C. Y. P. R. U.

"OLD MORTALITY."--Sir Walter Scott's novel of _Old Mortality_ is one of

the recognized masterpieces of English literature. Its scenes are laid

in Scotland during the reign of Charles the Second and James, his

successor, a period which was characterized by intense religious

excitement, and fiery struggles between the Royalists, on the one hand,

and the Covenanters, or Presbyterians, on the other. In this novel

Colonel Grahame, of Claverhouse, cool, dauntless, and insensible to

pity, is one of the central figures. There is a tender love-story

running through the book, but its main interest, after all, is derived

from its splendid descriptions of battles and forays, which stir the

blood to enthusiasm, and rouse the martial impulse which is latent in

the most tranquil natures. The third, fourth, and fifth chapters of _Old

Mortality_ are full of power, and of that vivid word-painting which is

the highest style of writing. They possess the Homeric quality of

dramatic movement and majestic strength, and for reading aloud on a

chill winter night, when the wind is raging outside and the fire is

bright within, they are surpassed by nothing else that the Postmistress

remembers.

"Old Mortality" himself is scarcely an ideal character, as Sir Walter

drew his portrait from a peasant who for thirty years wandered through

the western districts of Ayr, Galloway, and Dumfries, spending his time

in freshening the inscriptions on the graves of the martyrs. Mounted on

a gaunt white pony, his gray locks straggling beneath an immense blue

"bonnet," his old coat of hodden-gray the worse for years of hard

service, his feet incased in hobnailed shoes, and his limbs covered with

leggings of strong black cloth, this old man, whose real name was Robert

Paterson, went from one church-yard to another among the wild moors and

lonely hills, removing the moss from the rude tombstones, and deepening

the fading letters with his chisel. He lived from house to house,

entertained by hospitable farmers, who revered him, and finally, when

very aged, was found expiring upon the highway, his faithful white pony

standing on guard by his side.

* * * * *

WILLIE F.--Your idea that time spent in the study of the dead languages

is lost time, and that you would prefer to devote yourself wholly to

your native tongue, is perhaps a natural one, but it is based on an

error. Latin and Greek are dead languages in the sense that they are not

spoken in any land by living people to-day. But they are not dead in the

sense of having lost their vitality. They enter largely into our modern

languages, and no one can be a precise and thorough scholar in English

without some acquaintance with Latin at least. Study your Latin grammar

patiently, as your teacher advises, and though you do not yourself see

what good it will do you, believe me that after a while you will find

yourself repaid. There are some things which we must acquire by way of

discipline, for it is the disciplined mind which does the best work with

ease, just as the trained soldier can march farther and fight better

than the raw recruit.

* * * * *

The Postmistress is fond of looking up the history of words. Some common

words have a very curious history. For instance, demijohn, a glass

bottle covered with basket-work, is a sort of puzzler. Why is it

demijohn? Why John at all? Or if John, why half-john? The truth is, it

has nothing to do with John; but was first manufactured at a town called

Damaghan, in Khorassan, a province of Persia, a place once renowned for

its glass-workers.--Calico, which is so dainty and pretty, and which the

little girls wear to school in summer, derives its name from Calicut in

India, from which handsome cotton goods were once imported to England.

* * * * *

There are two articles in this paper that we want the members of the

C. Y. P. R. U. to read, because they will add to the stock of solid and

valuable information that the society is endeavoring to store away in

eager, appreciative minds, viz., "The Waves at Work," by Mr. Charles

Barnard, and "The Scullion who became a Sculptor," by Mr. George Cary

Eggleston. But there are two others that we want the boys and girls to

make the basis of prompt and energetic action. To begin with, we want

the article "On Cigarette Smoking" to produce such an impression that

the stoves and ranges in all houses inhabited by the coming men of the

next generation shall have a grand smoke, consuming in the operation all

the compounded horrors in the way of bad paper, bad tobacco, dirt,

opium, etc., that we now see defiling lips and destroying the nerve and

brain power of the gallant lads to whom the world will soon look for the

wit, the wisdom, the sagacity and the command, that shall keep her

moving in the right direction. Then we want nobody to omit the sketch of

"A School Restaurant," with its pretty illustrations. Papas and mammas

do not like to say no when their pets ask them for pocket-money, and the

pocket-money is nearly sure to go to the confectioner's till. Suppose

you all ask your parents and teachers to consider our idea of a school

dinner nicely served every day. Most of you are sensible folk, and know

just as well as your physicians, or the Postmistress does how much

brighter, better, and rosier you would feel and look if you could have a

hearty nourishing meal to sustain you through the labors and pleasures

of the latter half of the day.

* * * * *

Harper's Round Table, January 24, 1882 · 第 42 / 55 题