While the pond is filling slowly, Hamoosabik gathers his food-wood.

First he fells a large number of trees by cutting around the butts

with his teeth; then he trims the branches into convenient lengths,

drags or rolls them to the nearest water, and floats them down to his

storehouse, where he sinks them in a loose pile on the bottom. Green

wood sinks easily, as a rule; if the beaver’s sticks have a tendency

to bob up to the surface, where they would be frozen into the ice, he

keeps them down by pressing one end into the mud. If he can use flowing

water for transportation, he always does so; but he will not hesitate

to tow his food-wood across a lake, if need be, or to dig a canal if

his poplars stand some distance back from the water. He works by night

for the most part, remaining hidden in one of his burrows by day. Any

dull or rainy afternoon may bring him out; and should the weather turn

severe, threatening to freeze his pond or canal before he is ready for

winter, he will work day and night without rest. There will be time for

sleeping when he has nothing else to do.

When the pile of food-wood grows to goodly size, and while younger

members of the family are nightly adding to it, the old beavers prepare

their winter lodge on the shore. Their first care, curiously enough,

is for a cellarway or tunnel, which leads from the middle of the lodge

ground down through the bank, and emerges at the bottom of the pond,

convenient to the food pile.

Around the upper or land end of this tunnel they build their house, a

solid structure from four to eight feet high, and six to twenty feet

in diameter. The height depends on the expected rise of water in the

spring, since one room at least must always be above high-water mark.

The size varies with the number of occupants, a little lodge for a pair

of beavers just starting housekeeping, and a big house for a large

family. The latter usually consists of an old pair, with some “kit”

beavers recently arrived in the wilderness, and half a dozen or more

yearlings and two-year-olds. The materials of the lodge are brush,

grass and mud, and the interior is arranged with a view to comfort and

security. For safety against enemies the beavers depend on thick walls;

for comfort two rooms are provided, a lower entrance hall and an upper

living room, with an inclined passage or stairway between.[2]

Just over the tunnel, perhaps a foot above the level of the ground,

is a small chamber which serves as the entrance hall and dining-room

of the lodge. Here the beavers shake the water from their hairy outer

coats when they emerge from the tunnel (the inner coat of fur is

always dry), and here they eat their meals. The hard-packed floor of

this hall invariably slants upward from the mouth of the tunnel, and

the evident purpose is to allow the water to drain away more easily.

From one end of the hall a stairway, just big enough for a single

beaver at a time, mounts through the middle of the lodge to the living

room above. Sometimes this central passage is the guiding part of the

building plan, the lodge being constructed around it; but quite as

often the material is piled in a solid mass, and hall and stairway are

then cut out from beneath, as a continuation of the tunnel from the

pond. Around the top of the stairway, just under where the roof is to

be, runs a circular bench or gallery, which is covered deep with dry

grass or shredded wood. This bench forms the floor of the living room;

on it each member of the family will have his separate nest, from which

he can slip into the central opening and down the stairway without

disturbing any other beaver.

The bench is then roofed over, making a circular room from four to

eight feet in diameter, with an arched ceiling just high enough to

enable a beaver to move around without bumping his head. A small

ventilator is left among the poles that project through the roof, and

the structure is covered to a thickness of two feet with grass, sods,

and rushes, all mixed with mud from the pond bottom. This last is the

beaver’s mortar, and the frost hardens it to his purpose.

Like most other buildings, whether of bird or beast or man, the

completed house receives a final “touch,” and a very suggestive

one; but whether Hamoosabik adds it consciously, with purpose of

concealment, who can say? When the lodge is finished so far as comfort

and safety are involved, the beaver throws over it a litter of

weatherbeaten sticks, making it appear like a pile of drift stuff cast

up by winds or high waters. With nights of sharp frost the lodge walls

harden, becoming finally so granite-like that no enemy can break in,

and the beaver himself cannot gnaw a way out. The only door left him

is the opening in the middle of his living room, which leads down the

stairway through hall and tunnel, and emerges under five or six feet of

water at the bottom of the pond.

While all this building is going on, the ice forms thicker and thicker,

and presently the beaver is locked in until waters are open once more,

and returning birds are filling the silent woods with melody. Meanwhile

he will spend the greater part of the time in his upper living room,

and for exercise will pass a few pleasant hours every day in swimming

about his pond with its roof of ice. Farther he cannot go, and even

here his journeys must be short; since there is no air under the ice,

he must return to his lodge or enter one of his refuge burrows every

time he wants to breathe. When hungry he slips down through the tunnel

to the food pile, takes a stick up to his hall, and there eats the bark

to the last scrap. Then he carries the peeled stick back to the pond,

where it is thrown aside with a growing multitude that have no more

interest for the beaver family; unless, perchance, they use the pond

another season. In that event the peeled sticks, no longer glistening

white, but sodden brown, may be used to repair the dam or disguise the

new lodge.

That the beaver wearies of his diet of water-soaked bark is evident

from the fact that he explores every inch of his pond for roots of

the yellow lily; from this also, that if you cut a hole in the ice

and push in a pole of fresh willow or “popple” or moosewood, he will

find it within the hour and carry it away. Should you hold the pole,

keeping very still and throwing a blanket over the air hole to exclude

the light, he will attempt to pull it out of your hand. And if you

stick one end deep in the mud, leaving the upper end frozen fast in

the ice, he will promptly cut it in two places, one just above the

bottom, the other just below the ice, and so carry the pole away to

his dining-room.

The only variation of this winter-existence comes when there is an

open spring-hole in the pond or a bit of swift water at the inlet. The

imprisoned beavers make glad use of such an opening, which they may

have to reach by a long swim under the ice. They come every day to play

in the free water or to sit erect beside it, sunning themselves by the

hour on pleasant days, combing their fine fur meanwhile, or coaxing a

snarl out of it, using for the latter purpose the peculiar split claw

which every beaver carries on one of his hind toes.

Such hermits are happy fellows, lucky above the majority of beavers,

who have no sunlit playground in winter; but they enjoy themselves

circumspectly, knowing the danger of being caught in the open. At the

slightest alarm, the faint click of snowshoes or a breath of your scent

drifting downwind, every beaver disappears under the ice, giving the

danger signal by slapping his broad tail on the water as he goes down;

and when you hear them again they will be creeping into the living room

of the lodge. Rap the roof sharply, after approaching on silent feet,

and you hear _plop! plop! plop!_ as the beavers drop into their tunnel

one after another. Go out on the ice now, and hammer it with your ax.

If your ears are keen, you may hear a faint rumble or gurgling of

water as some of the family return to their lodge, while others enter

refuge burrows in the bank. So they are driven back and forth; but

spare them any prolonged fright, for they are the most inoffensive

little prisoners in the wilderness.

* * * * *

Meanwhile Keeonekh the otter is a foot-loose creature, a rambler, an

_erdstappa_ or earth-hitter, as our forbears called one with a gift for

roaming. He has the whole wilderness for a hermitage; yet his world is

only as big as he makes it. Like most wild creatures, he has definite

limits beyond which he rarely passes, and then only when food fails in

his familiar district. The waters are sealed, to be sure; but every

large lake has an air hole or two, and swift streams offer plenty of

open places. When fishing for his dinner Keeonekh holds close to one

opening, coming out where he went in; but when on a journey he may

enter one air hole and emerge at another so far away that you cannot

see him. And this because he has learned the curious trick of breathing

under the ice, where another animal must quickly drown.

That trick is simple enough, but few besides Keeonekh have mastered

it. When he is far from an opening and must have fresh air, he presses

up against the under surface of the ice and slowly expels his breath,

which forms a great bubble around his nose. He leaves it there a

moment, till it is purified by contact with water on one side and

ice on the other; then he takes it back into his lungs and goes on

refreshed. He may reach an opening on the next tack, where you hear

him blow out his breath with a long _wheeeef_ of satisfaction; if

not, he rises against the ice once more and repeats his extraordinary

performance.

An otter travels widely in winter, following a definite circuit and

returning at fairly regular intervals. The circuit may be a dozen miles

in diameter, much wider than a deer’s, but not so wide as a wolf’s, and

he covers it by his own trails from lake to lake. These commonly follow

direct lines, reaching their objective by the easiest route; but if

there is a bit of open water on the way, Keeonekh must turn aside for

a splash in it; or if there is a steep hill or bank anywhere near, he

will climb up one side for the sake of sliding down the other. Even on

level ground he proceeds in merry fashion, taking two or three swift

jumps and throwing himself forward for a slide on his belly. Part of

his traveling seems to be done in mere enjoyment of change, of motion,

of seeing the country; another part is intended to keep him acquainted

with places where the best fish are wintering. With that difficult

matter he is enviably familiar; if ever you find where an otter fishes

regularly, you may confidently drop your minnow there.

Keeonekh is a dainty feeder, and uncommonly notional for a beast. He

will pass by a score of watery chub if he knows where to expect a fat

trout; he will ignore suckers for a white perch, or a coarse-fleshed

bass for a sweet eel. He will not touch any fish a second time, though

he may have left the greater part of it; and he will not look at a dead

fish or at bait or carrion of any kind. Only a fresh fish, a living

fish, appeals to him, and he may catch this by stealth or in whirlwind

fashion, according to circumstance or his mood of the moment.

Sometimes his approach is so shadowy, so arrow-like, that a somnolent

trout is gripped before he is aware that danger is near. Again, a fish

darts away in alarm, and Keeonekh follows with silent, powerful thrusts

of his webbed forefeet, swinging his body left or right by aid of his

muscular tail as a rudder. So he follows every turn of his prey, and

catches it at last by sheer skill and endurance. He is a wonderful

fisherman, only Hukweem the loon comparing with him in this respect;

and the loon is inferior in that he chases little fish, while Keeonekh

always picks a big one. When you find the remnant of his feeding, one

of your surprises may be this: you have fished the same lake or stream,

using your best skill and most delicate tackle; but the head and tail

which Keeonekh leaves behind him bespeak a better fish than ever you

saw caught here.

All that is simple enough in summer, when waters are open and flooded

with light; but when a blanket of ice covers the lake an otter must

be more alert, keener of eye and quicker of snap, if he is to keep in

good condition by what he catches. The fish are now in hidden places,

deep and inconvenient; they eat little or nothing, and they lie so

quiet in the underwater gloom that one must be very near to distinguish

them from other shadows. Then, when Keeonekh catches a fish under the

ice, he cannot breathe from an air bubble, as he does when he is free,

because the slippery thing in his mouth interferes with the delicate

performance. Neither can he dispose of his fish where he is, but must

get it quickly to the nearest air hole. Even there he cannot or will

not eat in the water, but invariably takes his catch out on the ice,

where he leaves record of his feeding in the shape of bones or scales

or, it may be, a pound or two of excellent fish, since he often catches

a bigger one than he can eat. When you find such signs, be sure there

is good angling nearby. An otter never carries a fish beyond the spot

where he lands it.

Keeonekh does most of his winter fishing in half-open streams, where

it is easy to bring his catch out on the bank, and where he has hidden

dining rooms under shelves of ice left by falling water. For lake

fishing he uses a spring-hole or the open mouth of a brook; and should

you see him enter such a place, you may confidently look for him to

come out again, unless he happened to see you first. If not alarmed,

he makes a swift circuit of the fishing grounds, and presently you see

his glistening head shoot up in the opening. The next instant he is

out on the ice, humping his back over his catch, and sometimes mewing

to himself in a pleased kind of way. If he finds nothing in his rapid

search, you may know it by his _wheeeef!_ as his head appears; for he

cannot whistle like that while his mouth is full. Then he will either

wait awhile by the opening and try again, or else hurry away to another

fishing ground.

If the lake be small and frozen solidly from shore to shore, Keeonekh

passes over it indifferently; it may hold many good fish, but there is

no way for him to enter and catch them. Should the ice have a single

opening, such as one often finds at the inlet of a lake, you may have a

puzzling question to answer when you see an otter go into it, and wait

hour after hour without seeing him come out again.

Once, when I first began to follow the winter trails, I saw an animal

swim rapidly across a pool of open water and disappear under the ice.

He was too far away to name him with certainty; but the electric

motion, the broad head without visible ears, the following bits of fur

with a handbreadth of water showing between back and tail,--all these

proclaimed an otter, because no other creature swims in just that

way. He had not seen me; I was luckily quiet when he passed, and the

breeze was in my favor. Very confidently I watched for him to reappear,

thinking I would take his fine skin back to camp. I knew the pond well;

it had no other opening, and the inlet was frozen for a mile or more

above the spring-hole. Of a surety, therefore, my game must show itself

again, since no animal can live for any length of time under the ice.

Ten minutes ran away, while I marveled at an otter’s power of holding

his breath. An hour passed, a time of increasing bewilderment, and no

life stirred in the black water, which glimmered like a pool of ink

in its setting of ice and snow. The afternoon went to join all other

wasted afternoons; I began to doubt what I had seen, until I crossed

the inlet and found Keeonekh’s trail under the shore, which made me

hide and watch once more. Evening came; owls hooted in the woods; a

storm wind began to moan, and still no otter. When it grew too dark to

see anything clearly I went home.

Two or three inches of snow fell that night. At daybreak I was back at

the inlet, and there were the fresh tracks of my otter,--leisurely,

exasperating tracks, which emerged from the spring-hole as if there

were no call to hurry, and headed down the pond on a journey of which I

never found the end. He had come out, just as I expected; but where had

he been?

Could you follow an otter in such a place, you might see him rout out a

fish, catch it after a breathless chase, and speed away to the nearest

place for eating it. That place may be a den of his own in the bank,

or a beaver’s tunnel under the lodge, or a cave under a hummock where

the expanding ice crowds up over a half-submerged rock, making a roomy

air-chamber in which otter, mink or muskrat may eat or rest in perfect

security. The rock offers them a floor, and the roof of ice hides them

from all prying eyes. It is in such places, I think, that Keeonekh

sometimes meets the beaver and makes an enemy of him.

* * * * *

The winter comedy, as one follows it in imagination, may be something

like this. Keeonekh enters a lake that the beavers are using for

winter quarters, and glides like a shadow over the fishing grounds. In

deep water beyond the inlet he jumps his game, and follows it hither

and yon through the gloom under the ice. The chase may take him far

from the opening; but for that he has no concern, feeling sure of

himself and of his locality. It is his business to know every den

and air hole in the lake, as it is a wolf’s business to know every

rabbit swamp and deer yard within forty miles, since his life may at

any moment depend on knowing just such things. Almost out of breath,

he grips his fish and heads swiftly for the nearest breathing place,

coming out above water in the beavers’ tunnel, and climbing instantly

into the lower room.

The beavers, hearing something in their tunnel, something that comes

with a rush, naturally scramble into their upper room to get away

from it. They are not looking for trouble; like all other wood folk,

they are keen to avoid it. After listening a moment, one big beaver

comes cautiously down the passage; but before he can get into his hall

Keeonekh has blocked the way.

Now an otter always eats where he lands his catch. He never carries a

burden on land; and should you surprise him with a fish, he drops it

and escapes, knowing that he can catch another. But he has no fear

of the beaver, and so humps his back to eat in Hamoosabik’s hall,

unmindful of angry muttering in the passageway above, or of beady eyes

that glare down on this mannerless barbarian who brings smelly fish

into a house that is very clean.

The smell is the worst feature of the outrage, I think, since it drowns

the odor of musk, in which beavers delight. They are curious creatures

in this respect; though they carry musk with them, and their lodge

is at all times filled with its aroma, they will yet go out of their

way for a fresh sniff of the delicacy. For most other odors they have

strong aversion. You can drive them from their lodge, for example,

or away from any dam they are building (a thing which must be done

sometimes, when they flood a trail you are using), by scattering the

contents of a carbide lamp or other strong-smelling stuff where they

must pass over it or get it on their feet.

Here then is a lively situation, Keeonekh eating fish not only in the

house, but under the very noses of beavers that cannot abide a fishy

smell. Nor can they stop the nuisance, however angry they may be. A

grown otter is a match for any single beaver; a downward rush of the

whole family is impossible, because there is room in the passage for

only one beaver at a time, and the passage is blocked by Keeonekh

with a chip on his shoulder. Like other beasts, he is in fighting mood

when his dinner is threatened. So he eats his fish where he lands it,

leaving slime, scales, fragments of skin or flesh, an abominable mess,

in the beavers’ hallway; and their first concern when he departs is to

be rid of what he leaves behind him. Throw it out they cannot, there

being no door or window to the lodge; their only way is to take the

offensive stuff in their teeth and carry it through the underwater

tunnel. One can imagine their emotions as they clean up the litter, and

what they would like to do to the wretch who left it.

Keeonekh is far away by the time the lodge is again shipshape, and the

beavers can never overtake him. He is faster at swimming than they are.

Should they follow as far as the opening by which he entered the lake,

there they must halt and turn back. They dare not venture afield in

winter, while otters travel boldly in the open at any season.

* * * * *

We have followed the little comedy imaginatively thus far, but not

without certain signs or hints that give our fancy the right direction.

One day, full twenty years after witnessing the beaver-otter fight,

Simmo and I stood beside a beaver lodge that the owners had abandoned

for their summer roving. The lake was a natural one, not an artificial

pond made by a beaver dam, and in the deeper water fish were still

fairly plentiful. The beavers had not yet driven them away. Peering

curiously into the still water under the bank on which the lodge stood,

I noticed some bones, gill covers and other fishy litter, which Simmo

thought was the refuse left by an otter. At first that seemed very

queer, since an otter always eats on land, and the refuse was scattered

on the bottom of the lake near an outlet of the beavers’ tunnel. When

we laid the lodge open to examine its interior arrangement, the Indian

pointed to some dried fish scales in crevices of the beavers’ hallway.

“Look,” he said. “Oh, by cosh, look! Dat cheeky hotter come in here

las’ winter, an’ eat-um fish in beaver’s house, right under hees nose.”

And that, if one were guessing at animal motives, may suggest a reason

why one beaver, at least, will have a grudge to settle when he meets a

certain otter in the open. As Simmo says, “By cosh, now, no wonder he

mad w’en he meet-um!”

[Illustration]

A NIGHT BEWITCHED

Silence is the rule of the woods at night, of all woods and all proper

nights, I think; but like other rules it has startling exceptions.

Hidden in the voluminous records of Alexander von Humboldt is a picture

of night in a tropical forest which stays in the memory like a bad

dream. As I recall the matter, after many years, the scientist was

awakened by a horrible uproar,--squeals, grunts of terror, a rumbling

snarl which broke into the roar of a charging beast. Then came a

violent crashing, as tapirs dashed away with a jaguar at their heels,

and instantly the forest became pandemonium. Parrots screeched, monkeys

gibbered and barked, a multitude of unnamed birds or beasts added each

his scream or howl to the jungle chorus of fear.

To read of such nocturnal alarm was, for a certain small boy, at least,

to dream and shiver over it afterward, as one dreamed in a cold sweat

of Hugo’s man, in _Toilers of the Sea_, who went down to a gloomy wreck

in which lurked a devilfish, and “just then he felt himself seized by

one foot.” I did not know, and no truthful person thought to tell me,

that the alleged savage jungle is in reality quite peaceful; that its

killing is more strictly limited by the need of food than that of a

modern packing house, or that women and children go nightly to sleep

amid its fancied horrors with a greater sense of security than we enjoy

behind bolted doors.

Humboldt’s description is undoubtedly true of some one night, or part

of a night; but it gives a wrong impression that such a night is

typical of the South American or any other forest. It errs also, and

grievously, in the assumption that nocturnal cries are indicative of

terror; for terror is an emotion which we carry with us into strange

woods at night, and which we are apt to read into any sound we hear,

even when the sound voices only anger or warning or animal excitement.

Of the tropics I have no personal experience; but I have questioned men

who have spent time enough in the jungle to become familiar with it,

and they agree that in the early part of the night the forest often

resounds to a thrilling outcry; and that this outcry, if one be not

himself frightened by it, has a defiant or exultant ring, as when dogs

voice challenge or applause at another dog’s barking. Then, as birds

settle to sleep and beasts take up their roaming, the jungle becomes

profoundly still, and remains so till the dawn, when full-fed brutes

begin to grunt or bark as they seek their coverts, and birds call

jubilantly from tree to tree as they welcome a new day.

That is certainly true of our northern forests, where a few wild

creatures lift their voices, joyously, it seems to me, in the evening

twilight, but where “the dead vast and middle of the night” passes in a

silence that is almost painful to human ears. Yet even the silent North

will sometimes be disturbed, and echoes that have long slept will rouse

up to answer a wild calling from lake or ridge or lonely beaver meadow.

Once in a while comes a night (in early autumn, as a rule, and at a

time of full moon) when birds and beasts are strangely restless, when

you meet them in unexpected places or hear them calling everywhere. No

explanation of the phenomenon occurs to me, though I have observed it

repeatedly, and have noticed that owls cry warning of it before sundown.

Wood-folk comedies · 第 10 / 15 段