulviac smiled at her solemn face.

"The catacombs of the city of Gilderoy," he said; "yonder are the niches

of the dead. These paintings were made by early folk, centuries ago. A

veritable maze this, a gallery of skulls, a warren for ghosts to squeak

in."

Yeoland had turned to scan a tablet on the wall.

"We go to some secret gathering?" she asked.

Fulviac laughed; the sound echoed through the passages with

reverberating scorn.

"The same dark fable," he said, "telling of vaults and secret stairs,

passwords and poniards, masks and murder. Remember, little sister, you

are to be black and subtle to the heart's chords. This is life, not a

romance or an Italian fable. We are men here. There is to be no

strutting on the stage."

The girl loitered a moment, as though her feet kept pace with her

cogitations.

"I am content," she said, "provided I may eschew poison, nor need run a

bodkin under some wretch's ribs."

"Be at peace on that score. I have not the heart to make a Rosamund of

you."

Sudden out of a dark bye-passage, like a rat out of a hole, a man sprang

at them and held a knife at Fulviac's throat. The mock merchant gave

the password with great unconcern, putting his cap of sables back from

off his face. The sentinel crossed himself, fell on one knee, and gave

them passage. Turning a bluff buttress of stone, they came abruptly

upon a short gallery that widened into a great circular chamber,

pillared after the manner of a church.

A flare of torches harassed the shadowy vault, and played upon a

thousand upturned faces that seemed to surge wave on wave out of the

gloom. In the centre of the crypt stood an altar of black marble, and

before it on the dais, a priest with a cowl down, a rough wooden

crucifix in his hand. A knot of men in armour gleamed about the altar,

ringing a clear space about the steps. Others, with drawn swords, kept

the entries of the galleries leading to the cavern. A great quiet hung

over the place, a silence solid as the rock above.

A group of armed men waited for Fulviac at the main entry to the crypt.

He merged into their ranks, exchanging signs and words in an undertone

with one who seemed in authority. The ring of figures pressed through

the crowd towards the altar, Fulviac and Yeoland in their midst.

Fulviac mounted the steps, and drew the girl up beside him. He

uncovered his face to the mob with the gesture of a king uncovering to

his people.

"Fulviac, Fulviac!"

The press swayed suddenly like the black waters of a lake, stirred by

the rush of flood water through a broken dam. The ring of armed men

gave up the shout with a sweeping of swords and a clangour of harness.

The great cavern took up the cry, reverberating it from its thundering

vault. A thousand hands were thrust up, as of the dead rising from the

sea.

Yeoland watched the man's face with a mute kindling of enthusiasm. As

she gazed, it beaconed forth a new dignity to her that she had never

seen thereon before. A sudden grandeur of strength glowed from its

weather-beaten features. The mouth and jaw seemed of iron; the eyes

were full of a stormy fire. It was the face of a man transfigured,

throned above himself on the burning pinnacle of power. He towered

above the mob like some granite god, colossal in strength, colossal in

courage. His manhood flamed out, a watch-fire to the world.

As the cry dwindled, the priest, who still kept his cowl down over his

face, held his crucifix on high, and broke into the strident cadence of

a rebel ballad. The people followed as by instinct, knowing the song of

old. Many hundred voices gathered strenuously into the flood, the

massed roar rolling through the great crypt, echoing along the galleries

like the sound of some subterranean stream. It was a deep chant and a

stirring, strong with the strength of the storm wind, fanatic as the

sea.

The silence that fell at the end thereof was the more solemn in contrast

to the thundering stanzas of the hymn. Under the flare of the torches,

Fulviac stood forward to turn the task from the crucifix to the sword.

"Men of Gilderoy."

A billow of cheering dashed again to the roof.

"Fulviac, Fulviac!"

The man suffered the cry to die into utter silence, before leaping into

a riot of words, a harangue that had more justification in it than

appeal. His voice filled the cavern with its volume and depth. It was

more the voice of a captain thundering commands to a squadron of horse

than the declamatory craft of the orator. Fulviac knew the mob, that

they were rough and turbulent, and loved a demagogue. Scholastic

subtleties could never fill their stomachs.

"Men of Gilderoy, I come to you with the sword. Bombast, bombast, come

hither all, I'll laden ye with devilry, puff you up with pride. Ha, who

is for being strong, who for being master? Listen to me. Damnation and

death, I have the kingdom in the palm of my hand. Liberty, liberty,

liberty. We strike for the people. Geraint is ours; Gore is ours; all

the southern coast waits for the beacons. Malgo of the Mountain holds

the west like a storm cloud under his cloak. The east raves against the

King. Good. Who is for the stronger side, for Fulviac, liberty, and

the people?"

He halted a moment, took breath, quieted all clamour with a sweep of the

hand, plunged on again like a great carrack buffeting tall billows.

"Are there spies here? By God, let them listen well, and save their

skins. Go and tell what ye have heard. Set torch to tinder. Blood and

fire, the country would be in arms before the King could stir. No, no,

there are no spies in Gilderoy; we are all brothers here. By my sword,

sirs, I swear to you, that before harvest tide, we shall sweep the

nobles into the sea."

A great shout eddied up to answer him. Fulviac's voice pierced it like

a trumpet cry.

"Liberty, liberty, and the people!"

Sound can intoxicate as well as wine. The thunder of war, the bray of

clarions, can fire even the heart of the coward. The mob swirled about

the altar of black marble, vociferous and eager. Torches rocked to and

fro in the cavern; shadows leapt grotesquely gigantic over the rough

groinings of the roof. Yet Fulviac had further and fiercer fuel for the

fire. At a sign from him, the circle of armed men parted; two peasants

stumbled forward bearing a cripple in their arms. They carried him up

the steps and set him upon the altar before all the people, supporting

him as he stared round upon the sea of faces.

He was a shrivelled being, yellow, black of eye, cadaverous. He looked

like a man who had wallowed for years among toads in a pit, and had

become as one of them. His voice was cracked and querulous, as he

brandished a claw of a hand and screamed at the crowd.

"Look at me, mates and brothers. Five years ago I was a tall man and

lusty. I forbade the Lord of Margradel my wife. They racked and

branded me, tossed me into a stinking pit. I am young, young. I shall

never walk again."

A woman rushed from the crowd, grey-haired, fat, and bloated. She

climbed the altar steps, and stretched out her hands in a kind of frenzy

towards the people.

"Look at me, men of Gilderoy. Last spring I had a daughter, a clean

wench as ever danced. Seek her from John of Brissac and his devils.

Ha, good words these for a mother. Men of Gilderoy, remember your

children."

Fulviac's pageant gathered grimly before the mob. A blind man tottered

up and pointed to his sightless eyes. A girl held up an infant, and told

shrilly of its father's murder. One fellow displayed a tongueless

mouth; another, a face distorted by the iron; a third had lost nose and

ears; a fourth showed arms shrivelled and contracted by fire. It was a

sinister appeal, strong yet piteous. The tyranny of the age showed in

the bodies of these wronged and mutilated beings. They had been mere

carrion tossed under the iron heel of power. The granite car of

ruthless opulence and passion had crushed them under its reddened

wheels.

At a gesture from Fulviac, the priest upon the steps threw back his cowl

and stood forward in the torchlight. His face was the face of a zealot,

fanatical, sanguine, lined with an energy that was prophetic of power.

His eyes smouldered under their straight black brows. His hands, white

and bony, quivered as he stretched them out towards the people.

They knew him on the instant; their clamour told as much. Often had the

shadow of that thin figure fallen athwart the parched highways of

stricken cities. Often had those hands tended death, those lips smitten

awe into the souls of the drunkard and the harlot.

"Prosper, Prosper the Preacher!"

There rang a rude, rough joy in the clamour that was spontaneous and

eloquent. It was the heart's cry of the people, wild, trusting, and

passionate. Men and women broke through the circle of armed men, cast

themselves upon the altar steps, kissed the friar's gown, and fawned on

him. He put them back with a certain awkward dignity, and a hot colour

upon his almost boyish face. The man had a fine humility, though the

strenuous ideals of his soul ran in fire to the zenith.

Anon he signed a benediction, and a hush descended on the place.

"God's peace to you, people of Gilderoy!"

The clamour revived.

"Preach to us, preach to us!" came the cry.

The friar stretched forth his hands; his voice rang strong and strident

over the packed upturned faces.

"Children, what need have we of words! To-night have we not seen enough

to scourge the manhood in us, to bear forth the Holy Cross of war? The

evil beast is with us even yet; Mammon the Mighty treads you under foot.

Ye saints, what cause more righteous since the martyrs fell? Look on

these scars, these wrongs, these agonies. Preach! I am dumb beside

such witnesses as these."

The crypt thundered to him when he lowered his hands. It was the cry of

men bankrupt of liberty, thirsty for revenge. Fulviac grappled the

climax, and stood forward with uplifted sword. His lion's roar sounded

above the din.

"Go, people of Gilderoy," he cried, "go--but remember. When castles

burn, and bolts scream, when spears splinter, and armies crash to the

charge, remember your children and your wrongs. Strike home for God,

and for your liberty."

VIII

The crowd had streamed from the cavern, swirling like black water under

the tossing torches, the hollow galleries reverberating to the rush of

many feet. Prosper had gone, borne away by the seditious captains of

the Commune and the armed burghers who had guarded the entries. A great

silence had fallen upon the crypt. Fulviac and the girl were left by

the altar of black marble, their one lamp burning solitary in the gulf

of gloom.

Fulviac had the air of a man whose favourite hawk had flown with fettle,

and brought her quarry tumbling out of the clouds. He was warm with the

zest of it, and his tawny eyes sparkled.

"May the Virgin smile on us!" he said. "Gilderoy will serve our ends."

The girl's eyes searched him gravely.

"You make holy war," she charged him.

"Ha, my sister, it is well to profess a strong conviction in the justice

of one's cause. Tell men they are heroes, patriots, martyrs, and you

will make good fighting stuff. Applaud fanaticism, make great parade of

righteousness, hail the Deity as patron, assemble all the saints under

your banner. Ha, trust me, that is a way to topple a kingdom. Come, we

must stir."

By many labyrinthine passages, strange galleries of death, they passed

together from the dark deeps of the catacombs. At one point the roof

shone silvered as with dew, and the air stood damp as in a marsh on a

winter's eve. The river Tamar flowed above them in its rocky bed, so

Fulviac told the girl. Anon they came out by a narrow stair that opened

by a briar-grown throat into a thicket of old oaks in the Gilderoy

meadows. The stairhead was covered by a species of stone trap that

could be covered and concealed by sods. In the thicket a man awaited

them with the bridles of three horses over his arm. Fulviac held

Yeoland's stirrup, and they rode out, the three of them, from under the

trees.

A full moon swam in a purple black sky amid a shower of shimmering

stars. Gilderoy, with its climbing towers and turrets, stood out white

under the moon. The city walls gleamed like alabaster in the magic

glow. In the meadows the ringlets of the river glimmered. Far and

distant rose the nebulous midnight of the woods.

Fulviac had bared his head to an inconstant and torpid breeze. They

were riding for the west along a bridle track that curled grey and dim

through the sombre meadows. The calm, soundless vault of the world rose

now in contrast to the canopies of stone and the passion-throes of the

catacombs. Human moil and effort seemed infinitely little under the

eternal scrutiny of the stars. So thought the man for the moment, as he

rode with his chin sunk upon his breast, watching keenly the girl at his

side.

Yeoland was young. All the roses of youth were budding about her soul;

idealism, like the essence of crushed violets, hovered heavy over the

world. Her soul as yet was no frayed and listless lute, thrummed into

discords by the bony hand of care. She was built for love, a temple of

white marble, lit by lamps of rubeous glory. Colours flashed through

the red sanctuaries of the flesh. Yet pain and great woe had smitten

her. The grim destinies of earth seemed bent on thrusting an innocent

pilgrim into the turbulent contradictions of life.

The pageant in the catacombs that night had stirred her strangely beyond

belief. The fantastic faces, the zeal, the hot words of gesturing

enthusiasm, these were things new to her, therefore the more vivid and

convincing. New worlds, new passions, seemed to burst into being under

the stars. She was utterly silent as she rode, looking forth into the

night. Her hood had fallen back; her face shone white and clear; her

eyes gleamed in the moonlight. Fulviac, like a chess-player who had

evolved some subtle scheme, rode and watched her with a smile deep in

his eyes. For the moment he was content to leave her to the magic of

her own thoughts.

At certain rare seasons in life, virgin light floods down into the

heart, as from some oriel opened in heaven. The world stands under a

grander scheme of chiaroscuro; men comprehend where they once scoffed.

It was thus that Yeoland rose inspired, like a spiritual Venus from a

sea of dreams. As molten glass is shaped speedily into fair and

exquisite device, so the red wax of her heart had taken the impress of

the hour. Gilderoy had stirred her like a blazoned page of romance.

Fulviac caught the girl's half glance at him; read in measure the

meaning of her mood. Her lips were half parted as though she had words

upon her tongue, but still hesitated from some scruple of pride. He

straightened in the saddle, and waited for her to unbosom to him with a

confident reserve.

"Well?" he said at length, since she still lingered in her silence.

"How much one may learn in a day," she answered, drawing her white

palfrey nearer to his horse.

Fulviac agreed with her.

"The man on the end of the rope," he said, "learns in two minutes that

which has puzzled philosophers since Adam loved Eve."

She turned to him with an eagerness that was almost passionate even in

its suppressed vigour.

"How long was it before you came to pity your fellows?"

"Some minutes, not more."

"And the conversion?"

"Shall satisfy you one day. For the present I will buckle up so

unsavoury a fable in my bosom. Tell me what you have learnt at

Gilderoy."

Yeoland looked at the moon. The man saw great sadness upon her face,

but also an inspired radiance that made its very beauty the more

remarkable. He foresaw in an instant that they were coming to deeper

matters. Superficialities, the mannerisms of life, were falling away.

The girl's heart beat near to his; he felt a luminous sympathy of spirit

rise round them like the gold of a Byzantine background.

"Come," he said, with a burst of beneficence, "you are beginning to

understand me."

She jerked a swift glance at him, like the look of a half-tamed falcon.

"You are a man, for all your sneers and vapourings."

"I had a heart once. Call me an oak, broken, twisted, aged, but an oak

still."

Yeoland drew quite close to him, so that her skirt almost brushed his

horse's flank. Fulviac's shadow fell athwart her. Only her face shone

clear in the moonlight.

"I have ceased," she said, "to look upon life as a stretch of blue, a

laughing dawn."

"Good."

"I have learnt that woe is the crown of years."

"Good again."

"That life is full of violence and wrong."

"A platitude. Yes. Life consists in learning platitudes."

"I am only one woman among thousands."

"A revelation."

"You jeer."

"Not so. Few women learn the truth of your proverb."

"Lastly, my trouble is not the only woe in the world. That it is an

error to close up grief in the casket of self."

Fulviac flapped his bridle, and looked far ahead into the cavern of the

night. He was silent awhile in thought. When he spoke again, he

delivered himself of certain curt cogitations, characteristic

confessions that were wholly logical.

"I am a selfish vagabond," he said; "I appeal to Peter's keys whether

all ambition is not selfish. I am an egotist for the good of others.

The stronger my ambition, the stronger the hope of the land in generous

justice. I live to rule, to rule magnanimously, yet with an iron

sceptre. There, you have my creed."

"And God?" she asked him.

"Is a most useful subordinate."

"You do not mean that?"

"I do not."

She saw again the mutilated beings in the catacombs, aye, even her own

home flaming to the sky, and the white face of her dead father. Faith

and devotion were great in her for the moment. Divine vengeance

beaconed over the world, a torch borne aloft by the hand of Pity.

"It is God's war," she said to him with a finer solemnity sounding in

her voice; "you have stirred the woman in me. Is that enough?"

"Enough," he answered her.

"And the rest?"

"God shall make all plain in due season."

Gilderoy had dwindled into the east; its castle's towers still netted

the moonlight from afar. The meadowlands had ceased, and trees strode

down in multitudes to guard the track. The night was still and calm,

with a whisper of frost in the crisp, sparkling air. The world seemed

roofed with a dome of dusky steel.

Before them a shallow valley lay white in the light of the moon. Around

climbed the glimmering turrets of the trees, rank on rank, solemn and

tumultuous. The bare gable ends of a ruined chapel rose in the valley.

Fulviac drew aside by a bridle path that ran amid rushes. To the left,

from the broken wall of the curtilage, a great beech wood ascended, its

boughs black against the sky, its floor ankle-deep with fallen leaves.

The chapel stood roofless under the moon. Hollies, a sable barrier that

glistened in the moonlight, closed the ruin on the south. Yews cast

their gloom about the walls. A tall cross in the forsaken graveyard

stretched out its mossy arms east and west.

The armed groom took the horses and tethered them under a clump of pines

by the wall. Fulviac and the girl Yeoland passed up through weeds and

brambles to the porch. A great briar rose had tangled the opening with

a thorny web, as though to hold the ruin from the hand of man. The

tiled floor was choked with grass; a rickety door drooped rotten on its

rusty hinges.

Fulviac pushed through and beckoned the girl to follow. Within, all was

ruinous and desolate, the roof fallen, the casements broken.

"We must find harbour here," said the man, "our horses go far

to-morrow."

"A cheerful hostel, this."

"Its wildness makes it safe. You fear the cold. I'll see to that."

"No. I am hungry."

The high altar still stood below the small rose window in the east,

where the rotting fragments of a triptych hid the stonework. There was

a great carved screen of stone on either side, curiously recessed as

though giving access to an ambulatory. The altar stood in dense shadow,

with broken timber and a tangle of briars ringing a barrier about its

steps. On the southern side of the nave, a patch of tiled flooring

still stood riftless, closed in by two fallen pillars. The groom came

in with two horse-cloaks, and Fulviac spread them on the tiles. He also

gave her a small flask of wine, and a silver pyx holding meat and bread.

"We crusaders must not grumble at the rough lodging," he said to her;

"wrap yourself in these cloaks, and play the Jacob with a stone pillow."

She smiled slightly in her eyes. The groom brought in a saddle, ranged

it with a saddle cloth covering it, that it might rest her head.

"And you?" she said to Fulviac.

"Damian and I hold the porch."

"You will be cold."

"I have a thick hide. The Lady of Geraint give you good rest!"

He threaded his way out amid the fallen stones and pillars, and closed

the rickety gate. The groom, a tall fellow in a battered bassinet and a

frayed brigantine, stood by the yew trees, as on guard. Fulviac

gestured to him. The man moved away towards the eastern end of the

chapel, where laurels grew thick and lusty about the walls. When he

returned Fulviac was sitting hunched on a fallen stone in the corner of

the porch, as though for sleep. The man dropped a guttural message into

his master's ear, and propped himself in the other angle of the porch.

An hour passed; the moon swam past the zenith towards the west; a vast

quiet watched over the world, and no wind rippled in the woods. In the

sky the stars shivered, and gathered more closely their silver robes.

In the curtilage the ruined tombs stared white and desolate at the moon.

An owl's cry sounded in the woods. Sudden and strange, as though

dropped from the stars, faint music quivered on the frost-brilliant air.

It gathered, died, grew again, with a mysterious flux of sweetness, as

of some song stealing from the Gardens of the Dead. Flute, cithern, and

viol were sounding under the moon, merging a wizard chant into the magic

of the hour. Angels, crimson-winged, in green attire, seemed to descend

the burning stair of heaven.

A sudden great radiance lit the ruin, a glory of gold streaming from the

altar. Cymbals clashed; waves of shimmering light surged over the

broken walls. Incense, like purple smoke, curled through the casements.

The music rushed in clamorous rapture to the stars. A voice was heard

crying in the chapel, elfin and wild, yet full of a vague rich sanctity.

It ceased sudden as the brief moan of a prophecy. The golden glow

elapsed; the music sank to silence. Nought save the moonlight poured in

silver omnipotence over the ruin.

From the chapel came the sound of stumbling footsteps amid the stones.

A hand clutched at the rotting door, jerked it open, as in terror. The

girl Yeoland came out into the porch, and stood swaying white-faced in

the shadow.

"Fulviac."

Her voice was hoarse and whispering, strained as the overwrought strings

of a lute. The man did not stir. She bent down, dragged at his cloak,

calling to him with a quick and gathering vehemence. He shook himself,

as from the thongs of sleep, stood up and stared at her. The groom

still crouched in the dark corner.

"Fulviac."

She thrust her way through the briars into the moonlight. Her hood had

fallen back, her hair loose upon her shoulders; her eyes were full of a

supernatural stupor, and she seemed under the spell of some great shock

of awe. She trembled so greatly, that Fulviac followed her, and held her

arm.

"Speak. What has chanced to you?"

She still shook like some flower breathed upon by the oracular voice of

God. Her hands were torn and bloody from the thorns.

"The Virgin has appeared to me."

"Are you mad?"

"The Virgin."

"Some ghost or phantom."

"No, no, hear me."

She stretched out her hands like one smitten blind, and took breath

swiftly in sudden gasps.

"Hear me, I was but asleep, woke, and heard music. The Virgin came out

upon the altar, her face like the moon, her robes white as the stars.

There was great light, great glory. And she spoke to me. Mother of

God, what am I that I should be chosen thus!"

"Speak. Can this be true?"

"The truth, the truth!"

Fulviac fell on his knees with a great gesture of awe. The girl, her

face turned to the moon, stood quivering like a reed, her lips moving as

if in prayer.

"Her message, child?"

"Ah, it was this: 'Go forth a virgin, and lead the hosts of the Lord.'"

Fulviac's face was in shadow. He thrust up his hands to the heavens,

but would not so much as glance at the girl above him. His voice rang

out in the silence of the night:--

"Gloria tibi, Sancta Maria! Gloria tibi, Domine!"

IX

Faith, golden crown of the Christian! Self-mesmerism, subtle alchemy of

the mind! How the balance of belief swings between these twain!

A spiritual conception born in a woman's brain is as a savour of rich

spices sweetening all the world. How great a power of obstinacy stirs

in one small body! A pillar of fire, a shining grail. She will bring

forth the finest gems that hang upon her bosom, the ruby of heroism, the

sapphire of pity. She will cast all her store of gold into the lap of

Fate. Give to her some radiant dream of hope, and she may prove the

most splendid idealist, even if she do not prove a wise one. Remember

the women who watched about the Cross of Christ.

There had been trickery in the miracle, a tinge of flesh in the vision.

The Virgin, in the ruck of religion, had suffered herself to be

personated by a clever little "player" from Gilderoy, aided and

idealised by a certain notorious charlatan who dealt in magic, was not

above aiding ecclesiastical mummeries on occasions, and conspiring for

the solemn production of miracles. A priest's juggling box, a secret

door at the back of the altar used in bygone days for the manipulation

of a wonder-working image, musicians, incense, and Greek fire. These

had made the portent possible. As for Fulviac, rugged plotter, he was

as grave as an abbot over the business; his words were wondrous

beatific; he spoke of the interventions of Heaven with bated breath.

It was a superstitious age, touched with phantasy and gemmed with magic.

Relics were casketed in gold and silver; holy blood amazed with yearly

liquefactions the souls of the devout; dreamers gazed into mirrors,

crystals, finger-nails, for visions of heaven. Jewels were poured in

scintillant streams at the white feet of the Madonna. It was all done

with rare mysticism, colour, and rich music. The moon ruled marriage,

corn, and kine. The saints, like a concourse of angels, walked with

melancholy splendour through the wilds.

As for the girl Yeoland, she had the heart of a woman in the noblest

measure, a red heart, pure yet passionate. The world waxed prophetic

that shrill season. She was as full of dreams and phantasies as an

astrologer's missal. Nothing amazed her, and yet all earth was

mysterious. The wind spoke in magic syllables; the trees were oracular;

the stars, white hands tracing symbols in the sky. She was borne above

herself on the pinions of ecstasy, heard seraph wings sweep the air, saw

the glimmer of their robes passing the portals of the night. Mysticism

moved through the world like the sound of lutes over a moonlit sea.

One March morning, Fulviac came to her in the northern chamber of the

cliff. Yeoland had masses of scarlet cloth and threads of gold upon her

knees, for she was broidering a banner, the banner of the Maid of

Gilderoy. Her eyes were full of violet shadow. She wore a cross over

her bosom, emeralds set in silver; a rosary, dangling on her wrist, told

how her prayers kept alternate rhythm with her fingers. Fulviac crooked

the knee to the crucifix upon the wall, sat down near her on a rich

bench of carved cedar wood.

The man was in a beneficent mood, and beamed on her like a lusty summer.

He had tidings on his tongue, tidings that he hoarded with the craft of

an epicure. It was easy to mark when the world trundled well with his

humour. He put forth smiles like a great oak whose boughs glisten in

the sun.

"You will tire yourself, little sister."

She looked at him with one of her solemn glances, a glance that spoke of

vigils, soul-searchings, and prayer.

"My fingers tire before my heart," she said to him.

"Rest, rest."

"Do I seem weary to you?"

"Nay, you are fresh as the dawn."

He brushed back the tawny hair from off his forehead, and the lines

about his mouth softened.

"I have news from the west."

"Ah!"

"We gather and spread like fire in a forest. The mountain men are with

us, ready to roll down from the hills with hauberk and sword. In two

months Malgo will have sent the bloody cross through all the west."

The golden thread ran through the girl's white fingers; the beads of her

rosary rattled; she seemed to be weaving the destiny of a kingdom into

the device upon her banner.

"How is it with us here?" she asked him.

"I have a thousand stout men and true camped upon the cliff. Levies are

coming in fast, like steel to a magnet. In a month we shall outbulk a

Roman legion."

"And Gilderoy?"

"Gilderoy and Geraint will give us a score thousand pikemen."

"The stars fight for us."

Fulviac took her lute from the carved bench and began to thrum the

chords of an old song.

"Spears crash, and swords clang,

Fame maddens the world.

Come battle and love.

Iseult--

Ah, Iseult."

He broke away with a last snap at the strings, and set the lute aside.

"Bear with me," he said.

Her dark eyes questioned him over her banner.

"I offer you the first victim."

"Ah!"

"Flavian of Gambrevault."

An indefinite shadow descended upon the girl's face. The inspired

radiance seemed dimmed for the moment; the crude realism of her thoughts

rang in discord to her dreams. She lost the glimmering thread from her

needle. Her hands trembled a little as she played with the scarlet folds

of the banner.

"Well?"

"A lad of mine bears news--a black-eyed rogue from the hills of

Carlyath, sharp as a sword's point, quaint as an elf. I sent him

gleaning, and he has done bravely. You would hear his tale from his own

lips?"

She nodded and seemed distraught.

"Yes. Bring him in to me," she said.

Fulviac left her, to return with a slim youth sidling in behind him like

a shadow. The lad had a nut-brown skin and ruddy cheeks, a pair of

twinkling eyes, a thatch of black hair over his forehead. Bred amid the

hills of Carlyath, where the women were scarlet Eves, and the land a

paradise, he had served in Gilderoy as apprentice to an armourer.

Carlyath's wilds and the city's roguery had mingled in him fantastic

strains of extravagant sentiment and cunning. Half urchin, half elf, he

stood with bent knees and slouched shoulders, his black eyes alert on

Fulviac, his lord.

The man thrust him forward by the collar, with an eloquent gesture.

"The whole tale. Try your wit."

The Carlyath lad advanced one foot, and with an impudent southern smirk,

remarked--

"This, madame, is an infatuated world."

Thus, sententiously delivered, he plunged into a declamation with a

picturesque and fanciful extravagance that he had imbibed from the

strolling romancers of his own land.

"In the city of Gilderoy," he said, speaking very volubly and with many

gestures, "there lives a lady of surpassing comeliness. Her eyes are as

the sky, her cheeks as June roses, her hair a web of gold. She is a

right fair lady, and daily she sits at her broad casement, singing, and

plaiting her hair into shackles of gold. She has bound the Lord Flavian

of Gambrevault in a net starred with poppies, scarlet poppies of the

field, so that he ever dreams dreams of scarlet, and sees visions of

lips warm as wine. Daily the Lord Flavian scours the country between

Avalon and the fair city of Gilderoy, till the very dust complains of

his fury, and the green grass curses his horse's heels. But the lady

with the hair of gold compasses him like the sunset; she has stolen the

eyes of heaven, and the stars are blind."

Fulviac smiled over the extreme subtlety of the rendering. It was a

delicate matter, delicately handled. The Carlyath lad had wit, and a

most seraphic tongue.

"What more?"

"There is yet another lady at Avalon."

"Well?"

"A lady whose name is Duessa, a lady with black hair and a blacker

temper. Lord Flavian has a huge horror of her tongue. Therefore he

rides like a thief, without trumpets, to Gilderoy."

"Yet more."

The lad spread his hands with an inimitable gesture, shrugged, and

heaved a most Christian sigh.

"The Lady Duessa is the Lord Flavian's wife," he said.

"Surely."

"Therefore, sire, he is a coward."

The lad drew back with a bow and a scrape of the foot, keeping his eyes

on the floor with the discretion of a veteran lackey. At a sign from

Fulviac, he slipped away, and left Yeoland and the man alone.

The girl's hands were idle in her lap; the great scarlet banner trailed

in rich folds about her feet. There was a white mask of thought upon

her face, and her eyes searched the distance with an oblivious stare.

All the strong discords of the past rushed clamorous to her brain; her

consecrated dreams were as so many angels startled by the assaults of

hell.

She rose from her chair, cast the casement wide, and stood gazing over

the forest. Youth seemed in the breeze, and the clear voice of the

Spring. The green woods surged with liberty; the strong zest of life

breathed in their bosoms. In the distance the pines seemed to beckon to

her, to wave their caps in windy exultation.

Fulviac had stood watching her with the calm scrutiny of one wise in the

passionate workings of the soul. He suffered her to possess her

thoughts in silence for a season, to come by a steady comprehension of

the past. Presently he gathered the red banner, and hung it on the

frame, went softly to her and touched her sleeve.

"Shall they kill him on the road?" he asked.

She pondered a moment, and did not answer him.

"It is easy," he said, "and a matter of sheer justice."

The words seemed to steel her decision.

"No," she said, "let them bring him here--to me."

"So be it," he answered her.

Fulviac found her cold and taciturn, desirous of solitude. He humoured

the mood, and she was still staring from the window when he left her.

The woodland had melted before her into an oblivious mist. In its stead

she saw a tower flaming amid naked trees, a white face staring

heavenwards with the marble tranquillity of death.

X

Down through the woods of Avalon rode the Lord Flavian of Gambrevault,

down towards the forest track in the grey face of the dawn. In the

meadows and beyond the orchards, water shone, and towers stood mistily.

The voice of Spring pulsed in the air, songs of green woods, the wild

wine of violets, pavements of primrose gold. Birds piped lustily in

wood and thicket, and the ascending sun lavished his glittering archery

from the chariots of the clouds.

The Lord Flavian was inordinately cheerful that morning, as he rode in

green and red through the prophetic woods. Heart and weather were in

kindred keeping, and his youth sang like a brook after April rains. The

woods danced in dew. Far on its rocky hill the towers of Gilderoy would

soon beckon him above the trees. Beneath the shadow of the cathedral

tower stood a gabled house with gilded vanes and roofs of generous red.

There in Gilderoy, in a room hung with cloth of purple and gold, white

arms waited, and the bosom of a golden Helen held love like a red rose

in a pool of milky spikenard.

Picture a slim but muscular man with the virile figure of a young David,

a keen, smooth face, a halo of brown hair, eyes eloquent as a woman's.

Picture a good grey horse trapped in red and green, full of fettle as a

colt, burly as a bull. Picture the ermined borderings, the jewelled

clasps, brigantine of quilted velvet, fur-lined bassinet bright as a

star. Youth, clean, adventurous, aglow to the last finger-tip,

impetuous to the tune of thirty breaths a minute. Youth with all its

splendid waywardness, its generosities, its immense self-intoxications.

Youth with the voice of a Golden Summer in its heart, and for its plume

the gorgeous fires of eve.

Wealth often breeds apathy and parsimonious instincts. It is the beggar

whose purse bursts with joy, whose soul blazes generous red upon the

clouds. As for Flavian of Gambrevault and Avalon, he was rich but no

miser, proud yet not haughty, sanguine but not vicious. Like many a man

inspired by an instinctive idealism, his heart ran before his reason:

they not having come cheek by jowl as in later years. He was very

devout, yet very worldly; very ardent, yet over hasty. Mark him then, a

lovable fool in the eyes of philosophy; a cup of mingled wine, both

white and red. He was a great lord; yet his serfs loved him.

The Lady Duessa's parents, good folk, had been blessed with aspirations.

Gambrevault and Avalon had bulked very gloriously under the steel-blue

vault of pride. Moreover, their daughter was a sensuous being, who

panted for poetic surroundings, and lived to music. A boy of twenty; a

passionate, dark-eyed, big-bosomed houri of twenty and five; bell, book,

and ring--such had been the bridal bargain consummated on church

principles five years ago or more. A youth of twenty is not supremely

wise concerning the world, or his own heart. The Lord Flavian's

marriage had not proved a magic blessing to him. Parentally sealed

marriage deeds are the edicts of the devil.

Quickly are the mighty fallen, and the chalices of love broken. It was

no mere chance ambuscade that waited open-mouthed for Flavian, Lord of

Gambrevault and Avalon, Warden of the Southern Marches, Knight of the

Order of the Rose, as he rode that morning to Gilderoy, a disciple of

Venus. In a certain perilous place, the road ran betwixt walls of rock,

and under the umbrage of overhanging trees. Twenty men with pike and

gisarme swarming out of the woods; a short scuffle and a stabbed horse;

a gag in the mouth, a bandage over the eyes, a mule's back, half a dozen

thongs of stout leather. That same evening the Lord Flavian was brought

like a bale of merchandise into Fulviac's guard-room, and tumbled on a

heap of straw in a corner.

They were grim men, these forest rangers, not given to pity, or the

light handling of a feud. A poniard point was their pet oath, a whip of

the sword the best word with an enemy. They bit their thumb nails at

creation, and were not gentle in the quest of a creed. Fulviac heard

their news, and commended them. They were like the ogres of the old

fables; the red blood of a lusty aristocrat smelt fresh for the sword's

supper.

The girl Yeoland was at her prayer-desk with a blazoned breviary under

her fingers, when Fulviac came to her with tidings of the day's capture.

She knelt with her hands crossed upon her bosom, as Fulviac stood in the

darkened doorway. To the man she appeared as the Madonna in some

picture of the Annunciation, the yellow light from the lamp streaming

down upon her with a lustre of sanctity.

"They have brought the boar home."

"Dead?"

"Nay; but his corpse candle walks the cavern."

For the girl it was a descent from spiritual themes to the stark realism

of life. She left her prayer-desk with a little sigh. Her hands

trembled as she drew a scarlet cloak about her, and fastened it with a

girdle of green leather. Her eyes dwelt on Fulviac's face with a species

of dusky pain.

"Come," he said to her.

"Whither?"

"To judge him."

"Not before all, not in the guard-room."

"Leave it to me," he said. "Be forewarned. We deal with no mere

swashbuckler."

They went together to Fulviac's parlour, where a great brazen lamp hung

from the roof, and a book bound in black leather lay chained on the

table. Yeoland took the man's carved chair, while he stood behind her

leaning on the rail. She was paler than was her wont. Now and again

she pressed a hand to her breast, as though to stay the too rapid

beating of her heart.

Two guards bearing partisans came in from the guard-room with a man

bound and blindfold between them. A third followed, bearing a

two-handed sword naked over his shoulder. He was known as Nord of the

Hammer, an armourer like to a Norse Volund, burly, strong as a bear. The

door was barred upon them. One of the guards plucked the cloth from the

bound man's face.

In the malicious imagery of thought, Yeoland had often pictured to

herself this Flavian of Gambrevault, a coarse, florid ruffian, burly and

brutal, a fleshly demigod in the world of feudalism. So much for

conjecture. What she beheld was a straight-lipped, clean-limbed man,

slim as a cypress, supple as good steel. The face was young yet strong,

the grey eyes clear and fearless. Moreover there was a certain lonely

look about him that invoked pity, and angered her in an enigmatic way.

She was wrath with him for being what he was, for contradicting the

previous imaginings of her mind.

Flavian of Gambrevault stood bound before her, an aristocrat of

aristocrats, outraged in pride, yet proud beyond complaint. The

self-mastery of his breeding kept him a stately figure despite his

tumbling and his youth, one convinced of lordship and the powerful

splendour of his name. The whole affair to him was illogical,

preposterous, insolent. A gentleman of the best blood in the kingdom

could not be hustled out of his dignity by the horse-play of a bevy of

cut-throats.

Possibly the first vision to snare the man's glance was the elfin

loveliness of the girl, who sat throned in the great chair as on a

judgment seat. He marked the rose-white beauty of her skin, her

sapphire eyes gleaming black in certain lights, her ebon hair bound with

a fillet of sky-blue leather. Moreover, it was plain to the man in turn

that this damoisel in the red gown was deciphering his features in turn

with a curiosity that was no vapid virtue. As for Fulviac, he watched

them both with his amber-brown eyes, eyes that missed no movement in the

mask of life. To him the scene under the great brazen lamp was a study

in moods and emotions.

The aristocrat was the first to defy the silence. He had stared round

the room at his leisure, and at each of its motionless figures in turn.

The great sword, slanted in gleaming nakedness over Nord's shoulder,

appeared to fascinate him for the moment. Despite his ambiguous

sanctity, he showed no badge of panic or distress.

Ignoring the woman, he challenged Fulviac, who leant upon the chair

rail, watching him with an enigmatic smile.

"Goodman in the red doublet," quoth he, "when you have stared your fill

at me, I will ask you to read me the moral of this fable."

Fulviac stroked his chin with the air of a man who holds an adversary at

some subtle disadvantage.

"Messire," he said, "address yourself to madame--here; you are her

affair in the main."

The Warden of the Southern Marches bowed as by habit. His grey eyes

reverted to Yeoland's face, searching it with a certain courteous

curiosity that took her beauty for its justification. The woman was an

enigma to him, a most magical sphinx whose riddle taunted his reason.

"Madame," he began.

The girl stiffened in her chair at the word.

"You hold me at a disadvantage, seeing that I am ignorant of sin or

indiscretion against you. If it is a question of gold----"

"Messire!"

He swept her exclamation suavely aside and ran on mellifluously.

"If it is a question of gold, let me beseech you to be frank with me. I

will covenant with you instanter. My seneschal at Gambrevault will

unbolt my coffers, and ease your greed. Pray be outspoken. I will

renounce the delight of lodging here for a purse of good rose nobles."

There was the faintest tinge of insolence in the man's voice, an

insolence that exaggerated to the full the charge of plunder in his

words. Whether he hinted at blood money or no, there was sufficient

poison in the sneer to fire the brain and scorch the heart to vengeance.

The woman had risen from her chair, and stood gripping the carved

woodwork with a passion that set her arms quivering like bands of

tightened steel. The milk-white calm had melted from her face. Wrath

ran riot in her blood. So large were her pupils that her eyes gleamed

red.

"Ha, messire, I bring you to justice, and you offer me gold."

The man stared; his eyes did not quail from hers.

"Justice, madame! Of what sin then am I accused? On my soul, I know not

who you are."

She calmed herself a little, shook back her hair from her shoulders,

fingered her throat, breathing fast the while.

"My name, messire? Ha, you shall have it. I am Yeoland, daughter of

that Rual of Cambremont whom you slaughtered at the gate of his burning

house. I--am the sister of those fair sons whom you did to death. Blood

money, forsooth! God grant, messire, that you are in honest mind for

heaven, for you die to-night."

The man had bent to catch her words. He straightened suddenly like a

tree whose throat is loosed from the grim grip of the wind. He went

grey as granite, flushed red again as a dishonoured girl. The words had

touched him with the iron of truth.

"Hear me," he said to her.

"Ah, you would lie."

"By Heaven, no; give me an hour's justice."

"Murderer."

"Before God, you wrong me."

He stood with twitching lips, shackled hands twisting one within the

other. For the instant words eluded him, like fruit jerked from the

mouth of a thirst-maddened Tantalus. Anon, his manhood gathered in him,

rushed forth redly like blood from a stricken throat.

"Daughter of Rual, hear me, I tell you the truth. I, Flavian of

Gambrevault, had in my pay a company of hired 'spears,' rough devils

from the north. The braggarts served me against John of Brissac, were

half their service drunk and mutinous. When Lententide had come, their

captain swore to me, 'Lording, pay us and let us go. We have spilt blood

near Gilderoy,' scullion blood he swore, 'give us good bounty, and let

us march.' So at his word I gave them largesse, and packed them from

Gambrevault with pennons flying. Methought they and their brawlings

were at an end. Before God and the saints, I never knew of this."

Yeoland considered him, strenuous as he seemed towards truth. He was

young, passionate, sanguine; for one short moment she pitied him, and

pondered his innocence in her heart. It was then that Fulviac plucked

at her sleeve, spoke in her ear, words that hardened her like a winter

frost.

She stared in the man's eyes, as she gave him his death-thrust with the

sureness of hate.

"Blood for blood," were her words to him.

"Is this justice!"

"I have spoken."

"Monstrously. Hear me----"

"Messire, make your peace with Heaven, I give you till daylight."

The man stumbled against the table, white as the moon. Youth strove in

him, the crimson fountain of life's wine, the wild cry of the dawn. His

eyes were great with a superhuman hunger. Fulviac's strong voice

answered him.

"Hence, hence. At dawn, Nord, do your duty."

XI

Give doubt the password, and the outer battlements are traitorously

stormed. Parley with pity, and the white banner flutters on the keep.

Provided her emotions inspire her, a woman is strong; let her take to

logic, and she is a rushlight wavering in the wind. In her red heart

lies her divinity; her feet are of clay when reason rules her head.

The girl Yeoland took doubt to her chamber that night, a malicious

sprite, sharp of wit and wild of eye. All the demons of discord were

loosed in the silence of the night. Pandora's box stood open, and the

hours were void of sleep; faces crowded the shadows, voices wailed in

the gloom. Her thoughts rioted like frightened bats fluttering and

squeaking round a torch. Sleep, like a pale Cassandra, stood aloof and

watched the mask of these manifold emotions.

Turn and twist as she would amid her fevered pillows, a wild voice

haunted her, importunate and piteous. As the cry of one sinking in a

stormy sea, it rang out with a passionate vehemence. Moreover, there

was a subtle echo in her own heart, a strong appeal that did not spare

her, toss and struggle as she would. Decision fluttered like a wounded

bird. Malevolence rushed back as an ocean billow from the bastion of a

cliff that emblemed mercy.

With a beating of wings and a discordant clamour, a screech-owl buffeted

the casement. A lamp still burnt beneath the crucifix; the glow had

beaconed the bird out of the night. Starting up with a shiver of fear,

she quenched the lamp, and crept back to bed. The darkness seemed to

smother her like a cloak; the silence took to ghostly whisperings; a

death-watch clicked against the wall.

The night crawled on like a funeral cortege. Baffled, outfaced,

sleepless, she rose from her tumbled bed, and paced the room as in a

fever. Still wakefulness and a thousand dishevelled thoughts that hung

about her like her snoodless hair. Again and again, she heard the

distant whirr and rattle of wheels, the clangour of the wire, as the

antique clock in Fulviac's chamber smote away the hours of night. Each

echo of the sound seemed to spur to the quick her wavering resolution.

Time was flying, jostling her thoughts as in a mill race. With the

dawn, the Lord Flavian would die.

Anon she flung the casement wide and stared out into the night. A calm

breeze moved amid the masses of ivy, and played upon her face. She

bared her breast to its breath, and stood motionless with head thrown

back, her white throat glimmering amid her hair. Below, the sombre

multitudes of the trees showed dim and ghostly, deep with mystery. A

vague wind stirred the branches; the dark void swirled with unrest,

breaking like a midnight sea upon a cliff. A few straggling stars

peeped through the lattice of the sky.

She leant against the sill, rested her chin upon her palms, and brooded.

Thoughts, fierce, passionate, and clamorous, came crying like gusts of

wind through a ruined house. Death and dead faces, blood, the yawn of

sepulchres, life and the joy of it, all these passed as visions of fire

before her fancy. Vengeance and pity agonised her soul. She answered

yea and nay with the same breath; condemned and pardoned with

contradicting zeal. Youth lifted up its face to her, piteous and

beautiful. Death reached out a rattling hand into her bosom.

Presently, a far glow began to creep into the sky; a gradual greyness

absorbed the shadows of the night. The day was dawning. From the

forest, the trembling orisons of the birds thrilled like golden light

into the air. Unutterable joy seemed to flood forth from the piping

throats. Even the trees seemed to quiver to the sound. With a rush of

bitter passion, she closed the casement, cast herself upon her bed, and

strove to pray.

Again came the impotent groping into nothingness. A dense mist seemed

to rise betwixt her soul and the white face of the Madonna. Aspiration

lessened like an afterglow, and dissolved away into a dark void of

doubt. Prayer eluded her; the utterances of her heart died in a

miserable endeavour, and she could not think.

The spiritual storm wore itself away as the dawn streamed in with a

glimmer of gold. Yeoland lay and stared at the casement, and the figure

of Sebastian rendered radiant by the dawn, the whiteness of his limbs

tongued with dusky rills of blood, where the barbs had smitten into the

flesh. Sombre were the eyes, and shadowy with suffering. A halo of gold

gilded the youthful face. The painted glass about him blazed like a

shower of gems.

The Sebastian of the casement recalled to her with wizard power the face

of the man whom death claimed at dawn. The thought woke no new passion

in her. The night's vigil had left her reason like a skein of tangled

silk, and with the day she verged towards a wearied apathy. The voice of

pity in her waned to an infrequent whisper that came like the rustling

of leaves on a summer night. She realised that it had dawned an hour or

more; that the man had knelt and fallen to Nord's sword.

Suddenly the silence was snapped by a far outcry sounding in the bowels

of the cliff. Gruff voices seemed to echo and re-echo like breakers in

a cavern. A horn blared. She heard the thudding of a door, the

shrilling of mail, the clangour of iron steps passing up the gallery.

Shivering, she raised herself upon her elbow to listen. Were they

bringing her the man's head, grey and blood-dabbled, with closed lids

and mangled neck? She fell back again upon her pillows, pressed her

hands to her face with a great revulsion of pity, for the image had

burnt in upon her brain.

The clangour of harness drew near, with an iron rhythm as of the march

of destiny. It ceased outside the door. A heavy hand beat upon the

panelling.

"Who knocks?"

Her own voice, strained and shrill, startled her like an owl's hoot.

Fulviac's deep bass answered her from the passage.

"Unbar to me, I must speak with you."

She started up from the bed in passionless haste, ran to a closet, drew

out a cloak and wrapped it about her shoulders. Her bare feet showed

white under her night-gear as she slid the bolt from its socket, and let

the man in. He was fully armed save for his salade, which he carried in

the hollow of his arm. His red cloak swept his heels. A tower of

steel, there was a clangorous bluster about him that bespoke action.

The girl had drawn apart, shivering, and gathering her cloak about her,

for in the gloom of the place she had thought for an instant that

Fulviac carried a mangled head.

"A rider has brought news," he said to her. "John of Brissac's men have

taken Prosper the Preacher, to hang him, as their lord has vowed, over

the gate of Fontenaye. They are on the march home from Gilderoy, ten

lances and a company of arbalestiers. I ride to ambuscado them. Prosper

shall not hang!"

She stood with her back to the casement, and looked at him with a

restless stare. Her thoughts were with the man whose grey eyes had

pleaded with her through the night. Her fears clamoured like captives

at the gate of a dungeon.

"What is more, this vagabond of Avalon has been begging twelve hours'

grace to scrape his soul clean for Peter."

"Ah!" she said, with a sudden stark earnestness.

"I will give him till sunset----"

"If I suffer it----"

"The dog has spirit. I would thrust no man into the dark till he has

struck a bargain with his own particular saints."

She drew back, sank down into a chair with her hair half hiding her

face.

"You are right in being merciful," she said very slowly.

Magic riddle of life; rare roseate rod of love. Was it youth leaping

towards youth, the cry of the lark to the dawn, the crimson flowering of

a woman's pity? The air seemed woven through with gold. A thousand

lutes had sounded in the woods. Voiceless, she sat with flickering

lids, amazed at the alchemy that had wrought ruth out of hate.

Fulviac had drawn back into the gloom of the gallery. He turned suddenly

upon his heel, and his scabbard smote and rang against the rock.

"I take all the men I have," he said to her, "even the dotard Jaspar,

for he knows the ways. Gregory and Adrian I leave on guard; they are

tough gentlemen, and loyal. As for the lordling, he is well shackled."

Yeoland was still cowering in her chair with the mysterious passions of

the moment.

"You will return?" she asked him.

"By nightfall, if we prosper; as we shall."

He moved two paces, stayed again in his stride, and flung a last message

to her from the black throat of the passage.

"Remember, there is no recantation over this business. The man is my

affair as well as yours. He is a power in the south, and would menace

us. Remember, he must die."

He turned and left her without more palaver. She heard him go clanging

down the gallery, heard the thunder of a heavy door, the braying of a

horn. A long while she sat motionless, still as stone, her hands lying

idle in her lap. When an hour had passed, the sun smote in, and found

her kneeling at her prayer-desk, her breviary dewed with tears.

XII

Fulviac passed away that morning into the forest, a shaft of red amid

the mournful glooms. Colour and steel streamed after him fantastically.

The great cliff, silent and desolate, basked like a leviathan in the

sun.

Of the daylight and its crown of gold, the girl Yeoland had no deep joy.

When she had ended her passion over the blazoned pages of her breviary,

and mopped her tears with a corner of her gown, she rose to realism, and

turned her mood to the cheating of the dues of time.

The hours lagged with enough monotony to degenerate a saint; Yeoland was

very much a woman. The night had left her a legacy of evil. She had

shadows under her eyes, and a constant swirl of thoughts within her

brain that made solitude a torture-house, full of prophetic pain. There

was her lute, and she eschewed it, seeing that her fingers seemed as

ice. As for her embroidery, the stitches wandered haphazard, wrought

grotesque things, or lost all method in a stupor of sloth. She threw

the banner aside in a fume at last, and let her broodings have their

way.

The forenoon crawled, like a beggar on a dusty high-road in the welt of

August. Time seemed to stand and mock her. Hour by hour, she was

tortured by the vision of steel falling upon a strong young neck, of a

white face lying in a pool of blood, of a dripping carcase and a

sweating sword. Though the vision maddened her, what could her weak

hands do? The man was shackled, and guarded by men with whom she dared

not tamper. Moreover, she remembered the last look in Fulviac's keen

eyes.

Towards evening she grew rabid with unrest, fled from the cave by the

northern stair, and took sanctuary amid the tall shadows of the forest.

The pine avenues were ever like a church to her, solemn, stately,

sympathetic as night. There was nought to anger, nought to bring

discord, where the croon of the branches soothed like a song.

It was as she played the nun in this forest cloister, that a strange

thought challenged her consciousness under the trees. It was subtle,

yet full of an incomprehensible bitterness, that made her heart hasten.

Even as she considered it, as a girl gazes at a jewel lying in her palm,

the charm flashed magic fire into her eyes. This victim for the sword

lay shackled to the wall in the great guard-room. She would go and

steal a last glance at him before Fulviac and death returned.

Stairway, bower, and gallery were behind her. She stood in Fulviac's

parlour, where the lamp burnt dimly, and harness glimmered on the walls.

The door of the room stood ajar. She stole to it, and peered through

the crack left by the clumsy hingeing, into the lights and shadows of

the room beyond.

At the lower end of a long table the two guards sat dicing, sprawling

greedily over the board, the lust of hazard writ large in their looks.

The dice kept up a continuous patter, punctuated by the intent growls of

the gamesters. By the sloping wall of the cavern, palleted on a pile of

dirty straw, lay the Lord Flavian of Gambrevault, with his hands

shackled to a staple in the rock. He lay stretched on his side, with

his back turned towards the light, so that his face was invisible to the

girl behind the door.

She watched the man awhile with a curious and dark-eyed earnestness.

There was pathos in the prostrate figure, as though Hezekiah-like the

man had turned to the bare rock and the callous comfort despair could

give. Once she imagined that she saw a jerking of the shoulders, that

hinted at something very womanish. The thought smote new pity into her,

and sent her away from the cranny, trembling.

Yeoland withdrew into Fulviac's room, and thence into the murk of the

gallery leading to her bower. A sudden sense of impotence had flooded

into her heart; she even yearned for some shock of Fate that might break

the very bonds that bound her to her vengeance, as to a corpse. On the

threshold of her room, a sudden sound brought her to a halt like a hand

thrust out of the dark to clutch her throat. She stood listening, like

a miser for thieves, and heard much.

A curse came from the guard-room, the crash of an overturned bench, the

tingling kiss of steel. She heard the scream as of one stabbed, a

smothered uproar, an indiscriminate scuffling, then----silence. She

stood a moment in the dark, listening. The silence was heavy and

implacable as the rock above. Fear seized her, a lust to know the

worst. She ran down the gallery into Fulviac's room. The door was

still ajar; she thrust it open and entered the great cavern.

Her doubts elapsed in an instant. At the long table, a man sat with his

head pillowed on his arms. A red rivulet curled away over the board,

winding amid the drinking horns, isleting the dice in its course. On

the floor lay the second guard, a smudge of crimson oozing from his grey

doublet, his arms rigid, his hands clawing in the death-agony. At the

end of the table stood the Lord Flavian of Gambrevault, free.

Three cubits of steel had tangled the plot vastly in the passing of a

minute. The climax was like a knot of silk thrust through with a sword.

The two stood motionless a moment, staring at each other across the

length of the table, like a couple of mutes over a grave. The man was

the first to break the silence.

"Madame," he said, with a certain grand air, and a flippant gesture,

"suffer me to condone with you over the lamentable tricks of Fortune.

But for gross selfishness on my part, I should still be chastening

myself for the unjust balancing of our feud. God wills it, seemingly,

that I should continue to be your debtor."

Despite her woman's wit, the girl was wholly puzzled how to answer him.

She was wickedly conscious in her heart of a subtle gratitude to Heaven

for the sudden baulking of her malice. The man expected wrath from her,

perhaps an outburst of passion. Taking duplicity to her soul, she stood

forward on the dais and tilted her chin at him with dutiful defiance.

"Thank my irresolution, messire," she said, "for this reprieve of

fortune."

He came two steps nearer, as though not unminded to talk with her in

open field.

"At dawn I might have had you slain," she continued, with some hastening

of her tongue; "I confess to having pitied you a little. You are young,

a mere boy, weak and powerless. I gave you life for a day."

The man reddened slightly, glanced at the dead men, and screwed his

mouth into a dry smile.

"Most harmless, as you see, madame," he said. "For your magnanimity, I

thank you. _Deo gratias_, I will be as grateful as I may."

She stood considering him out of her dark, long-lashed eyes. The man

was good to look upon, ruddy and clean of lip, with eyes that stared

straight to the truth, and a pose of the head that prophesied spirit.

The sunlight of youth played sanguine upon his face; yet there was also

a certain shadow there, as of premature wisdom, born of pain. There

were faint lines about the mouth and eyes. For all its sleek and ruddy

comeliness, it was not the face of a boy.

"Messire," she said to him at last.

"Madame."

"He who lurks over long in the wolf's den may meet the dam at the door."

He smiled at her, a frank flash of sympathy that was not devoid of

gratitude.

"Haste would be graceless," he said to her.

"How so?" she asked him.

"Ha, Madame Yeoland, have I not watched my arms at night before the high

altar at Avalon? Have I not sworn to serve women, to keep troth, and to

love God? You judge me hardly if you think of me as a butcher and a

murderer. For the death of your kinsfolk I hold myself ashamed."

There was a fine light upon his face, a power of truth in his voice that

was not hypocritic. The girl stared him over with a certain critical

earnestness that boasted a gleam of approval.

"Fair words," she said to him; "you did not speak thus to me last eve."

"Ah!" he cried, beaming on her, "I was cold as a corpse; nor could I

whine, for pride."

"And your shackles?"

He laughed and held up both hands; the wrists were chafed and bloody.

"It was ever a jest against me," he said, "that I had the hands of a

woman, white and meagre, yet strong with the sword. Your fellows thrust

a pair of wristlets on me fit for a Goliath, strong, but bulky. My

hands have proved my salvation. I pulled them through while the guards

diced, crept for a sword, gained it, and my freedom."

She nodded, and was not markedly dismal, though the wind had veered

against her cause. The man with the grey eyes was a being one could not

quarrel with with easy sincerity. Probably it did not strike her at the

moment that this friendly argument with the man she had plotted to slay

was a contradiction worthy of a woman.

The Lord of Avalon meanwhile had drawn still nearer to the girl upon the

dais. His grey eyes had taken a warmer lustre into their depths, as

though her beauty had kindled something akin to awe in his heart. He

set the point of the sword on the floor, his hands on the hilt, and

looked up at the white face medallioned in the black splendour of its

hair.

"Madame," he said very gravely, "it is the way of the world to feel

remorse when such an emotion is expedient, and to fling penitence into

the bottomless pit when the peril is past. I shall prove to you that

mine is no such April penitence. Here, on the cross of my sword, I

swear to you a great oath. First, that I will build a chapel in

Cambremont glade, and establish a priest there. Secondly, I will

rebuild the tower, refit it royally, attach to it cottars and borderers

from mine own lands. Lastly, mass shall be said and tapers burnt for

your kinsfolk in every church in the south. I myself will do such

penance as the Lord Bishop shall ordain for my soul."

The man was hotly in earnest over the vow--red as a ruby set in the sun.

Yeoland looked down upon him with the glimmer of a smile upon her lips

as he kissed the cross of the sword.

"You seem honest," she said to him.

"Madame, on this sword I swear it. It is hard to believe any good of an

enemy. Behold me then before you as a friend. There is a feud betwixt

us, not of my willing. By God's light I am eager to bridge the gulf and

to be at peace."

She shook her head and looked at him with a sudden mysterious sadness.

Such a pardon was beyond belief, the man's pure ardour, nothing but seed

cast upon sand. Fulviac, a tower of steel, seemed to loom beyond him--an

iron figure of Fate, grim and terrible.

"This can never be," she said.

His eyes were honestly sorrowful.

"Is madame so implacable?"

"Ah!" she said, "you do not understand me."

He stood a moment in thought, as though casting about in his heart for

the reason of her sternness. Despite her wrongs, he was assured by some

spirit voice that it was not death that stalked betwixt them like an

angel of doom. As he stood and brooded, a gleam of the truth flashed in

upon his brain. He went some steps back from her, as though destiny

decreed it that they should sever unabsolved.

"Your pardon, madame," he said to her; "the riddle is plain to me. I no

longer grope into the dark. This man, here, is your husband."

She went red as a rose blushing on her green throne at the coming of the

dawn.

"Messire."

"Your pardon."

"Ah, I am no wife," she said to him. "God knows but for this man I

should be friendless and without home. He has spread honour and chivalry

before my feet like a snow-white cloak. Even in this, my godless

vengeance, he has served me."

The man strode suddenly towards the dais, with his face turned up to

hers. A strange light played upon it, half of passion, half of pity.

His voice shook, for all its sanguine strength.

"Ah, madame, tell me one thing before I go."

"Messire."

"Have I your pardon?"

"If you love life, messire, leave me."

"Have I your pardon?"

"Go! ere it is too late."

Like a ghostly retort to her appeal came the sound of armed men

thundering over the bridge. Their rough voices rose in the night's

silence, smitten through with the clash and clangour of arms. Fulviac

had caught John of Brissac's company in the woods by Gilderoy. There had

been a bloody tussle and much slaughter. Triumphant, they were at the

gate with Prosper the Preacher in their midst.

The pair in the cavern stared at each other with a mute appeal.

"Fulviac," said the girl in a whisper.

"The door!"

"It is barred."

They were silent and round-eyed, as children caught in the midst of

mischief. Mailed fists and pike staves were beating upon the gate. A

babel of impatience welled up without.

"Adrian, Gregory!"

"Lazy curs!"

"Unbar, unbar!"

Mocking silence leered in retort. Yeoland and the Lord of Avalon were

still as mice. The din slackened and waned, as though Fulviac's men

were listening for sound of life within. Then came more blows upon the

gate; fingers fumbled at the closed grill. The man Gregory lay and

stared at the rocky roof; Adrian sat with his face pooled by his own

blood.

A fiercer voice sounded above the clamour. It was Fulviac's. The girl

shivered as she stood.

"Ho, there, Gregory, Adrian; what's amiss with ye?"

Still silence, mocking and implacable. The lull held for the moment;

then the storm gathered.

"Break down the gate," roared the voice; "by God, we will see the bottom

of this damned silence."

The Lord Flavian of Avalon had stood listening with the look of a man

cooped in a cavern, who hears the sea surging to his feet. He glanced

at the dead guards, and went white. To save his soul from purgatory it

behoved him to act, and to act quickly. A single lamp still burnt in

the oratory of hope. He went near to the girl on the dais, and held up

the crossed hilt of his sword.

"By the Holy Cross, mercy!"

She cast a frightened glance into his eyes, and continued mute a moment.

The thunder grew against the gate, the crash of steel, a rending din

that went echoing into all the pits and passage-ways of the place.

Fulviac's men had dragged the trunk of a fallen pine up the causeway,

and were charging the gate till the timber groaned.

The man, with his sword held like a crucifix, stood and pleaded with his

eyes.

"Mercy!" he said; "you know this warren and can save me."

"Are you a craven?"

"Craven? before God, no, only desperate. What hope have I unharnessed,

one sword against fifty?"

For yet another moment she appeared irresolute, dazed by the vision of

Fulviac's powerful wrath. He was a stark man and a terrible, and she

feared him. The timbers of the gate began to crack and gape. Flavian

of Avalon lifted up his voice to her with a passionate outburst of

despair.

"God, madame, I cannot die. I am young, look at me, life is at its

dawn. By your woman's mercy, hide me. Give me not back to death."

His bitter agitation smote her to the core. She looked into his eyes;

they were hungry as love, and very piteous. There could be no sinning

against those eyes. Great fear flooded over her like a green billow,

bearing her to the inevitable. In a moment she was as hot to save him

as if he had been her lover.

"Come," she said, "quick, before the gate gives."

She led him like the wind through Fulviac's parlour, and down the

gallery to her own bower. It was dark and lampless. She groped to the

postern, fumbled at the latch and conquered it. Night streamed in. She

pushed the man out and pointed to the steps.

"The forest," she said, "for your life; bear by the stars for the

north."

A full moon had reared her silver buckler in the sky. The night was

sinless and superb, drowned in a mist of phosphor glory. The man knelt

at her feet a moment, and pressed his lips to the hem of her gown.

"The Virgin bless you!"

"Go----"

"I shall remember."

He descended and disappeared where the trees swept up with wizard

glimmerings to touch the cliff. When he had fled, Yeoland passed back

into the cavern, and met Fulviac before the splintered gate with a lie

upon her lips.

Love Among the Ruins · 第 2 / 6 章