Not long before the imperialists carried Rome, the Colonnas, in 1526,

sacked it, as it were; and that was followed by that of the Abate di

Farfa, and the peasantry of the Orsini family[151].

Rome was assaulted by the Bourbon, May 5, 1527; and the imperialists

left it February 17, 1528.

No sooner was the Bourbon in sight of Rome, than he harangued his

troops, and pointed to the end of all their sufferings. Being destitute

of artillery, with which he might batter the walls, he instantly made

his dispositions for an assault; and having discovered a breach, he

planted, with his own hands, a ladder against the rampart, and prepared

to mount it, followed by his German bands. But, at that instant, a shot,

discharged from the first arquebuse which was fired, terminated at once

his life and his misfortunes. Much fruitless inquiry has been made to

ascertain the author of his death, which is commonly attributed to a

priest; but Benvenuto Cellini, so well known by his extraordinary

adventures and writings, lays claim to the merit of killing this hero.

By whatever hand he fell he preserved, even in the act of expiring, all

his presence as well as greatness of mind. He no sooner felt himself

wounded, than he ordered a Gascon captain, named Jonas, to cover him

with a cloak, in order to conceal his death, lest it should damp the

courage of his soldiers. Jonas executed his commands with punctuality.

The Constable still continued to breathe when the city was taken. He

was, therefore, carried thither, and there expired, May 5, 1527, at

thirty-eight years of age.

Philipart, prince of Orange, contrived to keep the troops in ignorance

of their commander’s death, till they were masters of Rome; and then, to

render them inaccessible to pity, he revealed to them the fate of

Bourbon. No language can express the fury with which they were animated

at this sad intelligence. They rent the air with the cries of “Carné,

carné! Sangre, sangre! Bourbon, Bourbon!”

The imagination is appalled at the bare recital of the wanton outrages

on human nature, which were committed by Bourbon’s army, during the time

that they remained masters of Rome. The pillage lasted, without any

interruption, for two months.

Never had that proud city suffered from her barbarian conquerors, in the

decline of the Roman empire,—from Alaric, from Genseric, or from

Odoacer,—the same merciless treatment as she underwent from the rage of

the imperial troops;—the subjects, or the soldiers of a Catholic king!

Rapacity, lust, and impiety, were exhausted by these men. Roman ladies

of the noblest extraction were submitted to the basest and vilest

prostitution. The sacred ornaments of the sacerdotal, and even of the

pontifical dignity, were converted to purposes of ridicule and

buffoonery. Priests, nay even bishops and cardinals, were degraded to

the brutal passions of the soldiery; and after having suffered every

ignominy of blows, mutilation, and personal contumely, were massacred in

pastime. Exorbitant ransoms were exacted repeatedly from the same

persons; and when they had no longer wherewithal to purchase life, they

were butchered without mercy. Nuns, virgins, matrons, were publicly

devoted to the infamous appetites of the soldiers; who first violated,

and then stabbed, the victims of their pleasures. The streets were

strewed with the dead; and it is said that eight thousand young women,

of all ranks and conditions, were found to be pregnant within five

months from the sack of the unfortunate city.

Three years after the sack by Bourbon, that is in 1530, an inundation of

the Tiber ruined a multitude of edifices both public and private, and

was almost equally calamitous with the sack of Rome. Simond, writing

from Rome in January 1818, says: “The Tiber has been very high, and the

lower parts of the town under water; yet this is nothing compared with

the inundations recorded on two pillars at the port of Ripetta, a sort

of landing-place. The mark on one of them is full eighteen feet above

the level of the adjoining streets; and, considering the rapidity of the

stream, a great part of the city must then have been in imminent danger

of being swept away.” In 1819 the Pantheon was flooded; but this is not

an uncommon event, as it stands near the river, and the drain, which

should carry off the rain-water that falls through the aperture in the

top, communicates with the stream. The inundations of the Tiber, indeed,

are one of the causes, which combined to destroy so many of the

monuments of Rome during the middle ages. There is one recorded in 1345,

among the afflictions of the times, when only the summits of the hills

were above the water, and the lower grounds were converted into a lake

for the space of eight days. Several floods are mentioned by the ancient

writers; and Tacitus speaks of a project which was debated in the

senate, A. D. 15, for diverting some of the streams running into the

Tiber, but which was not carried into execution in consequence of the

petitions of various towns, who sent deputies to oppose it; partly on

the ground of their local interests being affected, and partly from a

feeling of superstition, which emboldened them to urge that “Nature had

assigned to rivers their proper courses,” and other reasons of a similar

nature.

Aurelian endeavoured to put an effectual stop to the calamities which

sprang from the lawless river, by raising its banks and clearing its

channel. However, the deposits resulting from these frequent inundations

have contributed greatly to that vast accumulation of soil, which has

raised the surface of modern Rome so many feet above the ancient level;

and thus the evil itself has occasioned a remedy to a partial extent.

We must now close this portion of our imperfect account, and proceed to

give our readers some idea in respect to the present condition of Rome’s

ancient remains; gleaned, for the most part, from the pages of writers

who have recently been sojourners in “the Eternal City:” but in doing

this we by no means wish our readers to expect the full and minute

particulars, which they may find in works entirely dedicated to the

subject; for Rome, even in its antiquities, would require a volume for

itself.

When Poggio Bracciolini visited Rome in the fifteenth century, he

complained that nothing of old Rome subsisted entire, and that few

monuments of the free city remained; and many writers of more recent

times have made the same complaint. “The artist,” says Sir John

Hobhouse, “may be comparatively indifferent to the date and history, and

regard chiefly the architectural merit of a structure; but the Rome

which the Florentine republican regretted, and which an Englishman would

wish to find, is not that of Augustus and his successors, but of those

greater and better men, of whose heroic actions his earliest impressions

are composed.” To which, however, may be added what Dr. Burton

questions, viz., Whether, in his expectations, the traveller may not

betray his ignorance of real history. “The works of the Romans, in the

early ages of their nation, were remarkable for their solidity and

strength; but there seems no reason to suppose that much taste or

elegance was displayed in them. But then, again, if we wish to confine

ourselves to the republic, there is surely no need of monuments of brick

and stone to awaken our recollections of such a period. If we must have

visible objects on which to fix our attention, we have the ground itself

on which the Romans trod; we have the Seven Hills; we have the Campus

Martius, the Forum,—all places familiar to us from history, and in

which we can assign the precise spot where some memorable action was

performed. Those who feel a gratification, by placing their footsteps

where Cicero or Cæsar did before them, in the consciousness of standing

upon the same hill which Manlius defended, and in all those associations

which bring the actors themselves upon the scene, may have all their

enthusiasm satisfied, and need not complain that there are no monuments

of the time of the republic.”

The remains of ancient Rome may be classed in three different periods.

Of the first, the works of the kings, embracing a period of two hundred

and forty-four years, from the foundation of the city by Romulus to the

expulsion of Tarquin, very little have escaped the ravages of time; the

Tullian walls and prison, with the Cloaca Maxima, being the only

identified remains. Of the works of the republic, which lasted four

hundred and sixty-one years, although the city, during that period, was

more than once besieged, burned, and sacked, many works are yet

extant:—the military ways and aqueducts, and some small temples and

tombs. But it was during the third period, that of the emperors, that

Rome attained the meridian of her glory. For three centuries all the

known world was either subject to her, or bound by commercial treaties;

and the taste and magnificence of the Romans were displayed in the

erection of temples to the gods, triumphal arches and pillars to

conquerors, amphitheatres, palaces, and other works of ostentation and

luxury, for which architecture was made to exhaust her treasures, and no

expense was spared to decorate.

Architecture was unknown to the Romans until Tarquin came down from

Etruria. Hence the few works of the kings, which still remain, were

built in the Etruscan style, with large uncemented, but regular blocks.

In the gardens of the convent Giovanni a S. Paolo is a ruin of the Curia

Hostilia, called the Rostrum of Cicero; and some few fragments, also,

remain of a bridge, erected by Ancus Martius. On this bridge (Pons

Sublicius) Horatius Cocles opposed singly the army of Porsenna; and from

it, in subsequent times, the bodies of Commodus and Heliogabalus were

thrown into the Tiber. In the pontificate of Nicholas V. it was

destroyed by an inundation. There are also the remains of a large brick

edifice, supposed to have been the Curia, erected by Tullus Hostilius,

which was destroyed by fire when the populace burned in it the corpse of

Clodius. Julius Cæsar commenced its restoration; and Augustus finished

it, and gave it the name of Curia Julia, in honour of his father by

adoption.

In regard to the form and size of the city, we must follow the direction

of the seven hills upon which it was built. 1. Of these MONS PALATINUS

has always had the preference. It was in this place that Romulus laid

the foundation of the city, in a quadrangular form; and here the same

king and Tullus Hostilius kept their courts, as did Augustus afterwards,

and all the succeeding emperors. This hill was in compass 1200 paces. 2.

MONS TARPEIUS, took its name from Tarpeia, a Roman virgin, who in this

place betrayed the city to the Sabines. It had afterwards the

denomination of Capitolinus, from the head of a man, casually found here

in digging for the foundation of the temple of Jupiter. This hill was

added to the city by Titus Tatius, king of the Sabines; when, having

been first overcome in the field by Romulus, he and his subjects were

permitted to incorporate with the Romans. 3. MONS ESQUILINUS was taken

in by Servius Tullius, who had here his royal seat. 4. MONS VIMINALIS

derived its name from the osiers that grew very plentifully upon it.

This hill was taken in by Servius Tullus. 5. MONS CŒLIUS owes its name

to Cœlius, or Cœles, a Tuscan general greatly celebrated in his time,

who pitched his tents here when he came to the assistance of Romulus

against the Sabines. Its having been taken into the city is attributed

to Tullus Hostilius, by Livy and Dionysius; but by Strabo, to Ancus

Martius. 6. COLLIS QUIRINALIS was so called from the temple of Quirinus,

another name of Romulus; or from the Curetes, a people that removed

hither from a Sabine city, called Cures. It afterwards changed its name

to Caballus, Mons Caballi, and Caballinus, from the two marble horses,

with each a man holding him, which are set up here. They are still

standing, and, if the inscription on the pilasters be true, were the

work of Phidias and Praxiteles; made by those masters to represent

Alexander and his horse Bucephalus, and sent to Nero as a present by

Tiridates king of Armenia. 7. MONS AVENTINUS derived its name from

Aventinus, an Alban king, from the river Avens, or from (ab Avibus) the

birds, that used to flock there from the Tiber. Gellius affirms, that

this hill was not enclosed within the bounds of the city, till the time

of Claudius; but Eutropius expressly states that it was taken into it

even so early as that of Ancus Martius.

As to the extent of the whole city, the greatest, recorded in history,

was in the reign of Valerian, who enlarged the walls to such a degree,

as to surround a space of fifty miles. The number of inhabitants, in its

flourishing state, is computed by Lipsius at four millions. The present

extent of the walls is about thirteen miles. Sir John Hobhouse walked

round them in three hours, thirty-three minutes and three quarters; and

Dr. Burton did the same in three hours and ten minutes.

This circuit will bring into view specimens of every construction, from

the days of Servius Tullius down to the present. Aurelian took into his

walls whatever he found standing in their line, and they now include

some remains of the Tullian walls, the walls of the Prætorian barracks,

the facing of a tank, aqueducts, sepulchral monuments, a menagerie, an

amphitheatre, a pyramid, &c. Thus do they exhibit the uncemented blocks

of the Etruscan style, the reticular work of the republic, the

travertine preferred by the first emperors, the alternate tufa and

bricks employed by their successors, and that poverty of materials which

marks the declining empire. Since the first breach, made by Totila, the

walls have been often and variously repaired; sometimes by a case of

brick-work, filled up with shattered marbles, rubble, shard, and mortar.

In some parts, the cementitious work is unfaced; here you find stones

and tufa mixed; there tufa alone, laid in the Saracenic manner: the

latter repairs have the brick revêtement of modern fortification.

The gates of Rome, at the present day, are sixteen in number, of which

only twelve are open. The wall of Romulus had but three or four; and

there has been much discussion among antiquaries, as to their position.

That of Servius had seven; but in the time of Pliny, (in the middle of

the first century) there were no less than thirty-seven gates to the

city. The twelve gates at present in use correspond to some of the

principal gates of former times.

Modern Rome, however, can scarcely be said to rest upon the ancient

base. Scarcely two-thirds of the space within the walls are now

inhabited, and the most thickly peopled district is comprised within

what was anciently the open plain of the Campus Martius. On the other

hand the most populous part of the ancient Rome is now but a landscape;

it would almost seem, indeed, as if the city had slipped off its seven

hills into the plain beneath. A remarkable change, too, has taken place

in the surface of the site itself. In the valleys the ground has been

raised not less than fourteen or fifteen feet. This is strikingly

observable in the Forum, where there has been a great rise above the

ancient level, owing partly to the accumulation of soil and rubbish

brought down by the rains; but chiefly, as there is reason to believe,

to that occasioned by the demolition of ancient buildings, and the

practice which prevailed of erecting new structures upon the prostrate

ruins.

The Tiber, too, still remains; but its present appearance has been

variously estimated. “The Tiber,” says Dr. Burton, “is a stream of which

classical recollections are apt to raise too favourable anticipations.

When we think of the fleets of the capital of the world sailing up it,

and pouring in their treasures of tributary kingdoms, we are likely to

attach to it ideas of grandeur and magnificence. But if we come to the

Tiber with such expectations, our disappointment will be great.”

Sir John Hobhouse speaks differently: “Arrived at the bank of the

Tiber,” he says, speaking of the traveller’s approach to Rome from the

north, across the Ponte Molle, “he does not find the muddy insignificant

stream, which the disappointments of overheated imaginations have

described it; but one of the finest rivers of Europe, now rolling

through a vale of gardens, and now sweeping the base of swelling

acclivities, clothed with wood, and crowned with villas, and their

evergreen shrubberies.” Notwithstanding this, the Tiber can be by no

means called a large river, and it is scarcely navigable even below

Rome, owing to the frequent shoals which impede its course. A

steam-boat, which plies between the capital and Fiumicino, a distance of

about sixteen miles, is generally five or six hours in making the

passage. Ordinary vessels are three days in making their way up the

Tiber to Rome; being towed up always by buffaloes. The velocity of its

current may be estimated from the fact, that it deposits its coarser

gravel thirty miles from the city, and its finer at twelve; it hence

pursues its course to the sea, charged only with a fine yellowish sand,

imparting to its waters that peculiar colour, which poets call golden,

and travellers muddy. Yet these waters enjoyed, at one time, a high

reputation for sweetness and salubrious qualities. Pope Paul the Third

invariably carried a supply of the water of the Tiber with him on his

longest journeys; and his predecessor, Clement the Seventh, was

similarly provided, by order of his physician, when he repaired to

Marseilles, to celebrate the marriage of his niece, Catherine de

Medici, with the brother of the Dauphin, afterwards Henry the Second of

France.

Both within and without the walls of Rome, fragments of aqueducts may be

seen. Of these “some,” says Mr. Woods, “are of stone, others of

brick-work, but the former cannot be traced for any continuance; and

while two or three are sometimes supported on a range of arches, in

other places almost every one seems to have a range to itself. It is

curious to trace these repairs, executed, perhaps, fifteen centuries

ago. The execution of the brick-work, in most instances, or perhaps in

all, shows them to be decidedly prior to the age of Constantine; and the

principal restorations, in all probability, took place when the upper

water-courses were added. They generally consist of brick arches, built

within the ancient stone ones; sometimes resting on the old piers, but

more often carried down to the ground; and, in some cases, the whole

arch has been filled up, or only a mere door-way left at the bottom.

Sometimes this internal work has been wholly, or partially, destroyed;

and sometimes the original stone-work has disappeared, as the owner of

the ground happened to want bricks, or squared stones. In one place the

ancient piers have been entirely buried in the more recent brick-work;

but the brick-work has been broken, and the original stone-work taken

away: presenting a very singular, and, at first sight, wholly

unaccountable appearance. In other parts, the whole has fallen,

apparently without having had these brick additions; for a range of

parallel mounds mark the situation of the prostrated piers.”

“I do not know any thing more striking,” says Simond, “than these

endless arches of Roman aqueducts, pursuing, with great strides, their

irregular course over the desert. They suggest the idea of immensity,

of durability, of simplicity, of boundless power, reckless of cost and

labour, all for a useful purpose, and regardless of beauty. A river in

mid-air, which had been flowing on ceaselessly for fifteen or eighteen

hundred, or two thousand years, poured its cataracts in the streets and

public squares of Rome, when she was mistress, and also when she was the

slave of nations; and quenched the thirst of Attila, and of Genseric, as

it had before quenched that of Brutus and Cæsar, and as it has since

quenched that of beggars and of popes. During those ages of desolation

and darkness, when Rome had almost ceased to be a city, this artificial

river ran to waste among the ruins; but now fills again the numerous and

magnificent fountains of the modern city. Only three out of eleven of

these ancient aqueducts remain entire, and in a state to conduct water;

what, then, must have been the profusion of water to ancient Rome?”

The Tarpeian rock still exists; but has little in its appearance to

gratify the associations of a classic traveller. Seneca describes it as

it existed in his time thus:—“A lofty and precipitous mass rises up,

rugged with many rocks, which either bruise the body to death, or hurry

one down still more violently. The points projecting from the sides, and

the gloomy prospect of its vast height, are truly horrid. This place is

chosen in particular, that the criminals may not require to be thrown

down more than once.”

Poggio Bracciolini gives a melancholy picture of what, in his time, was

the state of this celebrated rock. “This Tarpeian rock was a savage and

solitary thicket. In the time of the poet it was covered with the golden

roofs of a temple; the temple is overthrown, the gold has been pillaged,

the wheel of fortune has accomplished her revolution, and the sacred

ground is again disfigured with thorns and brambles. The hill of the

Capitol, on which we sit, was formerly the head of the Roman empire, the

citadel of the earth, the terror of kings; illustrated by the footsteps

of so many triumphs, enriched with the spoils and attributes of so many

nations. This spectacle of the world, how is it fallen! how changed! how

defaced! The path of victory is obliterated by vines, and the benches of

the senators are concealed by a dunghill.”

“Like the modern Tiber, the modern Tarpeian,” says an elegant traveller,

“is little able to bear the weight of its ancient reputation.” “The only

precipice that remains,” says another traveller (Mathews) “is one about

thirty feet from the point of a wall, where you might leap down on the

dung, mixed in the fold below, without any fear of breaking your bones.”

The Aqueducts were, beyond all question, some of the noblest designs of

the Romans. Frontinus, a Roman author, and a person of consular dignity,

who compiled a treatise on this subject, affirms them to be the clearest

token of the grandeur of the empire. The first invention of them is

attributed to Appius Claudius, A. U. C. 441, who brought water into the

city by a channel eleven miles in length. But this was very

inconsiderable compared to those that were afterwards carried on by the

emperors and other persons; several of which were cut through the

mountains, and all other impediments, for above forty miles together;

and of such height, that a man on horseback, as Procopius informs us,

might ride through them without the least difficulty. This, however, is

meant only of the constant course of the channel; for the vaults and

arches were, in some places, 109 feet high.

Procopius makes the Aqueducts only fourteen; but Aurelius Victor has

enlarged the number to twenty. The Claudian Aqueduct conveyed 800,000

tons of water each day into the city.

The Forums of Rome were of two kinds; one a place of popular assembly,

both for business, and pleasure; serving at once the purposes of what we

call an Exchange, certain courts of justice, and of hustings for the

election of public functionaries: the other consisted of market-places.

The chief forum was emphatically called the Roman, or the Great Forum.

The second forum, built in Rome, was erected by Julius Cæsar. The third

was called sometimes the Augustan, from its having been formed by

Augustus; and sometimes the Forum of Mars from the temple of that god,

erected by him. Some remains are still in existence. The fourth forum

was begun by Domitian, but being finished by Nerva, it was called after

his name. A fifth forum was built by the emperor Trajan; said to have

been the most celebrated work of the kind in the city. It was built with

the spoils he had taken in his wars. The roof was of brass.

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