MADAME DE TREYMES

I

John Durham, while he waited for Madame de Malrive to draw on her

gloves, stood in the hotel doorway looking out across the Rue de

Rivoli at the afternoon brightness of the Tuileries gardens.

His European visits were infrequent enough to have kept unimpaired

the freshness of his eye, and he was always struck anew by the vast

and consummately ordered spectacle of Paris: by its look of having

been boldly and deliberately planned as a background for the

enjoyment of life, instead of being forced into grudging concessions

to the festive instincts, or barricading itself against them in

unenlightened ugliness, like his own lamentable New York.

But to-day, if the scene had never presented itself more alluringly,

in that moist spring bloom between showers, when the horse-chestnuts

dome themselves in unreal green against a gauzy sky, and the very

dust of the pavement seems the fragrance of lilac made visible--to-day

for the first time the sense of a personal stake in it all, of having

to reckon individually with its effects and influences, kept Durham

from an unrestrained yielding to the spell. Paris might still be--to

the unimplicated it doubtless still was--the most beautiful city in

the world; but whether it were the most lovable or the most detestable

depended for him, in the last analysis, on the buttoning of the white

glove over which Fanny de Malrive still lingered.

The mere fact of her having forgotten to draw on her gloves as they

were descending in the hotel lift from his mother's drawing-room

was, in this connection, charged with significance to Durham. She

was the kind of woman who always presents herself to the mind's eye

as completely equipped, as made up of exquisitely cared for and

finely-related details; and that the heat of her parting with his

family should have left her unconscious that she was emerging

gloveless into Paris, seemed, on the whole, to speak hopefully for

Durham's future opinion of the city.

Even now, he could detect a certain confusion, a desire to draw

breath and catch up with life, in the way she dawdled over the last

buttons in the dimness of the porte-cochere, while her footman,

outside, hung on her retarded signal.

When at length they emerged, it was to learn from that functionary

that Madame la Marquise's carriage had been obliged to yield its

place at the door, but was at the moment in the act of regaining it.

Madame de Malrive cut the explanation short. "I shall walk home. The

carriage this evening at eight."

As the footman turned away, she raised her eyes for the first time

to Durham's.

"Will you walk with me? Let us cross the Tuileries. I should like to

sit a moment on the terrace."

She spoke quite easily and naturally, as if it were the most

commonplace thing in the world for them to be straying afoot

together over Paris; but even his vague knowledge of the world she

lived in--a knowledge mainly acquired through the perusal of

yellow-backed fiction--gave a thrilling significance to her

naturalness. Durham, indeed, was beginning to find that one of the

charms of a sophisticated society is that it lends point and

perspective to the slightest contact between the sexes. If, in the

old unrestricted New York days, Fanny Frisbee, from a brown stone

door-step, had proposed that they should take a walk in the Park,

the idea would have presented itself to her companion as agreeable

but unimportant; whereas Fanny de Malrive's suggestion that they

should stroll across the Tuileries was obviously fraught with

unspecified possibilities.

He was so throbbing with the sense of these possibilities that he

walked beside her without speaking down the length of the wide alley

which follows the line of the Rue de Rivoli, suffering her even,

when they reached its farthest end, to direct him in silence up the

steps to the terrace of the Feuillants. For, after all, the

possibilities were double-faced, and her bold departure from custom

might simply mean that what she had to say was so dreadful that it

needed all the tenderest mitigation of circumstance.

There was apparently nothing embarrassing to her in his silence: it

was a part of her long European discipline that she had learned to

manage pauses with ease. In her Frisbee days she might have packed

this one with a random fluency; now she was content to let it widen

slowly before them like the spacious prospect opening at their feet.

The complicated beauty of this prospect, as they moved toward it

between the symmetrically clipped limes of the lateral terrace,

touched him anew through her nearness, as with the hint of some vast

impersonal power, controlling and regulating her life in ways he

could not guess, putting between himself and her the whole width of

the civilization into which her marriage had absorbed her. And there

was such fear in the thought--he read such derision of what he had

to offer in the splendour of the great avenues tapering upward to

the sunset glories of the Arch--that all he had meant to say when he

finally spoke compressed itself at last into an abrupt unmitigated:

"Well?"

She answered at once--as though she had only awaited the call of the

national interrogation--"I don't know when I have been so happy."

"So happy?" The suddenness of his joy flushed up through his fair

skin.

"As I was just now--taking tea with your mother and sisters."

Durham's "Oh!" of surprise betrayed also a note of disillusionment,

which she met only by the reconciling murmur: "Shall we sit down?"

He found two of the springy yellow chairs indigenous to the spot,

and placed them under the tree near which they had paused, saying

reluctantly, as he did so: "Of course it was an immense pleasure to

_them_ to see you again."

"Oh, not in the same way. I mean--" she paused, sinking into the

chair, and betraying, for the first time, a momentary inability to

deal becomingly with the situation. "I mean," she resumed smiling,

"that it was not an event for them, as it was for me."

"An event?" he caught her up again, eagerly; for what, in the

language of any civilization, could that word mean but just the one

thing he most wished it to?

"To be with dear, good, sweet, simple, real Americans again!" she

burst out, heaping up her epithets with reckless prodigality.

Durham's smile once more faded to impersonality, as he rejoined,

just a shade on the defensive: "If it's merely our Americanism you

enjoyed--I've no doubt we can give you all you want in that line."

"Yes, it's just that! But if you knew what the word means to me! It

means--it means--" she paused as if to assure herself that they were

sufficiently isolated from the desultory groups beneath the other

trees--"it means that I'm _safe_ with them: as safe as in a bank!"

Durham felt a sudden warmth behind his eyes and in his throat. "I

think I do know--"

"No, you don't, really; you can't know how dear and strange and

familiar it all sounded: the old New York names that kept coming up

in your mother's talk, and her charming quaint ideas about

Europe--their all regarding it as a great big innocent pleasure

ground and shop for Americans; and your mother's missing the

home-made bread and preferring the American asparagus--I'm so tired

of Americans who despise even their own asparagus! And then your

married sister's spending her summers at--where is it?--the

Kittawittany House on Lake Pohunk--"

A vision of earnest women in Shetland shawls, with spectacles and

thin knobs of hair, eating blueberry pie at unwholesome hours in a

shingled dining-room on a bare New England hill-top, rose pallidly

between Durham and the verdant brightness of the Champs Elysees, and

he protested with a slight smile: "Oh, but my married sister is the

black sheep of the family--the rest of us never sank as low as

that."

"Low? I think it's beautiful--fresh and innocent and simple. I

remember going to such a place once. They have early dinner--rather

late--and go off in buckboards over terrible roads, and bring back

golden rod and autumn leaves, and read nature books aloud on the

piazza; and there is always one shy young man in flannels--only

one--who has come to see the prettiest girl (though how he can

choose among so many!) and who takes her off in a buggy for hours

and hours--" She paused and summed up with a long sigh: "It is

fifteen years since I was in America."

"And you're still so good an American."

"Oh, a better and better one every day!"

Madame de Treymes · 第 4 / 16 题