The Sweet Briar hedge along the walk leading to the wicket-gate in

the entrance-drive begins to scent the air. We do not make enough of

such a treasure as Sweet Briar is. Some day we must plant some near

the windows, for pleasant perfume after rain. It is a favourite idea,

too obscure to be a doctrine or even a theory, that the sweet smells

of flowers, and aromatic leaves, and all kinds of green things have

a certain virtue for different conditions of health. Here are a few

examples, and I am afraid I do not know many more: To smell wild

Thyme will renew the spirits and vital energy in long walks under

an August sun. The pure, almost pungent scent of Tea Rose Maréchal

Niel is sometimes invigorating in any lowness of mind or body. Sweet

Briar promotes cheerfulness. Yellow Bedstraw (_Galium verum_),

Cowslip, Wallflower, Damask and pink China Roses, Plum blossom, and

notably Sweet Gale or Bog Myrtle, and wild white Honeysuckle refresh

the spirits; while the smell of ground Ivy, Charlock, Woodruff,

Rosemary, and fresh-cut grass seems to be a refreshment to the body.

Hawthorn is very doubtful, and Lime blossom is dreamy. These scents

are “transparent,” and are also, except the two first, more or less

uncertain, to be caught on the wing, as it were. The more positive and

“opaque” scents, such as those of the Gardenia, Lilies, Narcissus,

Jonquil, etc., seem less potent for the spirits than for the body. The

subject is full of indistinctness, since that which is life to one

may be death to many. I have known an instance of even white Sweet

Peas and white Pink being unendurable, and yet both are what I call

“transparent.” There may also be a system of mixed flowers. Small

scarlet Nasturtium and lemon-scented Pelargonium are good together,

and seem to have a pleasant effect on the mind, and as the venerable

Parkinson says, they “make a delicate Tussimussie, or Nosegay, both for

sight and scent.” The large Italian white Jasmine, mixed with Marie

Louise Violets, is comforting. Altogether I think the idea may be

something more than a mere fantastic whim.[3]

[Footnote 3: Nearly twelve months after writing thus about healthful

Flower-scents, I found in Austen’s “Treatise of Fruit-trees,” 1657, a

curious confirmation of my idea, which appears, indeed, to be an old

one. He writes, “Health is preserved by pleasant and wholesome Odors,

and perfumes found in the garden of Fruit-trees,... from the blossomes

of _all the Fruit-trees_,... which are not simply Healthfull, but

are accompted cordiall; chearing and refreshing the heart and vitall

spirits.”--_Note, April, 1884._]

_April 17._--This morning, before 8 o’clock, the whole garden felt like

spring. The turf was brightly green and shining with dew, and birds,

and grass, and flowers were unconsciously at ease and happy for the

moment under the warm sunlight. The unwonted warmth made a robin so

bold and confident, that he flew up against me in the most playful way,

and then perched on a young Beech, flapping his little wings with a

merry twinkle in his eye. All about and in and out the Stone Pine, to

them one huge world of insect life, flitted a pair of golden crested

wrens, as busy as possible, the flutter of their tiny wings making

just as much sound as might two butterflies. The sun glanced now and

then, for a moment, on the cock-bird’s golden streak, the hen held a

filmy white insect of some kind in her bill, and would on no account

show the way to her nest, so long as she was watched. It was unkind, I

fear, to tease so minute a creature, and I soon went another way; and

then both wrens made a little rush into the brambly ivy-smothered trunk

of the tree. We refrain from too curiously searching for the nest,

though I think the young family would be worth seeing! In the morning

light a host of single Daffodils shone like pale gold; double white

Wind-flowers have begun to bloom (there grows a yellow wild one[4] not

far from us, but I have only seen it after it had been transplanted

into a garden), and many kinds of Narcissus. The Pasque-flower has been

put out of its reckoning by the unusually early Easter; it is only just

in bud. The grass walk in the Fantaisie was too heavy with dew to be

pleasant, so I only looked across the gate at the Narcissus and flaming

star Anemones. In the clear sunlight, lilac patches of Aubrietia, side

by side with clean white Arabis, seem doubly charming.

[Footnote 4: Anemone Ranunculoides is alluded to. The gardener of the

garden where I saw it assured me it grew wild in a little wood close

by, but I did not myself see it wild.]

How eagerly one seizes all possible points of beauty in such a severe

trying season! I never before remember our having to water the garden

in April; it has been, however, quite necessary, for as yet only two

slight April showers have fallen, and the clumps of Narcissus Poeticus

were failing. Tulips are flowering with stalks barely one inch long,

and Crown Imperials half miss their usual “stately beautifulness.” One

day of soft warm rain would set all right, and give us an almost Roman

spring, so suddenly would the garden become clothed in bloom, and the

leaves burst out upon the trees. King-cups begin to glass themselves

in our narrow watercourse, and reeds to thicken greenly along the

brink. The long line of Primroses along the _Allée Verte_ is a sad

failure. As soon as the flowers open they are beheaded by those cruel

chaffinches. This is how the little painted traitors behave all the

while they are supposed to be gaily building their dainty nests! Such

wholesale execution is, I believe, the result of this very dry weather.

They cut off the flowers to get at the small drop of moisture or honey

in the calyx. I forgive the chaffinches without any difficulty, only

wishing that other people could be as easily pardoned; but when the

rooks are poisoned and our new hopes of a rookery nearly frustrated, it

is hard to be very forgiving! Some short-sighted farmer has done this

cruel deed. The poor rooks dropped on our own land on the grass under

their nests. Several of their young must have perished miserably, and

the deserted nests look very sad. Still we think enough young remain

to save the rookery. The Florentine yellow Tulips are in bloom. How

far more lovely to the unhorticultural eye are these wild kinds, with

their graceful bending stalks, than those the Tulip’s cultivation

has so well succeeded in stiffening--with all their grand colour! On

the 7th appeared, as I knew she would sooner or later, the little

“Vedova” Iris of Florence. Under the south wall, where we did not think

to seek, there she was, for the first time after these eight years’

seclusion. And still she wears her weeds of green and black. The roots

have increased and thrown up quantities of leaves. These leaves are not

rounded like those of the Spanish Iris and other long narrow kinds;

they are four-sided, with sharp angles, very strong, and have a sharp

point at the end.

[Illustration]

_MAY._

“Pale crocuses have come before her;

Wild birds her welcome sing;

Ten thousand loving hearts adore her,

The grey world’s darling, Spring.”

W. M. ELTON.

[Illustration]

VIII.

MAY.

Of Cherry Blossoms--the Nightingale’s “Melodious Noise”--Of Broken

Stones, etc., etc., etc.

_May_ 6.--The month of May would be Heaven upon earth if only it came

in August or September, when summer mostly begins! but such cold,

hard weather as we have had spoils sadly our enjoyment of the blossom

trees and all the pleasures of spring. There have been just one or two

sweet days, when the white Cherry orchards shone softly against a sky

of serenest blue; days when we did but revel in the joyous present,

forgetting quite that ever it could be that “rough winds do shake the

darling buds of May.” Alas! all too soon our dream is dispelled; dark

clouds arise, and we see “Heaven’s gold complexion dimmed,” and the

orchard grass strewn with pearly wreck. The Cherry tree’s magic season

is at an end; it seemed to last scarcely longer than a day. With the

first hot shafts of April’s sun it startles into bloom, shaken out in

snow-wreaths all over the tree, a waste of most lavish loveliness. It

is something gained, once in the twelvemonth’s round of commonplace,

if only for a moment to stand beside a Cherry tree in blossom. The

blue sky looks infinitely far off, seen through such a maze of flowery

myriads. And now Apple blossoms are coming on in rosy swift succession.

How beautiful they are! and is it not time that water-colour artists

should cease to weary, by attempting so vainly to pourtray them? (This

only by the way.) They have the merit of lasting just long enough for

us to enjoy them well; yet beautiful as they are, I do not know if

they can ever quite compare with the frail short-lived cherry. If the

Espaliers in the kitchen garden alongside the middle walk would but

flower together all at once, that walk in May would be better than any

picture-gallery. But our gallery walls perversely decorate themselves

only a little bit at a time. One bit, at a corner of the cross-walks,

is now in full perfection. A faint delicious perfume steals out through

the iron gate to the flower-garden, inviting as one passes by, to turn

and peep within. There are the trained leafless branches covered thick

with knots of flower. They open very deliberately, and there abide

for a little happy while, self-conscious, round, and pink, and firm;

then there comes a setting of delicate green around the flowers; and

then the Apple tree in bloom is one of earth’s loveliest sights. Apple

blossom must be added to my pharmacopœia of sweet smells. To inhale

a cluster of Blenheim Orange gives back youth for just half a minute

after. It is not merely that with the perfume the heart goes back to

remembered times--it is a real, absolute elixir! Our young Siberian

Crab trees are like great white bouquets; and behind the pigeon-house

there is a wonder of Japanese Apple (_Pyrus malus floribunda_). It is

like a fountain of flowers, tossing its pink flower-laden branches in

every direction. Blue Periwinkles creep over the ground underneath

it. In the autumn I shall hope to plant several more of these lovely

trees somewhere on the lawn, where we may see and enjoy them from the

windows. And now the Primrose--

“Lady of the springe,

The lovely flower that first doth show her face;

Whose worthy prayse the pretty byrds do syng,

Whose presence sweet the wynter’s colde doth chase,”

has ceased to glad us “with worldes of new delightes.” She is on the

wane, “with her bells dim”--as old Ben Jonson said; but I should not

call them bells. She dies upon a bed of vivid green amidst tall grasses

and her own thick-coming leaves, as stars grow pale before the dawn.

And we are faithless to her beauty in the presence of other, fresher

loveliness; and we care not though the Primrose is dead.

The Tulips in the parterr--it is the older and prettier way to spell

it without an “e” at the end--are now the chief ornament of the garden

and the delight of my eyes. Timely rains strengthened the stalks to

rise to their full height, and there are the beds now, a blaze of

scarlet and yellow splendour. There are tall Tulips and short Tulips,

rose and crimson, scarlet and orange Tulips, striped and dashed, and

brown and white, and every shade of Tulip colour. A few grow between

little box and golden Arbor Vitæ bushes, and all the beds are deeply

fringed with Crocus leaves. I am aware that as a matter of the highest

principle, Tulips are seldom mixed; the colours are usually arranged

separately. Long experience has taught me, however, to have nothing

to do with principles--in the garden. Little else than a feeling

of entire sympathy with the diverse characters of your plants and

flowers is needed for “art in the garden.” If sympathy be there, all

the rest comes naturally enough. No brighter, gayer garden scene can

be imagined than on a sunny morning, turning the corner of a clipped

Yew--buttressed out from the house--to come upon the parterr, decked

in all its gay brilliancy of Tulips. The sculptured stone pillar rises

from a little mound of Stonecrop in the centre, often with a pigeon

or a thrush pluming itself on the top. Suddenly the little flock of

fantail pigeons with whistling wings descend among the many-coloured

brilliants, and there, in the emerald, dewy interspaces, they strut

and play in their pride and purity of whiteness. My favourite Parrot

Tulips do not as yet make much way; the lack of sunshine keeps their

buds green. It was in Venice, years ago, that first I fell in love

with Tulips such as these. On the marble altars of one of the great

Jesuit churches were vases filled with Parrot Tulips, all cut-edged

and gold and scarlet-splashed. The cloister garden behind the church

was full of them. It is a strange disorderly beauty, and sometimes

draggles and hangs its untidy head like a Bell-flower, and sometimes

flaunts it up full in the sun’s face. There are Forget-me-nots in many

parts of the garden; their long smoke-like lines of turquoise are

specially pleasing. Two square beds in the entrance court, set between

the black Yews, are also a success--Forget-me-not, flecked with pink

Saponaria--they give the idea of blue mist touched by the sunset. In

the Fantaisie, bushes of orange-coloured Berberis Darwinii are in

great perfection of bloom. There is something peculiarly delightful in

the way they have of spreading the earth with orange, while yet the

laden boughs above own no apparent loss. The orange colour contrasts

well also with a chance lot of purple Honesty, which has grouped itself

round a smooth-stemmed young Mulberry at the end of the turf walk.

The walk itself is very bright, with an irregular bordering of white

and pink Phlox Nelsoni--a Cheiranthus, or a deep blue Gentian, here

and there. The little low-growing Phlox comes in exquisite patches of

colour all over the garden. When in flower, the plant itself--which

is straggling and rather ugly--is completely hid by a flat mass of

close-set bloom. In these “gardens on a level” I am always wishing for

rockeries and little low terraces, which should be all draped with

Convolvulus Mauristiana, Phlox Nelsoni, Aubretia, and wild Ivy and

Alyssum, or something yellow. I should not much care for many rare

Alpine plants, I think; though a surprise of the kind here and there

would be charming. Colour I must have, and plenty of it, to rejoice

the eye and make glad the heart.

A tract of wild, savage scenery, six square yards in extent, is in

contemplation at the afforested end of the Fantaisie. Already one or

two large pieces of a sort of conglomerate have been conveyed here,

and are frowning in an open space amongst the wild Bluebells. There is

a background of dark Arbor Vitæ, and beyond, the pleasant fields are

seen, with the cows and Elms and an Oak tree. There exists a certain

necessity for feature in this flattest of all places! The Yew hedges

and pyramids have done much to give character to the flower garden, and

now there must be rocks for variety.

A heap of fragments of an old headless statue lies near the rocky

waste; part of a sitting figure--a hand and a foot--and lumps of

heavy drapery, overlaid in beautiful green velvet of moss. Very

forlorn the broken stones look, and I cannot decide to make them

into rockwork. None now know whom the statue in its day was meant to

represent--probably a garden goddess, Flora or Pomona--but its history

is rather quaint, if not touching. It was beloved by a lady who lived

here once, and hated by her sister, and according as each for the time

reigned in the other’s absence, it was set up in a niche of the garden

wall, or cast down with ignominy. At last the sister who loved the

statue died, and then it was broken to pieces, and flung down a well.

It was fished up again long after, before our time. Tradition tells of

another statue, an image of Old Time, that stood or sat at one end of

the pond in “the park,” but of this there remains no trace.

I am happy in the possession of two long-desired flowers, which seem

now to be settling down in their new abode. One is the pale-blue Star

Anemone Apennina, common in the Ilex woods of Frascati; the other, the

lovely purplish-brown Fritillary (_Meleagris_), found wild in river

meadows near us. Fritillary is no easy word for poetry, yet it is named

by at least one poet. Matthew Arnold, in his “Thyrsis,” says--

“I know what white, what purple fritillaries

The grassy harvest of the river-fields,

Above by Ensham, down by Sandford, yields.”

I think no other flower of any kind can compare with it in finish and

exquisite grace of form. The purplish, dove-like colour I believe to be

the same described in old French as “colombette.”

_May_ 15.--To-day, amid the brilliant green of new leaves and the

singing and twittering of a thousand birds in the sun’s warm glow, one

keeps saying to oneself--

“Spring, the sweet Spring, is the year’s pleasant king,”

or some such old snatch of songs that seem to wander upon the soft

sweet air. Ah, yes, “the year’s pleasant king”! and yet our spring is a

beautiful spirit, and she has been hovering about us; but now, to-day,

she has set her feet upon the earth, and there is a great triumph of

verdure on the trees and on the grass; and Apple trees meet her in

fulness of bloom, and May-buds are swelling on the Thorns to make up

for lost time; and all the edges of meadow-grass are jewelled with

little gems of purple, and blue, and red, and the broad fields shine in

silver and gold.

The short reign of Narcissus Poeticus has begun; our large old clumps

down one side of the Broad Walk are not so fine as usual; frosts and

cold heavy rains laid the leaves of some of them, and sometimes turned

them yellow; but within the walled garden the clumps are as beautiful

as ever--throngs of long-stalked silvery flowers, stiff and firm,

with the stiffness and strength of perfect health. Narcissus Poeticus

is lovely; and we need not trouble to know if it be the very flower

named by Theocritus, Virgil, and Ovid. The east border, though not

much varied as yet, is gay and full of promise. There are double pale

yellow Ranunculus (the Swiss meadow kind), and bunches of Heartsease,

violet and brown Auriculas, sheets of double white Anemones, and the

Riviera double scarlet--which, however, never with us comes scarlet,

but only dull red; Tulips, Stonecrops, Kingspear, Phlox Nelsoni,

double King’s-cups, and Bachelors’ Buttons, a patch of Gentians at

the south angle of the wall, with yellow Corydalis Lutea peering out

of chinks in the old bricks above. Crowds of Lilies are springing up

in the background, with purple Iris and Pæonies in bud. Solomon’s

Seal (Lady’s Signet) in many nooks and corners unfolds its curious

club-shaped leaf-buds, and all its bells will soon be hung. Pansies,

under the south wall, make a bright display; there are three large

oblong beds--lilac, yellow, and deep royal purple; also a round bed of

semi-double Anemones, whose scarlet colour, about mid-day, is actually

dazzling; and one of Ranunculus not yet opened. Behind these beds,

against the wall, are white Irises, almost ready to bloom, and several

clusters of the garden Star of Bethlehem--valuable in its way, but not

nearly so pretty as the wild sort, and most precise in its daily system

of early closing and late opening.

Between the tennis-court and the little lawn belonging to the Firs and

Cedar, the walk winds along beside a close of chosen trees--Plane,

Silver Birch, pink Thorns, variegated Maple, etc., all in their

pleasant time of youth, having been planted only a little over eleven

years. Portugal Laurel and Box mingle with them in deeper shades. Next

the walk are Sweet Briar and well-berried Aucubas; one Aucuba is still

covered with scarlet fruit and golden leaves. There is yellow Spanish

Broom, and tall trees of white Broom wave long white plumes, leaning

over the path. White Broom, they say, is “the Juniper tree” that Elijah

sat down under. If so, the shade must have been but scanty! Soon the

path turns past a Yew-tree, and becomes the Primrose Walk, along under

the line of Elms.

On the left are the _Allée Verte_, and the dovecote, and small orchard,

bounded by Beech and Yew, and crossed by flower-bordered smooth-shaven

grassy ways, all leading to the Broad Walk; on the right a little

hidden path passes on to the oft-named Fantaisie. Just before coming

to the Yew tree, on warm days ever since the beginning of the month,

one is met and surrounded by a wonderful cloud of fragrance! One looks

round in vain for some bed of flowers whence should proceed so powerful

a scent. It is like the finest Jasmine and Citron, and I know not what

of sweetest unknown incense. It is the greeting sent out from a dense

mass of Spurge Laurel (_Daphne pontifia_), with unobtrusive green

flowers in full bloom. It grows over a bit of the Iris bank, and its

great luxuriance proves how it loves a southern aspect.

In our garden the birds have divided the kingdom amongst them, and

in this half is the portion that fell to the reed sparrow. He keeps

the Silver Birch alive with his busy note. Landmarks, known only to

themselves, divide the territory of the reed sparrow from the realm

of the nightingale. The fiery-hearted nightingale! He sings all day,

and his song makes the night glorious. The north-east region of the

garden he keeps for himself alone. There, on still evenings, long after

sunset, is heard the faint barking of distant watch-dogs, or the sound

of horses’ hoofs on the road. There is his favourite tree--the grand

old Thorn--where, as he sings, he may press a thousand thorns into his

breast! There, across the hedge, he sees the meadow with a shimmering

yellow of Cowslips all over it--if Cowslips be his desire, as is said.

There, not too far off, is the straight long railroad--and he loves the

thunder of the train, and the red, fire-spitting engine; but late in

the night, when there is dark and death-like silence among the trees,

then the nightingale claims possession of the whole, and all the garden

is his own. I know not if the nightingale’s song be melancholy or

joyous. His voice has all the pathos of the finest things, and in the

broken notes we feel that not all nor half his soul is uttered, and in

each splendid fragment there is the sense of endless possibilities;

this, I think, is the secret of the nightingale’s incomparable charm.

I have omitted to mention amongst our Pansies, a very choice kind.

It is a curious burnt-brown colour, like the once fashionable “Paris

brûlé.” We name it Highcliff, after the place from whence we had

it first. Two large pink Oleanders in the greenhouse will soon be

blossoming all over. We tried them last year in the open air, but they

did not do, and had to return to their glass. A lovely face gazes at me

all the time I write, and will not suffer itself to be neglected! It is

a choice white Cactus of great size, with warm lemon colouring in the

outer leaves. The stamens are so delicately set, they tremble at the

slightest touch, and the starry pointal is itself a flower!

[Illustration]

_JUNE._

A Mosaic of Nectared Sweets.

[Illustration]

IX.

JUNE.

Of Pink May--Swallows in the Porch--Flowers de Luce--Poppies--A Little

Scotch Rose, and “Clutie.”

Days and hours in a garden · 第 4 / 7 段