BY A RAILWAY WITNESS.

MY DEAR BOGLE,--It is ten thousand pities that you are not here. Why the

deuce can't you make yourself useful to the commonwealth, by calculating

a gradient, laying down a curve, or preparing a table of traffic, in

order to obtain the proper qualification for a railway witness? Nothing

in this world is easier. You have only to sit at your window for a given

amount of hours once a-week, and note down the number of the cabs and

carts which jolt and jingle to the Broomielaw; or, if you like that

better, to ascertain the quality of the soil three feet beneath your own

wine-cellar; and you are booked for a month's residence in London, free

quarters in a first-rate hotel, five guineas a-day, and all expenses

paid. I confess that this regimen seems to me both profitable and

pleasant. I have been here for six weeks feeding on the fat of the land,

drinking claret which even a Leith man would scarcely venture to

anathematize, white-baiting at Blackwall, and varying these sensual

qualifications with an occasional trip to Richmond and Ascot races. I

have, moreover, mark you, a bunch of as pretty bank paper in my pocket

as ever was paid into the Exchequer; and the whole equivalent I have

given for this kind and liberal treatment was certain evidence touching

the iron-trade of Ayrshire, which I poured into the drowsy ears of five

worthy gentlemen, about as familiar with that subject as you are with

the mythology of the Chinese. Long life to the railway mania, say I! It

has been treasure-trove to some of us. The only thing I regret is my

inability to carry the war into the enemy's country, and make my fortune

out of the English companies. I have the appetite but not the power;

and, after all, it would hardly make up for Flodden.

I like this sort of life much better than assorting cargoes and

superintending the arrival of sugar casks. There is no want of society,

for I find myself here surrounded by the old familiar faces. I do not

think there is a soul in this hotel except townsmen of our own. You meet

in the committee rooms the same excellent fellows whom you have daily

encountered for the last ten years on the Exchange, and they are all

getting fatter upon their work. Edinburgh, too, has furnished her quota.

We have Writers to the Signet by the score, and a sprinkling of the

young Advocates whom we are accustomed to meet upon circuit. Poor lads!

it does one good to see them thriving. This must be a very different

sort of business from the weariful Parliament House, and the two square

yards of processes, with a fee of three guineas for many an interminable

condescendence. I believe they would have no objection if the Session of

Parliament were declared perpetual; and for that matter no more would I.

Certainly, of all tribunals ever invented by the ingenuity of man, a

Parliamentary Committee is the most extraordinary. It is a court of

enquiry consisting of five members, whose principal qualification is

absolute previous ignorance of the localities and conflicting interests

with regard to which they must decide. Of their impartiality, therefore,

there can be no doubt. You or I might just as well sit down at a

moment's notice, and adjudicate upon the merits of three competing lines

between Pekin and Canton, with an equal chance of arriving at a

satisfactory conclusion. Of course they must be guided entirely by

evidence, and have plenty of materials laid before them from which they

may pick and choose. It is the richest thing in the world to see two

crack engineers pitted against each other. The first, who appears on

behalf of the line, does not know and cannot conceive the slightest

engineering difficulty. If a mountain stands in his way, he plunges

fearlessly into its bowels, finds in the interior strata of surpassing

mineral wealth, yet marvellously adapted for the purposes of a four-mile

tunnel, and brings you out sound and safe at the opposite side, as

though he had been perforating a gigantic cheese instead of hammering

his path through whinstone coeval with the creation. If a lake stands in

the way, he will undertake to drain it, with immense advantage to the

neighbouring proprietors. If a valley intervenes, he will bridge it with

a viaduct, which shall put to shame the grandest relics of antiquity. He

has no knowledge of such bugbears as steep gradients or dangerous

curves; a little hocus-pocus with the compasses transforms all these

into gentle undulations, and sweeps of the most graceful description. He

will run you his rails right through the heart of the most populous

city,--yea, even Glasgow herself,--and across the streets, without the

slightest interruption to the traffic. He will contrive so, that the

hissing of the locomotive shall be as graceful a sound as the plashing

of a fountain in the midst of our bisected squares; and he is indignant

at the supposition that any human being can be besotted enough to prefer

the prospect of a budding garden, to a clean double pair of rails

beneath his bedroom window, with a jolly train steaming it along at the

rate of some fifty miles per hour.

The opposing engineer has a contrary story to tell. He has the utmost

confidence in the general ability of his scientific friend, but on this

occasion he has the misfortune to differ in opinion. Very carefully has

he gone over the whole of the line surveyed. He is sorry to say that the

gradients are utterly impossible, and the curves approaching to a

circle. Tunnelling is out of the question. How are two miles of

quicksand and two of basaltic rock to be gone through? The first is

deeper than the Serbonian bog, and would swallow up the whole British

army. The second could not be pierced in a shorter time than Pharaoh

took to construct the pyramids of Egypt. He considers a railway in the

heart of a town to be an absolute and intolerable nuisance; and, on the

whole, looking at the plan before him, he has come to the conclusion,

that a more dangerous and impracticable line was never yet laid before a

committee of the United Parliament of Great Britain.

So much for the engineering Hector and Achilles. Out of these two

opinions, of necessity, must the five respectable members on the bench

form their judgment; for of themselves they know nothing, having been

purposely selected on account of their superior ignorance.

Cross-examination makes the matter still worse. A cantankerous waspish

counsel, with the voice of an exasperated cockatoo, endeavours to make

the opposing engineer contradict himself. He might as well try to

overturn Ailsa Crag. He of the impossible gradients is the hero of a

hundred committees, quite accustomed to legal artifice, cool, wary, and

self-collected. He receives every thrust with a pleasant smile, and

sometimes returns them with damaging effect. If close pressed, he is

conscious that behind him is a thicket of algebra, into which neither

counsel nor judges will dare to follow; and so fortified by the

mysteries of his calling, he is ready to defy the universe. Then come

the hordes of subordinate witnesses, the gentlemen who are to give

evidence for and against the bill. One side represents the country as

abounding in mineral produce and agricultural wealth: the other likens

it unto Patmos, or the stony Arabia. Tims swears that the people of his

district are mad, insane, rabid in favour of the line. Jenkins, his

next-door neighbour, on the contrary, protests that if the rails were

laid down to-morrow, they would be torn up by an insurrection of the

populace _en masse_. John thinks the Dreep-daily Extension is the only

one at all suited to supply the wants of the country; Sandy opines that

the Powhead's Junction is the true and genuine potato; and both John and

Sandy, Tims and Jenkins, are backed by a host of corroborators. Then

come the speeches of the counsel, and rare specimens they are of

unadulterated oratory. I swear to you, Bogle, that, no later than a week

ago, I listened to such a picture of Glasgow and the Clyde, from the

lips of a gentleman eminent alike in law and letters, as would have

thrown a diorama of Damascus into the shade. He had it all, sir, from

the orchards of Clydesdale to the banks of Bothwell, the pastoral

slopes of Ruglen, and the emerald solitudes of the Green. The river

flowed down towards the sea in translucent waves of crystal. From the

parapets of the bridge you watched the salmon cleaving their way upwards

in vivid lines of light. Never did Phoebus beam upon a lovelier object

than the fair suburb of the Gorbals, as seen from the Broomielaw,

reposing upon its shadow in perfect stillness. Then came the forest of

masts, the activity of the dockyards, and

"The impress of shipwrights, whose hard toil

Doth scarce divide the Sunday from the week."

Further down, the villas of the merchant princes burst upon your view,

each of them a perfect Sirmio--then Port-Glasgow, half spanned by the

arch of a dissolving rainbow--Dumbarton, grand and solemn as became the

death-place of the Bruce--Ben Lomond, with its hoary head swathed in

impenetrable clouds--and lo! the ocean and the isles. Not a Glasgow man

in the committee-room but yearned with love and admiration towards the

gifted speaker, who certainly did make out a case for the Queen of the

West such as no matter-of-fact person could possibly have believed. And

all this was done by merely substituting a Claude Lorraine glass for our

ordinary dingy atmosphere. The outline was most correct and graphic, but

the secret lay in the handling and distribution of the colours. I shall

not wonder if the whole committee, clerk included come down this autumn

to catch a glimpse of that terrestrial paradise.

Such is a brief and unexaggerated abstract of the transactions of these

railway committees; and you may judge for yourself how far the members

are likely to understand the true circumstances of the case from

evidence so singularly conflicting. Sometimes three or four days are

wasted before they can even comprehend the precise position of the lines

which they are required to consider, and, after all, these impressions

must be of the haziest description. For my own part, I think the

legislature has made a most palpable mistake in not intrusting such

important functions to parties who possess competent local knowledge;

and I am satisfied that the result of the present session has proved the

insufficiency of the system. I demur altogether to the propriety of

devolving upon Members of Parliament the duties of a civil jury. They

have surely enough to do in weighing and determining the larger

questions of policy, without entering into the minute details

necessarily involved in the consideration of railways, roads, bridges,

and canals. These should be transferred to parties conversant with such

subjects, and responsible to the public for their decisions. Besides

this, the direct pecuniary loss to Scotland by the present system of

sending witnesses to London--though personally I have no reason to

complain--is quite enormous, and demands attention in a national point

of view. It is calculated that not less than a million and a half

sterling, has been expended in the course of last year in carrying the

Scottish bills through Parliament, and by far the greater part of this

sum has been absorbed by plethoric London, and cannot by possibility

return. Now, the whole annual value of the lands and houses in Scotland

does not exceed ten millions, (in 1843, it was little more than

nine)--an amount which is totally inadequate to afford so prodigious a

deduction as this, for the mere purpose of procuring authority to carry

our own schemes into execution. That the seventh part of the rental of a

country should be drawn away from it, and expended beyond its

boundaries, in the course of simple preliminary investigations, is not

only an exorbitant abuse, but, to my mind, a clear demonstration of the

total falsity of the system. It may have worked tolerably when there was

less work to do; but the amazing increase of private bills during the

last few years must render a new arrangement necessary. I wish our

countrymen would be a little more alive to the vast benefit of local

institutions in a pecuniary point of view. Can there be any doubt, that,

if the details connected with all the private bills applicable to

Scotland, were referred to a paid board of commissioners sitting

permanently in Edinburgh, whose judgment of course would be subject to

the review of Parliament, the business would be got through, not only

more cheaply, but with greater satisfaction and dispatch? I cannot see

why London should be entitled to this exclusive monopoly, or the

principle of centralization pushed so far as to injure the extremities

of the empire. The private committee business has already become an

absolute nuisance to the whole bulk of the members. It is a function for

which few of them have been educated, which is in itself highly

distasteful, and, moreover, interferes most materially with their public

duties. Let them, then, be freed from this thraldom, and Scotland will

have no reason to complain. We don't ask for any power of legislation;

we only require that within and among ourselves the necessary

investigations shall be made. This can be done in Edinburgh quite as

well as in London; and very sorely does our poor Metropolis stand in

need of such indigenous support. Dublin has its viceregal court, and

therefore can make some stand against centralization. Edinburgh has

nothing left her except the courts of law, which have been pared down by

ignorant experimentalists to the smallest possible substance. All that

could be taken from her has been transferred to London. Her local

boards, her officers of state, have vanished one by one; and scarce any

remonstrance has been made against these useless and unjustifiable

aggressions.

I find myself getting into the Malagrowther vein, so I had better pull

up in time, without hinting at the existence of claymores. Only this,

should there ever be a decent agitation in Scotland, you will find the

old Tories at the head of it, demanding the restitution of certain

ancient rights, which Whiggery has subverted, and Conservatism trodden

under foot. Undoubtedly, at no very distant period, the great questions

of centralization and uniformity will be gravely and considerately

discussed, both within and without the walls of the British Parliament.

Next year it is probable that the transit between Edinburgh and London

will be effected in fourteen hours. That of itself will go far to bring

matters to a crisis. If we are to be centralized, let the work be

thoroughly done; if not, let us get back at least a reasonable portion

of our own.

But to the committees. You can have no idea, Bogle, of the excitement

caused by any of their decisions. At the close of the evidence, counsel,

agents, and spectators are unceremoniously hustled out of the room, to

give leisure for the selected senators to make up their minds on the

propriety of passing or rejecting the preamble of the bill. In the lobby

all is confusion. Near the door stand five-and-twenty speculators, all

of them heavy holders of stock, some flushed in the face like peonies,

some pale and trembling with excitement. The barristers, for the most

part, have a devil-may-care look, as if it mattered little to them,

whether the Dreep-daily or Powhead's gentry shall carry the day. And, in

truth, it is of little consequence. The sittings of this committee

cannot by possibility be prolonged, and as most of the legal gentlemen

have other briefs--

"To-morrow to fresh fields and pastures new."

The magistrates of Camlachie, though sorely agitated for the integrity

of that important borough, threatened by the Dreep-daily Extension with

immediate intersection, yet preserve a becoming decorum of feature. The

senior bailie bows a dignified assent to the protestations of the

Parliamentary solicitor, that it is quite impossible the bill can

pass--such an interference with vested rights never can be sanctioned by

a British House of Commons, &c. &c.; and then, with a shrewd eye to

future proceedings, the wily Machiavel hints that at all events the

House of Lords will be sure to put the matter right. What in the name of

torture can make the committee deliberate so long? Two hours have

elapsed since we were excluded, and yet there is no indication of a

judgment. The chairman of the Powhead's line, which on the whole has had

the worst of it in evidence, begins to gain confidence from the delay.

Whispers arise and circulate that the committee are two to two, the

chairman not being able to make up his mind either way; but as his wife

is a third cousin of a Powheads director, there may yet be balm in

Gilead. Hark! the tinkling of a bell--there is a buzz as of a hive

overturned, the doors are opened, and the whole crowd rush elbowing in.

How provokingly calm are the countenances of the five legislators! Not a

twinkle in the eye of any of them to betray the nature of their

decision--nay, with a refinement of cruelty positively appalling, the

chairman is elaborating a quill into a toothpick until order shall be

partially restored. Now for the dictum--"The Committee, having heard

evidence, are of opinion that the preamble of the Dreep-daily Extension

Bill has not been proved, and further, that the preamble of the Powheads

Junction Bill has been satisfactorily proved, and they intend to report

accordingly." One second's pause, and a triumphant cheer bursts from the

dignitaries of Camlachie. The five-and-twenty speculators darting at

once to the door, choke up the entrance for a time--divers coat-tails

give way, and hats disappear in the scuffle--at last they break out from

the Cloisters like so many demoniacs, fling themselves into

four-and-twenty cabs, and offer triple fares for immediate transmission

to the City. One, more knowing than the rest, sneaks down to Westminster

Bridge, finds a steamer just starting, makes his way by water to the

Exchange; and five minutes before the earliest cab, obstructed by a

covey of coal-carts in the Strand, can fetch its agitated inmate to his

broker, his speedier rival has sold several thousand Dreep-dailys to

unwitting and unfortunate purchasers, and has become the coveted

possessor of every Powhead scrip then negotiable in the London market.

If there is any caricature in this sketch I shall submit to do penance

in the pillory.

I think I have now bored you sufficiently with railway matters: being a

literary character, you may like to know how I otherwise employ my time.

_Imprimis_, I have not attended a single debate in the House of Commons.

It is quite enough to spell one's way through the dreary columns of the

_Times_ after the matutinal muffin, without exposing the mind to the

cruelties of a Maynooth debate, or the body to the tender mercies of the

novel mode of ventilation. I find the theatres much more amusing, not

from the excellence of the dramatic performances, but from their sheer

and gross absurdity, which, without actual experience, is almost too

monstrous for belief. The fact is, that a new Cockney school has arisen,

ten times more twaddling and impotent than the ancient academy of that

name. The old professors, for whom I always had a sneaking kindness,

affected a sort of solitary grandeur, deported themselves with the

conscious swagger of genius, read Tooke's Pantheon, and prated of the

Heathen gods. This was very harmless and innocent pastime; tiresome, to

be sure, yet laughable withal; nor did it call for any further rebuke

than an occasional tap upon the cranium of some blockhead who forsook

his legitimate sphere, thrust himself in your way, and became

unsufferably blatant. Now the spirit of the times has changed. The

literary youth of London are all in the facetious line. They have

regular clubs, at which they meet to collate the gathered slang and

pilfered witticisms of the week; periodical compotations to work these

materials into something like a readable shape; and hebdomadal journals,

by means of which their choice productions are issued to a wondering

world. Now, though a single gnat can give you very little annoyance in

the course of a summer's night, the evil becomes serious when you are

surrounded with whole scores of these diminutive vermin, singing in your

ears, buzzing in your hair, and lighting incessantly on your face. In

vain you turn aside, in hopes to get rid of the nuisance. Go where you

will, a perfect cloud of midges keeps hovering round your head, each

tiny bloodsucker sounding his diminutive horn, in the full and perfect

belief that he discourses most excellent music. Even so, in London, are

you surrounded with these philosophers of the Cider-cellar. Their works

stare you every where in the face; the magazines abound with their wit;

their songs, consisting for the most part of prurient parodies, are

resonant throughout the purlieus of Covent Garden. What is worse than

all, they have wriggled themselves into a sort of monopoly of the

theatres, persuaded the public to cashier Shakespeare, who is now

utterly out of date, and to instal in his place a certain Mr J.R.

Planche as the leading swan of the Thames. In giving him this prominent

place, I merely echo the opinions of his compeers, who with much

modesty, but at the same time with praiseworthy candour, have

acknowledged his pre-eminence in the modern walk of the drama, and with

him they decline competition. The new Beaumont and Fletcher, J. Taylor

and Albert Smith, Esquires, thus bear testimony to his merits in one of

their inimitable prologues:

"'Fair One with Golden Locks:' no, you won't do--

PLANCHE has taken the shine out of you:

Who runs with HIM, it may be safely reckon'd,

Whate'er the odds, must come in 'a bad second.'"

Ben Jonson never penned a more delicate or classical compliment, albeit

it halteth a little. Let us then submit to the better judgment of our

brethren, and bow down promiscuously before any brazen calf which their

eager idolatry may rear. Let London promulgate the law of letters, as

well as the statutes of the land. Therefore, say I, away with Romeo, and

give us Cinderella; banish Hamlet, and welcome Sleeping Beauty; let the

Tempest make room for Fortunio; and Venice Preserved for the gentle

Graciosa and Percinet! Do you, Bogle, disencumber your study as fast as

you can of these absurd busts of the older dramatists, now fit for

nothing but targets in a shooting-gallery. Fling the effigies, one and

all, into the area; and let us see, in their stead, each on its

appropriate pedestal, with some culinary garland round the head, new

stucco casts of J. R. Planche, Albert Smith, and Gilbert a-Beckett,

Esquires.

After all, is it to be wondered at if the public lacketh novelty?

Shakespeare has had possession of the stage for nearly two

centuries--quite enough, one would think, to pacify his unconscionable

_Manes_. We have been dosed with his dramas from our youth upwards. Two

generations of the race of Kean have, in our own day, perished, after a

series of air-stabs, upon Bosworth field. We have seen twenty different

Hamlets appear upon the damp chill platform of Elsinore, and fully as

many Romeos in the sunny streets of Verona. The nightingale in the

pomegranate-tree was beginning to sing hoarsely and out of tune;

therefore it was full time that our ears should be dieted with other

sounds. Well, no sooner was the wish expressed, than we were presented

with "Nina Sforza," the "Legend of Florence," and several other dramas

of the highest class. Sheridan Knowles and Sir Edward Bulwer Lytton

professed themselves ready to administer any amount of food to the

craving appetite of the age--but all in vain. Tragedy was not what we

wanted--nor comedy--no, nor even passable melodrama. We sighed for

something of a more ethereal sort, and--laud we the gods!--the manna has

descended in showers. Go into any of the London theatres now, and the

following is your bill of fare. Fairies you have by scores in

flesh-coloured tights, spangles, and paucity of petticoats; gnomes of

every description, from the gigantic glittering diamond beetle, to the

grotesque and dusky tadpole. Epicene princes, whose taper limbs and

swelling busts are well worth the scrutiny of the opera-glass--dragons

vomiting at once red flames and witticisms about the fountains in

Trafalgar Square--Dan O'Connell figuring in the feathers of a Milesian

owl--and the Seven Champions of Christendom smoking cigars upon the

parapets of Hungerford Bridge! All these things have I seen, Bogle, yea,

and cheered them to the echo, in company with some thousand Cockneys,

all agape at the glitter of tinselled pasteboard, and the glories of the

Catharine-wheel. Such is the intellectual banquet which London, queen of

literature, presents to her fastidious children!

The form of dramatic composition now most in vogue is the burlesque; or,

in the language of the great Planche, "the original, grand, comic,

romantic, operatic, melo-dramatic, fairy extravaganza!" There is a title

for you, that would have put Polonius to the blush. I have invested some

three shillings in the purchase of several of these works, in order

that I might study at leisure the bold and brilliant wit, the elegant

language, and the ingenious metaphors which had entranced me when I

heard them uttered from the stage. I am now tolerably master of the

subject, and therefore beg leave, before condescending upon details, to

hand you a recipe for the concoction of one of these delectable dishes.

Take my advice, and make the experiment yourself. Red Riding-Hood, I

think, is still a virgin story; but, unless you make haste, she will be

snapped up, for they are rapidly exhausting the stores of the "_Contes

des Fees_." Alexander will probably give you something for it, or you

can try our old friend Miller at the Green. The process is shortly this.

Select a fairy tale, or a chapter from the Arabian Nights; write out the

_dramatis personae_, taking care that you have plenty of supernaturals,

genii, elves, gnomes, ghouls, or vampires, to make up a competent _corps

de ballet_; work out your dialogue in slipshod verse, with as much slang

repartee as you possibly can cram in, and let every couplet contain

either a pun or some innuendo upon the passing events of the day. This

in London is considered as the highest species of wit, and seldom fails

to bring down three distinct rounds of applause from the galleries. I

fear you may be trammelled a little by the scantiness of local

allusions. Hungerford Bridge and Trafalgar Square, as I have already

hinted, have kept the Cockneys in roars of laughter for years, and are

dragged forward with unrelenting perseverance, but still undiminished

effect, in each successive extravaganza. I suspect you will find that

the populace of Glasgow are less easy to be tickled, and somewhat

jealous of quips at their familiar haunts. However, don't be

down-hearted. Go boldly at the Gorbals, the Goosedubs, and the great

chimney-stalk of St Rollox; it is impossible to predict how boldly the

municipal pulse may bound beneath the pressure of a dexterous finger.

Next, you must compose some stanzas, as vapid as you please, to be sung

by the leading virgin in pantaloons; or, what is better still, a few

parodies adapted to the most popular airs. I see a fine field for your

ingenuity in the Jacobite relics; they are entwined with our most sacred

national recollections, and therefore may be desecrated at will. Never

lose sight for a moment of the manifold advantages derivable from a free

use of the trap-door and the flying-wires; throw in a transparency, an

Elysian field, a dissolving view, and a miniature Vesuvius, and

"My basnet to a 'prentice cap,

Lord Surrey's o'er the Till,"

you will take all Glasgow by storm, and stand henceforward crowned as

the young Euripides of the West.

You and I, in the course of our early German studies, lighted, as I can

well remember, upon the Phantasus of Ludwig Tieck. I attribute your loss

of the first prize in the Moral Philosophy class to the enthusiasm with

which you threw yourself into his glorious Bluebeard and Fortunatus. In

truth it was like hearing the tales of childhood told anew, only with a

manlier tone, and a clearer and more dignified purpose. How lucidly the

early, half-forgotten images were restored under the touch of that

inimitable artist! What a luxury it was to revel with the first

favourites of our childhood, now developed into full life, and strength,

and stately beauty! With these before us, how could we dare be infidels

and recreants to our earlier faith, or smile in scorn at the fanciful

loves and cherished dreams of infancy? Such were our feelings, nor could

it well be otherwise; for Tieck was, and is, a poet of the highest

grade--not a playwright and systematic jest-hunter; and would as soon

have put forth his hand in impious challenge against the Ark, as have

stooped to become a buffooning pander to the idle follies of the

million. It remained for England--great and classic England--no, by

heavens! I will not do her that wrong--but for London, and London

_artists_!--I believe that is the proper phrase--after having exhausted

every other subject of parody, sacred and profane, to invade the

sanctuary of childhood, and vulgarize the very earliest impressions

which are conveyed to the infant. Are not the men who sit down

deliberately to such a task more culpable than even the nursery jade

who administers gin and opium to her charge, in order that she may steal

to the back-door undisturbed, and there indulge in surreptitious

dalliance with the dustman? Far better had they stuck to their old trade

of twisting travesties from Shakespeare for the amusement of elderly

idiots, than attempted to people Fairyland with the palpable denizens of

St Giles. The Seven Champions of Christendom, indeed! They may well lay

claim to the title of Champions of Cockneydom incarnate, setting forth

on their heroic quest from the rendezvous in the Seven Dials.

Let us look a little into their individual feats, although I must needs

say, that the whole of these productions bear a marvellous resemblance

to each other. There is no more variety in any of them than can be found

in the copious advertisements of the Messrs Doudney. Still, it cannot

but be that some gems shall scintillate more than others, or, at all

events, be of coarser and duller water. With conscious impartiality, and

without imputing the palm of slang to any particular individual, I shall

give the precedence to Gemini, and their last approved duodecimo. Messrs

Taylor and Smith have bestowed upon the public three dramas--to wit,

Valentine and Orson, Whittington and his Cat, and Cinderella. I have not

been fortunate enough to meet with the earlier portions of this trilogy;

but I have got by me Cinderella, of which title the authors, with

characteristic purity, confess

"'Twould be proper _er_

To say, 'La Cenerentola,' from the opera."

You shall have a specimen, Bogle, of this extremely racy production,

which I strongly recommend you to keep in view as model. You cannot have

forgotten the tale of the poor deserted maiden, whose loneliness is thus

touchingly described--

"From poker, tongs, and kitchen stove,

To the neglected cellar,

Is all the change I ever know--

Oh, hapless Cinderella!"

But dear Cinderella_r_ is not doomed to mourn in dust and ashes for

ever. A prince is coming to her rescue, but in disguise, having changed

suits with his own valet. Let us mark the manner of his introduction to

the interesting family of the Baron:--

_Baron._--The Baron Soldoff, Baroness, and Misses!

I thought the Prince was here!

(_To_ CINDERELLA.) Tell me who this is.

_Rodo._--(_Bowing._) I'm but a humble servant of his Highness.

_Baron._--Where is he?

_Rodo._--Sir, he waits down-stairs from shyness.

_Baron._--Give him the Baron's compliments, who begs

To this poor hall he'll stir his princely pegs.

[C. _Exit_ RODOLOPH, _bowing_.

(_To musicians._) Now change your costumes, quick as you are

able,

And be in readiness to wait at table;

Here are the pantry keys, (_throws them up_,) and there the

cellar's.

Now, try and look _distingue_--that's good fellows.

[L. _Exeunt musicians._

_Baroness._--What will the Browns say when this visit's told of?

'Tis a new era for the house of Soldoff!

QUARTETTE.--The BARON, BARONESS, CINDERELLA, and PATCHOULIA.

AIR.--'_The Campbells are coming._'

The Prince is a-coming, oh dear, oh dear,

The prince is a-coming, oh dear!

The Prince is a-coming, with piping and drumming,

The Prince is a-coming, oh dear, oh dear!

[C. _A grand march. Some hunters appear marching in at the

door, when_ CAPILLAIRE, _in the ducal cap, puts his head in

at the entrance and shouts._

_Capil._--Hold hard! (_music and procession stop._) Come back, you

muffs, that's not correct,

You're spoiling a magnificent effect.

Down those two staircases you've got to go'

A la 'The Daughter of St Mark,' you know.

[C. _They retire._

_Baron._--That was the Prince who show'd his face just now.

_Baroness._--What a fine voice!

_Ronde._--What eyes!

_Patch._--And what a brow!

_Cin._--(_aside._) To my mind, as a casual spectator,

If that's the Prince, he's very like a waiter.

[_March begins again. A grand procession enters the gallery, and

deploying in the centre, proceeds down the two staircases

simultaneously. Pages with hawks on their wrists. Hunters with dead

game, deer, herons, wild-ducks, &c. Men-at-Arms. Banners with the

Prince's Arms, &c. Ladies and Cavaliers. Flowergirls strewing flowers._

RODOLPE _with wand._ CAPILLAIRE _as the Prince. His train held up by two

diminutive pages._

_Capil._--(_as soon as he reaches the stage, advancing to the front

is almost tripped up by the pages mismanaging his train. He turns

round sharply._)

If you do that again, you'll get a whipping;

It won't do for a Duke to be caught tripping.

Let our train go. [_Some of the procession are moving off._ R.

What are you at? Dear, dear!

We don't mean that train there, but this train here.

(_Pointing to the train of his robe, the pages leave their hold of it._)

_Baron._--This princely visit is a condescension--

_Capil._--Now don't--

_Baroness._--(_curtsies_) A grace to which we've no pretension,

_Capil._--Bless me!

_Patch._--(_curtseying_) An honour not to be believed.

_Capil._--Oh, Lord!

_Patch._--(_curtseying_) A favour thankfully received.

_Baron._--(_bowing again_) This princely visit--

_Capil._--(_impatiently_) You've said that before.

Gammon! We know we're a tremendous bore.

We're a plain man, and don't like all this fuss;

Accept our game, but don't make game of us.

(_Looking about him._)

Well, Baron, these are comfortable quarters,

(_Examining Rondeletia and Patchoulia._)

And you hang out two very 'plummy' daughters.

_Ronde._--What wit!

_Patch._--What humour!

_Cin._--(_aside_) And what language--'plummy!'

_Capil._--We like your wife, too. Tho' not young she's 'crummy.'

_Cin._--(_aside_) And 'crummy,' too. Well, these are odd words, very!

I'm sure they're not in Johnson's Dictionary.

(_Attendant throws open door._ L.)

_Atten._--Wittles is on the table.

_Baron._--(_interrupting him_) Hush, you lout.

He means, you grace, the banquet waits without.

If at our humble board you'll deign to sit?

_Capil._--Oh, I'm not proud. I'll peck a little bit.

_Baron._--For your attendants--

_Capil._--Don't mind them at all.

Stick the low fellows in the servants' hall.

_Baron._--(_presenting the Baroness for Capillaire to take to dinner._)

My wife.

_Capil._--No, no, old chap, you take the mother.

Young 'uns for me (_takes Patchoulia under one arm._)

Here's one, (_takes Rondeletia,_)

And here's another.

[_As they are going out_ ( L.) _the_ PRINCE, _forgetting

himself, passes before_ CAPILLAIRE.

Capil.--Halloa! where are you shoving to, you scrub?

Now for pot-luck, and woe betide the grub."

Match me that, Bogle, if you can! There is wit, genius, and polish for

you! No wonder that the "School for Scandal" has been driven off the

field. But we must positively indulge ourselves with a love scene, were

it merely to qualify the convulsions into which we have been thrown by

the humour of these funny fellows. Mark, learn, and understand how

ladies are to be wooed and won--

"[(_Enter_ PRINCE RODOLPH.) L.

_Rodo._--How's this--what, tears!--Enough to float a frigate!

_Patch._--Sir!

_Ronde._--Sir!

_Rodo._--Oh, it's the valet they look big at!

Come, what's the row?--peace-maker's my capacity.

_Ronde._--Low wretch!

_Patch._--I shudder, man, at your audacity!

How dare you interfere 'twixt your superiors?

_Rodo._--'Twas pity!

_Ronde._--Gracious! pity from inferiors!

_Rodo._--Nay, dry your eyes, your quarrel's cause I've found,

(_sings_) Oh, 'tis love, 'tis love,

'tis love that makes the world go round

The Prince is a sad dog, he'll pop away,

And bag you ten and twenty hearts a-day;

Knocks ladies down like nine-pins, with a look,

And worst of all can not be brought to book.

He sha'n't dim those eyes long, my darlings, shall he?

_Patch._--_Why, you mad flunky!_

_Ronde._--Why, you maniac valet!

_Patch._--Why, you impertinent piece of pretension!

_Ronde._--To call him man would be a condescension.

A valet, paugh! (_going._)

_Prince._--A clear case of cold shoulder.

_Patch._--We'll have you trounced, e'er you're a minute older!

[_Exeunt_ RONDELETIA _and_ PATCHOULIA. ( R.)

_Prince_--(R.) But listen, for a moment. No, they're gone,

Well, this is Cocker's old rule, 'set down one.'

I had no notion, while I was genteel,

How very small indeed a man may feel.

I've made what Capillaire calls a 'diskivery.'

I wonder what's my value out of livery!

But here comes humble little Cinderella ( R.);

I feel I love her--let's see, shall I tell her?

[_Enter_ CINDERELLA.

_Cin._--I've taken up the coffee, not too soon,

And made all tidy for the afternoon.

I think--

_Prince_--What do you think, you little gipsy?

_Cin._--I think the Prince and Pa are getting tipsy.

_Prince_--Well, darling, here I am again you see.

_Cin._--You don't mean you were waiting here for me?

_Prince_--Yes, but I was though; and can't you guess why?

_Cin._--You thought that I popp'd out upon the sly?

_Prince_--I have a secret for you--I'm in love!

_Cin._--(_dolefully_) Who with?

_Prince._--With you--fact! There's my hand and glove--

Do you return my passion and forgive me?

_Cin._--I never do return what people give me.

_Prince._--Then keep my heart!

_Cin._--Mine kicks up such a bobbery,

I'll give it you; exchange, you know, 's no robbery.

_Prince_--We'll wed next week--a house I'll see about.

_Cin._--I'd go with you--but I've no Sunday out."

Beaumont and Fletcher, did I say? Rather Ovid and Tibullus. What a

beautiful picture of innocence is conveyed in that suggestive line--

"You thought that I popp'd out upon the sly!"

It is too natural for fiction. It must be a reminiscence of departed

bliss--a sigh wafted from the street-door of a furnished lodging-house

in Bloomsbury, when our authors plied the bistoury at Guy's. Bogle, if

you ever should be in love, take a lesson from these great masters, and

your suit is sure to prosper. Not a serving-maid in the Saltmarket but

must yield to such fervid and impassioned eloquence.

Talking of songs, I shall just give you the interesting ditty with which

this excellent extravaganza concludes. There is fine moral in it, which

will do well to lay to heart.

"CINDERELLA _sings_.

When lords shall fall before my throne,

And dare not call their souls their own

On my slippery path, lest I should fall,

I'll think on the COAL-HOLE, and sing so small--

With my slipper so fine.

Tra-la, Tra-la!

Blackwood's Edinburgh Magazine, Volume 58, Number 358, August 1845 · 第 34 / 44 题