CHAPTER VIII.

SCUTARI.

Open the atlas once more at the map of Russia, and look downward from

the Crimea, across the Black Sea toward the southwest. You see a narrow

strait marked "Bosporus" leading from the Black Sea to the Sea of

Marmora; and on either side of the strait a black dot, one marked

"Constantinople," the other "Scutari." It is to Scutari that we are

going, but we must not pass the other places without a word, for they

are very famous. This is the land of story, and every foot of ground,

every trickle of water, has its legend or fairy tale, or true story of

sorrow or heroism.

Bosporus means "the cow's ford." It was named, the old story says, for

Io, a beautiful maiden beloved of Zeus. To conceal her from the eyes of

Hera, his jealous wife, Zeus turned Io into a snow-white heifer; but

Hera, suspecting the truth, persuaded him to give the poor pretty

creature to her. Then followed a sad time. Hera set Argus, a giant with

a hundred eyes, to watch the heifer, lest she escape and regain her

human form. The poor heifer-maiden was so unhappy that Zeus sent Hermes

to set her free; and the cunning god told stories to Argus till he fell

asleep, and then cut off his head, hundred eyes and all. Hera took the

eyes and put them in the tail of her sacred peacock, and there they are

to this day. Meantime Io ran away as fast as she could, but she could

not escape the vengeance of the jealous goddess. Hera sent a gadfly

after her, which stung her cruelly, and pursued her over land and sea.

The poor creature fled wildly hither and thither; swam across the Ionian

Sea, which has borne her name ever since; roamed over the whole breadth

of what is now Turkey, and finally came to the narrow strait or ford

between the two seas. Here she crossed again, and went on her weary way;

and here again she left--not her own name, but that of the animal in

whose form she suffered. Poor Io! one is glad to read that she was

released at last, and given her woman's body again. True? No, the story

is not true, but it is very famous. Those of you who care about moths

will find another reminder of Io in the beautiful _Saturnia Io_, which

is named for the Greek maiden and her cruel foe, Saturnia being another

name for Hera or Juno.

The scenery along the banks of the Bosporus is so beautiful that whole

books have been written about it. On either side are seven promontories

and seven bays; indeed, it is almost a chain of seven lakes, connected

by seven swift-rushing currents. The promontories are crowned with

villages, towns, palaces, ruins, each with its own beauty, its own

interest, its own story; but we cannot stay for these; we must go onward

to where, at the lower end of the passage, with its long, narrow harbor,

the Golden Horn, curling round it, lies Constantinople, the wonder-city.

Here indeed we must stop for a moment, for this is one of the most

famous cities of history. In ancient days, when Rome was in her glory

and long before, it was Byzantium that lay shining in the curve of the

Golden Horn; Byzantium the rich, the powerful, the desired of all;

fought over through successive generations by Persian, Greek, Gaul and

Roman; conquered, liberated, conquered again. In the second century of

our era it was besieged by the Roman emperor Severus, and after a heroic

resistance lasting three years, was taken and laid waste by the

conqueror. But the city sprang up again, more beautiful than ever, and a

century and a half later the emperor Constantine made it the capital of

the Roman Empire, and gave it his own name.

Constantinopolis, the City of Constantine; so it became in the year 330,

and so it remains to this day, but not under the rule of Romans or their

descendants.

"Blessed shall he be who shall take Constantinople!" So, three hundred

years later, exclaimed Mohammed, the prophet and leader of men. His

disciples and followers never forgot the saying, and many wars were

fought, many desperate attempts made by the Mohammedans to win the

wonder city. It was another Mohammed, not a prophet but a great soldier,

surnamed the Conqueror, who finally conquered it, in 1453, after another

tremendous siege, of which you will read in history. There is a terrible

story about the entry of this savage conqueror into the city. It is said

that its inhabitants, mostly Christians, though of various

nationalities, took refuge in the great church of St. Sophia, and were

there barbarously slaughtered by the ferocious Turks. In the south aisle

of the church the dead lay piled in great heaps, and in over this

dreadful rampart rode Mohammed on his war horse; and as he rode, he

lifted his bloody right hand and smote one of the pillars, and there--so

the story says--the mark may be seen to this day.

From that time to our own Constantinople has been the capital city of

the Turkish Empire. Again, I wish I might tell you about at least a few

of its many wonders, for I have seen some of them, but again I must

hasten on.

The city is so great that it overflows in every direction; in fact,

there are three cities in one: Stamboul, the central division, filling

the tongue of land between the Golden Horn and the Sea of Marmora;

Galata, on the farther bank of the Horn; and Scutari, on the opposite

shore of the Bosporus. It is to the last-named that we are going.

Although actually a suburb of Constantinople, Scutari is a town in

itself, and a large and ancient one. In the earliest times of the great

Persian monarchy, it was called _Chrysopolis_, the Golden City. Its

present name means in Persian a courier who carries royal orders from

station to station; that is because the place has always, from its

earliest days, been a _rendezvous_ for caravans, messengers, travelers

of every description. Here Xenophon and his Greeks, returning from the

war against Cyrus, halted for seven days while the soldiers disposed of

the booty they had won in the campaign. Here, for hundreds of years,

stood the three colossal statues, forty-eight feet high, erected by the

Byzantians in honor of the Athenians, who had saved them from

destruction at the hands of Philip the Lacedæmonian. Here, to-day, are

mosques and convents, palaces and tombs, especially the last; for the

burying ground of Scutari is one of the largest in the world, and its

silent avenues hold, some say, twenty times as many dwellers as the gay

and noisy streets of Stamboul.

It is a strange place, this great burying ground. Beside each tomb rises

a cypress tree, tall and majestic. The tombs themselves are mostly

pillars of marble, with a globe or ball on the top; and perched atop of

this globe is in many cases a turban or a fez, carved in stone and

painted in gay colors. This shows that a man lies beneath; the women's

tombs are marked by a grapevine or a stem of lotus, also carved in

marble. At foot of the column is a flat stone, hollowed out in the

middle to form a small basin. Some of these basins are filled with

flowers or perfumes; in others, the rain and dew make a pleasant bathing

and drinking place for the birds who fly in great flocks about the quiet

place.

Not far from this great cemetery is another place of burial, that of the

English; and this is laid out like a lovely garden, and watched and

tended with loving care; for here rest the brave men who fell in this

terrible war of the Crimea, or who wasted away in the great building

that towers foursquare over all the neighborhood. We must look well at

this building, the Barrack Hospital of Scutari, for this is what

Florence Nightingale came so far to see. Through all the long, wearisome

journey, I doubt whether she gave much heed to the beauties or the

discomforts of the way. Her eyes were set steadfastly forward, following

her swift thoughts; and eyes and thoughts sought this one thing, this

gaunt, bare building rising beside the new-made graves. Let us follow

her and see what she found there.

Florence Nightingale, the Angel of the Crimea: A Story for Young People · 第 8 / 15 章