CHAPTER VI.

A CIRCULATING LIBRARY.

After supper that night, Bab and Betty sat in the old porch playing with

Josephus and Belinda, and discussing the events of the day, for the

appearance of the strange boy and his dog had been a most exciting

occurrence in their quiet lives. They had seen nothing of him since

morning, as he took his meals at the Squire's, and was at work with Pat

in a distant field when the children passed. Sancho had stuck closely to

his master, evidently rather bewildered by the new order of things, and

bound to see that no harm happened to Ben.

"I wish they'd come. It's sun-down, and I heard the cows mooing, so I

know they have gone home," said Betty, impatiently; for she regarded the

new comer in the light of an entertaining book, and wished to read on as

fast as possible.

"I'm going to learn the signs he makes when he wants Sancho to dance;

then we can have fun with him whenever we like. He's the dearest dog I

ever saw" answered Bab, who was fonder of animals than her sister.

"Ma said--Ow, what's that!" cried Betty, with a start as something

bumped against the gate outside, and in a moment Ben's head peeped over

the top as he swung himself up to the iron arch, in the middle of which

was the empty lantern frame.

"Please to locate, gentlemen; please to locate. The performance is about

to begin with the great Flyin' Coopid act, in which Master Bloomsbury

has appeared before the crowned heads of Europe. Pronounced by all

beholders the most remarkable youthful progidy agoin'. Hooray! here we

are!"

Having rattled off the familiar speech in Mr. Smithers's elegant manner,

Ben began to cut up such capers that even a party of dignified hens,

going down the avenue to bed, paused to look on with clucks of

astonishment, evidently fancying that salt had set him to fluttering and

tumbling as it did them. Never had the old gate beheld such antics,

though it had seen gay doings in its time; for of all the boys who had

climbed over it, not one had ever stood on his head upon each of the big

balls which ornamented the posts, hung by his heels from the arch, gone

round and round like a wheel with the bar for an axis, played a tattoo

with his toes while holding on by his chin, walked about the wall on his

hands, or closed the entertainment by festooning himself in an airy

posture over the side of the lantern frame, and kissing his hand to the

audience, as a well-bred Cupid is supposed to do on making his bow.

The little girls clapped and stamped enthusiastically, while Sancho, who

had been calmly surveying the show, barked his approval as he leaped up

to snap at Ben's feet.

"Come down and tell what you did up at the Squire's. Was he cross? Did

you have to work hard? Do you like it?" asked Bab, when the noise had

subsided.

"It's cooler up here," answered Ben, composing himself in the frame, and

fanning his hot face with a green spray broken from the tall bushes

rustling odorously all about him. "I did all sorts of jobs. The old

gentleman wasn't cross; he gave me a dime, and I like him first-rate.

But I just _hate_ "Carrots"; he swears at a feller, and fired a stick of

wood at me. Guess I'll pay him off when I get a chance."

Fumbling in his pocket to show the bright dime, he found the torn page,

and remembered the thirst for information which had seized him in the

morning.

"Look here, tell me about this, will you? What are these chaps up to?

The ink has spoilt all but the picture and this bit of reading. I want

to know what it means. Take it to 'em, Sanch."

The dog caught the leaf as it fluttered to the ground, and carrying it

carefully in his mouth, deposited it at the feet of the little girls,

seating himself before them with an air of deep interest. Bab and Betty

picked it up and read it aloud in unison, while Ben leaned from his

perch to listen and learn.

"'When day dawned land was visible. A pleasant land it was. There were

gay flowers, and tall trees with leaves and fruit such as they had never

seen before. On the shore were unclad, copper-colored men, gazing with

wonder at the Spanish ships. They took them for great birds, the white

sails for their wings, and the Spaniards for superior beings brought

down from heaven on their backs.'"

"Why, that's Columbus finding San Salvador. Don't you know about _him_?"

demanded Bab, as if she were one of the "superior beings," and

intimately acquainted with the immortal Christopher.

"No, I don't. Who was he anyway? I s'pose that's him paddlin' ahead; but

which of the Injuns is Sam Salvindoor?" asked Ben, rather ashamed of his

ignorance, but bent on finding out now he had begun.

"My gracious! twelve years old and not know your Quackenbos," laughed

Bab, much amused, but rather glad to find that she could teach the

"whirligig boy" something, for she considered him a remarkable creature.

"I don't care a bit for your quackin' boss, whoever he is. Tell about

this fine feller with the ships; I like _him_," persisted Ben.

So Bab, with frequent interruptions and hints from Betty, told the

wonderful tale in a simple way, which made it easy to understand, for

she liked history, and had a lively tongue of her own.

"I'd like to read some more. Would my ten cents buy a book?" asked Ben,

anxious to learn a little since Bab laughed at him.

"No, indeed! I'll lend you mine when I'm not using it, and tell you all

about it," promised Bab, forgetting that she did not know "all about it"

herself yet.

"I don't have any time only evenings, and then may be you'll want it,"

begun Ben, in whom the inky page had roused a strong curiosity.

"I do get my history in the evening, but you could have it mornings,

before school."

"I shall have to go off early, so there wont be any chance. Yes, there

will,--I'll tell you how to do it: Let me read while I drive up the

cows. Squire likes 'em to eat slow along the road, so's to keep the

grass short and save mowin'. Pat said so, and I could do history instead

of loafin' round!" cried Ben, full of this bright idea.

"How will I get my book back in time to recite?" asked Bab, prudently.

"Oh, I'll leave it on the window-sill, or put it inside the door as I go

back. I'll be real careful, and just as soon as I earn enough, I'll buy

you a new one and take the old one. Will you?"

"Yes; but I'll tell you a nicer way to do. Don't put the book on the

window, 'cause teacher will see you; or inside the door, 'cause some one

may steal it. You put it in my cubby-house, right at the corner of the

wall nearest the big maple. You'll find a cunning place between the

roots that stick up under the flat stone. That's my closet, and I keep

things there. It's the best cubby of all, and we take turns to have it."

"I'll find it, and that'll be a first-rate place," said Ben, much

gratified.

"I could put my reading-book in sometimes, if you'd like it. There's

lots of pretty stories in it and pictures," proposed Betty, rather

timidly, for she wanted to share the benevolent project, but had little

to offer, not being as good a scholar as bright Bab.

"I'd like a 'rithmetic better. I read tip-top, but I aint much on

'rithmetic; so, if you can spare yours, I might take a look at it. Now

I'm going to earn wages, I ought to know about addin' 'em up, and so

on," said Ben, with the air of a Vanderbilt oppressed with the care of

millions.

"I'll teach you that. Betty doesn't know much about sums. But she spells

splendidly, and is always at the head of her class. Teacher is real

proud of her, 'cause she never misses, and spells hard, fussy words,

like _chi-rog-ra-phy_ and _bron-chi-tis_ as easy as anything."

Bab quite beamed with sisterly pride, and Betty smoothed down her apron

with modest satisfaction, for Bab seldom praised her, and she liked it

very much.

"I never went to school, so that's the reason I aint smart. I can write,

though, better'n some of the boys up at school. I saw lots of names on

the shed door. See here now," and scrambling down, Ben pulled out a

cherished bit of chalk and flourished off ten letters of the alphabet,

one on each of the dark stone slabs that paved the walk.

"Those are beautiful! I can't make such curly ones. Who taught you to do

it?" asked Bab, as she and Betty walked up and down admiring them.

"Horse blankets," answered Ben, soberly.

"What!" cried both girls, stopping to stare.

"Our horses all had their names on their blankets, and I used to copy

'em. The wagons had signs, and I learned to read that way after father

taught me my letters off the red and yellow posters. First word I knew

was lion, 'cause I was always goin' to see old Jubal in his cage. Father

was real proud when I read it right off. I can draw one, too."

Ben proceeded to depict an animal intended to represent his lost friend;

but Jubal would not have recognized his portrait, since it looked much

more like Sancho than the king of the forest. The children admired it

immensely, however, and Ben gave them a lesson in natural history which

was so interesting that it kept them busy and happy till bedtime; for

the boy described what he had seen in such lively language, and

illustrated in such a droll way, it was no wonder they were charmed.

(_To be continued._)

MUSIC ON ALL FOURS.

BY JOSEPHINE POLLARD.

A Pussy-cat and a Black-and-Tan

Were shut in a room together,

And, after a season of quiet, began

To talk of the change in the weather,

And new spring fashions, and after that

They had a sort of musical chat.

Said Puss: "To me it is quite absurd--

But tastes and opinions vary;

And some have declared that no beast or bird

Can sing like the small canary,--

Who, if it be true as I've heard it told,

Is really worth more than its weight in gold!"

Said the Black-and-Tan, with a pensive smile:

"I've wanted to call attention

To this bit of scandal for quite a while,

And, if not amiss, to mention

That my daily allowance of bark and w(h)ine

Has greatly improved this voice of mine."

"It has," said Puss, with a comic grin;

"The words of truth you have spoken;

A name for ourselves we must strive to win

At once, now the ice is broken;

For one or two doses of catnip tea

Have had a wondrous effect on me!

"'Twas only the other night I strayed

Where a silvery moonbeam slanted,

And gave such a beautiful serenade

You'd have thought the place enchanted.

It roused the neighborhood to a pitch

Of praise, or envy--I can't tell which."

Said the Black-and-Tan, "Why shouldn't we try

To sing a duet together?"

Said the Puss, "I see no reason why

We can't; and we'll show them whether

To birds and bipeds alone belong

The gift of singing a pleasing song!"

[Illustration: THE DUET.]

They sang--and they sang; but oh, my dears!

If you had been anywhere near them,

You'd have shut your eyes and stopped your ears,

And wished that you couldn't hear them.

'Twas a brilliant effort, upon my word,

And nearly killed the canary-bird.

The Pussy-cat and the Black-and-Tan

With the music were so delighted,

They will give a concert as soon as they can,

And perhaps we may be invited.

"Bow-wow!" "Miaow!" I'm sorry, you know,

I've another engagement--and cannot go!

A LETTER TO AMERICAN BOYS.

BY GEORGE MACDONALD.

My dear Cousins: Shall I really be talking to you as I sit here in my

study with the river Thames now flowing, now ebbing, past my window? I

am uttering no word, I am only writing; and you are not listening, not

reading, for it will be a long time ere what I am now thinking shall

reach you over the millions of waves that swell and sink between us. And

yet I shall in very truth be talking to you.

In like manner, with divine differences, God began to talk to us ages

before we were born: I will not say before we began to be, for, in a

sense, that very moment God thought of us we began to exist, for what

God thinks of, _is_. We have been lying for ages in his heart without

knowing it. But now we have begun to know it. We are here, with a great

beginning, and before us an end so great that there is no end to it. But

we must take heed, for, else, the very greatness will turn to confusion

and terror.

Shall I explain what made me begin my letter to you just this way?--I

was sitting in my room, as I am now, thinking what I should say to you.

And as I sat thinking after something worth saying and fit to say, my

room spoke to me,--that is, out of its condition and appearance came a

thought into my mind. And that you may understand how it came, and how

it was what it was, I will first show you what my room at this moment is

like. For the thought had nothing to do with the sun outside, or the

shining river, or the white-sailed boats, neither with the high wind

that is tossing the rosy hawthorn-bloom before my windows, or with the

magnolia trained up the wall and looking in at one of them: it had to do

only with the inside of the room.

It is a rather long room. The greater part has its walls filled with

books, and I am sitting at one end quite surrounded by them. But when I

lift my eyes, I look to the other end, and into the heart of a stage for

acting upon, filling all the width and a third part of the length of the

room. It is surrounded with curtains, but those in front of it are

withdrawn, and there the space of it lies before me, a bare, empty

hollow of green and blue and red, which to-morrow evening will be filled

with group after group of moving, talking, shining, acting men and

women, boys and girls. It looked to me like a human heart, waiting to be

filled with the scenes of its own story,--with this difference, that the

heart itself will determine of what sort those groups shall be. Then

there grew up in my mind the following little parable, which, to those

who do not care to understand it, will be dark,--but to those who desire

to know its meaning, may give light:

There was once a wise man to whom was granted the power to send forth

his thoughts in shapes that other people could see. And, as he walked

abroad in the world, he came upon some whom his wisdom might serve. One

day, having, in a street of the city where he dwelt, rescued from danger

a boy about ten years of age, he went with him to his mother, and begged

that he might take him to his house for a week. When they heard his

name, the parents willingly let their son go with him. And he taught him

many things, and the boy loved and trusted him.

When the boy was asleep in bed, the wise man would go to his room at

midnight, and lay his ear to his ear, and hearken to his dreams. Then he

would stand and spread out his arms over him and look up. And the boy

would smile, and his sleep was the deeper.

Once, just an hour after the sage had thus visited him, the boy woke,

and found himself alone in the middle of the night. He could not get to

sleep again, and grew so restless that he rose and went down the stair.

The moon shone in at every western window, and his way was "now in

glimmer and now in gloom." On the first landing he saw a door wide open,

which he had never seen open till now. It was the door of the wizard's

room. Within, all was bright with moonlight, and the boy first peeped,

then stepped in, and peered timidly about him.

The farther end of the room was hidden by a curtain stretched quite

across it, and, curious to see what was behind, he approached it. But

ere he reached it, the curtain slowly divided in the midst and, drawn

back to each side, revealed a place with just light enough in it from

the moonshine to show that it was a dungeon. In the middle of it, upon

the floor, sat a prisoner, with fetters to his feet, and manacles to his

hands; an iron collar was round his neck, and a chain from the collar

had its last link in an iron staple deep fixed in the stone floor. His

head was sunk on his bosom, and he sat abject and despairing.

"What a wicked man he must be!" thought the boy, and was turning to run

away in terror, when the man lifted his head, and his look caught and

held him. For he saw a pale, worn, fierce countenance, which, somehow,

through all the added years, and all the dirt that defiled it, he

recognized as his own. For a moment the prisoner gazed at him

mournfully; then a wild passion of rage and despair seized him; he

dragged and tore at his chains, raved and shrieked, and dashed himself

on the ground like one mad with imprisonment. For a time he lay

exhausted, then half rose and sat as before, gazing helplessly upon the

ground.

By and by a spider came creeping along the bar of his fetters. He put

out his hand, and, with the manacle on his wrist, crushed it, and

smiled. Instantly through the gloom came a strong, clear, yet strangely

sweet voice--and the very sweetness had in it something that made the

boy think of fire. And the voice said:

"So! in the midst of misery, thou takest delight in destruction! Is it

not well thou art chained? If thou wast free, thou wouldst in time

destroy the world. Tame thy wild beast, or sit there till I tame him."

The prisoner peered and stared through the dusk, but could see no one;

he fell into another fit of furious raving, but not a hair-breadth would

one link of chain yield to his wildest endeavor.

"Oh, my mother!" he cried, as he sank again into the grave of

exhaustion.

"Thy mother is gone from thee," said the voice, "outworn by thine evil

ways. Thou didst choose to have thyself and not thy mother, and there

thou hast thyself, and she is gone. I only am left to care for thee--not

with kisses and sweet words, but with a dungeon. Unawares to thyself

thou hast forged thine own chains, and riveted them upon thy limbs. Not

Hercules could free thee or himself from such imprisonment."

The man burst out weeping, and cried with sobs:

"What then am I to do, for the burden of them is intolerable?"

"What I will tell thee," said the voice; "for so shall thy chains fall

from thee."

"I will do it," said the man.

"Thy prison is foul," said the voice.

"It is," answered the prisoner.

"Cleanse it, then."

"How can I cleanse it when I cannot move?"

"Cannot move! Thy hands were upon thy face a moment gone--and now they

are upon the floor! Near one of those hands lies a dead mouse; yonder is

an open window. Cast the dead thing out into the furnace of life, that

it may speedily make an end thereof."

With sudden obedient resolve the prisoner made the endeavor to reach it.

The chain pulled the collar hard, and the manacle wrenched his wrist;

but he caught the dead thing by the tail, and with a fierce effort threw

it; out of the window it flew and fell--and the air of his dungeon

seemed already clearer.

After a silence, came the voice again:

"Behind thee lies a broom," it said; "reach forth and take it, and sweep

around thee as far as thy chains will yield thee scope."

The man obeyed, and, as he swept, at every stroke he reached farther. At

length,--how it came he could not tell, for his chains hung heavy upon

him still,--he found himself sweeping the very foot of the walls.

A moment more, and he stood at the open window, looking out into the

world. A dove perched upon the window-sill, and walked inquiringly in;

he caught it in his hands, and looked how to close the window, that he

might secure its company. Then came the voice:

"Wilt thou, a prisoner, make of thyself a jailer?"

He opened his hands, and the dove darted into the sunlight. There it

fluttered and flashed for a moment, like a bird of snow; then

re-entered, and flew into his very hands. He stroked and kissed it. The

bird went and came, and was his companion.

Still, his chains hung about him, and he sighed and groaned under their

weight.

"Set thee down," said the voice, "and polish thine irons."

He obeyed, rubbing link against link busily with his hands. And thus he

labored--as it seemed to the boy in the vision--day after day, until at

last every portion within his reach, of fetter, and chain, and collar,

glittered with brightness.

"Go to the window," then said the voice, "and lay thee down in the

sunshine."

He went and lay down, and fell asleep. When he awoke, he began to raise

himself heavily; but, lo! the sun had melted all the burnished parts of

his bonds, the rest dropped from him, and he sprung to his feet. For

very joy of lightness, he ran about the room like a frolicking child.

Then said the voice once more:

"Now carve thee out of the wall the figure of a man, as perfect as thou

canst think and make it."

"Alas!" said the prisoner to himself, "I know not how to carve or

fashion the image of anything."

But as he said it, he turned with a sigh to find among the fragments of

his fetters what piece of iron might best serve him for a chisel. To

work he set, and many and weary were the hours he wrought, for his

attempts appeared to him nothing better than those of a child, and again

and ever again as he carved, he had to change his purpose, and cut away

what he had carved; for the thing he wrought would not conform itself to

the thing he thought, and it seemed he made no progress in the task that

was set him. But he did not know that it was because his thought was not

good enough to give strength and skill to his hand,--that it seemed too

good for his hand to follow.

One night he wrought hard by the glimmer of his wretched lamp, until,

overwearied, he fell fast asleep, and slept like one dead. When he

awoke, lo! a man of light, lovely and grand, who stood where he had been

so wearily carving the unresponsive stone! He rose and drew nigh.

Behold, it was an opening in the wall, through which his freedom shone!

The man of light was the door into the universe. And he darted through

the wall.

As he vanished from his sight, the boy felt the wind of the morning lave

his forehead; but with the prisoner vanished the vision; he was alone,

with the moon shining through the windows. Too solemn to be afraid, he

crept back to his bed, and fell fast asleep.

In the morning, he knew there had come to him what he now took for a

strange dream, but he remembered little of it, and thought less about

it, and the same day the wizard took him home.

His mother was out when he arrived, and he had not been in five minutes

before it began to rain. It was holiday-time, and there were no lessons,

and the school-room looked dismal as a new street. He had not a single

companion, and the rain came down with slow persistence. He tried to

read, but could not find any enjoyment in it. His thoughts grew more and

more gloomy, until at last his very soul was disquieted within him. When

his mother came home and sought him in the school-room, she found him

lying on the floor, sullen and unkind. Although he knew her step as she

entered, he never looked up; and when she spoke to him, he answered like

one aggrieved.

"I am sorry you are unhappy," said his mother, sweetly. "I did not know

you were to be home to-day. Come with me to my room."

He answered his mother insolently:

"I don't want to go with you. I only want to be left alone."

His mother turned away, and, without another word, left the room.

The cat came in, went up to him purring, and rubbed herself against him.

He gave her such a blow that she flew out again, in angry fright, with

her back high above her head. And the rain rained faster, and the wind

began to blow, and the misery settled down upon his soul like lead. At

last he wept with his face on the floor, quite overmastered by the most

contemptible of all passions--self-pity.

Again the voice of his mother came to him. The wizard had in the

meantime come to see her, and had just left her.

"Get up, my boy," she said, in a more commanding tone than he had ever

heard from her before.

With her words the vision returned upon him, clear, and plain, and

strong. He started in terror, almost expecting to hear the chains rattle

about him.

"Get up, and make the room tidy. See how you have thrown the books

about!" said his mother.

He dared not disobey her. He sprung to his feet, and as he reduced the

little chaos around him to order, first calmness descended, and then

shame arose. As he fulfilled her word, his mother stood and looked on.

The moment he had finished, he ran to her, threw his arms about her

neck, burst into honest, worthy tears, and cried:

"Mother!"

Then, after a while, he sobbed out:

"I am sorry I was so cross and rude to my mother."

She kissed him, and put her arms around him, and with his mind's eye he

saw the flap of the white dove's wing. She took him by the hand and led

him to the window. The sun was shining, and a grand rainbow stood

against the black curtain of the receding cataract.

"Come, my child," she said; "we will go out together."

It was long years ere the boy understood _all_ the meanings of the

vision. I doubt if he understands them all yet. But he will one day. And

I can say no more for the wisest of the readers, or for the writer

himself, of this parable.

The Father of all the boys on earth and in heaven be with the boys of

America! and when they grow up, may they and the men of England

understand, and love, and help each other! Amen! Your friend,

GEORGE MACDONALD.

ANNIE AND THE BALLS.

(_A Story for the Kindergarten Children._)

BY H. E. H.

Little Annie had been quite ill, and her mamma thought best to keep her

at home from the Kindergarten; but she was now almost well again, and

had been promised she should return to her little companions in two more

days. Two days seems a long time to a little girl, and Annie seemed so

sadly to miss all the pretty amusements of the Kindergarten, that mamma

tried to think what she could do to interest her. At last a very bright

thought came into her head, and she ran into the hall and whispered it

to papa, who was just putting on his hat and coat to go out.

[Illustration: Colored balls.]

He came back very soon, and brought Annie a box with the Kindergarten

colored balls in it.

"Oh!" she cried, "now I can play Kindergarten with my dolls, for they

are really growing up quite ignorant, especially Arabella Louisa, who

asked me, only yesterday, to cut her apple into three halves."

All the little stools in the house were soon collected and brought to

the nursery, where they were placed in true Kindergarten fashion, and

the dolls seated on them with heels together and toes turned out. Rosie

was there with her beautiful golden curls, her bright blue eyes, and

arms and hands which would move quite as Alice could move her own. Then

there were four younger children, and even old Peggy--the rag-baby--was

made to sit up very stiff and straight with the aid of a little string,

and the lesson began.

Annie took out the yellow ball and asked the babies to point out

something in the room the same color. Rosie managed, with a little help

from her teacher, to raise her kid arm and point with her dainty finger

to the canary-bird.

"Point to something round like the ball," said little Annie, and

Arabella Louisa made herself very cross-eyed looking down at her gold

beads, but was too bashful to speak. Next Annie brought out the purple

ball and laid it down. Then the red and green ones came out, and,

lastly, the orange and blue. Now the teacher began to look very dull,

even duller than her scholars; her eyelids began to droop, and she spoke

very slowly, and said: "Children,--can--you--count--the--balls?" but not

hearing any answer, she looked up and found they had all disappeared,

and that she was no longer in the nursery. Before her was a beautiful

green field dotted all over with buttercups and daisies. After she had

stepped around carefully on the soft grass and smelt the flowers, she

heard some one call her name, and, looking up, she saw a beautiful

castle standing quite alone by itself in the air, while a little fairy

in a yellow, gauzy dress beckoned her to come up.

"Oh!" thought Annie, "how I should like to go and make her a pretty

courtesy, but I have no wings and cannot fly!"

The kind fairy seeing the sad look on the little girl's face, cried out:

"Wait a minute till we get our fairy pipe."

Annie could but wonder of what use a pipe would be, but she had been

taught to be patient and wait until things were explained to her; so she

stood very quiet, and soon saw the fairy in yellow come floating down to

the earth. Behind her came another little creature all in red, and still

behind her a third in a beautiful blue dress. Between them they carried

a long pipe, much like the one Roger, the gardener, smoked; and when

they were in front of the little girl they began to blow through it very

hard, and Annie soon found herself inside a a large soap-bubble, and

felt that she was gently floating upward in her fairy balloon. When she

reached the castle she touched the thin wall with her fingers and it

melted away, and left her standing in Fairy Land!

Her three companions--the fairy in yellow, the one in red, and the one

in blue--crowded around her, and cried "Welcome!" three times. Then they

made a place for three more, who tried to smile and say "Welcome!" also,

but could only look very sad and wipe a tiny tear from their little

eyes.

Now, Annie was a kind little girl, and she asked them in her gentlest

voice what made them sad, and they all replied: "Oh, we want some

dresses so badly; these are only our little skirts made out of cobwebs."

"What color do you want?" said Annie.

"Well," said the first, "_I_ want one of green, like the beautiful grass

and the leaves of the trees."

"Ah!" sighed Annie, "if I could _only_ remember how our teacher told us

to make green, but I am afraid I have forgotten."

Away ran one of the fairies, and soon came back with a little white cap,

which she placed upon Annie's head, saying: "This is our thinking-cap",

and as soon as it touched the child's brown curls, she cried: "I've

thought! If you mix yellow and blue together it will make green; but how

can we do it?"

"Oh, _we_ know!" all the six cried together, and they brought a lily

filled with dew, and the fairy with the yellow dress and the one with

the blue dress dipped their little skirts in it, and they stirred the

dew around with a tiny wand, and took out a lovely green robe, which was

put on the fairy who had chosen that color, and she began to smile very

sweetly.

Now, the next one stepped up, and said: "_I_ want a dress of purple like

the beautiful sweet violets which grow in our little gardens."

As Annie still had the thinking-cap on, she quickly told them that red

and blue must be mixed together, and another lily was brought and the

red and blue dresses dipped in it; and after some stirring, out came a

beautiful purple frock, and the fairy who had chosen this smiled even

more sweetly than the other one.

Now, Annie turned to the last one and asked her what color she wanted,

and she replied: "_I_ want a dress of orange."

"I do not need the cap this time," said Annie, "for I remember that red

and yellow will make orange."

So a third lily was brought by the fairies, and when the red and yellow

dresses were dipped in it, out came one of an orange color, and the

fairy who put this on really laughed aloud. Then taking hold of hands,

all the little things began to dance gayly around Annie, who was quite

tired from her long journey, and had asked permission to lie on the soft

bed of moss.

She noticed that wherever the red fairy went the green one followed

close behind. The blue fairy and the one with the orange dress kept

close together with their arms around each other, and the yellow and

purple fairies kissed, and seemed to say such very pretty things of each

other that Annie thought they must be the _complementary_ colors that

she had heard her mother talk about. Just now it grew quite dark, and as

Annie looked up at the clouds she felt a rain-drop on her cheek, and

looking at her companions she saw that every drop clung to their

clothing, and looked like beautiful diamonds and pearls. The shower

lasted only a little while, and then the sun came out, and the fairies

all called out: "Good-by, kind Lady Annie, we are wanted now away up in

the sky!" and they floated up one above the other, and stretched

themselves out quite long, and arched their bodies very gracefully; and

as Annie turned her face away from where the sun was setting, she saw in

the opposite direction a beautiful rainbow, and she knew why the fairies

had been called away.

"Annie! Annie!!"

"Why, that is my name," thought the little girl; and she gave a jump and

opened her eyes, and can you believe me, she was back in the nursery,

the balls were lying on the floor just as she had left them, and the

dolls were all staring at her with their round glass eyes.

A MODERN WILLIAM TELL.

[Illustration: A MODERN WILLIAM TELL.

"HERE, GRANDPA, LET'S PLAY WILLIAM TELL. I'LL BE MR.

TELL, AND YOU MAY PLAY YOU'RE MY SON, AND STAND OVER THERE BY THE MIRROR

WHILE I SHOOT THIS APPLE OFF YOUR HEAD."]

THE KING AND THE THREE TRAVELERS.

BY ARLO BATES.

Three travelers, who had been found asleep in the royal park, were once

brought before King Jollimon. In answer to inquiries, they said that

they were story-tellers, who earned their living by relating those tales

and legends of which the inhabitants of Jolliland are so extravagantly

fond.

"If that be so," said the king, "and if you can tell stories worth

hearing, you are indeed welcome. The court story-teller has just been

banished for presuming to tell the same story twice, and his place is

unfilled. It would be a right royal idea to have three story-tellers

instead of one."

So the three travelers, after having been refreshed with food and drink,

were bidden to seat themselves at the august feet of King Jollimon, that

they might prove their power to please the royal fancy by strange and

unheard tales.

They were all old and withered; and the first had a crooked back, the

second a crooked nose, and the third a crooked mouth. He of the crooked

back began, and told the tale of

THE RAVEN MAIDEN.

There once lived a young and accomplished prince called Orca. His father

was king over all the country and the neighboring provinces, and Orca

was his only heir.

The prince was a daring hunter, and went often to the royal forests,

sometimes in company with the lords of the court, but oftener alone. For

it so happened that the gamekeeper had a young daughter, Sipelie, who

was as fair as the morning, and as modest as she was fair; and the

prince, having seen her, of course fell over head and ears in love with

her, forgetting all differences of wealth and station. As for Sipelie,

having no mother to tell her better, although she took good care to wait

a modest while before showing it, she gave away her whole heart to him.

Nor was this so much to be wondered at, for Orca was every inch a

prince, and a fine, manly fellow beside. And so I warrant there was

billing and cooing enough at the gamekeeper's lodge, for when the prince

came the gamekeeper kept discreetly in the background, and Sipelie had

no brothers or sisters to be in the way.

[Illustration: THE CROOKED-BACKED TRAVELER TELLS A STORY TO THE KING.]

But the course of true love is never without its rapids, and it was not

long before Orca's visits to Sipelie began to be talked about among the

nobles. So at last the news came to the ears of the Lady Ildea, the

prime minister's daughter, who hoped to win Prince Orca herself. The

Lady Ildea's temper was certainly none of the best, nor was her beauty

at all to be compared with that of the gamekeeper's daughter. She had

long laid siege to the heart of the prince, and she was now convinced

that it was only on account of the peasant maiden that she made so

little progress.

The Lady Ildea was not unskilled in magic, and by consultation with

divers not very respectable spirits, she found means to transform the

beautiful Sipelie into a raven. Thus it happened that when the prince

went as usual to visit his beloved, he found the cottage empty, and no

living thing in sight but a raven, which croaked dolorously from a

neighboring tree. When the gamekeeper appeared, in answer to Prince

Orca's eager questions, he could only say that his daughter was missing.

Together, the two men searched the whole night for the lost maiden; but

neither then, nor in any after search, could a trace of Sipelie be

discovered.

It is needless to speak of the gamekeeper's grief, or the prince's

despair. Both refused to be comforted, and the unhappy prince became so

pale and thin that it was pitiful to see.

In all his grief and anguish, the Lady Ildea showed a deep sympathy,

encouraging him to tell her all his woes, and if she could not comfort

him, she at least wept for him, and that was something.

And so it went on until the prince was taken violently ill. The wise men

gathered about his bed, and at last concluded, after many long and

tedious days of consultation, that his sickness was caused by an evil

influence, which they ascribed to a raven that had been noticed

fluttering continually about the palace windows. They farther announced

that the prince could only be cured by the juice of certain wild herbs,

which were exceedingly rare, and which only grew in wild and dangerous

places in the mountains. Messengers were dispatched throughout the whole

country in search of the precious herbs, but the third day a bundle of

the plants was found on the ledge of the prince's window. No one knew

whence they came, nor did any one notice that the raven sat on a distant

tree, and watched until the herbs were taken in, but then flew silently

away, to return no more.

The prince now rapidly recovered, and was soon able to go again into the

open air. The lady Ildea had been most attentive throughout his illness,

and on the first day on which he went to the hunt, she rode by his side.

She was outwardly calm enough, but inwardly she was not at all at ease.

Only one day remained of the duration of the magic spell which ensnared

Sipelie, and Prince Orca had not yet forgotten the peasant maiden, or

bound himself to Ildea. As they followed the hounds through the pleasant

forest, the sharp eyes of the lady espied a raven fluttering along from

branch to branch, always keeping near the prince.

She pointed it out to her companion, saying, "Do you see the bird of ill

omen? It is the same which brought you illness. Now is your time to

destroy it."

Prince Orca raised his bow, but lowered it again, for something within

stayed his hand, and he said: "Let the poor blackamoor live. I have been

too near death myself to feel like harming it."

"If you do not care for yourself," said Lady Ildea, "others do. It might

bring you harm again." And with unerring aim she sent an arrow flying

through the air. The raven fell, uttering a last mournful cry. But Lady

Ildea was not satisfied. Hastily dismounting, she ran through the grass

to where the bird lay, and found the body of the maiden Sipelie, pierced

to the heart, and covered with blood. Horror-struck, she turned away,

but at that instant she trod upon an adder, which suddenly darted its

fangs into her foot, inflicting a mortal wound.

* * * * *

"And served her right," quoth King Jollimon, as the crooked-backed man

ended. "The prince is left to bury the dead, I suppose. Well, I've heard

worse tales, I'm sorry to say; but I generally hear better ones. What

have you to tell?" he added, nodding to the man with the crooked nose.

"Mine is a fable, and very instructive," said he; "And the moral----"

"Moral me no morals," interrupted King Jollimon. "Tell your fable, if

you please; but I'll draw my own moral as mild as I please."

Thus admonished, he of the crooked nose told the tale of

THE WISE CAT.

A certain cat set out to seek his fortune, and traveled through the

whole world. At last he came to a country where a cat had never been

seen before. The inhabitants were at first frightened by the strange

monster, but having observed Puss killing the mice with which the

country was overrun, they plucked up courage, and approaching him,

requested that he should follow them before the king. Puss complied

willingly enough, and the end of the matter was that he was installed

rat-catcher to the king, and a large salary bestowed upon him. The

faithfulness with which Puss discharged his duties raised him high in

the royal regard, and a circumstance soon occurred which advanced him

still further. The king took his naps by an open window, and had a plate

of cherries placed beside him that he might eat them when he awoke. A

crow from the neighboring forest constantly stole the fruit, nor had all

the efforts of the king's servants succeeded in destroying the bird.

The cat, however, concealed himself in the window-hangings, and pounced

upon the unlucky marauder, and broke his neck. The king was full of

gratitude, and ordered that Puss's salary be increased. Soon after, a

bear came and ravaged the king's flocks. His majesty commanded Puss to

kill him. "I can only do what I am able," pleaded the cat; but the king

insisted. While Puss was coming, Bruin attacked the store of a swarm of

bees, and was stung to death. "You have done as I knew you would, my

dear cat," said the king, and would listen to no explanations. The cat

received the Order of the Royal Shoe-string.

Next an elephant came and ravaged the crops. The king sent the cat to

attack him. "Alas! I can only do what I am able," again pleaded the cat,

but there was no moving the king. While the cat was coming, the elephant

fell into a pit and was killed.

"You have done as I knew you would," said the king once more; and the

cat received the Order of the Royal Penknife, and the care of the Royal

Shoe-brush.

A great army marched to subdue the kingdom. The king gave himself no

uneasiness. "Have we not the cat here?" he asked. "My dear, go and put

these troublesome fellows to flight."

"Alas! your majesty," said the unfortunate cat, "I can but do as I am

able, and luck will turn at last;" but the king was stubborn as ever.

And while the cat was coming, a band of the enemy fell upon him and

destroyed him; and they overthrew all the kingdom. The king was taken

prisoner and compelled to feed cats all his life. "That ungrateful cat!"

he continually exclaimed.

* * * * *

"And do you call that a fable?" asked King Jollimon. "I should have let

you tell the moral, that there might have been some good to it. Come,

you fellow," he said to the crooked-mouthed man, "speak quickly. I long

to hear another tale, that I may forget this."

And this tale was that of

HANS AND PETER.

Hans and Peter met one fine morning on the way to market. Hans was large

and stout; the world always went easily with him; he troubled himself as

little as possible about the cares of life, and seemed to grow plumper

every day.

Peter, on the other hand, was thin and slim. He was continually worrying

himself about some trifle, and his face grew more and more care-worn

every day.

"Good morrow, friend Peter," said plump Hans, in a hearty tone of

cheer.

"Good-day, neighbor!" answered Peter, solemnly.

"Why are you so downcast?" asked Hans.

"Downcast! Have you no troubles," retorted Peter, "that you cannot

understand why people look downcast?"

"I?" said jovial Hans. "I've only one trouble in the world, and that

does not trouble me. My wife complains because I have become so stout."

"Happy man!" exclaimed Peter. "My friends complain because I am so

thin."

"My friends say it makes me move too slowly," said Hans.

"My wife upbraids me," returned Peter, "because I move so very quickly."

"Suppose we change bodies!" said they both in a breath. And they

changed.

Again, in a few months, Hans and Peter met one fine morning; and Hans

was again large and stout, while Peter had become thin and slim.

"What have you done to my body?" asked Hans.

"What have you done to my body?" asked Peter.

"I was puzzled at first," said Hans, "to know whether I was Hans or

Peter; but it soon came right."

"At first," returned Peter, "I knew not whether I was Peter or Hans, but

as you say, it soon came right."

"Then the difference," remarked Hans, "is not _my_ body."

"Nor _my_ body," put in Peter.

"But," said they both, "ourselves!"

* * * * *

"Worse and worse," said King Jollimon, at the conclusion of the

remarkable legend. "If there were four of you, I shudder to think what a

bad story the fourth one would tell!"

"It is because we did not know your majesty's taste," said the man with

the crooked back. "If you would hear us once more, we should please you

better."

"I have heard enough," said the king; but upon second thought he

consented that they should try again.

And first the crooked-backed man told the tale of

THE EGG-SHELL.

A boy once met a magician, who gave him an egg-shell, telling him to

place it in his mouth, but on no account to break it. The boy was as

foolish as boys usually are, so he instantly obeyed him, without at all

stopping to think what the consequences might be. Immediately his head

swelled up like an enormous balloon, so that the wind nearly blew him

away. He managed to catch hold of a post and save himself from this

fate, and a crowd began to gather around his head. His body was quite

out of sight underneath, and only the huge head was to be seen.

As everybody stood staring at the wonderful sight, a fly lit on the

boy's cheek. He could not reach it himself, for his arms would not reach

a tenth part of the way to his chin; so he asked one of the bystanders

to kill the troublesome insect. The boy's voice was so smothered by the

egg-shell that it was long before he could make himself understood; but

at last the man got an idea of what was wanted, and aimed a severe blow

at the fly. The insect flew away unharmed, but the boy started so

suddenly that he bit the egg-shell in two, and his head collapsed to its

natural size. So there was a little boy in the middle of the place,

holding on by a post, and a crowd of people looking at him from a

distance.

"What a disappointment!" said the boy's mother. "He was fast becoming

remarkable! But then, what a sum his hats would have cost! After all, it

is best as it is."

"And besides," added a neighbor, "how could you have got at him to

punish him?"

"To be sure!" answered the mother.

* * * * *

"This is better than the first, because it is shorter," said the king;

and the man with a crooked nose began the story of

THE CROOKED-NOSED PHILOSOPHER.

"There was once a man," he said, "with a nose so long that it reached

half way round his head, and thus the point was continually behind him.

This not unnaturally caused him a great deal of trouble, but in the end

was the means of his good fortune, as you shall hear. For once, as he

sat reading, he felt something on the end of his nose, and turning round

his head he saw a fly sitting on the point of it."

"Saw a fly on the point!" interrupted King Jollimon. "What do you take

me for, that you thus try to impose such stories on me? Can a man see

what is behind him?"

"Certainly, if he turns round," answered the traveler, quite unmoved.

"If he turns round!" repeated the king, in a rage, "can one see the back

of his head? I have turned round, but I never could see my back."

"That is because your majesty always looks away from it," replied the

other. "If you would turn round and look toward the back of your head,

you would undoubtedly see it."

"Do you presume to dispute with me?" screamed his majesty, getting very

red in the face. He felt sure he was right, but he could not answer the

traveler's argument. "Do you presume to dispute with me?" he repeated.

"Get out of my sight, and if one of you three vagabonds, with your

trumpery stories, is found in all the kingdom of Jolliland by sunset

to-morrow, I'll have every man of you beheaded three times over. A man

see his back, indeed!"

And thus it happened that the tale of "The Crooked-Nosed Philosopher"

was never concluded, which was the greater pity, since, if the end was

like the beginning, it must have been a very marvelous tale.

SOMETHING IN THE OLD CLOTHES LINE.

BY PAUL FORT.

When I look at pictures of people of old times, I often think what a

curious thing it is that the only apparent difference between them and

the people of the present day is to be seen in their clothes.

If we could take a dozen or so of ancient Greeks and Romans; some

gentlemen and ladies of the middle ages; a party of our

great-grandfathers and mothers, and some nice people who are now living

in the next street, and were to dress all the women in calico frocks and

sun-bonnets, and all the men in linen coats and trousers and broad straw

hats, with their hair cut short; and were then to jumble them all up

together, and make them keep their tongues quiet, it would be very

difficult, if not impossible, for a committee, unacquainted with any of

the party, to pick out the ancients, the middle-agers, or the moderns.

Lady Jane Grey, or Cornelia, the mother of the Gracchi, or Helen of

Troy, would not look unlike the other women in sun-bonnets and calico

frocks; and while there would be a greater difference in the men, whose

nationality might show more strongly, Christopher Columbus, Nero, and

Marco Bozzaris would be pretty much the same kind of fellows as the

other men of the party.

It is certainly a fact that there are a great many more points of strong

resemblance between the people of past ages and ourselves than most of

us suppose. It is often very surprising, when reading of the domestic

life of the past, to see how precisely similar, in some respects, it was

to our own. And, as I have said, the people looked, with the exception

of their clothes, very much as we do--meaning by "we" the people of the

present day, all over the world.

In 1876, at the Centennial Exposition, I saw a marble bust--life

size--which was a portrait of a lady of ancient Rome. There was only the

head and neck, the hair was dressed very plainly, and it was astonishing

how well that bust would have answered for the portrait of a lady of

Thirty-fourth street, New York, or the wife of a gentleman in

Springfield, Ohio. The head and face were just such a head and face as

I had often seen, and the countenance even seemed familiar to me.

But dress makes all the difference in the world. Had I met that lady

attired in her flowing Roman garments, with her golden head-dress and

her sandaled feet, I should have had no thought of Thirty-fourth street,

or Springfield, Ohio.

And so down the whole line of ages you can tell, pretty nearly, when a

man or a woman lived, if you can but get an idea of his or her clothes.

The next thing which strikes most of us when looking at the pictures of

old-time people, is a feeling of wonder how they ever could have been

willing to make such scarecrows of themselves.

To be sure, we are willing to admire the flowing robes of Greece and

Rome, although we feel quite sure that our style of dress is much more

sensible, and we have an admiration for a soldier clad in armor, as well

as for the noblemen and gentry who figured, some hundreds of years ago,

in their splendid velvets and laces, their feathers and cocked hats, and

their diamond-hilted swords.

But, as a rule, the garments of our ancestors appear very ridiculous to

us. If we did not have good reasons for belief to the contrary, we

should be very apt to consider them a set of fools.

It even seems a little wonderful that people should be able to invent

such curious fashions of dressing themselves.

Think, for instance, of the wife of Jean Van Eyck, a celebrated old

Dutch painter, who was willing to dress her hair so that she looked like

a cat, and, moreover, had her portrait taken in that style, so that

future generations might see what a guy she was!

Yes, the picture painted over five hundred years ago hangs to-day in the

Academy of Bruges, and the staidest little Belgians laugh when they

look at it. You may see it yourselves some day, but, if not, you can at

least enjoy this excellent copy, which has been engraved for ST.

NICHOLAS from a photograph of the painting. If you look at her face, you

will see that in feature she is very much like an ordinary woman of the

present day. There is nothing at all distinctive about her countenance.

As far as that is concerned, she might just as well have lived now as at

any other time.

But if she were to appear in an ordinary evening company dressed in the

style in which you see her in the picture, the difference between her

and the other ladies would be very striking, to say the least.

[Illustration: THE WOMAN WHO LOOKED LIKE A CAT.]

The curious methods of dress in olden times were so many, and were of

such infinite variety, that I cannot even allude to them in a little

article like this; but you cannot look at very many pictures of the

people of by-gone days without seeing some costume which will appear

quite funny, if not absolutely absurd.

You need not go very far back either. What could be queerer than the

high coat-collars of some of your great-grandfathers, which came up

under their ears, while their throats were wrapped in fold after fold of

long cravats--or else encircled by a hard, stiff stock,--and the

hind-buttons of their coats were away up in the middle of their backs!

But perhaps your great-grandmothers, with the waists of their gowns

just under their arms, with their funny long mittens and their great

calash bonnets, were just as queer as their husbands.

Now the question comes very naturally to us: Why did these people, as

well as the people who came before them, dress in such ridiculous

fashions? We know that many of them were very sensible folk, who knew

how to do many things as well as we can do them, and some things a great

deal better. Mentally and physically the most of them are not surpassed

by the people who live now. Then why did not they know enough to dress

sensibly and becomingly as we do?

In reply to this I will say that your great-grandfather and your

great-grandmother, unless they belonged to some religious sect which

regulated the clothes of its members, would have dressed exactly as your

father and mother now do, if it had been the fashion in their day.

And if you had seen their portraits, dressed in clothes of the present

day (which, had those old people worn them, would have been out of

fashion long before you were born), you would have thought they looked

perfectly ridiculous.

The truth of the matter is, that with a great many of us the attractive

and desirable qualities of clothes depend entirely upon their relations

to the current styles or fashions. We think everything unbecoming and

ugly excepting those styles; and no matter how absurd the present

fashion may be, there are not ten persons out of a thousand who, when

they become used to them, do not admire them and follow them to the

extent of their ability.

There are few of you who are not old enough to remember fashions of

dress, which at one time you and every one else considered very stylish

and becoming, and which now would make a perfect fright of any one who

would be bold enough to wear them.

Indeed, were a fine lady to make her appearance in the streets of one of

our large cities dressed in the hoops and wide skirts in which she was

so fashionable and attractive a few years ago, the street boys would

hoot her, and she might walk about all day without meeting a single

person who would think that there was anything whatever to be said in

favor of such a costume.

Of course, some fashions are uglier and more absurd than others, and it

is not strange that we wonder how sensible people could have endured

them; but if these very styles were to become fashionable again, most of

us would adopt them.

If, in a few years, it should become the fashion for ladies to dress

their hair like that of the good wife of Jean Van Eyck, I feel quite

certain that nearly all the fashionable ladies you know would go about

looking very much like cats. This may seem a libelous assertion; but if

you will keep a watch on the fashions, I think you will find I am

correct, provided the Van Eyck style comes up.

TOMMY'S DREAM; OR, THE GEOGRAPHY DEMON.

BY LAURA E. RICHARDS.

I HATE my geography lesson!

It's nothing but nonsense and names;

To bother me so every morning,

It's really the greatest of shames.

The brooks, they flow into the rivers,

And the rivers flow into the sea;

I hope, for my part, they enjoy it,

But what does it matter to me?

Of late, even more I've disliked it,

And more disagreeable it seems,

Ever since the sad evening last winter,

When I had that most frightful of dreams.

I thought that a great horrid monster

Stood suddenly there in my room--

A frightful Geography Demon,

Enveloped in darkness and gloom;

His body and head like a mountain,

A volcano on top for a hat;

His arms and his legs were like rivers,

With a brook round his neck for cravat.

He laid on my poor trembling shoulder

His fingers, cold, clammy and long;

And fixing his red eyes upon me,

He roared forth this horrible song:

"Come! come! rise and come

Away to the banks of the Muskingum!

It flows o'er the plains of Timbuctoo,

With the peak of Teneriffe just in view.

And the cataracts leap in the pale moonshine,

As they dance o'er the cliffs of Brandywine.

"Flee! flee! rise and flee

Away to the banks of the Tombigbee!

We'll pass by Alaska's flowery strand,

Where the emerald towers of Pekin stand;

We'll pass them by, and will rest awhile

On Michillimackinac's tropic isle;

While the apes of Barbary frisk around,

And the parrots crow with a lovely sound.

"Hie! hie! rise and hie

Away to the banks of the Yang-tze-ki!

There the giant mountains of Oshkosh stand,

And the icebergs gleam through the falling sand;

While the elephant sits on the palm-tree high,

And the cannibals feast on bad-boy pie.

"Go! go! rise and go

Away to the banks of the Hoang-ho

There the Chickasaw sachem makes his tea,

And the kettle boils and waits for thee.

We'll smite thee, ho! and we'll lay thee low,

On the beautiful banks of the Hoang-ho!"

These terrible words were still sounding

Like trumpets and drums through my head,

When the monster clutched tighter my shoulder,

And dragged me half out of the bed.

In terror, I clung to the bed-post;

But the faithless bed-post, it broke.

I screamed out aloud in my anguish,

And suddenly--well, I awoke.

He was gone. But I cannot forget him,

The fearful Geography Sprite.

He has my first thought in the morning,

He has my last shudder at night.

Do you blame me for hating my lesson?

Is it strange that it frightful should seem?

Or that I more and more should abhor it

Since I had that most horrible dream?

THE TOWER MOUNTAIN

BY GUSTAVUS FRANKENSTEIN.

II.

When I reached the crowd of monkeys who were making such a noise and

were evidently in such trouble, I soon saw what was the matter. A very

large monkey had his claws fastened in the back of a much smaller one,

and was biting him in the shoulder--the little fellow shrieking, and the

others dreadfully excited, yet hesitating to come to the rescue.

What are monkeys compared to a man? I rushed in, seized the ruffian by

the throat, which loosened his hold upon the weaker party, and hurling

him with all my force against the ground, broke his ugly skull upon the

rock on which it struck.

Then, such a yell of delight as went up from that motley monkey crew! It

was simply indescribable. This was immediately followed by an immense

amount of jabbering, as they gathered in little groups, no doubt

discussing the merits of the action and the valor of the hero. Doubtless

the monkey I had slain was a great tyrant over the others, by reason of

his superior size and strength, and they were congratulating one another

upon their deliverance from his hated rule.

His last victim--poor little fellow!--I raised from the ground, washed

his wounds, and, gathering some plantain-leaves, placed them carefully

over the lacerated flesh, and bound them on snugly and firmly with

strips of palm-leaf.

The little creature looked at me very affectionately, evincing by his

expression the deepest gratitude.

As he was in a very sad plight indeed, I nursed and petted him until

quite late in the afternoon, his companions not far off observing my

movements with great interest. At last I said to the wounded monkey:

"Now, little fellow, go your way in peace. Take care of yourself, and

you will get well. Good-bye!"

I took my basket and started up the hill. Occasionally I looked back to

see what he was doing, and each time his gaze was fixed on me; and when

I had entirely lost sight of him, I began to regret that I had not taken

him with me and cared for him until he should get well.

Pippity, as I returned, was overjoyed to see me. He had certainly grown

anxious at my long absence.

"Pippity," I said, "I shall not go down again into the valley for a long

time. We have had cocoa-nuts enough lately; let us enjoy that which is

around us."

But, after a couple of months had passed away, knowing that Pippity was

very fond of the cocoa-nuts (and I, too, liked very much the milk they

contained), I determined to go and get some more.

I was getting the nuts down from the trees as best I could, when, all at

once, I was surprised at their falling around me fast and thick, and on

looking up, there was a little monkey throwing them down! At first, I

thought he was throwing them at me; but he stopped when he saw me

looking up, and I went on gathering and putting them in the basket. Not

one of them that had been thrown down had hit me, so I concluded that

the monkey had no evil design, but that, on the contrary, he was trying

to do me a good turn.

"That's a pretty good sort of monkey," I thought, "and I wouldn't mind

meeting him any time I come down. He has saved me to-day considerable

trouble."

Then, up the mountain I went, and got back home quite early, which

seemed to surprise Pippity not a little.

The next time I went down, the same thing happened again; and so on for

a number of times.

Once, after taking up my basket and starting for home, I noticed a

little monkey (I thought it was the very one that had so kindly thrown

me the cocoa-nuts) following me at some distance. The next trip I made,

this occurred again, and this time the monkey kept following me nearer

and nearer, until, finally, I heard at my heels a slight squeal, and on

looking around there was the little creature.

"Why, monkey!" I exclaimed, "what in the world do you want?"

He stood there, trembling somewhat, I thought; but quickly he leaped on

my back, and put his arms around my neck. I was a little frightened, at

first; but, taking hold of his hands, I gently loosened his hold and

brought him around in front of me, when, holding him out to view, I saw

a scar on his shoulder.

"Oh! it's you, is it?" I cried. "Then it's you who have been throwing me

the cocoa-nuts all this time. It's plain you haven't forgotten a favor."

I set him on the ground. "Go, join your comrades, and, whenever you feel

disposed to throw me cocoa-nuts, I shall always accept the kindness as

a very great favor."

But monkey wouldn't go and join his comrades, and persisted in following

me. I did not want to speak unkind words or use harsh measures toward

him, although I tried everything I could think of to induce him to leave

me; but all my efforts to get rid of him failed. He followed me home.

Pippity was a little surprised to see two individuals instead of one

approaching, and eyed the stranger with much curiosity.

After we had partaken of refreshments, I addressed our guest in the

following words:

"Monkey, since you have followed me, and seem inclined to join our

society, I shall not object to your remaining, provided you behave

yourself properly; and I have no doubt that my worthy friend to whom I

have had the high honor of introducing you, will heartily second me in

any effort looking toward your comfort and general well-being. You may

make this your home, if it so pleases you. If you want to leave us

to-morrow, go. If you would like to remain with us until death shall us

three part, you are welcome."

I was curious to see how Pippity would treat the new-comer. It was to be

expected that he would show some signs of jealousy, but his was a noble

nature, and scorned to descend to such mean conduct. He and the monkey

were almost immediately on the best of terms, at which I was much

pleased, for I would not for a moment have endured any quarreling in my

household.

When our cocoa-nuts were nearly all gone, I went down for some more. It

was not long after this that, one fine day, the monkey was missing.

Neither did he come back the next day. About noon, I said to Pippity:

"Pippity, we have but few cocoa-nuts left. To-morrow I shall go down and

get another supply; and who knows but I may meet our friend the monkey?

Although he was at any time at liberty to leave us if he liked, yet I

confess I have a desire to know what has become of him. Perhaps some

accident has befallen him."

While I was yet speaking, a cocoa-nut rolled into our house.

"Why, what's that?" I exclaimed; and, looking out, there was the little

monkey, just without the entrance, in the very act of throwing a

cocoa-nut into the cavern! Going toward him, I saw him catch one thrown

to him by another monkey.

Now, here was a most singular performance, and one which certainly

demanded investigation. Where did the second monkey get _his_ cocoa-nut?

I went toward him, and found that he caught a cocoa-nut thrown to him by

a third monkey about fifteen feet beyond him.

As the nuts kept coming all the time, the sight was highly interesting.

To ascertain the true state of the case I went farther; found a fourth

monkey, then a fifth, then a sixth; and as I proceeded I left one monkey

only to find another farther on, all about fifteen feet one from the

other, some perched on rocks, some on trees, forming a zigzag line down

the mountain, all busily catching and throwing the cocoa-nuts in the

most remarkably systematic fashion, There must have been sixty monkeys

or more engaged in this delightful occupation.

I went back and found a large pile of the fruit in our house; and

thinking we had enough for a long time to come, I would have liked to be

able to make our little monkey understand that we wanted no more. The

parrot had learned to discover my wishes very well, but with the monkey

I supposed it would be a matter of some difficulty to make him

comprehend me. He seemed to divine my thoughts, however, or else his own

good sense came to his aid, for, almost immediately, he gave a little

shriek, which the next monkey took up, and which went along the line

until the sounds died away in the distance. After this a few more nuts

rolled into the house, then the throwing and catching ceased, and the

monkeys which had been in sight disappeared, with the exception of our

little friend, who sprang, all elasticity and animation, into our

domicile.

"Now, come, my little friend, sit up and have something to eat," I said.

"You must be hungry after the expenditure of so much energy. We had

given you up for lost; but now, after this evidence of your good-will

toward us, we are satisfied that you really intend to remain with us."

I wished the monkey was able to relate to us how he managed to assemble

so many of his friends, and to get them to act with such perfect accord;

and how, in the first place, he could make them understand what he

wished them to do. Of course, not being able to talk, he could give us

no explanation of how the thing was brought about. I could therefore

only form an opinion in the matter, which was as follows:

Our little friend was undoubtedly a great favorite with his fellows, and

although he was as gentle as a kitten he was not without power, and his

companions were ever ready to serve him out of sheer good-will. When,

therefore, after he had been rescued from the ferocious monkey, his

appreciation of a kind action naturally enkindled in him a desire to

return the favor in some way, he threw me the cocoa-nuts from the trees;

and, although I believe that from the first he felt an ardent desire to

be near his benefactor, his natural modesty prevented his thrusting

himself upon me without considerable preliminary skirmishing. His

fellow monkeys, keenly sensible of his noble qualities, and happy in

having got rid of the odious despot who had so long oppressed them, were

only too glad to aid him in any reasonable and honorable project which

might benefit the hero who had slain their hated ruler. But by what

queer signs and by what sort of jabbering our little monkey had made his

wishes known to his companions, only he and they knew.

I now took occasion to tell our four-handed friend that he must have a

name.

"'Grilly' you shall be called," I said; "and, although you cannot utter

our names, common politeness requires that you be informed of them.

There is Pippity, the parrot, and here am I, Frank, the man."

As Pippity was a good scholar, while Grilly yet remained uneducated, it

was a source of grief to me that the monkey continued in his deplorable

ignorance in the midst of such enlightened society.

What was to be done?

Talk he could not. There was not the slightest use in making any effort

in that direction, because nature had failed to furnish him with the

organs needed for speaking articulately.

I had noticed frequently, when going down into the valley, a certain

rock which fell in pieces by splitting off in smooth plates; and another

kind which lay scattered about in small fragments that would make marks

like chalk-marks. This substance was of a reddish color, and, on the

purplish surface of the thin slabs of the harder rock, it made very

clear, distinct lines.

On one of these slabs I wrote the alphabet in large letters, and began

by teaching Pippity his A B C's. The next step was to instruct Grilly

how to hold the pencil. Taking his hand in mine, I guided it in making

the letters. He was rather slow at first in comprehending the science or

acquiring the knack of tracing the letters; but continued application

will accomplish wonders even with a monkey; and in a few weeks' time

Grilly would make any letter at command. I got Pippity to call out the

alphabet while Grilly wrote. Thus they taught each other--Pippity

addressing the monkey's ear, and Grilly appealing to the parrot's eye.

After they were thus well grounded in the alphabet, I made them spell

short and familiar words. I would spell the words to Pippity, and he

would repeat them in a loud, clear voice to Grilly, whose province of

course it was to write them in a bold, legible hand, whilst the parrot

kept his eye sharply on the writing; and if, perchance, the monkey

should make a mistake, it was expected of him to call out

immediately--"Error!"

As Pippity had a great many phrases and a vast number of nouns at

command, and began pretty rapidly to comprehend the science of English

orthography, he was soon able to give out the words to Grilly without my

help; though he did make some funny mistakes, for which, however, the

poor bird was in no way responsible, but which made me laugh at him

nevertheless.

[Illustration: TEACHING GRILLY TO WRITE.]

It may seem strange to some that a monkey could be taught to write. With

such persons I will hold no argument. All I have to say is: Get a

monkey, and try it.

Grilly as well as Pippity became in course of time quite a fine scholar,

and he, too, learned the names of the plants and many other objects

which we found in our dominions. The two agreed very well, and the one

furnished what the other lacked. The parrot could talk but not write;

the monkey could write but not talk.

But it occurs to me that two such extraordinary characters deserve

description.

First come, first served. The external appearance of Pippity was

gorgeous in the extreme. His wings, green, red-spotted, were tipped with

golden yellow, while the most delicate flush of iridescent colors

suffused his back, neck and breast; his toes in pairs, two forward and

two back, like those of all other parrots; a bill and tongue exactly

formed for speech; eyes in observation keen; and a bearing dignified and

commanding.

Grilly, of course, had not so gay an exterior; yet he had a handsome

clothing of soft, fine hair; a gentle, intelligent eye; a head

exceedingly well formed, round and full, with prominent forehead;

handsome moustache and full stylish whiskers; an expression winning and

full of animation; a carriage elegant and graceful; and, withal, he was

astonishingly expert with tail and hands and feet.

The time now coursed smoothly and happily along, Pippity entertaining us

with his lively prattle, and Grilly, full of his antics and his

learning, affording a never-failing fund of amusement. Nor did he ever

omit, when the supply of cocoa-nuts was about exhausted, to go down and

assemble his tribe, who forthwith took their places up the height,

passed the nuts one to another, and, when they deemed we had enough,

dispersed to their own wild homes of sylvan shade.

One day Grilly was amusing himself turning over some stones that lay in

a little heap in one corner of our vast chamber. I had always thought it

strange that they were the only loose stones to be found either in the

cavern or in the neighborhood, but had never troubled myself any further

about them. Seeing Grilly busy with them, I thought I would join him in

his work or sport, and in a little time we had the pile reduced to the

floor. There, I saw, was a square slab, having on it certain characters

and a drawing of a serpent held firmly in the talons of a condor. These

symbols excited my curiosity not a little, and I noticed that the stone,

which was about three feet square, was loosely resting in its place. I

managed to pry it up, and found a dark cavity beneath. It was nearly

square, but of its depth I could not judge, owing to the darkness. To

satisfy myself on this point, I got a very long stem of one of those

gigantic grasses that grow in the tropics, and, letting it down, found

the hole to be about forty feet deep. I felt a great desire to descend

into this pit, but dared not venture for fear of the foul and deadly air

that might have to be encountered below. Such things as matches, of

course, we had not, nor any fire whatever. I therefore delayed the

experiment for several days, with the expectation that the air would

improve considerably in that time. Then, by bracing my hands and feet

against the sides, I descended slowly, and found the air good enough to

breathe freely, which emboldened me to go to the bottom. There was just

light enough to perceive that on one side was an opening about six feet

in height, and somewhat more than a foot in width; and I could see

rough steps leading down a slight descent. I followed them cautiously,

until I came to a level place, which I found to be a passage about three

feet wide and higher than I could reach.

It was so dark here that I could no longer see, when, feeling the rock

on either side, I came to a place where there was a recess about three

feet above the floor of the passage. Raising myself into this recess, I

found it to be about four feet in height. This led back a considerable

distance,--how far I never discovered,--and as I was groping about,

being obliged to stoop all the time, I stumbled over something that

rolled and rattled like a bone. I felt for it, and found it to be one,

and with it were a number of others. As far as I could judge in the

darkness, they were the skeleton of a human being.

How came these there? Was this a tomb?

I felt about for more relics, going hither and thither in the

earnestness of quest, but found no more.

I had now been in this dungeon upward of an hour, and felt inclined to

return as speedily as possible to the daylight. I searched for the place

where I had got up from the narrow passage. I groped this way and that;

and this had to be done with precaution, for who could tell where I

might not step off suddenly and fall to some great depth? Yet I could

find nothing that promised to lead me to the passage by which I had

come.

Where was I? What was I to do? Remaining still would never do; to keep

moving, moving, was the only course to pursue. I had, I knew not how,

emerged from that low-roofed recess, and stood now in what seemed to be

a vast chamber where there were neither sides nor roof. I hallooed that

I might hear the echo from its walls, and perhaps in that way find them.

I was startled, almost frightened, at the solemn mocking sounds that

reverberated through the lonely cavern. I grew fearful of my own voice.

At last I sank down exhausted, and slept. I awoke, and groped about once

more. This occurred again and again. How often I lay down to sleep I

cannot tell. Sometimes I thought of the skeleton I had stumbled over,

and wondered if my bones, too, would here find their resting-place. Then

I thought of the grand, lofty mountain overhead. What a stupendous

monument! But what would I not have given for deliverance from it!

(_To be continued._)

[Illustration: THE HOUSE THAT JACK BUILT, BY OUR JAPANESE ARTIST]

HOW TO MAKE AN ICE-BOAT.

BY J. H. HUBBARD.

The sport of sailing on the ice has within a few years attracted

considerable attention on our northern rivers and lakes, and seems

likely to increase. It is an amusement well adapted to big boys, being

exciting, requiring skill, and certainly not more dangerous than

skating. It is even more fascinating than yachting, without the danger

which always attends the latter pursuit. A small ice-boat that a boy can

build will sail ten to twenty miles an hour with a good wind. Some large

ones, strange as it may seem, can sail, with a wind on the beam,

actually faster than the wind which is blowing. This fact is attested by

the highest scientific authorities.

Having seen some unsuccessful attempts at ice-boats by boys in various

places, I propose to tell you how to build one, at a small expense, that

will sail well, and give you a great deal of sport.

[Illustration: FIG. 1.]

The directions and measurements here given are the result of careful

experiments and some failures. Fig. 1 is an elevation, Fig. 2 a

ground-plan of the frame, and Fig. 3 a section of a runner. Get a spruce

plank, A, 12 feet long, 6 inches wide, 2 inches thick. This is the

backbone of the structure. Cut near one end of it a hole two inches

square to receive the foot of the mast.

[Illustration: Fig. 2.]

Take two oak cross-bars, E E, 8 feet long, 4 inches deep, 2 inches

thick. The cross-bars are bolted to A, one foot apart, the forward one a

foot from mast-hole. This distance is best.

Next get one oak plank, C, 16 inches long, 3-1/2 inches deep, 2 inches

thick.

The hard-wood piece, D, is for tiller, 4 feet long, 2 inches wide, 1

inch thick. This is to be set into the top of plank C, and fastened

there with screws. To each end of it is attached a rope, which runs over

a sheave fastened to the cross-bar, C D, and the ropes, _l l_,

constitute the steering apparatus. Two boards, F F, each 11 feet long, 8

inches wide, 7/8-inch thick, are planed, and the edges matched together,

at the stern. They are nailed to the plank, A, and the cross-bars, E E,

as shown in Fig. 2. Four blocks, each 3 inches thick, must be put under

them where they lie over the cross-bars. A board a foot long, 7/8-inch

thick, must also be put under F F at the stern.

Six slats, G G, as long as may be needed, 2 inches wide, 7/8-inch thick,

are nailed over A, and under F F.

The mast is a natural spruce stick, 13 feet long, shaved down to 3-1/2

inches at butt, 2-1/2 inches at the top.

The boom is 13-1/2 feet long, 2 inches thick at each end, and a little

thicker in the middle. It is fastened to the mast by an iron eye,

screwed into the mast, and a hook in the end of the boom. The sprit is

10 feet long, 1-1/2 inches diameter, shaved to 3/4-inch for 2 inches at

each end.

The iron collar, _i_, through which the mast is inserted loosely, stands

two feet above the top of plank, A. It is supported by three iron

braces, _h h h_, and is bolted to the tops of them. The braces are

3/4-inch round iron, and bolted to the frame as shown.

[Illustration: Fig. 3.]

The hind-runner block, C, is fastened to A by a strong iron, _m_, as

shown in Fig. 1. It allows the runner to rock up and down, and to be

turned sidewise by the tiller. A must be plated with iron top and bottom

where _m_ goes through, that the runner may not "wobble."

The construction of the runners, J J J, must be attended to with the

greatest care, as upon these, in a great measure, will depend the

success of your boat. Get a square bar of cast steel, 6 feet long, cut

off 22 inches for third runner, and divide the rest in halves, across.

Shape two forward runners and one hind one as shown in Fig. 1. The

bearing surface is a right-angled edge, as shown in Fig. 3. This sharp

edge holds the ice firmly without much friction. Holes are bored two

inches up into the cross-bars, near their ends, and the runners driven

in and fastened with rivets. After the runners are forged, they should

be finished with a file and emery paper if not perfectly smooth. The

front turn must be long and gradual like a skate, two-thirds the length,

however, flat on the ice. The running edges should not be too sharp.

They will project 2-1/2 or three inches below the bottom of the wood.

For the sail get twenty yards, three-quarters of a yard wide, of heavy

drilling. The dimensions are: Head, 5 feet; foot, 13 feet; foreleach, 10

feet; afterleach, 14-1/2 feet. Make these measurements on a floor, and

mark the outlines with a chalk-line. Cut the after-breadth first, and

the others to match. Lap the breadths 1 inch. Allow an inch all around

for a hem. The breadths should be basted before stitching. Put two rows

of stitching where the breadths lap. Look out for puckering. Put a

narrow hem clear around the sail. Then stitch a 3/8-inch rope around the

hem. Make a loop at the peak to put the end of sprit into. Draw the

rope tight along the boom, and fasten it through a hole in the end.

Fasten the throat of sail tight to the top of the mast. Cut a number of

short pieces of heavy twine, and lace the sail, at intervals of a foot,

to the boom and mast. Fasten a becket or loop of rope at a suitable

position on the mast, to set the heel of the sprit into. Rig main-sheet

over two sheaves, as shown; it brings less strain on the boom, and

clears the skipper's head in tacking. Make a good, large wooden cleat to

belay it to.

The cost of materials will be about as follows:

Boards, plank and mast $5.00

Iron work 6.00

Twenty yards Drilling 2.75

Four single-sheave galvanized

pulley-blocks at 35 c 1.40

(May be omitted by using leather straps.)

Ropes, etc. 85

______

Total $16.00

A boat built as above will sail nearly as close to the wind as a good

cat-boat. It is managed much the same. Don't turn too short in coming

about. Jibe when you like without fear of capsizing. Your boat will

carry three persons in a light wind,--more if it blows fresh. Rig it

neatly, and try to make a finished thing all through. Your ice-boat will

then be more than a boy's plaything, and will be admired by old and young.

* * * * *

[Illustration]

There once was a man with a child

Who, the neighbors said, never had smiled;

But the father said, "See!

Smile in this way, like me,

And then folks will know when you've smiled."

DEBBY'S CHRISTMAS.

BY ELLA A. DRINKWATER.

Most young people's Christmas commences the night before; so did

Debby's. She had just settled down in Blanket street, and fallen into

the sleep of tired, healthy girlhood, when she was aroused by her

mother's irritable voice screaming up the stairway.

"Debby! Debby!" she called. "Get up quick and help me pick these

turkeys. Your father's made up his mind to sell them dead weight, and

we've got to pick them to-night, so he can take them to the hotel early

in the morning. Do you _hear_ me, Debby?"

"Yes, ma'am," answered Debby, scrambling out of her warm nest to the

square of rag carpet before her bed.

Four minutes later she felt her way down-stairs and opened the kitchen

door into a room filled with steam, and the peculiar smell of scalded

fowls.

"There's seven to do," her mother said, bending over the brass kettle on

the stove to draw from it a dripping turkey. "Yours are all scalded. Go

to work."

Debby buttoned on a large apron, seated herself with a tin pan in her

lap containing a turkey, and then began quickly to pluck off its

feathers, laying them to dry on a religious newspaper spread on the

table beside her.

Mrs. Blanchard soon sat down at the other side of the table, and began

to pick and talk as fast as fingers and tongue would allow.

What did possess Mr. Blanchard to change his mind, and give them so much

extra trouble, she could not conceive; and selling them to Tate, too,

when he might have made a quarter of a cent more a pound if he had let

Morris have them. And then those hoop-poles! He might have made she

didn't know how much if he had taken her advice, and kept them a week

longer.

As for the potatoes, they had turned out so small, and the corn was so

short in the ear, that the land only knew where the money to get them

all something to wear was to come from. Not that _she_ cared for dress,

for hadn't she worn the same bonnet and shawl to church until she was

ashamed to show her face there? As for the sewing society, she was a

master hand at cutting and planning, and she could go as well as not,

too, now that Debby was quite old enough to take care of the baby, and

get the supper ready for her father and the boys; but not a step was she

going to sit next Mrs. Williams with her black silk, and Mrs. White with

her handsome alpaca, although their husbands' farms were no larger than

Mr. Blanchard's; and for the life of her she could not understand why

_she_ should not dress as well when she worked twice as hard as they

did.

To all of which Debby listened with a sinking heart and great sobs in

her throat, wondering why they should be such an unhappy family when

every one around them appeared so glad.

Did it really make people so happy, this Christmas-day that they talked

so much about in Sunday-school? That was a beautiful hymn that they sung

last Sunday; she repeated one verse softly to herself while the stream

of her mother's talk ran on:

"Jesus is our childhood's pattern,

Day by day, like us, he grew;

He was little, weak and helpless,

Tears and smiles, like us, he knew;

And he feeleth for our sadness,

And he shareth in our gladness."

With a comforted feeling she pushed back her hair with her feathery

hand, heartily wishing that all the people who ate their turkeys would

be comfortable, and have clothes to wear and go to sewing societies

whenever they liked.

The clock ticked loudly, the fire died away while Mrs. Blanchard

enlarged upon the trials of her life, and, despite the refrain in her

heart--

"And he feeleth for our sadness,

And he shareth in our gladness"--

Debby's eyes were as heavy with tears as with sleepiness when the last

plump turkey lay on the table plucked of his feathers, just as the clock

was striking eleven.