FOOTNOTES:

[Footnote 1: mate-- i.e. confound, defeat.]

[Footnote 2: vaunt-- So the later 4tos.--2to 1604 "daunt."]

[Footnote 3: her-- All the 4tos "his."]

[Footnote 4: Whereas-- i.e. where.]

[Footnote 5: cunning-- i.e. knowledge.]

[Footnote 6: So the later 4tos.--2to 1604 "more."]

[Footnote 7: FAUSTUS discovered in his study-- Most probably, the Chorus,

before going out, drew a curtain, and discovered Faustus sitting.

In B. Barnes's DIVILS CHARTER, 1607, we find; "SCEN. VLTIMA.

ALEXANDER VNBRACED BETWIXT TWO CARDINALLS in his study LOOKING

VPON A BOOKE, whilst a groome draweth the Curtaine." Sig. L 3.]

[Footnote 8: Analytics, 'tis thou, &c.-- Qy. "Analytic"? (but such

phraseology was not uncommon).]

[Footnote 9: So the later 4tos.--2to 1604 "the" (the printer

having mistaken "yt" for "ye").]

[Footnote 10: So the later 4tos (with various spelling).--2to 1604

"Oncaymaeon."]

[Footnote 11: and-- So the later 4tos.--Not in 4to 1604.]

[Footnote 12: Couldst-- So the later 4tos.--2to 1604 "Wouldst."]

[Footnote 13: men-- So the later 4tos.--2to 1604 "man."]

[Footnote 14: legatur-- All the 4tos "legatus."]

[Footnote 15: &c.-- So two of the later 4tos.--Not in 4to 1604.]

[Footnote 16: law-- So the later 4tos.--2to 1604 "Church."]

[Footnote 17: This-- So the later 4tos.--2to 1604 "His."]

[Footnote 18: Too servile-- So the later 4tos.--2to 1604 "The deuill."]

[Footnote 19: Che sera, sera-- Lest it should be thought that I am wrong

in not altering the old spelling here, I may quote from Panizzi's

very critical edition of the ORLANDO FURIOSO,

"La satisfazion ci SERA pronta." C. xviii. st. 67.]

[Footnote 20: scenes-- "And sooner may a gulling weather-spie

By drawing forth heavens SCEANES tell certainly," &c.

Donne's FIRST SATYRE,--p. 327, ed. 1633.]

[Footnote 21: tire-- So the later 4tos.--2to 1604 "trie."]

[Footnote 22: Enter WAGNER, &c.-- Perhaps the proper arrangement is,]

"Wagner!

Enter WAGNER.

Commend me to my dearest friends," &c.]

[Footnote 23: treasure-- So the later 4tos.--2to 1604 "treasury."]

[Footnote 24: Jove-- So again, p. 84, first col.,[See Note 59]

:

"Seeing Faustus hath incurr'd eternal death

By desperate thoughts against JOVE'S deity," &c.:

and I may notice that Marlowe is not singular in applying the name

JOVE to the God of Christians:]

"Beneath our standard of JOUES powerfull sonne [i.e. Christ--".

MIR. FOR MAGISTRATES, p. 642, ed. 1610.

"But see the judgement of almightie JOUE," &c.

Id. p. 696.

"O sommo GIOVE per noi crocifisso," &c.

Pulci,--MORGANTE MAG. C. ii. st. 1.]

[Footnote 25: these elements-- So again, "Within the bowels of THESE

elements," &c., p. 87, first col,[See Note 90----"THESE" being

equivalent to THE. (Not unfrequently in our old writers THESE

is little more than redundant.)]

[Footnote 26: resolve-- i.e. satisfy, inform.]

[Footnote 27: silk-- All the 4tos "skill" (and so the modern editors!).]

[Footnote 28: the-- So the later 4tos.--2to 1604 "our."]

[Footnote 29: the fiery keel at Antwerp's bridge-- During the blockade

of Antwerp by the Prince of Parma in 1585, "They of Antuerpe

knowing that the bridge and the Stocadoes were finished,

made a great shippe, to be a meanes to breake all this worke

of the prince of Parmaes: this great shippe was made of masons

worke within, in the manner of a vaulted caue: vpon the hatches

there were layed myll-stones, graue-stones, and others of great

weight; and within the vault were many barrels of powder, ouer

the which there were holes, and in them they had put matches,

hanging at a thred, the which burning vntill they came vnto

the thred, would fall into the powder, and so blow vp all.

And for that they could not haue any one in this shippe to

conduct it, Lanckhaer, a sea captaine of the Hollanders, being

then in Antuerpe, gaue them counsell to tye a great beame at the

end of it, to make it to keepe a straight course in the middest

of the streame. In this sort floated this shippe the fourth of

Aprill, vntill that it came vnto the bridge; where (within a

while after) the powder wrought his effect, with such violence,

as the vessell, and all that was within it, and vpon it, flew in

pieces, carrying away a part of the Stocado and of the bridge.

The marquesse of Roubay Vicont of Gant, Gaspar of Robles lord of

Billy, and the Seignior of Torchies, brother vnto the Seignior

of Bours, with many others, were presently slaine; which were

torne in pieces, and dispersed abroad, both vpon the land and vpon

the water." Grimeston's GENERALL HISTORIE OF THE NETHERLANDS,

p. 875, ed. 1609.]

[Footnote 30: only-- Qy. "alone"? (This line is not in the later 4tos.)]

[Footnote 31: vile-- Old ed. "vild": but see note ||, p. 68.--(This line

is not in the later 4tos.)

[Note || from page 68 (The Second Part of Tamburlaine the

Great):]

Vile-- The 8vo "Vild"; the 4to "Wild" (Both eds. a little

before, have "VILE monster, born of some infernal hag", and,

a few lines after, "To VILE and ignominious servitude":--the

fact is, our early writers (or rather transcribers), with

their usual inconsistency of spelling, give now the one form,

and now the other: compare the folio SHAKESPEARE, 1623,

where we sometimes find "vild" and sometimes "VILE.")--]

[Footnote 32: concise syllogisms-- Old ed. "Consissylogismes."]

[Footnote 33: cunning-- i.e. knowing, skilful.]

[Footnote 34: Agrippa-- i.e. Cornelius Agrippa.]

[Footnote 35: shadow-- So the later 4tos.--2to 1604 "shadowes."]

[Footnote 36: spirits-- So the later 4tos.--2to 1604 "subiects."]

[Footnote 37: Almain rutters-- See note †, p. 43.]

[Note † from p. 43. (The Second Part of Tamburlaine the

Great):

Almains, Rutters-- Rutters are properly--German troopers

(reiter, reuter). In the third speech after the present one

this line is repeated VERBATIM: but in the first scene of

our author's FAUSTUS we have,

"Like ALMAIN RUTTERS with their horsemen's staves."--]

[Footnote 38: have the-- So two of the later 4tos.--2to 1604 "in their."]

[Footnote 39: From-- So the later 4tos.--2to 1604 "For."]

[Footnote 40: in-- So the later 4tos.--Not in 4to 1604.]

[Footnote 41: renowm'd-- See note ||, p. 11.]

[Note || from p. 11. (The First Part of Tamburlaine the

Great):

renowmed-- i.e. renowned.--So the 8vo.--The 4to "renowned."

--The form "RENOWMED" (Fr. RENOMME) occurs repeatedly

afterwards in this play, according to the 8vo. It is

occasionally found in writers posterior to Marlowe's

time. e.g.

"Of Constantines great towne RENOUM'D in vaine."

Verses to King James, prefixed to Lord Stirling's

MONARCHICKE TRAGEDIES, ed. 1607.--]

[Footnote 42: Albertus'-- i.e. Albertus Magnus.--The correction of I. M.

in Gent. Mag. for Jan. 1841.--All the 4tos "Albanus."]

[Footnote 43: cunning-- i.e. skill.]

[Footnote 44: Enter two SCHOLARS-- Scene, perhaps, supposed to be before

Faustus's house, as Wagner presently says, "My master is within

at dinner."]

[Footnote 45: upon-- So the later 4tos.--2to 1604 "vpon't."]

[Footnote 46: speak, would-- So the later 4tos.--2to 1604 "speake, IT would."]

[Footnote 47: my dear brethren-- This repetition (not found in the later 4tos)

is perhaps an error of the original compositor.]

[Footnote 48: Enter FAUSTUS to conjure-- The scene is supposed to be a grove;

see p. 81, last line of sec. col.

[Page 81, second column, last line:

"VALDES. Then haste thee to some solitary grove,"--]

[Footnote 49: anagrammatiz'd-- So the later 4tos.--2to 1604 "and

Agramithist."]

[Footnote 50: Th' abbreviated-- So the later 4tos.--2to 1604 "The breuiated."]

[Footnote 51: erring-- i.e. wandering.]

[Footnote 52: surgat Mephistophilis, quod tumeraris-- The later 4tos have

"surgat Mephistophilis DRAGON, quod tumeraris."--There is a

corruption here, which seems to defy emendation. For "quod

TUMERARIS," Mr. J. Crossley, of Manchester, would read (rejecting

the word "Dragon") "quod TU MANDARES" (the construction being

"quod tu mandares ut Mephistophilis appareat et surgat"): but the

"tu" does not agree with the preceding "vos."--The Revd. J. Mitford

proposes "surgat Mephistophilis, per Dragon (or Dagon) quod NUMEN

EST AERIS."]

[Footnote 53: dicatus-- So two of the later 4tos.--2to 1604 "dicatis."]

[Footnote 54: Re-enter Mephistophilis, &c.-- According to THE HISTORY OF

DR. FAUSTUS, on which this play is founded, Faustus raises

Mephistophilis in "a thicke wood neere to Wittenberg, called

in the German tongue Spisser Wolt..... Presently, not three

fathom above his head, fell a flame in manner of a lightning,

and changed itselfe into a globe..... Suddenly the globe opened,

and sprung up in the height of a man; so burning a time, in the

end it converted to the shape of a fiery man[?-- This pleasant

beast ran about the circle a great while, and, lastly, appeared

in the manner of a Gray Fryer, asking Faustus what was his

request?" Sigs. A 2, A 3, ed. 1648. Again; "After Doctor Faustus

had made his promise to the devill, in the morning betimes he

called the spirit before him, and commanded him that he should

alwayes come to him like a fryer after the order of Saint Francis,

with a bell in his hand like Saint Anthony, and to ring it once

or twice before he appeared, that he might know of his certaine

coming." Id. Sig. A 4.]

[Footnote 55: came hither-- So two of the later 4tos.--2to 1604 "came

NOW hither."]

[Footnote 56: accidens-- So two of the later 4tos.--2to 1604 "accident."]

[Footnote 57: Why, this is hell, nor am I out of it-- Compare Milton,

Par. Lost, iv. 75;

"Which way I fly is hell; myself am hell."]

[Footnote 58: these-- So the later 4tos.--2to 1604 "those."]

[Footnote 59: Jove's-- See note ‡, p. 80. [i.e. Note 24]

: ]

[Footnote 60: four and twenty-- So the later 4tos.--2to 1604 "24."]

[Footnote 61: resolve-- i.e. satisfy, inform.]

[Footnote 62: thorough-- So one of the later 4tos.--2to 1604 "through."]

[Footnote 63: country-- So the later 4tos.--2to 1604 "land."]

[Footnote 64: desir'd-- So the later 4tos.--2to 1604 "desire."]

[Footnote 65: Enter WAGNER, &c.-- Scene, a street most probably.]

[Footnote 66: pickadevaunts-- i.e. beards cut to a point.]

[Footnote 67: by'r lady-- i.e. by our Lady.]

[Footnote 68: Qui mihi discipulus-- The first words of W. Lily's

AD DISCIPULOS CARMEN DE MORIBUS,

"Qui mihi discipulus, puer, es, cupis atque doceri,

Huc ades," &c.]

[Footnote 69: staves-acre-- A species of larkspur.]

[Footnote 70: vermin-- Which the seeds of staves-acre were used to destroy.]

[Footnote 71: familiars-- i.e. attendant-demons.]

[Footnote 72: their-- So the later 4tos.--2to 1604 "my."]

[Footnote 73: slop-- i.e. wide breeches.]

[Footnote 74: vile-- Old ed. "vild." See note || p. 68.

[Note || from page 68 (The Second Part of Tamburlaine the

Great):

Vile-- The 8vo "Vild"; the 4to "Wild" (Both eds. a little

before, have "VILE monster, born of some infernal hag", and,

a few lines after, "To VILE and ignominious servitude":--the

fact is, our early writers (or rather transcribers), with

their usual inconsistency of spelling, give now the one form,

and now the other: compare the folio SHAKESPEARE, 1623,

where we sometimes find "vild" and sometimes "VILE.")]

[Footnote 75: vestigiis nostris-- All the 4tos "vestigias nostras."]

[Footnote 76: of-- So the later 4tos.--Not in 4to 1604.]

[Footnote 77: me-- So the later 4tos.--Not in 4to 1604.]

[Footnote 78: he lives-- So the later 4tos.--2to 1604 "I liue."]

[Footnote 79: why-- So the later 4tos.--Not in 4to 1604.]

[Footnote 80: Solamen miseris, &c.-- An often-cited line of modern Latin

poetry: by whom it was written I know not.]

[Footnote 81: Why-- So the later 4tos.--Not in 4to 1604.]

[Footnote 82: torture-- So the later 4tos.--2to 1604 "tortures."]

[Footnote 83: Faustus-- So the later 4tos.--Not in 4to 1604.]

[Footnote 84: Bill-- i.e. writing, deed.]

[Footnote 85: Here's fire; come, Faustus, set it on-- This would not

be intelligible without the assistance of THE HISTORY OF

DR. FAUSTUS, the sixth chapter of which is headed,--"How Doctor

Faustus set his blood in a saucer on warme ashes, and writ as

followeth." Sig. B, ed. 1648.]

[Footnote 86: But what is this inscription, &c.-- "He [Faustus-- tooke

a small penknife and prickt a veine in his left hand; and for

certainty thereupon were seen on his hand these words written,

as if they had been written with blood, O HOMO, FUGE."

THE HISTORY OF DR. FAUSTUS, Sig. B, ed. 1648.]

[Footnote 87: me-- So the later 4tos.--2to 1604 "thee."]

[Footnote 88: he desires-- Not in any of the four 4tos. In the tract

just cited, the "3d Article" stands thus,--"That Mephostophiles

should bring him any thing, and doe for him whatsoever." Sig. A 4,

ed. 1648. A later ed. adds "he desired." Marlowe, no doubt,

followed some edition of the HISTORY in which these words,

or something equivalent to them, had been omitted by mistake.

(2to 1661, which I consider as of no authority, has "he

requireth.")]

[Footnote 89: that, &c.-- So all the 4tos, ungrammatically.]

[Footnote 90: these-- See note §, p. 80.[i.e. Note 25]

: ]

[Footnote 91: there-- So the later 4tos.--Not in 4to 1604.]

[Footnote 92: are-- So two of the later 4tos.--2to 1604 "is."]

[Footnote 93: fond-- i.e. foolish.]

[Footnote 94: What! walking, disputing, &c.-- The later 4tos have "What,

SLEEPING, EATING, walking, AND disputing!" But it is evident

that this speech is not given correctly in any of the old eds.]

[Footnote 95: let me have a wife, &c.-- The ninth chapter of THE HISTORY

OF DR. FAUSTUS narrates "How Doctor Faustus would have married,

and how the Devill had almost killed him for it," and concludes

as follows. "It is no jesting [said Mephistophilis-- with us:

hold thou that which thou hast vowed, and we will peforme as we

have promised; and more shall that, thou shalt have thy hearts

desire of what woman soever thou wilt, be she alive or dead,

and so long as thou wilt thou shalt keep her by thee.--These

words pleased Faustus wonderfull well, and repented himself that

he was so foolish to wish himselfe married, that might have any

woman in the whole city brought him at his command; the which

he practised and persevered in a long time." Sig. B 3, ed. 1648.]

[Footnote 96: me-- Not in 4to 1604. (This line is wanting in the later 4tos.)]

[Footnote 97: no-- So the later 4tos.--Not in 4to 1604.]

[Footnote 98: Saba-- i.e. Sabaea--the Queen of Sheba.]

[Footnote 99: iterating-- i.e. reciting, repeating.]

[Footnote 100: And argue of divine astrology, &c.-- In THE HISTORY OF

DR. FAUSTUS, there are several tedious pages on the subject;

but our dramatist, in the dialogue which follows, has no

particular obligations to them.]

[Footnote 101: erring-- i.e. wandering.]

[Footnote 102: freshmen's-- "A Freshman, tiro, novitius." Coles's DICT.

Properly, a student during his first term at the university.]

[Footnote 103: resolve-- i.e. satisfy, inform.]

[Footnote 104: Seek to save-- Qy. "Seek THOU to save"? But see note ||,

p. 18.]

[Note ||, from page 18 (The First Part of Tamburlaine The

Great):

Barbarous-- Qy. "O Barbarous"? in the next line but one,

"O treacherous"? and in the last line of the speech,

"O bloody"? But we occasionally find in our early dramatists

lines which are defective in the first syllable; and in some

of these instances at least it would almost seem that nothing

has been omitted by the transcriber or printer.--]

[Footnote 105: Enter the SEVEN DEADLY SINS-- In THE HISTORY OF DR. FAUSTUS,

Lucifer amuses Faustus, not by calling up the Seven Deadly Sins,

but by making various devils appear before him, "one after another,

in forme as they were in hell." "First entered Beliall in forme

of a beare," &c.--"after him came Beelzebub, in curled haire of

a horseflesh colour," &c.--"then came Astaroth, in the forme of

a worme," &c. &c. During this exhibition, "Lucifer himselfe sate

in manner of a man all hairy, but of browne colour, like a

squirrell, curled, and his tayle turning upward on his backe as

the squirrels use: I think he could crack nuts too like a

squirrell." Sig. D, ed. 1648.]

[Footnote 106: case-- i.e. couple.]

[Footnote 107: bevers-- i.e. refreshments between meals.]

[Footnote 108: L.-- All the 4tos "Lechery."--Here I have made the alteration

recommended by Mr. Collier in his Preface to COLERIDGE'S SEVEN

LECTURES ON SHAKESPEARE AND MILTON, p. cviii.]

[Footnote 109: Away, to hell, to hell-- In 4to 1604, these words stand

on a line by themselves, without a prefix. (In the later 4tos,

the corresponding passage is as follows;

"------ begins with Lechery.

LUCIFER. Away to hell, away! On, piper! [Exeunt the SINS.

FAUSTUS. O, how this sight doth delight my soul!" &c.)]

[Footnote 110: I will send for thee at midnight-- In THE HISTORY OF DR.

FAUSTUS, we have a particular account of Faustus's visit

to the infernal regions, Sig. D 2, ed. 1648.]

[Footnote 111: Enter CHORUS-- Old ed. "Enter WAGNER solus." That these

lines belong to the Chorus would be evident enough, even if we

had no assistance here from the later 4tos.--The parts of Wagner

and of the Chorus were most probably played by the same actor:

and hence the error.]

[Footnote 112: Learned Faustus,

To know the secrets of astronomy, &c.-- See the 21st chapter

of THE HISTORY OF DR. FAUSTUS,--"How Doctor Faustus was carried

through the ayre up to the heavens, to see the whole world,

and how the sky and planets ruled," &c.]

[Footnote 113: Enter FAUSTUS and MEPHISTOPHILIS-- Scene, the Pope's

privy-chamber.]

[Footnote 114: Trier-- i.e. Treves or Triers.]

[Footnote 115: From Paris next, &c.-- This description is from THE HISTORY

OF DR. FAUSTUS; "He came from Paris to Mentz, where the river

of Maine falls into the Rhine: notwithstanding he tarried not

long there, but went into Campania, in the kingdome of Neapol,

in which he saw an innumerable sort of cloysters, nunries, and

churches, and great houses of stone, the streets faire and large,

and straight forth from one end of the towne to the other as a

line; and all the pavement of the city was of bricke, and the

more it rained into the towne, the fairer the streets were:

there saw he the tombe of Virgill, and the highway that he cu[t]

through the mighty hill of stone in one night, the whole length

of an English mile," &c. Sig. E 2, ed. 1648.]

[Footnote 116: The way he cut, &c.-- During the middle ages Virgil was

regarded as a great magician, and much was written concerning

his exploits in that capacity. The LYFE OF VIRGILIUS, however,

(see Thoms's EARLY PROSE ROMANCES, vol. ii.,) makes no mention

of the feat in question. But Petrarch speaks of it as follows.

"Non longe a Puteolis Falernus collis attollitur, famoso palmite

nobilis. Inter Falernum et mare mons est saxeus, hominum manibus

confossus, quod vulgus insulsum a Virgilio magicis cantaminibus

factum putant: ita clarorum fama hominum, non veris contenta

laudibus, saepe etiam fabulis viam facit. De quo cum me olim

Robertus regno clarus, sed praeclarus ingenio ac literis, quid

sentirem, multis astantibus, percunctatus esset, humanitate fretus

regia, qua non reges modo sed homines vicit, jocans nusquam me

legisse magicarium fuisse Virgilium respondi: quod ille severissimae

nutu frontis approbans, non illic magici sed ferri vestigia

confessus est. Sunt autem fauces excavati montis angustae sed

longissimae atque atrae: tenebrosa inter horrifica semper nox:

publicum iter in medio, mirum et religioni proximum, belli quoque

immolatum temporibus, sic vero populi vox est, et nullis unquam

latrociniis attentatum, patet: Criptam Neapolitanam dicunt, cujus

et in epistolis ad Lucilium Seneca mentionem fecit. Sub finem fusci

tramitis, ubi primo videri coelum incipit, in aggere edito, ipsius

Virgilii busta visuntur, pervetusti operis, unde haec forsan ab

illo perforati montis fluxit opinio." ITINERARIUM SYRIACUM,--OPP.

p. 560, ed. Bas.]

[Footnote 117: From thence to Venice, Padua, and the rest,

In one of which a sumptuous temple stands, &c.-- So the

later 4tos.--2to 1604 "In MIDST of which," &c.--THE HISTORY

OF DR. FAUSTUS shews WHAT "sumptuous temple" is meant: "From

thence he came to Venice....He wondred not a little at the

fairenesse of S. Marks Place, and the sumptuous church standing

thereon, called S. Marke, how all the pavement was set with

coloured stones, and all the rood or loft of the church double

gilded over." Sig. E 2, ed. 1648.]

[Footnote 118: Just through the midst, &c.-- This and the next line are

not in 4to 1604. I have inserted them from the later 4tos, as

being absolutely necessary for the sense.]

[Footnote 119: Ponte-- All the 4tos "Ponto."]

[Footnote 120: of-- So the later 4tos.--Not in 4to 1604.]

[Footnote 121: Then charm me, that I, &c.-- A corrupted passage.--Compare

THE HISTORY OF DR. FAUSTUS, Sig. E 3, ed. 1648; where, however,

the Cardinal, whom the Pope entertains, is called the Cardinal

of PAVIA.]

[Footnote 122: Sonnet-- Variously written, SENNET, SIGNET, SIGNATE, &c.--A

particular set of notes on the trumpet, or cornet, different from

a flourish. See Nares's GLOSS. in V. SENNET.]

[Footnote 123: Enter ROBIN, &c.-- Scene, near an inn.]

[Footnote 124: ippocras-- Or HIPPOCRAS,--a medicated drink composed of wine

(usually red) with spices and sugar. It is generally supposed to

have been so called from HIPPOCRATES (contracted by our earliest

writers to HIPPOCRAS); perhaps because it was strained,--the woollen

bag used by apothecaries to strain syrups and decoctions for

clarification being termed HIPPOCRATES' SLEEVE.]

[Footnote 125: tabern-- i.e. tavern.]

[Footnote 126: [Exeunt.

Enter ROBIN and RALPH, &c.-- A scene is evidently wanting

after the Exeunt of Robin and Ralph.]

[Footnote 127: purchase-- i.e. booty--gain, acquisition.]

[Footnote 128: Drawer-- There is an inconsistency here: the Vintner

cannot properly be addressed as "Drawer." The later 4tos are

also inconsistent in the corresponding passage: Dick says, "THE

VINTNER'S BOY follows us at the hard heels," and immediately

the "VINTNER" enters.]

[Footnote 129: tone-- i.e. the one.]

[Footnote 130: MEPHIST-- Monarch of hell, &c.-- Old ed. thus:--]

"MEPHIST. Vanish vilaines, th' one like an Ape, an other like

a Beare, the third an Asse, for doing this enterprise.

Monarch of hell, vnder whose blacke suruey," &c.

What follows, shews that the words which I have omitted ought

to have no place in the text; nor is there any thing equivalent

to them in the corresponding passage of the play as given in

the later 4tos.]

[Footnote 131: Enter EMPEROR, &c.-- Scene--An apartment in the Emperor's

Palace. According to THE HISTORY OF DR. FAUSTUS, the Emperor

"was personally, with the rest of the nobles and gentlemen, at

the towne of Inzbrack, where he kept his court." Sig. G, ed. 1648.]

[Footnote 132: Master Doctor Faustus, &c-- The greater part of this scene

is closely borrowed from the history just cited: e.g. "Faustus,

I have heard much of thee, that thou art excellent in the black art,

and none like thee in mine empire; for men say that thou hast a

familiar spirit with thee, and that thou canst doe what thou list;

it is therefore (said the Emperor) my request of thee, that thou

let me see a proofe of thy experience: and I vow unto thee, by

the honour of my emperiall crowne, none evill shall happen unto

thee for so doing," &c. Ibid.]

[Footnote 133: won-- May be right: but qy. "done"?]

[Footnote 134: As we that do succeed, &c.-- A corrupted passage (not found

in the later 4tos).]

[Footnote 135: The bright, &c.-- See note ||, p. 18.]

[Note ||, from page 18 (The First Part of Tamburlaine The

Great):

Barbarous-- Qy. "O Barbarous"? in the next line but one,

"O treacherous"? and in the last line of the speech,

"O bloody"? But we occasionally find in our early dramatists

lines which are defective in the first syllable; and in

some of these instances at least it would almost seem that

nothing has been omitted by the transcriber or printer.--]

[Footnote 136: But, if it like your grace, it is not in my ability, &c.]

"D. Faustus answered, My most excellent lord, I am ready to

accomplish your request in all things, so farre forth as I and

my spirit are able to performe: yet your majesty shall know that

their dead bodies are not able substantially to be brought before

you; but such spirits as have seene Alexander and his Paramour

alive shall appeare unto you, in manner and form as they both

lived in their most flourishing time; and herewith I hope to

please your Imperiall Majesty. Then Faustus went a little aside

to speake to his spirit; but he returned againe presently, saying,

Now, if it please your Majesty, you shall see them; yet, upon this

condition, that you demand no question of them, nor speake unto

them; which the Emperor agreed unto. Wherewith Doctor Faustus opened

the privy-chamber doore, where presently entered the great and mighty

emperor Alexander Magnus, in all things to looke upon as if he

had beene alive; in proportion, a strong set thicke man, of a

middle stature, blacke haire, and that both thicke and curled,

head and beard, red cheekes, and a broad face, with eyes like

a basiliske; he had a compleat harnesse (i.e. suit of armour)

burnished and graven, exceeding rich to look upon: and so,

passing towards the Emperor Carolus, he made low and reverend

courtesie: whereat the Emperour Carolus would have stood up to

receive and greet him with the like reverence; but Faustus tooke

hold on him, and would not permit him to doe it. Shortly after,

Alexander made humble reverence, and went out againe; and comming

to the doore, his paramour met him. She comming in made the Emperour

likewise reverence: she was cloathed in blew velvet, wrought and

imbroidered with pearls and gold; she was also excellent faire,

like milke and blood mixed, tall and slender, with a face round

as an apple. And thus passed [she-- certaine times up and downe

the house; which the Emperor marking, said to himselfe, Now have

I seene two persons which my heart hath long wished to behold;

and sure it cannot otherwise be (said he to himselfe) but that

the spirits have changed themselves into these formes, and have

but deceived me, calling to minde the woman that raised the prophet

Samuel: and for that the Emperor would be the more satisfied in

the matter, he said, I have often heard that behind, in her neck,

she had a great wart or wen; wherefore he tooke Faustus by the

hand without any words, and went to see if it were also to be

seene on her or not; but she, perceiving that he came to her,

bowed downe her neck, when he saw a great wart; and hereupon she

vanished, leaving the Emperor and the rest well contented."

THE HISTORY OF DR. FAUSTUS, Sig. G, ed. 1648.]

[Footnote 137: both-- Old ed. "best."]

[Footnote 138: Mephistophilis, transform him straight-- According to THE

HISTORY OF DR. FAUSTUS, the knight was not present during Faustus's

"conference" with the Emperor; nor did he offer the doctor any

insult by doubting his skill in magic. We are there told that

Faustus happening to see the knight asleep, "leaning out of a

window of the great hall," fixed a huge pair of hart's horns on

his head; "and, as the knight awaked, thinking to pull in his head,

he hit his hornes against the glasse, that the panes thereof flew

about his eares: thinke here how this good gentleman was vexed,

for he could neither get backward nor forward." After the emperor

and the courtiers, to their great amusement, had beheld the poor

knight in this condition, Faustus removed the horns. When Faustus,

having taken leave of the emperor, was a league and a half from

the city, he was attacked in a wood by the knight and some of his

companions: they were in armour, and mounted on fair palfreys;

but the doctor quickly overcame them by turning all the bushes

into horsemen, and "so charmed them, that every one, knight and

other, for the space of a whole moneth, did weare a paire of

goates hornes on their browes, and every palfry a paire of oxe

hornes on his head; and this was their penance appointed by

Faustus." A second attempt of the knight to revenge himself on

Faustus proved equally unsuccessful. Sigs. G 2, I 3, ed. 1648.]

[Footnote 139: FAUSTUS. Now Mephistophilis, &c.-- Here the scene is supposed

to be changed to the "fair and pleasant green" which Faustus

presently mentions.]

[Footnote 140: Horse-courser-- i.e. Horse-dealer.--We are now to suppose the

scene to be near the home of Faustus, and presently that it is the

interior of his house, for he falls asleep in his chair.--"How

Doctor Faustus deceived a Horse-courser" is related in a short

chapter (the 34th) of THE HISTORY OF DOCTOR FAUSTUS: "After this

manner he served a horse-courser at a faire called Pheiffering," &c.]

[Footnote 141: for forty-- Qy. "for TWICE forty DOLLARS"?]

[Footnote 142: into-- So the later 4tos.--2to 1604 "vnto."]

[Footnote 143: Doctor Lopus-- i.e. Doctor Lopez, domestic physician

to Queen Elizabeth, who was put to death for having received

a bribe from the court of Spain to destroy her. He is frequently

mentioned in our early dramas: see my note on Middleton's WORKS,

iv. 384.]

[Footnote 144: know of-- The old ed. has "KNOWNE of"; which perhaps is right,

meaning--acquainted with.]

[Footnote 145: hey-pass-- Equivalent to--juggler.]

[Footnote 146: ostry-- i.e. inn,--lodging.]

[Footnote 147: cunning-- i.e. skill.]

[Footnote 148: [Exeunt.

Enter the DUKE OF VANHOLT, the DUCHESS, and FAUSTUS-- Old ed.;

"Exeunt.

Enter to them the DUKE, the DUTCHESS, the DUKE speakes."

In the later 4tos a scene intervenes between the "Exeunt" of

Faustus, Mephistophilis, and Wagner, and the entrance of the Duke

of Vanholt, &c.--We are to suppose that Faustus is now at the court

of the Duke of Vanholt: this is plain, not only from the later 4tos,

--in which Wagner tells Faustus that the Duke "hath sent some of

his men to attend him, with provision fit for his journey,"--but

from THE HISTORY OF DOCTOR FAUSTUS, the subjoined portion of which

is closely followed in the present scene. "Chap. xxxix. HOW DOCTOR

FAUSTUS PLAYED A MERRY JEST WITH THE DUKE OF ANHOLT IN HIS COURT.

Doctor Faustus on a time went to the Duke of Anholt, who welcommed

him very courteously; this was the moneth of January; where sitting

at the table, he perceived the dutchess to be with child; and

forbearing himselfe untill the meat was taken from the table,

and that they brought in the banqueting dishes [i.e. the dessert--,

Doctor Faustus said to the dutchesse, Gratious lady, I have alwayes

heard that great-bellied women doe alwayes long for some dainties;

I beseech therefore your grace, hide not your minde from me, but

tell me what you desire to eat. She answered him, Doctor Faustus,

now truly I will not hide from you what my heart doth most desire;

namely, that, if it were now harvest, I would eat my bellyfull of

grapes and other dainty fruit. Doctor Faustus answered hereupon,

Gracious lady, this is a small thing for me to doe, for I can doe

more than this. Wherefore he tooke a plate, and set open one of

the casements of the window, holding it forth; where incontinent

he had his dish full of all manner of fruit, as red and white

grapes, peares, and apples, the which came from out of strange

countries: all these he presented the dutchesse, saying, Madam,

I pray you vouchsafe to taste of this dainty fruit, the which

came from a farre countrey, for there the summer is not yet ended.

The dutchesse thanked Faustus highly, and she fell to her fruit

with full appetite. The Duke of Anholt notwithstanding could not

withhold to ask Faustus with what reason there were such young

fruit to be had at that time of the yeare. Doctor Faustus told

him, May it please your grace to understand that the year is

divided into two circles of the whole world, that when with us it

is winter, in the contrary circle it is notwithstanding summer;

for in India and Saba there falleth or setteth the sunne, so that

it is so warm that they have twice a yeare fruit; and, gracious

lord, I have a swift spirit, the which can in the twinkling of

an eye fulfill my desire in any thing; wherefore I sent him into

those countries, who hath brought this fruit as you see: whereat

the duke was in great admiration."]

[Footnote 149: Saba-- i.e. Sabaea.]

[Footnote 150: beholding-- i.e. beholden.]

[Footnote 151: Enter WAGNER-- Scene, a room in the house of Faustus.]

[Footnote 152: he hath given to me all his goods-- Compare chap. lvi. of

THE HISTORY OF DOCTOR FAUSTUS,--"How Doctor Faustus made his will,

in which he named his servant Wagner to be his heire."]

[Footnote 153: HELEN passeth over the stage-- In THE HISTORY OF DOCTOR

FAUSTUS we have the following description of Helen. "This lady

appeared before them in a most rich gowne of purple velvet, costly

imbrodered; her haire hanged downe loose, as faire as the beaten

gold, and of such length that it reached downe to her hammes;

having most amorous cole-black eyes, a sweet and pleasant round

face, with lips as red as a cherry; her cheekes of a rose colour,

her mouth small, her neck white like a swan; tall and slender of

personage; in summe, there was no imperfect place in her: she

looked round about with a rolling hawkes eye, a smiling and

wanton countenance, which neere-hand inflamed the hearts of all

the students; but that they perswaded themselves she was a spirit,

which made them lightly passe away such fancies." Sig. H 4, ed. 1648.]

[Footnote 154: Enter an OLD MAN-- See chap. xlviii of THE HISTORY OF DOCTOR

FAUSTUS,--"How an old man, the neighbour of Faustus, sought to

perswade him to amend his evil life and to fall into repentance,"

--according to which history, the Old Man's exhortation is delivered

at his own house, whither he had invited Faustus to supper.]

[Footnote 155: vild-- Old ed. "vild." See note ||, p. 68.

[Note || from page 68 (The Second Part of Tamburlaine the

Great):

Vile-- The 8vo "Vild"; the 4to "Wild" (Both eds. a little

before, have "VILE monster, born of some infernal hag", and,

a few lines after, "To VILE and ignominious servitude":--the

fact is, our early writers (or rather transcribers), with

their usual inconsistency of spelling, give now the one form,

and now the other: compare the folio SHAKESPEARE, 1623,

where we sometimes find "vild" and sometimes "VILE.")--]

[Footnote 156: sin-- Old ed. "sinnes" (This is not in the later 4tos).]

[Footnote 157: almost-- So the later 4tos.--Not in 4to 1604.]

[Footnote 158: now-- So the later 4tos.--Not in 4to 1604.]

[Footnote 159: MEPHIST. Do it, then, quickly, &c.-- After this speech,

most probably, there ought to be a stage-direction, "FAUSTUS

STABS HIS ARM, AND WRITES ON A PAPER WITH HIS BLOOD. Compare

THE HISTORY OF DOCTOR FAUSTUS, chap. xlix,--"How Doctor Faustus

wrote the second time with his owne blood, and gave it to the

Devill."]

[Footnote 160: One thing, good servant, &c.-- "To the end that this miserable

Faustus might fill the lust of his flesh and live in all manner

of voluptuous pleasure, it came in his mind, after he had slept

his first sleepe, and in the 23 year past of his time, that he

had a great desire to lye with faire Helena of Greece, especially

her whom he had seen and shewed unto the students at Wittenberg:

wherefore he called unto his spirit Mephostophiles, commanding him

to bring to him the faire Helena; which he also did. Whereupon he

fell in love with her, and made her his common concubine and

bed-fellow; for she was so beautifull and delightfull a peece,

that he could not be one houre from her, if he should therefore

have suffered death, she had so stoln away his heart: and, to

his seeming, in time she was with childe, whom Faustus named

Justus Faustus. The childe told Doctor Faustus many things which

were don in forraign countrys; but in the end, when Faustus lost

his life, the mother and the childe vanished away both together."

THE HISTORY OF DOCTOR FAUSTUS, Sig. I 4, ed. 1648.]

[Footnote 161: Those-- So the later 4tos.--2to 1604 "These."]

[Footnote 162: Faustus, this-- Qy. "This, Faustus"?]

[Footnote 163: topless-- i.e. not exceeded in height by any.]

[Footnote 164: is-- So the later 4tos.--2to 1604 "be."]

[Footnote 165: shalt-- So all the 4tos; and so I believe Marlowe wrote,

though the grammar requires "shall."]

[Footnote 166: Enter the OLD MAN-- Scene, a room in the Old Man's house.

--In THE HISTORY OF DOCTOR FAUSTUS the Old Man makes himself very

merry with the attempts of the evil powers to hurt him. "About

two dayes after that he had exhorted Faustus, as the poore man

lay in his bed, suddenly there was a mighty rumbling in the

chamber, the which he was never wont to heare, and he heard as

it had beene the groaning of a sow, which lasted long: whereupon

the good old man began to jest and mocke, and said, Oh, what a

barbarian cry is this? Oh faire bird, what foul musicke is this?

A[h--, faire angell, that could not tarry two dayes in his place!

beginnest thou now to runne into a poore mans house, where thou

hast no power, and wert not able to keepe thy owne two dayes?

With these and such like words the spirit departed," &c.

Sig. I 2, ed. 1648.]

[Footnote 167: Enter Faustus, &c.-- Scene, a room in the house of Faustus.]

[Footnote 168: cunning-- i.e. knowledge, skill.]

[Footnote 169: Why did not Faustus tell us of this before, &c.-- "Wherefore

one of them said unto him, Ah, friend Faustus, what have you done

to conceale this matter so long from us? We would, by the helpe

of good divines and the grace of God, have brought you out of this

net, and have torne you out of the bondage and chaines of Satan;

whereas now we feare it is too late, to the utter ruine both of

your body and soule. Doctor Faustus answered, I durst never doe

it, although I often minded to settle my life [myself?-- to godly

people to desire counsell and helpe; and once mine old neighbour

counselled me that I should follow his learning and leave all my

conjurations: yet, when I was minded to amend and to follow that

good mans counsell, then came the Devill and would have had me

away, as this night he is like to doe, and said, so soone as I

turned againe to God, he would dispatch me altogether." THE

HISTORY OF DOCTOR FAUSTUS, Sig. K 3, ed. 1648.]

[Footnote 170: save-- So the later 4tos.--Not in 4to 1604.]

[Footnote 171: and what noise soever ye hear, &c.-- "Lastly, to knit up

my troubled oration, this is my friendly request, that you would

go to rest, and let nothing trouble you; also, if you chance heare

any noyse or rumbling about the house, be not therewith afraid,

for there shall no evill happen unto you," &c. THE HISTORY OF

DOCTOR FAUSTUS, ubi supra.]

[Footnote 172: O lente, &c.

"At si, quem malles, Cephalum complexa teneres,

Clamares, LENTE CURRITE, NOCTIS EQUI."

Ovid,--AMOR. i. xiii. 39.]

[Footnote 173: That, when you, &c.-- So all the old eds.; and it is certain

that awkward changes of person are sometimes found in passages

of our early poets: but qy.,

"That, when THEY vomit forth into the air,

My limbs may issue from THEIR smoky mouths," &c.?]

[Footnote 174: and I be chang'd

Unto some brutish beast-- "Now, thou Faustus, damned wretch,

how happy wert thou, if, as an unreasonable beast, thou mightest

dye without [a-- soule! so shouldst thou not feele any more doubts,"

&c. THE HISTORY OF DOCTOR FAUSTUS, Sig. K. ed. 1648.]

[Footnote 175: Exeunt DEVILS with FAUSTUS-- In THE HISTORY OF DOCTOR FAUSTUS,

his "miserable and lamentable end" is described as follows: it

took place, we are informed, at "the village called Rimlich,

halfe a mile from Wittenberg."--"The students and the other that

were there, when they had prayed for him, they wept, and so went

forth; but Faustus tarried in the hall; and when the gentlemen

were laid in bed, none of them could sleepe, for that they att[e--nded

to heare if they might be privy of his end. It happened that

betweene twelve and one a clocke at midnight, there blew a mighty

storme of winde against the house, as though it would have blowne

the foundation thereof out of his place. Hereupon the students

began to feare and goe out of their beds, comforting one another;

but they would not stirre out of the chamber; and the host of

the house ran out of doores, thinking the house would fall. The

students lay neere unto the hall wherein Doctor Faustus lay, and

they heard a mighty noyse and hissing, as if the hall had beene

full of snakes and adders. With that, the hall-doore flew open,

wherein Doctor Faustus was, that he began to cry for helpe,

saying, Murther, murther! but it came forth with halfe a voyce,

hollowly: shortly after, they heard him no more. But when it was

day, the students, that had taken no rest that night, arose and

went into the hall, in the which they left Doctor Faustus; where

notwithstanding they found not Faustus, but all the hall lay

sprinkled with blood, his braines cleaving to the wall, for the

devill had beaten him from one wall against another; in one corner

lay his eyes, in another his teeth; a pittifull and fearefull

sight to behold. Then began the students to waile and weepe for

him, and sought for his body in many places. Lastly, they came

into the yard, where they found his body lying on the horse-dung,

most monstrously torne and fearefull to behold, for his head and

all his joynts were dashed in peeces. The fore-named students and

masters that were at his death, have obtained so much, that they

buried him in the village where he was so grievously tormented.

After the which they returned to Wittenberg; and comming into the

house of Faustus, they found the servant of Faustus very sad,

unto whom they opened all the matter, who tooke it exceeding

heavily. There found they also this history of Doctor Faustus

noted and of him written, as is before declared, all save only

his end, the which was after by the students thereto annexed;

further, what his servant had noted thereof, was made in another

booke. And you have heard that he held by him in his life the

spirit of faire Helena, the which had by him one sonne, the which

he named Justus Faustus: even the same day of his death they

vanished away, both mother and sonne. The house before was so

darke that scarce any body could abide therein. The same night

Doctor Faustus appeared unto his servant lively, and shewed unto

him many secret things, the which he had done and hidden in his

lifetime. Likewise there were certaine which saw Doctor Faustus

looke out of the window by night, as they passed by the house."

Sig. K 3, ed. 1648.]

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