Howells called his attention to some military outrages in the

Philippines, citing a case where a certain lieutenant had tortured one of

his men, a mild offender, to death out of pure deviltry, and had been

tried but not punished for his fiendish crime.--[The torture to death of

Private Edward C. Richter, an American soldier, by orders of a

commissioned officer of the United States army on the night of February

7, 1902. Private Richter was bound and gagged and the gag held in his

mouth by means of a club while ice-water was slowly poured into his face,

a dipper full at a time, for two hours and a half, until life became

extinct.]

Clemens undertook to give expression to his feelings on this subject, but

he boiled so when he touched pen to paper to write of it that it was

simply impossible for him to say anything within the bounds of print.

Then his only relief was to rise and walk the floor, and curse out his

fury at the race that had produced such a specimen.

Mrs. Clemens, who perhaps got some drift or the echo of these tempests,

now and then sent him a little admonitory, affectionate note.

Among the books that Clemens read, or tried to read, during his

confinement were certain of the novels of Sir Walter Scott. He had never

been able to admire Scott, and determined now to try to understand this

author's popularity and his standing with the critics; but after wading

through the first volume of one novel, and beginning another one, he

concluded to apply to one who could speak as having authority. He wrote

to Brander Matthews:

DEAR BRANDER,--I haven't been out of my bed for 4 weeks, but-well, I

have been reading a good deal, & it occurs to me to ask you to sit

down, some time or other when you have 8 or 9 months to spare, & jot

me down a certain few literary particulars for my help & elevation.

Your time need not be thrown away, for at your further leisure you

can make Columbian lectures out of the results & do your students a

good turn.

1. Are there in Sir Walter's novels passages done in good English

--English which is neither slovenly nor involved?

2. Are there passages whose English is not poor & thin &

commonplace, but is of a quality above that?

3. Are there passages which burn with real fire--not punk, fox-

fire, make-believe?

4. Has he heroes & heroines who are not cads and cadesses?

5. Has he personages whose acts & talk correspond with their

characters as described by him?

6. Has he heroes & heroines whom the reader admires--admires and

knows why?

7. Has he funny characters that are funny, and humorous passages

that are humorous?

8. Does he ever chain the reader's interest & make him reluctant to

lay the book down?

9. Are there pages where he ceases from posing, ceases from

admiring the placid flood & flow of his own dilution, ceases from

being artificial, & is for a time, long or short, recognizably

sincere & in earnest?

10. Did he know how to write English, & didn't do it because he

didn't want to?

11. Did he use the right word only when he couldn't think of

another one, or did he run so much to wrong words because he didn't

know the right one when he saw it?

12. Can you read him and keep your respect for him? Of course a

person could in his day--an era of sentimentality & sloppy

romantics--but land! can a body do it to-day?

Brander, I lie here dying; slowly dying, under the blight of Sir

Walter. I have read the first volume of Rob Roy, & as far as

Chapter XIX of Guy Mannering, & I can no longer hold my head up or

take my nourishment. Lord, it's all so juvenile! so artificial, so

shoddy; & such wax figures & skeletons & specters. Interest? Why,

it is impossible to feel an interest in these bloodless shams, these

milk-&-water humbugs. And oh, the poverty of invention! Not

poverty in inventing situations, but poverty in furnishing reasons

for them. Sir Walter usually gives himself away when he arranges

for a situation--elaborates & elaborates & elaborates till, if you

live to get to it, you don't believe in it when it happens.

I can't find the rest of Rob Roy, I, can't stand any more Mannering

--I do not know just what to do, but I will reflect, & not quit this

great study rashly ....

My, I wish I could see you & Leigh Hunt!

Sincerely yours,

S. L. CLEMENS.

But a few days later he experienced a revelation. It came when he

perseveringly attacked still a third work of Scott--Quentin Durward.

Hastily he wrote to Matthews again:

I'm still in bed, but the days have lost their dullness since I broke

into Sir Walter & lost my temper. I finished Guy Mannering that curious,

curious book, with its mob of squalid shadows gibbering around a single

flesh-&-blood being--Dinmont; a book crazily put together out of the very

refuse of the romance artist's stage properties--finished it & took up

Quentin Durward & finished that.

It was like leaving the dead to mingle with the living; it was like

withdrawing from the infant class in the college of journalism to sit

under the lectures in English literature in Columbia University.

I wonder who wrote Quentin Durward?--[This letter, enveloped, addressed,

and stamped, was evidently mislaid. It was found and mailed seven years

later, June, 1910 message from the dead.]

Among other books which he read that winter and spring was Helen Keller's

'The Story of My Life', then recently published. That he finished it in

a mood of sweet gentleness we gather from a long, lovely letter which he

wrote her--a letter in which he said:

I am charmed with your book--enchanted. You are a wonderful creature,

the most wonderful in the world--you and your other half together--Miss

Sullivan, I mean--for it took the pair of you to make a complete &

perfect whole. How she stands out in her letters! her brilliancy,

penetration, originality, wisdom, character, & the fine literary

competencies of her pen--they are all there.

When reading and writing failed as diversion, Mark Twain often turned to

mathematics. With no special talent for accuracy in the matter of

figures, he had a curious fondness for calculations, scientific and

financial, and he used to cover pages, ciphering at one thing and

another, arriving pretty inevitably at the wrong results. When the

problem was financial, and had to do with his own fortunes, his figures

were as likely as not to leave him in a state of panic. The expenditures

were naturally heavy that spring; and one night, when he had nothing

better to do, he figured the relative proportion to his income. The

result showed that they were headed straight for financial ruin. He put

in the rest of the night fearfully rolling and tossing, and

reconstructing his figures that grew always worse, and next morning

summoned Jean and Clara and petrified them with the announcement that the

cost of living was one hundred and twenty-five per cent. more than the

money-supply.

Writing to MacAlister three days later he said:

It was a mistake. When I came down in the morning, a gray and aged

wreck, I found that in some unaccountable way (unaccountable to a

business man, but not to me) I had multiplied the totals by two. By

God, I dropped seventy-five years on the floor where I stood!

Do you know it affected me as one is affected when one wakes out of

a hideous dream & finds it was only a dream. It was a great comfort

& satisfaction to me to call the daughters to a private meeting of

the board again. Certainly there is a blistering & awful reality

about a well-arranged unreality. It is quite within the

possibilities that two or three nights like that of mine would drive

a man to suicide. He would refuse to examine the figures, they

would revolt him so, & he would go to his death unaware that there

was nothing serious about them. I cannot get that night out of my

head, it was so vivid, so real, so ghastly: In any other year of

these thirty-three the relief would have been simple: go where you

can, cut your cloth to fit your income. You can't do that when your

wife can't be moved, even from one room to the next.

The doctor & a specialist met in conspiracy five days ago, & in

their belief she will by and by come out of this as good as new,

substantially. They ordered her to Italy for next winter--which

seems to indicate that by autumn she will be able to undertake the

voyage. So Clara is writing to a Florence friend to take a look

around among the villas for us in the regions near that city.

CCXXVIII

PROFFERED HONORS

Mark Twain had been at home well on toward three years; but his

popularity showed no signs of diminishing. So far from having waned, it

had surged to a higher point than ever before. His crusade against

public and private abuses had stirred readers, and had set them to

thinking; the news of illness in his household; a report that he was

contemplating another residence abroad--these things moved deeply the

public heart, and a tide of letters flowed in, letters of every sort--of

sympathy, of love, or hearty endorsement, whatever his attitude of

reform.

When a writer in a New York newspaper said, "Let us go outside the realm

of practical politics next time in choosing our candidates for the

Presidency," and asked, "Who is our ablest and most conspicuous private

citizen?" another editorial writer, Joseph Hollister, replied that Mark

Twain was "the greatest man of his day in private life, and entitled to

the fullest measure of recognition."

But Clemens was without political ambitions. He knew the way of such

things too well. When Hollister sent him the editorial he replied only

with a word of thanks, and did not, even in jest, encourage that tiny

seed of a Presidential boom. One would like to publish many of the

beautiful letters received during this period, for they are beautiful,

most of them, however illiterate in form, however discouraging in length

--beautiful in that they overflow with the writers' sincerity and

gratitude.

So many of them came from children, usually without the hope of a reply,

some signed only with initials, that the writers might not be open to the

suspicion of being seekers for his autograph. Almost more than any other

reward, Mark Twain valued this love of the children.

A department in the St. Nicholas Magazine offered a prize for a

caricature drawing of some well-known man. There were one or two of

certain prominent politicians and capitalists, and there was literally a

wheelbarrow load of Mark Twain. When he was informed of this he wrote:

"No tribute could have pleased me more than that--the friendship of the

children."

Tributes came to him in many forms. In his native State it was proposed

to form a Mark Twain Association, with headquarters at Hannibal, with the

immediate purpose of having a week set apart at the St. Louis World's

Fair, to be called the Mark Twain week, with a special Mark Twain day, on

which a national literary convention would be held. But when his consent

was asked, and his co-operation invited, he wrote characteristically:

It is indeed a high compliment which you offer me, in naming an

association after me and in proposing the setting apart of a Mark Twain

day at the great St. Louis Fair, but such compliments are not proper for

the living; they are proper and safe for the dead only. I value the

impulse which moves you to tender me these honors. I value it as highly

as any one can, and am grateful for it, but I should stand in a sort of

terror of the honors themselves. So long as we remain alive we are not

safe from doing things which, however righteously and honorably intended,

can wreck our repute and extinguish our friendships.

I hope that no society will be named for me while I am still alive, for I

might at some time or other do something which would cause its members to

regret having done me that honor. After I shall have joined the dead I

shall follow the custom of those people, and be guilty of no conduct that

can wound any friend; but until that time shall come I shall be a

doubtful quantity, like the rest of our race.

The committee, still hoping for his consent, again appealed to him. But

again he wrote:

While I am deeply touched by the desire of my friends of Hannibal to

confer these great honors upon me I must still forbear to accept them.

Spontaneous and unpremeditated honors, like those which came to me at

Hannibal, Columbia, St. Louis, and at the village stations all down the

line, are beyond all price and are a treasure for life in the memory, for

they are a free gift out of the heart and they come without solicitation;

but I am a Missourian, and so I shrink from distinctions which have to be

arranged beforehand and with my privity, for I then become a party to my

own exalting. I am humanly fond of honors that happen, but chary of

those that come by canvass and intention.

Somewhat later he suggested a different feature for the fair; one that

was not practical, perhaps, but which certainly would have aroused

interest--that is to say, an old-fashioned six-day steamboat-race from

New Orleans to St. Louis, with the old-fashioned accessories, such as

torch-baskets, forecastle crowds of negro singers, with a negro on the

safety-valve. In his letter to President Francis he said:

As to particulars, I think that the race should be a genuine reproduction

of the old-time race, not just an imitation of it, and that it should

cover the whole course. I think the boats should begin the trip at New

Orleans, and side by side (not an interval between), and end it at North

St. Louis, a mile or two above the Big Mound.

In a subsequent letter to Governor Francis he wrote:

It has been a dear wish of mine to exhibit myself at the great Fair & get

a prize, but circumstances beyond my control have interfered . . . .

I suppose you will get a prize, because you have created the most

prodigious Fair the planet has ever seen. Very well, you have indeed

earned it, and with it the gratitude of the State and the nation.

Newspaper men used every inducement to get interviews from him. They

invited him to name a price for any time he could give them, long or

short. One reporter offered him five hundred dollars for a two-hour

talk. Another proposed to pay him one hundred dollars a week for a

quarter of a day each week, allowing him to discuss any subject he

pleased. One wrote asking him two questions: the first, "Your favorite

method of escaping from Indians"; the second, "Your favorite method of

escaping capture by the Indians when they were in pursuit of you." They

inquired as to his favorite copy-book maxim; as to what he considered

most important to a young man's success; his definition of a gentleman.

They wished to know his plan for the settlement of labor troubles. But

they did not awaken his interest, or his cupidity. To one applicant he

wrote:

No, there are temptations against which we are fire-proof. Your

proposition is one which comes to me with considerable frequency, but it

never tempts me. The price isn't the objection; you offer plenty. It is

the nature of the work that is the objection--a kind of work which I

could not do well enough to satisfy me. To multiply the price by twenty

would not enable me to do the work to my satisfaction, & by consequence

would make no impression upon me.

Once he allowed himself to be interviewed for the Herald, when from Mr.

Rogers's yacht he had watched Sir Thomas Lipton's Shamrock go down to

defeat; but this was a subject which appealed to him--a kind of

hotweather subject--and he could be as light-minded about it as he chose.

CCXXXIX

THE LAST SUMMER AT ELMIRA

The Clemenses were preparing to take up residence in Florence, Italy. The

Hartford house had been sold in May, ending forever the association with

the city that had so long been a part of their lives. The Tarrytown

place, which they had never occupied, they also agreed to sell, for it

was the belief now that Mrs. Clemens's health would never greatly prosper

there. Howells says, or at least implies, that they expected their

removal to Florence to be final. He tells us, too, of one sunny

afternoon when he and Clemens sat on the grass before the mansion at

Riverdale, after Mrs. Clemens had somewhat improved, and how they "looked

up toward a balcony where by and by that lovely presence made itself

visible, as if it had stooped there from a cloud. A hand frailly waved a

handkerchief; Clemens ran over the lawn toward it, calling tenderly." It

was a greeting to Howells the last he would ever receive from her.

Mrs. Clemens was able to make a trip to Elmira by the end of June, and on

the 1st of July Mr. Rogers brought Clemens and his wife down the river on

his yacht to the Lackawanna pier, and they reached Quarry Farm that

evening. She improved in the quietude and restfulness of that beloved

place. Three weeks later Clemens wrote to Twichell:

Livy is coming along: eats well, sleeps some, is mostly very gay, not

very often depressed; spends all day on the porch, sleeps there a part of

the night; makes excursions in carriage & in wheel-chair; &, in the

matter of superintending everything & everybody, has resumed business at

the old stand.

During three peaceful months she spent most of her days reclining on the

wide veranda, surrounded by those dearest to her, and looking out on the

dreamlike landscape--the long, grassy slope, the drowsy city, and the

distant hills--getting strength for the far journey by sea. Clemens did

some writing, occupying the old octagonal study--shut in now and

overgrown with vines--where during the thirty years since it was built so

many of his stories had been written. 'A Dog's Tale'--that pathetic

anti-vivisection story--appears to have been the last manuscript ever

completed in the spot consecrated by Huck and Tom, and by Tom Canty the

Pauper and the little wandering Prince.

It was October 5th when they left Elmira. Two days earlier Clemens had

written in his note-book:

Today I placed flowers on Susy's grave--for the last time probably

--& read words:

"Good-night, dear heart, good-night."

They did not return to Riverdale, but went to the Hotel Grosvenor for the

intervening weeks. They had engaged passage for Italy on the Princess

Irene, which would sail on the 24th. It was during the period of their

waiting that Clemens concluded his final Harper contract. On that day,

in his note-book, he wrote:

THE PROPHECY

In 1895 Cheiro the palmist examined my hand & said that in my 68th year

(1903) I would become suddenly rich. I was a bankrupt & $94,000 in debt

at the time through the failure of Charles L. Webster & Co. Two years

later--in London--Cheiro repeated this long-distance prediction, & added

that the riches would come from a quite unexpected source. I am

superstitious. I kept the prediction in mind & often thought of it. When

at last it came true, October 22, 1903, there was but a month & 9 days to

spare.

The contract signed that day concentrates all my books in Harper's hands

& now at last they are valuable; in fact they are a fortune. They

guarantee me $25,000 a year for 5 years, and they will yield twice as

much as that.--[In earlier note-books and letters Clemens more than once

refers to this prophecy and wonders if it is to be realized. The Harper

contract, which brought all of his books into the hands of one publisher

(negotiated for him by Mr. Rogers), proved, in fact, a fortune. The

books yielded always more than the guarantee; sometimes twice that

amount, as he had foreseen.]

During the conclusion of this contract Clemens made frequent visits to

Fairhaven on the Kanawha. Joe Goodman came from the Pacific to pay him a

good-by visit during this period. Goodman had translated the Mayan

inscriptions, and his work had received official recognition and

publication by the British Museum. It was a fine achievement for a man

in later life and Clemens admired it immensely. Goodman and Clemens

enjoyed each other in the old way at quiet resorts where they could talk

over the old tales. Another visitor of that summer was the son of an old

friend, a Hannibal printer named Daulton. Young Daulton came with

manuscripts seeking a hearing of the magazine editors, so Clemens wrote a

letter which would insure that favor:

INTRODUCING MR. GEO. DAULTON:

TO GILDER, ALDEN, HARVEY, McCLURE, WALKER, PAGE, BOK, COLLIER, and such

other members of the sacred guild as privilege me to call them

friends-these:

Although I have no personal knowledge of the bearer of this, I have what

is better: He comes recommended to me by his own father--a thing not

likely to happen in any of your families, I reckon. I ask you, as a

favor to me, to waive prejudice & superstition for this once & examine

his work with an eye to its literary merit, instead of to the chastity of

its spelling. I wish to God you cared less for that particular.

I set (or sat) type alongside of his father, in Hannibal, more than 50

years ago, when none but the pure in heart were in that business. A true

man he was; and if I can be of any service to his son--and to you at the

same time, let me hope--I am here heartily to try.

Yours by the sanctions of time & deserving,

Sincerely,

S. L. CLEMENS.

Among the kindly words which came to Mark Twain before leaving America

was this one which Rudyard Kipling had written to his publisher, Frank

Doubleday:

I love to think of the great and godlike Clemens. He is the biggest

man you have on your side of the water by a damn sight, and don't

you forget it. Cervantes was a relation of his.

It curiously happened that Clemens at the same moment was writing to

Doubleday about Kipling:

I have been reading "The Bell Buoy" and "The Old Man" over and over

again-my custom with Kipling's work--and saving up the rest for

other leisurely and luxurious meals. A bell-buoy is a deeply

impressive fellow-being. In these many recent trips up and down the

Sound in the Kanawha he has talked to me nightly sometimes in his

pathetic and melancholy way, sometimes with his strenuous and urgent

note, and I got his meaning--now I have his words! No one but

Kipling could do this strong and vivid thing. Some day I hope to

hear the poem chanted or sung-with the bell-buoy breaking in out of

the distance.

P. S.--Your letter has arrived. It makes me proud and glad--what

Kipling says. I hope Fate will fetch him to Florence while we are

there. I would rather see him than any other man.

CCXXX

THE RETURN TO FLORENCE

From the note-book:

Saturday, October 24, 1903. Sailed in the Princess Irene for Genoa

at 11. Flowers & fruit from Mrs. Rogers & Mrs. Coe. We have with

us Katie Leary (in our domestic service 23 years) & Miss Margaret

Sherry (trained nurse).

Two days later he wrote:

Heavy storm all night. Only 3 stewardesses. Ours served 60 meals

in rooms this morning.

On the 27th:

Livy is enduring the voyage marvelously well. As well as Clara &

Jean, I think, & far better than the trained nurse.

She has been out on deck an hour.

November 2. Due at Gibraltar 10 days from New York. 3 days to

Naples, then 2 day to Genoa.

At supper the band played "Cavalleria Rusticana," which is forever

associated in my mind with Susy. I love it better than any other,

but it breaks my heart.

It was the "Intermezzo" he referred to, which had been Susy's favorite

music, and whenever he heard it he remembered always one particular

opera-night long ago, and Susy's face rose before him.

They were in Naples on the 5th; thence to Genoa, and to Florence, where

presently they were installed in the Villa Reale di Quarto, a fine old

Italian palace built by Cosimo more than four centuries ago. In later

times it has been occupied and altered by royal families of Wurtemberg

and Russia. Now it was the property of the Countess Massiglia, from whom

Clemens had leased it.

They had hoped to secure the Villa Papiniano, under Fiesole, near

Professor Fiske, but negotiations for it had fallen through. The Villa

Quarto, as it is usually called, was a more pretentious place and as

beautifully located, standing as it does in an ancient garden looking out

over Florence toward Vallombrosa and the Chianti hills. Yet now in the

retrospect, it seems hardly to have been the retreat for an invalid. Its

garden was supernaturally beautiful, all that one expects that a garden

of Italy should be--such a garden as Maxfield Parrish might dream; but

its beauty was that which comes of antiquity--the accumulation of dead

years. Its funereal cypresses, its crumbling walls and arches, its

clinging ivy and moldering marbles, and a clock that long ago forgot the

hours, gave it a mortuary look. In a way it suggested Arnold Bocklin's

"Todteninsel," and it might well have served as the allegorical setting

for a gateway to the bourne of silence.

Mark Twain: A Biography. Volume III, Part 1: 1900-1907 · 第 6 / 18 段