CHAPTER I.

FLORENCE NIGHTINGALE

THE ANGEL OF THE CRIMEA

[Illustration: FLORENCE NIGHTINGALE.]

FLORENCE NIGHTINGALE

THE ANGEL OF THE CRIMEA

_A STORY FOR YOUNG PEOPLE_

BY

LAURA E. RICHARDS

AUTHOR OF "CAPTAIN JANUARY,"

"THE GOLDEN WINDOWS," ETC.

[Illustration]

ILLUSTRATED

D. APPLETON AND COMPANY

NEW YORK AND LONDON

1911

Copyright, 1909, by

D. APPLETON AND COMPANY

_Published September, 1909_

Printed in the United States of America

TO

THE SISTER ELEANOR

OF THE SISTERHOOD OF SAINT MARY

HERSELF THROUGH MANY LONG YEARS A DEVOTED

WORKER FOR THE POOR, THE SICK, AND THE

SORROWFUL, THIS BRIEF RECORD OF AN

HEROIC LIFE IS AFFECTIONATELY

DEDICATED

For the material used in this little book I am chiefly indebted to

Sarah A. Tooley's "Life of Florence Nightingale," and to Kinglake's

"Invasion of the Crimea."

CONTENTS

CHAPTER PAGE

I. HOW FLORENCE GOT HER NAME--HER THREE

HOMES 1

II. LITTLE FLORENCE 9

III. THE SQUIRE'S DAUGHTER 19

IV. LOOKING OUT 32

V. WAITING FOR THE CALL 40

VI. THE TRUMPET CALL 45

VII. THE RESPONSE 58

VIII. SCUTARI 68

IX. THE BARRACK HOSPITAL 75

X. THE LADY-IN-CHIEF 85

XI. THE LADY WITH THE LAMP 98

XII. WINTER 114

XIII. MISS NIGHTINGALE UNDER FIRE 129

XIV. THE CLOSE OF THE WAR 143

XV. THE TASKS OF PEACE 159

FLORENCE NIGHTINGALE.

CHAPTER I.

HOW FLORENCE GOT HER NAME--HER THREE HOMES.

One evening, some time after the great Crimean War of 1854-55, a company

of military and naval officers met at dinner in London. They were

talking over the war, as soldiers and sailors love to do, and somebody

said: "Who, of all the workers in the Crimea, will be longest

remembered?"

Each guest was asked to give his opinion on this point, and each one

wrote a name on a slip of paper. There were many slips, but when they

came to be examined there was only one name, for every single man had

written "Florence Nightingale."

Every English boy and girl knows the beautiful story of Miss

Nightingale's life. Indeed, hers is perhaps the best-loved name in

England since good Queen Victoria died. It will be a great pleasure to

me to tell this story to our own boys and girls in this country; and it

shall begin, as all proper stories do, at the beginning.

Her father was named William Nightingale. He was an English gentleman,

and in the year 1820 was living in Italy with his wife. Their first

child was born in Naples, and they named her Parthenope, that being the

ancient name of Naples; two years later, when they were living in

Florence, another little girl came to them, and they decided to name her

also after the city of her birth.

When Florence was still a very little child her parents came back to

England to live, bringing the two children with them. First they went to

a house called Lea Hall, in Derbyshire. It was an old, old house of gray

stone, standing on a hill, in meadows full of buttercups and clover. All

about were blossoming hedgerows full of wild roses, and great

elder-bushes heavy with white blossoms; and on the hillside below it

lies the quaint old village of Lea with its curious little stone houses.

Lea Hall is a farmhouse now, but it still has its old flag-paved hall

and its noble staircase of oak with twisted balustrade, and broad solid

steps where little Florence and her sister "Parthe" used to play and

creep and tumble. There was another place near by where they loved even

better to play; that was the ancient house of Dethick. I ought rather to

say the ancient kitchen, for little else remained of the once stately

mansion. The rest of the house was comparatively new, but the great

kitchen was (and no doubt is) much as it was in the days of Queen

Elizabeth.

Imagine a great room with heavy timbered roof, ponderous oaken doors,

and huge open fireplace over which hung the ancient roasting jack. In

the ceiling was a little trap-door, which looked as if it might open on

the roof; but in truth it was the entrance to a chamber hidden away

under the roof, a good-sized room, big enough for several persons to

hide in.

Florence and her sister loved to imagine the scenes that had taken place

in that old kitchen; strange and thrilling, perhaps terrible scenes;

they knew the story of Dethick, and now you shall hear it too.

In that old time which Tennyson calls "the spacious days of great

Elizabeth," Dethick belonged to a noble family named Babington. It was a

fine house then. The oaken door of the old kitchen opened on long

corridors and passages, which in turn led to stately halls and noble

galleries. There were turrets and balconies overlooking beautiful

gardens; and on the stone terraces gay lords and ladies used to walk and

laugh and make merry, and little children run and play and dance, and

life go on very much as it does now, with work and play, love and

laughter and tears.

One of the gay people who used to walk there was Anthony Babington. He

was a gallant young gentleman, an ardent Catholic, and devoted to the

cause of the beautiful and unfortunate Mary Queen of Scots.

Though ardent and devoted, Babington was a weak and foolish young man.

He fell under the influence of a certain Ballard, an artful and

designing person who had resolved to bring about the death of the great

English Queen, and was induced by him to form the plot which is known in

history as Babington's Conspiracy; so he was brought to ruin and death.

In the year 1586 Queen Mary was imprisoned at Wingfield Manor, a country

house only a few miles distant from Dethick. The conspirators gathered

other Catholic noblemen about them, and planned to release Queen Mary

and set her once more on the throne.

They used to meet at Dethick where, it is said, there is a secret

passage underground leading to Wingfield Manor. Perhaps--who

knows?--they may have sat in the kitchen, gathering about the great

fireplace for warmth; the lights out, for fear of spies, only the

firelight gleaming here and there, lighting up the dark corners and the

eager, intent faces. And when the plot was discovered, and Queen

Elizabeth's soldiers were searching the country round for the young

conspirators, riding hither and thither along the pleasant country lanes

and thrusting their sabres in among the blossoming hedgerows, it was

here at Dethick that they sought for Anthony Babington. They did not

find him, for he was in hiding elsewhere, but one of his companions was

actually discovered and arrested there.

Perhaps--again, who knows?--this man may have been hiding in the secret

chamber above the trap-door. One can fancy the pursuers rushing in,

flinging open cupboards and presses, in search for their prey; and

finding no one, gathering baffled around the fireplace. Then one,

chancing to glance up, catches sight of the trap-door in the ceiling.

"Ha! lads, look up! the rascal may be hiding yonder! Up with you, you

tall fellow!" Then a piling up of benches, one man mounting on another's

shoulders--the door forced open, the young nobleman seized and

overpowered, and brought down to be carried off to London for trial.

Anthony Babington and his companions were executed for high treason, and

Queen Mary, who was convicted of approving the plot, was put to death

soon after.

All this Florence Nightingale and her sister knew, and they never tired

of "playing suppose" in old Dethick kitchen, and living over again in

fancy the romantic time long past. And on Sundays the two children went

with their parents to old Dethick church, and sat where Anthony

Babington used to sit, for in his days it was the private chapel of

Dethick. It is a tiny church; fifty people would fill it to

overflowing, but Florence and her sister might easily feel that the four

bare walls held all the wild history of Elizabeth's reign.

Anthony Babington in doublet and hose, with velvet mantle, feathered

cap, and sword by his side; little Florence Nightingale in round Leghorn

hat and short petticoats. It is a long step between these two, yet they

are the two most famous people who ever said their prayers in old

Dethick church. The lad's brief and tragic story contrasts strangely

with the long and beautiful story of Florence Nightingale, a story that

has no end.

When Florence was between five and six years old, she left Lea Hall for

a new home, Lea Hurst, about a mile distant. Here her father had built a

beautiful house in the Elizabethan style, of stone, with pointed gables,

mullioned windows and latticed panes. There was a tiny chapel on the

site he chose, hundreds of years old, and this he built into the house,

so that Lea Hurst, as well as Lea Hall and Dethick, joined hands with

the old historic times. In this little chapel, by and by, we shall see

Florence holding her Bible class. But I like still to think of her as a

little rosy girl, running about the beautiful gardens of Lea Hurst, or

playing house in the quaint old summerhouse with its pointed roof of

thatch. Perhaps she brought her dolls here; but the dolls must wait for

another chapter.

Soon after moving to Lea Hurst, the Nightingales bought still another

country seat, Embley Park, in Hampshire, a fine old mansion built in

Queen Elizabeth's time, and at some distance from Lea Hurst.

After this the family used to spend the summer at Lea Hurst, and the

winter at Embley. There were no railroads then in that neighborhood; the

journey was sometimes made by stagecoach, sometimes in the Nightingales'

own carriage.

Embley Park is one of the stately homes of England, with its lofty

gables, terraces and shadowing trees; and all around it are sunny lawns,

and gardens filled with every sweet and lovely flower.

Now you know a little of the three homes of Florence Nightingale, Lea

Hall, Lea Hurst, and Embley Park; next you shall hear what kind of child

she herself was.

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