A comic opera might be staged with Ellis Island as a _mise en scène_.

The seventy-three “reds,” detained on that asylum as undesirables,

who sent an “ultimatum,” modelled on the Berlin pattern, to the

Congressional Committee, would have charmed Gilbert and inspired

Sullivan. The solemnity with which they notified the indifferent

Congressmen that at half-past eight o’clock, Tuesday morning, November

25th, 1919, they would declare a hunger strike, the consequences of

which “shall fall upon the head of the administration of the island,”

was surpassed by the calmness with which they gave warning that they

would no longer attend the hearings of the committee. Like the heroine

of Mr. Davidson’s ballad, who told the Devil she would not stay in

hell, these gentlemen registered themselves as outside the pale of

coercion. They seemed to think that by refusing to eat, they could bend

the law to their will, and that by refusing to have their cases heard,

they could stop the slow process of deportation.

It is painful to record this lack of healthy humour on the part of

political offenders. Ordinary criminals are as a rule neat hands at a

joke, a practical joke especially, and convicts respond alacritously

to all intelligent efforts to amuse them. Comedians, who from time

to time have offered their services to relieve the sad monotony of

prison life, have found their audiences alert and responsive. Not a

joke is lost, not a song or a skit but wins its way to favour. It is

this engaging receptiveness which has made our captive thieves and

cut-throats so dear to the public heart. They dilate with correct

emotions when they hear good music; and, in the dearth of other

diversions, they can produce very creditable entertainments of their

own. The great Sing Sing pageant in honour of Warden Osborne was full

of fun and fancy. It would have done credit to the dramatic talent of

any college in the land. No wonder that we detect a certain ostentation

in the claims made by honest men to familiarity with rogues. The

Honourable T. P. O’Connor published a few years ago a series of papers

with the arrogant title, “Criminals I Have Known.” Could he have

attracted readers by boasting the acquaintanceship of any other class

of fellow-creatures?

The sourness incidental to a grievance deprives the political offender

of this winning vivacity. He is lamentably high-flown in his language,

and he has no sense of the ridiculous. The Sinn Feiners who wrecked

the office of a Dublin newspaper because it had alluded to one of the

men who tried to kill Lord French as a “would-be assassin,” should

expend some of the money received from the United States (in return

for stoning our sailors in Cork and Queenstown) in the purchase of

a dictionary. “Assassin” is as good a word as “murderer” any day of

the week, and a “would-be assassin” is no other than a “would-be

murderer.” The Sinn Feiners explained in a letter to the editor that

the calumniated man was really a “high-souled youth,” but this goes

without the saying. _All_ political offenders are high-souled youths.

It is their sub-title, eligible in oratory and obituary notices, but

not in the simple language of the press.

Mr. W. C. Brownell alludes casually to the social sentiment which

instinctively prefers the criminal to the police; but he declines

to analyze its rationale. Perhaps, as I have already hinted, we may

inherit it from our father, Adam, who could have felt no great kindness

for Saint Michael, the first upholder of the given law. Justice is

an unaccommodating, unappealing virtue. Deep in our hearts is a

distaste for its rulings, and a distrust of the fallible creatures

who administer it. Mr. Howells, writing ten years ago in the “North

American,” condemned without reserve the authority which, however

assailable, is our only bulwark against anarchy. “The State,” he said,

“is a collective despot, mostly inexorable, always irresponsible, and

entirely inaccessible to the personal appeals which have sometimes

moved the obsolete tyrant to pity. In its selfishness and meanness

it is largely the legislated and organized ideal of the lowest and

stupidest of its citizens, whose daily life is nearest the level of

barbarism.”

I am not without hope that the events of the past ten years modified

Mr. Howells’s point of view. If the German State revealed itself as

something perilously close to barbarism, the Allied States presented

a superb concentration of their peoples’ unfaltering purpose. That

the world was saved from degradation too deep to be measured was due

to individual heroism, animated, upheld, and focused by the State.

Though temperamentally conservative, I feel no shadow of regret for

the “obsolete” and very picturesque tyrant who softened or hardened

by caprice. I would rather trust our stupid and venal authorities,

because, while each member of a legislative body is kind to his own

deficiencies, he is hard on his neighbour’s. Collective criticism is a

fair antidote for collective despotism, and robs it of its terrors.

If we were less incorrigibly sentimental, we should be more nobly kind.

Sentimentalism is, and has always been, virgin of standards. It is,

and it has always been, insensible to facts. The moralists who, in the

first years of the war, protested against American munitions because

they were fresh-made for purposes of destruction, would have flung the

victory into Germany’s hands because her vast stores of munitions had

been prepared in times of peace. When the news of the Belgian campaign

sickened the heart of humanity, more than one voice was raised to say

that England had, by her treatment of militant suffragists (a treatment

so feeble, so wavering, so irascible, and so soft-hearted that it

would not have crushed a rebellious snail), forfeited her right to

protest against the dishonouring of Belgian women. The moral confusion

which follows mental confusion with a sure and steady step is equally

dangerous and distasteful. It denies our integrity, and it makes a mock

of our understanding.

An irritated Englishman, who must have come into close quarters with

British pacifists,--the least lovely of their species,--has protested

in “Blackwood’s Magazine” that the one thing dearer than the criminal

to the heart of the humanitarian is the enemy of his country, whose

offences he condones, and whose punishment he sincerely pities. Thus it

happened that British women joined American women in protesting against

the return of the cattle stolen during the last months of the war from

northern France. They said--what was undoubtedly true--that German

children needed the milk. French children also needed the milk (witness

the death-rates from tuberculosis in and about Lille), but this

concerned them less. The herds belonged to France, and their sympathy

went out to the raiders rather than to the raided.

In fact all pacifists seem disposed to look benignly upon the “noble

old piracy game.” The Honourable Bertrand Russell, whose annoyance

at England’s going to war deepened into resentment at her winning it

(a consummation which, to speak truth, he did his best to avert),

expressed regret that the sufferings of Belgium should have been

mistakenly attributed to Germany. Not Berlin, he said, but war must

be held to blame; and if war were a natural phenomenon, like an earth

quake or a thunderstorm, he would have been right. The original

Attila was not displeased to be called the “Scourge of God,” and

pious Christians of the fifth century acquiesced in this shifting

of liability. They said, and they probably believed, that Heaven had

chosen a barbarian to punish them for their sins. To-day we are less at

home in Zion, and more insistent upon international law. The sternest

duty of civilization is the assigning of responsibility for private and

for public crimes as the rules of evidence direct.

In the Christmas issue of the “Atlantic Monthly,” 1919, another

Englishman of letters, Mr. Clutton-Brock, preached a sermon to

Americans (we get a deal of instruction from our neighbours), the

burden of which was the paramount duty of forgiveness. Naturally he

illustrated his theme with an appeal for Germany, because there is

so much to be forgiven her. That he made no distinction between the

injuries which a citizen of Lille or Louvain, and the injuries which a

reader of the “Atlantic Monthly” has to forgive, was eminently right,

forgiveness being due for the greatest as well as for the least of

offences. The Frenchman or the Belgian who forgives “from his heart”

reaches a higher standard than we do; but the ethics of Christianity

bind him to that standard. It is his supreme spiritual test.

What was less endearing in Mr. Clutton-Brock’s sermon was the playful

manner in which he made light of wrongs which, to say the least, were

not matters for sport. We were called on to pardon, “not as an act of

virtue, but in good-humour, because we are all absurd, and all need

forgiveness.... We all fail, and we have no right to say that another

man’s, or another nation’s, failure is worse than our own.... We must

govern our behaviour to each other by the axiom that no man is to be

judged by his past.”

These sentences aptly illustrate my contention that the sentimentalist

is as unconcerned with standards as with facts. “Absurd” is not the

word to apply to Germany’s campaign in France and Flanders. A man

whose home has been burned and whose wife has been butchered cannot

be expected to regard the incident as an absurdity, or to recall it

with good-humour. The sight of a child bayoneted on the roadside (five

wounds in one poor little body picked up near Namur) arouses something

deep and terrible in the human heart. To say that one man’s failure is

no worse than another man’s failure, that one nation’s failure is no

worse than another nation’s failure, is to deny any vital distinction

between degrees of right and wrong. It is to place the German Kaiser by

the side of Belgium’s King, and George Washington by the side of George

the Third.

And by what shall men be judged, if not by their past? What other

evidence can we seek? What other test can we apply? A man who has run

away with his neighbour’s wife may not care to repeat the offence;

he may be cured forever of this particular form of covetousness; but

he is not welcomed in sedately conducted households. A defaulter may

be converted to the belief that honesty is the best policy; but few

there are who will entrust him with funds, and fewer still who will

receive him as a gentleman. If such behaviour is, as Mr. Clutton-Brock

authoritatively asserts, opposed to “a Christian technique,” it defines

the value of facts, and it holds upright the standard of honour.

The well-meaning ladies and gentlemen who flood society with appeals

to “open the prison door,” and let our good-will shine as a star

upon political prisoners, seem curiously indifferent as to what the

liberated ones will do with their liberty. There are few of us so base

as to desire to deprive our fellow-creatures of sunlight and the open

road. There are not many of us so unpractical as to want to keep them

a burden upon the State, if we have any assurance that they will not

be a menace to the State when released. Sufficiency, security, and

freedom have been defined as the prerogatives of civilized man. The cry

of the revolutionist for freedom is met by the call of sober citizens

for security. Sympathy for the lawless (the beloved sinner) is not

warranted in denying equity to the law-abiding, who have a right to

protection from the Republic which they voluntarily serve and obey.

The Virtuous Victorian

When Miss Amy Lowell, in her essay on Émile Verhaeren, says that the

influence of Zola on the younger writers of France and Belgium was

necessary “to down the long set of sentimental hypocrisies known in

England as ‘Victorian,’” she repeats a formula which has been in

popular use for many years, and to which we attach no very exact

significance. “Early-Victorian,” “mid-Victorian,” we use the phrases

glibly, and without being aware that the mental attitude to which

we refer is sometimes not Victorian at all, but Georgian. Take, for

example, that fairly famous sentiment about the British navy being

“if possible, more distinguished in its domestic virtues than in its

national importance.” Nothing more oppressively smug was ever uttered

in the reign of the virtuous Queen; yet it was written by the most

humorous and most pitiless of Georgian novelists, and it expressed the

conviction of her soul.

When we permit ourselves to sneer at Victorian hypocrisies, we allude,

as a rule, to the superficial observance of religious practices, and

to the artificial reticence concerning illicit sexual relations. The

former affected life more than it did literature; the latter affected

literature more than it did life. A resolute silence is apt to imply

or involve an equally resolute denial; and there came a time when

certain plain truths were denied because there was no other way of

keeping them out of sight. Novelists and poets conformed to a standard

which was set by the taste of their day. So profoundly was the great

Victorian laureate influenced by this taste that he grew reluctant to

accept those simple old English stories, those charming old English

traditions, the propriety or impropriety of which had never been a

matter for concern. His “fair Rosamond” believes herself a wedded wife,

and so escapes culpability. His “Maid Marian” wanders through Sherwood

Forest under the respectable chaperonage of her father, and will not

permit to Robin Hood the harmless liberties common among betrothed

lovers.

“Robin, I will not kiss thee,

For that belongs to marriage; but I hold thee

The husband of my heart; the noblest light

That ever flashed across my life, and I

Embrace thee with the kisses of the soul.

_Robin_: I thank thee.”

It is a bit frigid and a bit stilted for the merry outlaws. “If

love were all,” we might admit that conventionalism had chilled the

laureate’s pen; but, happily for the great adventures we call life

and death, love is not all. The world swings on its way, peopled by

other men than lovers; and it is to Tennyson we owe the most splendid

denial of domesticity--and duty--that was ever made deathless by verse.

With what unequalled ardour his Ulysses abandons home and country, the

faithful, but ageing, Penelope, the devoted, but dull, Telemachus, and

the troublesome business of law-making! He does not covet safety. He

does not enjoy the tranquil reward of his labours, nor the tranquil

discharge of his obligations. He will drink life to the lees. He will

seek the still untravelled world, and take what buffets fortune sends

him.

“For my purpose holds

To sail beyond the sunset, and the baths

Of all the western stars, until I die.

It may be that the gulfs will wash us down;

It may be we shall touch the Happy Isles,

And see the great Achilles whom we knew.”

Poor Penelope! What chance has she against such glad decision, such

golden dreams! It is plain that the Ithacan navy was less distinguished

than the British navy for the development of domestic virtues. Until

such time as Germany fulfils her threat, and drives the “bastard tongue

of canting island pirates” from its hold on the civilized world,

Tennyson’s Ulysses will survive as the embodiment of the adventurous

spirit which brooks no restraint, and heeds no liability.

The great Victorian novelists were well aware that, albeit the average

man does his share of love-making, he neither lives nor dies for

love. Mr. Edmund Gosse, reared in the strictest sect of Plymouth

Brethren, and professing religion at ten, was nevertheless permitted

by his father to read the novels of Dickens, because they dealt with

the passion of love in a humorous manner. More often they deal with

it in a purely perfunctory manner, recognizing it as a prelude to

marriage, and as something to which the novelist must not forget to

make an occasional reference. Nicholas Nickleby is a young man and

a hero. Consequently an assortment of female virtues and of female

charms is labelled, docketed, provided with ringlets and a capacity for

appropriate swooning,--and behold, Nicholas has a wife. Kate Nickleby’s

husband is even more sketchily outlined. He has a name, and--we are

told--an impetuous and generous disposition. He makes his appearance

when a suitor is needed, stands up to be married when a husband is

called for, and that is all there is of him. But what do these puppets

matter in a book which gives us Mrs. Nickleby, Vincent Crummles, Fanny

Squeers, and the ever-beloved Kenwigses. It took a great genius to

enliven the hideous picture of Dotheboys Hall with the appropriate

and immortal Fanny, whom we could never have borne to lose. It took a

great genius to evolve from nothingness the name “Morleena Kenwigs.” So

perfect a result, achieved from a mere combination of letters, confers

distinction on the English alphabet.

The charge of conventionalism brought against Thackeray and Trollope

has more substance, because these novelists essayed to portray life

soberly and veraciously. “Trollope,” says Sir Leslie Stephen, “was

in the awkward position of a realist, bound to ignore realities.”

Thackeray was restrained, partly by the sensitive propriety of British

readers who winced at the frank admission of sexual infirmities, and

partly by the quality of his own taste. In deference to the public, he

forbore to make Arthur Pendennis the lover of Fanny Bolton; and when

we remember the gallant part that Fanny plays when safely settled at

Clavering, her loyalty to her old friend, Bows, and her dexterity in

serving him, we are glad she went unsmirched into that sheltered port.

The restrictions so cheerfully accepted by Thackeray, and his

reticence--which is merely the reticence observed by every gentleman

of his day--leave him an uncrippled spectator and analyst of the

complicated business of living. The world is not nearly so simple a

place as the sexualists seem to consider it. To the author of “Vanity

Fair” it was not simple at all. Acting and reacting upon one another,

his characters crowd the canvas, their desires and ambitions, their

successes and failures, inextricably interwoven into one vast social

scheme. It is not the decency of Thackeray’s novels which affronts us

(we are seldom unduly aware that they are decent), but the severity

with which he judges his own creations, and his rank and shameless

favouritism. What business has he to coddle Rawdon Crawley (“honest

Rawdon,” forsooth!), to lay siege to our hearts with all the skill of

a great artificer, and compel our liking for this fool and reprobate?

What business has he to pursue Becky Sharp like a prosecuting

attorney, to trip her up at every step, to betray, to our discomfiture,

his cold hostility? He treats Blanche Amory in the same merciless

fashion, and no one cares. But Becky! Becky, that peerless adventuress

who, as Mr. Brownell reminds us, ran her memorable career before

psychology was thought of as an essential element of fiction. Becky

whose scheming has beguiled our weary hours, and recompensed us for the

labour of learning to read. How shall we fathom the mental attitude of

a novelist who could create such a character, control her fluctuating

fortunes, lift her to dizzy heights, topple her to ruin, extricate her

from the dust and débris of her downfall,--and hate her!

Trollope, working on a lower level, observant rather than creative,

was less stern a moralist than Thackeray, but infinitely more cautious

of his foot-steps. He kept soberly in the appointed path, and never

once in thirty years trod on the grass or flower-beds. Lady Glencora

Palliser thinks, indeed, of leaving her husband; but she does not

do it, and her continency is rewarded after a fashion which is very

satisfactory to the reader. Mr. Palliser aspires somewhat stiffly to

be the lover of Lady Dumbello; but that wise worldling, ranking love

the least of assets, declines to make any sacrifice at its shrine.

Trollope unhesitatingly and proudly claimed for himself the quality of

harmlessness. “I do believe,” he said, “that no girl has risen from

the reading of my pages less modest than she was before, and that

some girls may have learned from them that modesty is a charm worth

possessing.”

This is one of the admirable sentiments which should have been left

unspoken. It is a true word as far as it goes, but more suggestive

of “Little Women,” or “A Summer in Leslie Goldthwaite’s Life,” than

of those virile, varied and animated novels which make no appeal to

immaturity. In Trollope’s teeming world, as in the teeming world about

us, a few young people fall in love and are married, but this is an

infrequent episode. Most of his men and women, like the men and women

whom we know, are engrossed in other activities. Once, indeed, Bishop

Proudie wooed and won Mrs. Proudie. Once Archdeacon Grantly wooed and

won Mrs. Grantly. But neither of these gentlemen could possibly have

belonged to “the great cruising brotherhood of the Pilgrims of Love.”

“Le culte de la femme” has never been a popular pastime in Britain,

and Trollope was the last man on the island to have appreciated its

significance. He preferred politics, the hunting-field, and the church.

Yet surely Archdeacon Grantly is worth a brace of lovers. With what

sincerity he is drawn, and with what consummate care! A churchman

who, as Sir Leslie Stephen somewhat petulantly observes, “gives

no indication of having any religious views whatever, beyond a

dislike to dissenters.” A solidly respectable member of provincial

clerical society, ambitious, worldly, prizing wealth, honouring rank,

unspiritual, unprogressive,--but none the less a man who would have

proved his worth in the hour of England’s trial.

It is a testimony to the power of fiction that, having read with

breathless concern and through countless pages Mr. Britling’s

reflections on the war, my soul suddenly cried out within me for

the reflections of Archdeacon Grantly. Mr. Britling is an acute and

sensitive thinker. The archdeacon’s mental processes are of the

simplest. Mr. Britling has winged his triumphant flight from “the

clumsy, crawling, snobbish, comfort-loving caterpillar of Victorian

England.” The archdeacon is still confessedly a grub. Mr. Britling has

“truckled to no domesticated god.” The archdeacon’s deity is open to

such grievous innuendoes. Yet I wish I could have stood on the smooth

lawn of Plumstead, and have heard what the archdeacon had to say when

he learned that an English scholar and gentleman had smuggled out of

England, by the help of a female “confidential agent,” a treacherous

appeal to the President of the United States, asking that pressure

should be brought upon fighting Englishmen in the interests of peace. I

wish I could have heard the cawing rooks of Plumstead echo his mighty

wrath. For there is that in the heart of a man, even a Victorian

churchman with a love of preferment and a distaste for dissenters,

which holds scatheless the sacred thing called honour.

Trollope is as frank about the archdeacon’s frailties as Mr. Wells is

frank about Mr. Britling’s frailties. In piping days of peace, the

archdeacon’s contempt for Mr. Britling would have been as sincere and

hearty as Mr. Britling’s contempt for the archdeacon. But under the

hard, heroic discipline of war there would have come to the archdeacon,

as to Mr. Britling, a white dawn of revelation. Both men have the

liberating qualities of manhood.

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