But, recurring to Lamb and his set, what impossible, incomprehensible

characters it included: Elton Hammond, for instance, a contemporary if

not an associate. He inherited his father's tea business in Milk Street.

In order, he said, to set an example to the world how a business should

be carried on, and that he might not be interfered with in his plans, he

turned off the clerks and every servant in the establishment, which soon

wound up the business altogether. For a while he had no other society

than a little child, which he taught its letters, and a mouse, that fed

out of his hands. He journalized his food, his sleep, his dreams. He had

a conviction that he was to have been, and ought to have been, the

greatest of men, but was conscious in fact that he was not. The reason

assigned by him for putting an end to his life was that he could not

condescend to live without fulfilling his proper vocation. He said to

one of his friends that he was on the point of making a discovery which

would put an end to physical and moral evil in the world. He quarreled

with another of his friends for not being willing to join him in

carrying a heavy box through the streets of London for a poor woman. He

refused a private secretaryship to Rough, a colonial chief justice, on

the ground of the obligation involved to tell a lie and write a lie

every day, subscribing himself the humble servant of people he did not

serve, and toward whom he felt no humility. Here are a few things he

wrote: "When I was about eight or ten I promised marriage to a wrinkled

cook we had, aged about sixty-five. I was convinced of the

insignificance of beauty, but really felt some considerable ease at

hearing of her death, about four years after, when I began to repent of

my vow."... "I always said that I would do anything to make another

happy, and told a boy I would give him a shilling if it would make him

happy; he said it would, so I gave it to him. It is not to be wondered

at that I had plenty of such applications, and soon emptied my purse. It

is true I rather grudged the money, because the boys laughed rather more

than I wished them. But it would have been inconsistent to have appeared

dissatisfied. Some of them were generous enough to return the money, and

I was prudent enough to take it, though I declared that if it would make

them happy I should be sorry to have it back."... "It is not pain, it is

not death, that I dread, it is the hatred of a man; there is something

in it so shocking that I would rather submit to any injury than incur or

increase the hatred of a man by revenging it."... "The chief

philosophical value of my papers I conceive to be that they record

something of a mind that was very near taking a station far above all

that have hitherto appeared in the world."... "It is provoking that the

secret of rendering man perfect in wisdom, power, virtue, and happiness,

should die with me. I never till this moment doubted that some other

person would discover it; but I now recollect that when I have relied on

others I have always been disappointed. Perhaps none may ever discover

it, and the human race has lost its only chance of eternal

happiness."... "I believe that man requires religion. I believe that

there is no true religion now existing. I believe that there will be

one. It will not, after eighteen hundred years of existence, be of

questionable truth and utility, but perhaps in eighteen years be

entirely spread over the earth, an effectual remedy for all human

suffering, and a source of perpetual joy. It will not need immense

learning to be understood, it will be subject to no controversy."...

"Another sufficient reason for suicide is, that I was this morning out

of temper with Mrs. Douglas (for no fault of hers). I did not betray

myself in the least, but I reflected to be exposed to the possibility of

such an event once a year was evil enough to render life intolerable.

The disgrace of using an impatient word is to me overpowering."... "I am

stupefied with writing, and yet I cannot go my long journey without

taking leave of one from whom I have received so much kindness, and from

whose society so much delight. My place is booked in Charon's boat

to-night at twelve. Diana kindly consents to be of the party. This is

handsome of her. She was not looked for on my part. Perhaps she is

willing to acknowledge my obedience to her laws by a genteel compliment.

Good. The gods, then, are grateful." To the coroner and his jury he

wrote, "Let me suggest the following verdict, as combining literal truth

with justice: 'Died by his own hand, but not feloniously.' If I have

offended God, it is for God, not you, to inquire. Especial public duties

I have none. If I have deserted any engagement in society, let the

parties aggrieved consign my name to obloquy. I have for nearly seven

years been disentangling myself from all my engagements, that I might at

last be free to retire from life. I am free to-day, and avail myself of

my liberty. I cannot be a good man, and prefer death to being a bad

one,--as bad as I have been and as others are."

And there was Blake--"artist, genius, mystic, or madman?" "Probably

all," thought Robinson, one of his warmest admirers; for he had

admirers, and some of them were eminent. Coleridge knew him, and talked

finely about him. Wordsworth thought he had "in him the elements of

poetry much more than either Byron or Scott." Lamb liked his poems.

Hazlitt said of them, "They are beautiful, and only too deep for the

vulgar." His genius as an artist was praised by Flaxman and Fuseli. His

countenance is described as "Socratic," with "an expression of great

sweetness;" "when animated he had about him an air of inspiration."

Though in great poverty, he was ever a gentleman; with genuine dignity

and independence, he scorned all presents. He wrote songs, composed

music, and painted, at the same time he pursued his business as an

engraver. Among his friends he gave out that his pictures were copied

from great works revealed to him, and that his lessons in art were given

him by celestial tongues. When he spoke of his "visions," it was in the

ordinary unemphatic tones in which we speak of every-day matters. He

conversed familiarly with the spirits of Homer, Moses, Pindar, Dante,

Shakespeare, Voltaire, Sir William Wallace, Milton, and other

illustrious dead, giving repeatedly their very words in their

conversations. Sometimes, too, he wrangled with demons. His books (and

his MSS. are immense in quantity) are dictations from the spirits. He

possessed, it was said, the highest and most exalted powers of the mind,

but not the lower. "He could fly, but he could not walk; he had genius

and inspiration, without the prosaic balance-wheel of common sense." In

poetry, it was observed, he most enjoyed the parts which to others are

most obscure. His wife Katherine, good soul, believed in him, and was

invaluable to him. She was ever sitting by his side, or assisting him at

the press. "You know, dear," she said, believingly, "the first time you

saw God was when you were four years old, and he put his head to the

window, and set you a-screaming." Both believed that his pictures were

veritable visions transferred to the canvas or the plate. Sixteen of his

mystical designs are illustrations of "The Gates of Paradise," one

hundred of "Jerusalem," and twenty-seven "singular, but powerful

drawings" disclose the mysteries of hell. He wrote to Flaxman,

addressing him as "Dear Sculptor of Eternity," and saying, in his

strange, wild way, "In my brain are studies and chambers filled with

books and pictures of old, which I wrote and painted in ages of

eternity, before my mortal life; and these works are the delight and

study of archangels." A friend said to him, "You express yourself as

Socrates used to do. What resemblance do you suppose there is between

your spirit and his?" "The same as between our countenances," he

answered. After a pause he added, "I was Socrates;" and then, as if

correcting himself, said, "a sort of brother. I must have had

conversations with him. So I had with Jesus Christ. I have an obscure

recollection of having been with both of them." Once he said, "There is

no use in education. I hold it to be wrong. It is the great sin. It is

eating of the tree of the knowledge of good and evil. This was the fault

of Plato. He knew of nothing but the virtues and vices, and good and

evil. There is nothing in all that. Everything is good in God's eyes."

Being asked about the moral character of Dante, in writing his

"Vision,"--was he pure? "Pure," said Blake, "do you think there is any

purity in God's eyes? The angels in heaven are no more so than we. 'He

chargeth his angels with folly.'" He afterward represented the Supreme

Being as liable to error. "Did he not repent him that he had made

Nineveh?" Though he spoke of his happiness, he also alluded to past

sufferings, and to suffering as necessary. "There is suffering in

heaven, for where there is the capacity of enjoyment, there is also the

capacity of pain." Comparing moral with natural evil, he said, "Who

shall say that God thinks evil? That is a wise tale of the Mahometans,

of the angel of the Lord that murdered the infant" (alluding to the

Hermit of Parnell). "Is not every infant that dies of disease murdered

by an angel?" "I saw Milton," he said on one occasion, "and he told me

to beware of being misled by his Paradise Lost. In particular he wished

me to show the falsehood of the doctrine, that carnal pleasures arose

from the Fall. The Fall could not produce any pleasure." He spoke of

Milton as being at one time a sort of classical atheist, and of Dante as

being now with God. His faculty of vision, he said, he had had from

early infancy. He thought all men partook of it, but it is lost for want

of being cultivated. "I assert for myself," said he, "that I do not

behold the outward creation, and that to me it is hinderance and not

action. 'What!' it will be questioned, 'when the sun rises, do you not

see a disc of fire somewhat like a guinea?' Oh no, no, no! I see an

innumerable company of the heavenly host, crying, 'Holy, holy, holy is

the Lord God Almighty.' I question not my corporeal eye any more than I

would question a window concerning a sight. I look through it, and not

with it."... "I have written more than Voltaire or Rousseau. Six or

seven epic poems as long as Homer, and twenty tragedies as long as

Macbeth."... "I write when commanded by the spirits, and the moment I

have written I see the words fly about the room in all directions. It is

then published, and the spirits can read. My MS. is of no further use. I

have been tempted to burn my MSS., but my wife won't let me."... "Men

are born with a devil and an angel."... "I have never known a very bad

man, who had not something very good about him."... "I should be sorry

if I had any earthly fame, for whatever natural glory a man has is so

much taken from his spiritual glory. I wish to do nothing for profit I

wish to live for art. I want nothing whatever. I am quite happy." For

the greater part of his life, he "lived in a garret, on crusts of

bread." Death he considered as nothing but "going from one room to

another." He died with his pencil in his hand, making a likeness of his

wife, and chanting pleasant songs. Died, she said, "like an angel."

And George Dyer--a pet acquaintance of Lamb's--what a character was he!

A bundle of contradictions if ever there was one. Poor and always

struggling, but never envious, and utterly without hatred of the rich. A

poet whose poetry was to himself "as good as anybody's, and anybody's as

good as his own." A bachelor, his life was solitary, but he never

thought of his solitude, till it was suggested to him by an observing,

sympathizing widow, who kindly and generously consented to share it with

him--her fourth husband! He is characterized by one of his literary

friends as "one of the best creatures morally that ever breathed." He

was a ripe scholar, but to the end of his days (and he lived to be

eighty-five) he was a bookseller's drudge. He made indexes, corrected

the press, and occasionally gave lessons in Greek and Latin. Simple and

kind, he repeatedly gave away his last guinea. He was the author of the

Life and Writings of Robert Robinson, which was pronounced by Wordsworth

and Samuel Parr one of the best biographies in the language. The charm

of the book is that Robinson's peculiar humor was wholly unappreciated

by the simple-minded biographer. Robinson was a fine humorist; Dyer had

absolutely no sense of humor. It was when he was on his way from Lamb's

to Mrs. Barbauld's, that, in his absent-mindedness, he walked straight

into New River, and was with difficulty saved from drowning. (Young, one

of Fielding's intimate friends, who sat for the portrait of Parson

Adams, was another such character. He also "supported an uncomfortable

existence by translating for the booksellers from the Greek,"

overflowed with benevolence and learning, and was noted for his absence

of mind. He had been chaplain of a regiment during Marlborough's wars;

and "meditating one evening upon the glories of nature, and the goodness

of Providence, he walked straight into the camp of the enemy; nor was he

aroused from his reverie till the hostile sentinel shouted, 'Who goes

there?' The commanding officer, finding that he had come among them in

simplicity and not in guile, allowed him to return, and lose himself, if

he pleased, in meditations on his danger and deliverance.") It is said

that certain roguish young ladies, Dyer's cousins, lacking due reverence

for learning and poetry, were wont to heap all sorts of meats upon the

worthy gentleman's plate at dinner, he being lost in conversation until

near the close of the repast, when he would suddenly recollect himself

and fall to till he had finished the whole. Talfourd, speaking of Lamb

and Dyer, says, "No contrast could be more vivid than that presented by

the relations of each to the literature they both loved,--one divining

its inmost essences, plucking out the heart of its mysteries, shedding

light on its dimmest recesses; the other devoted with equal assiduity to

its externals. Books, to Dyer, 'were a real world, both pure and good;'

among them he passed, unconscious of time, from youth to extreme old

age, vegetating on their dates and forms, and 'trivial fond records,' in

the learned air of great libraries, or the dusty confusion of his own,

with the least possible apprehension of any human interest vital in

their pages, or of any spirit of wit or fancy glancing across them. His

life was an academic pastoral. Methinks I see his gaunt, awkward form,

set off by trousers too short, like those outgrown by a gawky lad, and a

rusty coat as much too large for the wearer, hanging about him like

those garments which the aristocratic Milesian peasantry prefer to the

most comfortable rustic dress; his long head silvered over with short

yet straggling hair, and his dark gray eyes glistening with faith and

wonder, as Lamb satisfies the curiosity which has gently disturbed his

studies as to the authorship of the Waverley Novels, by telling him, in

the strictest confidence, that they are the works of Lord Castlereagh,

just returned from the Congress of Sovereigns at Vienna. Off he runs,

with animated stride and shambling enthusiasm, nor stops till he reaches

Maida Hill, and breathes his news into the startled ear of Leigh Hunt,

who, 'as a public writer,' ought to be possessed of the great fact with

which George is laden! Or shall I endeavor to revive the bewildered look

with which just after he had been announced as one of Lord Stanhope's

executors and residuary legatees, he received Lamb's grave inquiry

whether it was true, as commonly reported, that he was to be made a

lord? 'Oh dear, no, Mr. Lamb,' responded he with earnest seriousness,

but not without a moment's quivering vanity. 'I could not think of such

a thing; it is not true, I assure you.' 'I thought not,' said Lamb, 'and

I contradict it wherever I go. But the government will not ask your

consent; they may raise you to the peerage without your ever knowing

it.' 'I hope not, Mr. Lamb; indeed--indeed, I hope not. It would not

suit me at all,' responded Dyer, and went his way musing on the

possibility of a strange honor descending on his reluctant brow. Or

shall I recall the visible presentment of his bland unconsciousness of

evil when his sportive friend taxed it to the utmost by suddenly asking

what he thought of the murderer Williams, who, after destroying two

families in Ratcliffe Highway, had broken prison by suicide, and whose

body had just before been conveyed in shocking procession to its

cross-road grave? The desperate attempt to compel the gentle optimist to

speak ill of a mortal creature produced no happier success than the

answer, 'Why, I should think, Mr. Lamb, he must have been rather an

eccentric character.'" Honest, simple soul! My Uncle Toby over again,

for all the world.

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