I am sure he knew when he held me fast,

That I must be all unwilling;

For I tried to go, and I would have passed,

As the night was come with its dew, at last,

And the sky with its stars was filling.

But he clasped me close when I would have fled,

And he made me hear his story,

And his soul came out from his lips and said -

(How the stars crept out where the white moon led,

To listen to all that my lover said;

Oh, the moon and the stars in glory!)

I know that the grass and the leaves will not tell,

And I'm sure that the wind, precious rover,

Will carry my secret so safely and well

That no being shall ever discover

One word of the many that rapidly fell

From the soul-speaking lips of my lover;

And the moon and the stars that looked over

Shall never reveal what a fairy-like spell

They wove round about us that night in the dell,

In the path through the dew-laden clover,

Nor echo the whispers that made my heart swell

As they fell from the lips of my lover.

Homer Greene [1853-

MAY-MUSIC

Oh! lose the winter from thine heart, the darkness from thine eyes,

And from the low hearth-chair of dreams, my Love-o'-May, arise;

And let the maidens robe thee like a white white-lilac tree,

Oh! hear the call of Spring, fair Soul, - and wilt thou come with me?

Even so, and even so!

Whither thou goest, I will go.

I will follow thee.

Then wilt thou see the orange trees star-flowering over Spain,

Or arched and mounded Kaiser-towns that molder mid Almain,

Or through the cypress-gardens go of magic Italy?

Oh East or West or South or North, say, wilt thou come with me?

Even so, or even so!

Whither thou goest, I will go.

I will follow thee.

But wilt thou farther come with me through hawthorn red and white

Until we find the wall that hides the Land of Heart's Delight?

The gates all carved with olden things are strange and dread to see:

But I will lift thee through, fair Soul. Arise and come with me!

Even so, Love, even so!

Whither thou goest, I will go!

Lo, I follow thee.

Rachel Annand Taylor [18 -

SONG

Flame at the core of the world,

And flame in the red rose-tree;

The one is the fire of the ancient spheres,

The other is Junes to be;

And, oh, there's a flame that is both their flames

Here at the heart of me!

As strong as the fires of stars,

As the prophet rose-tree true,

The fire of my life is tender and wild,

Its beauty is old and new;

For out of the infinite past it came

With the love in the eyes of you!

Arthur Upson [1877-1908]

A MEMORY

The night walked down the sky

With the moon in her hand;

By the light of that yellow lantern

I saw you stand.

The hair that swept your shoulders

Was yellow, too,

Your feet as they touched the grasses

Shamed the dew.

The Night wore all her jewels,

And you wore none,

But your gown had the odor of lilies

Drenched with sun.

And never was Eve of the Garden

Or Mary the Maid

More pure than you as you stood there

Bold, yet afraid.

And the sleeping birds woke, trembling,

And the folded flowers were aware,

And my senses were faint with the fragrant

Gold of your hair.

And our lips found ways of speaking

What words cannot say,

Till a hundred nests gave music,

And the East was gray.

Frederic Lawrence Knowles [1869-1905]

LOVE TRIUMPHANT

Helen's lips are drifting dust;

Ilion is consumed with rust;

All the galleons of Greece

Drink the ocean's dreamless peace;

Lost was Solomon's purple show

Restless centuries ago;

Stately empires wax and wane -

Babylon, Barbary, and Spain; -

Only one thing, undefaced,

Lasts, though all the worlds lie waste

And the heavens are overturned.

- Dear, how long ago we learned!

There's a sight that blinds the sun,

Sound that lives when sounds are done,

Music that rebukes the birds,

Language lovelier than words,

Hue and scent that shame the rose,

Wine no earthly vineyard knows,

Silence stiller than the shore

Swept by Charon's stealthy oar,

Ocean more divinely free

Than Pacific's boundless sea, -

Ye who love have learned it true.

- Dear, how long ago we knew!

Frederic Lawrence Knowles [1869-1905]

LINES

Love within the lover's breast

Burns like Hesper in the West,

O'er the ashes of the sun,

Till the day and night are done;

Then, when dawn drives up his car -

Lo! it is the morning star.

Love! thy love pours down on mine,

As the sunlight on the vine,

As the snow rill on the vale,

As the salt breeze on the sail;

As the song unto the bird

On my lips thy name is heard.

As a dewdrop on the rose

In thy heart my passion glows;

As a skylark to the sky,

Up into thy breast I fly;

As a sea-shell of the sea

Ever shall I sing of thee.

George Meredith [1828-1909]

LOVE AMONG THE RUINS

Where the quiet-colored end of evening smiles

Miles and miles

On the solitary pastures where our sheep

Half-asleep

Tinkle homeward through the twilight, stray or stop

As they crop -

Was the site once of a city great and gay,

(So they say)

Of our country's very capital, its prince

Ages since

Held his court in, gathered councils, wielding far

Peace or war.

Now, - the country does not even boast a tree,

As you see,

To distinguish slopes of verdure, certain rills

From the hills

Intersect and give a name to (else they run Into one),

Where the domed and daring palace shot its spires

Up like fires

O'er the hundred-gated circuit of a wall

Bounding all,

Made of marble, men might march on nor be pressed,

Twelve abreast.

And such plenty and perfection, see, of grass

Never was!

Such a carpet as, this summer-time, o'erspreads

And embeds

Every vestige of the city, guessed alone,

Stock or stone -

Where a multitude of men breathed joy and woe

Long ago;

Lust of glory pricked their hearts up, dread of shame

Struck them tame;

And that glory and that shame alike, the gold

Bought and sold.

Now, - the single little turret that remains

On the plains,

By the caper overrooted, by the gourd

Overscored,

While the patching houseleek's head of blossom winks

Through the chinks -

Marks the basement whence a tower in ancient time

Sprang sublime,

And a burning ring, all round, the chariots traced

As they raced,

And the monarch and his minions and his dames

Viewed the games.

And I know, while thus the quiet-colored eve

Smiles to leave

To their folding, all our many-tinkling fleece

In such peace,

And the slopes and rills in undistinguished gray

Melt away -

That a girl with eager eyes and yellow hair

Waits me there

In the turret whence the charioteers caught soul

For the goal,

When the king looked, where she looks now, breathless, dumb,

Till I come.

But he looked upon the city, every side,

Far and wide,

All the mountains topped with temples, all the glades'

Colonnades,

All the causeys, bridges, aqueducts, - and then,

All the men!

When I do come, she will speak not, she will stand,

Either hand

On my shoulder, give her eyes the first embrace

Of my face,

Ere we rush, ere we extinguish sight and speech

Each on each.

In one year they sent a million fighters forth

South and North,

And they built their gods a brazen pillar high

As the sky,

Yet reserved a thousand chariots in full force -

Gold, of course.

Oh heart! oh blood that freezes, blood that burns!

Earth's returns

For whole centuries of folly, noise and sin!

Shut them in,

With their triumphs and their glories and the rest!

Love is best!

Robert Browning [1812-1889]

EARL MERTOUN'S SONG

From "The Blot in the 'Scutcheon"

There's a woman like a dewdrop, she's so purer than the purest;

And her noble heart's the noblest, yes, and her sure faith's the surest:

And her eyes are dark and humid, like the depth on depth of luster

Hid i' the harebell, while her tresses, sunnier than the wild-grape cluster,

Gush in golden-tinted plenty down her neck's rose-misted marble:

Then her voice's music . . . call it the well's bubbling, the bird's warble!

And this woman says, "My days were sunless and my nights were moonless,

Parched the pleasant April herbage, and the lark's heart's outbreak tuneless,

If you loved me not!" And I who (ah, for words of flame!) adore her,

Who am mad to lay my spirit prostrate palpably before her -

I may enter at her portal soon, as now her lattice takes me,

And by noontide as by midnight make her mine, as hers she makes me!

Robert Browning [1812-1889]

MEETING AT NIGHT

The gray sea and the long black land;

And the yellow half-moon large and low;

And the startled little waves that leap

In fiery ringlets from their sleep,

As I gain the cove with pushing prow,

And quench its speed in the slushy sand.

Then a mile of warm sea-scented beach;

Three fields to cross till a farm appears;

A tap at the pane, the quick sharp scratch

And blue spirt of a lighted match,

And a voice less loud, through its joys and fears,

Than the two hearts beating each to each!

Robert Browning [1812-1889]

PARTING AT MORNING

Round the cape of a sudden came the sea,

And the sun looked over the mountain's rim:

And straight was a path of gold for him,

And the need of a world of men for me.

Robert Browning [1812-1889]

THE TURN OF THE ROAD

Soft, gray buds on the willow,

Warm, moist winds from the bay,

Sea-gulls out on the sandy beach,

And a road my eager feet would reach,

That leads to the Far-away.

Dust on the wayside flower,

The meadow-lark's luring tone

Is silent now, from the grasses tipped

With dew at the dawn, the pearls have slipped -

Far have I fared alone.

And then, by the alder thicket

The turn of the road - and you!

Though the earth lie white in the noonday heat,

Or the swift storm follow our hurrying feet

What do we care - we two!

Alice Rollit Coe [18 -

"MY DELIGHT AND THY DELIGHT"

My delight and thy delight

Walking, like two angels white,

In the gardens of the night:

My desire and thy desire

Twining to a tongue of fire,

Leaping live, and laughing higher;

Through the everlasting strife

In the mystery of life.

Love, from whom the world begun,

Hath the secret of the sun.

Love can tell, and love alone,

Whence the million stars were strown,

Why each atom knows its own,

How, in spite of woe and death,

Gay is life, and sweet is breath:

This he taught us, this we knew,

Happy in his science true,

Hand in hand as we stood

'Neath the shadows of the wood,

Heart to heart as we lay

In the dawning of the day.

Robert Bridges [1844-1930]

"O, SAW YE THE LASS"

O, saw ye the lass wi' the bonny blue een?

Her smile is the sweetest that ever was seen:

Her cheek like the rose is, but fresher, I ween;

She's the loveliest lassie that trips on the green.

The home of my love is below in the valley,

Where wild-flowers welcome the wandering bee;

But the sweetest of flowers in that spot that is seen

Is the maid that I love wi' the bonny blue een.

When night overshadows her cot in the glen,

She'll steal out to meet her loved Donald again;

And when the moon shines on the valley so green,

I'll welcome the lass wi' the bonny blue een.

As the dove that has wandered away from his nest

Returns to the mate his fond heart loves the best,

I'll fly from the world's false and vanishing scene,

To my dear one, the lass wi' the bonny blue een.

Richard Ryan [1796-1849]

LOVE AT SEA

Imitated From Theophile Gautier

We are in love's land to-day;

Where shall we go?

Love, shall we start or stay,

Or sail or row?

There's many a wind and way,

And never a May but May;

We are in love's hand to-day;

Where shall we go?

Our land-wind is the breath

Of sorrows kissed to death

And joys that were;

Our ballast is a rose;

Our way lies where God knows

And love knows where.

We are in love's hand to-day -

Our seamen are fledged Loves,

Our masts are bills of doves,

Our decks fine gold;

Our ropes are dead maids' hair,

Our stores are love-shafts fair

And manifold.

We are in love's land to-day -

Where shall we land you, sweet?

On fields of strange men's feet,

Or fields near home?

Or where the fire-flowers blow,

Or where the flowers of snow

Or flowers of foam?

We are in love's hand to-day -

Land me, she says, where love

Shows but one shaft, one dove,

One heart, one hand, -

A shore like that, my dear,

Lies where no man will steer,

No maiden land.

Algernon Charles Swinburne [1837-1909]

MARY BEATON'S SONG

From "Chastelard"

Between the sunset and the sea

My love laid hands and lips on me;

Of sweet came sour, of day came night,

Of long desire came brief delight:

Ah love, and what thing came of thee

Between the sea-downs and the sea?

Between the sea-mark and the sea

Joy grew to grief, grief grew to me;

Love turned to tears, and tears to fire,

And dead delight to new desire;

Love's talk, love's touch there seemed to be

Between the sea-sand and the sea.

Between the sundown and the sea

Love watched one hour of love with me;

Then down the all-golden water-ways

His feet flew after yesterday's;

I saw them come and saw them flee

Between the sea-foam and the sea.

Between the sea-strand and the sea

Love fell on sleep, sleep fell on me;

The first star saw twain turn to one

Between the moonrise and the sun;

The next, that saw not love, saw me

Between the sea-banks and the sea.

Algernon Charles Swinburne [1837-1909]

PLIGHTED

Mine to the core of the heart, my beauty!

Mine, all mine, and for love, not duty:

Love given willingly, full and free,

Love for love's sake, - as mine to thee.

Duty's a slave that keeps the keys,

But Love, the master, goes in and out

Of his goodly chambers with song and shout,

Just as he please, - just as he please.

Mine, from the dear head's crown, brown-golden,

To the silken foot that's scarce beholden;

Give to a few friends hand or smile,

Like a generous lady, now and awhile,

But the sanctuary heart, that none dare win,

Keep holiest of holiest evermore;

The crowd in the aisles may watch the door,

The high-priest only enters in.

Mine, my own, without doubts or terrors,

With all thy goodnesses, all thy errors,

Unto me and to me alone revealed,

"A spring shut up, a fountain sealed."

Many may praise thee, - praise mine as thine,

Many may love thee, - I'll love them too;

But thy heart of hearts, pure, faithful, and true,

Must be mine, mine wholly, and only mine.

Mine! - God, I thank Thee that Thou hast given

Something all mine on this side heaven:

Something as much myself to be

As this my soul which I lift to Thee:

Flesh of my flesh, bone of my bone,

Life of my life, whom Thou dost make

Two to the world for the world's work's sake, -

But each unto each, as in Thy sight, one.

Dinah Maria Mulock Craik [1826-1887]

A WOMAN'S QUESTION

Before I trust my fate to thee,

Or place my hand in thine,

Before I let thy future give

Color and form to mine,

Before I peril all for thee, question thy soul to-night for me.

I break all slighter bonds, nor feel

A shadow of regret:

Is there one link within the past

That holds thy spirit yet?

Or is thy faith as clear and free as that which I can pledge to thee?

Does there within thy dimmest dreams

A possible future shine,

Wherein thy life could henceforth breathe,

Untouched, unshared by mine?

If so, at any pain or cost, O, tell me before all is lost.

Look deeper still. If thou canst feel,

Within thy inmost soul,

That thou hast kept a portion back,

While I have staked the whole,

Let no false pity spare the blow, but in true mercy tell me so.

Is there within thy heart a need

That mine cannot fulfil?

One chord that any other hand

Could better wake or still?

Speak now - lest at some future day my whole life wither and decay.

Lives there within thy nature hid

The demon-spirit change,

Shedding a passing glory still

On all things new and strange?

It may not be thy fault alone, - but shield my heart against thy own.

Couldst thou withdraw thy hand one day

And answer to my claim,

That Fate, and that to-day's mistake -

Not thou - had been to blame?

Some soothe their conscience thus; but thou wilt surely warn and save me now.

Nay, answer not, - I dare not hear,

The words would come too late;

Yet I would spare thee all remorse,

So, comfort thee, my Fate, -

Whatever on my heart may fall - remember, I would risk it all!

Adelaide Anne Procter [1825-1864]

"DINNA ASK ME"

O, dinna ask me gin I lo'e ye:

Troth, I daurna tell!

Dinna ask me gin I lo'e ye,-

Ask it o' yoursel'.

O, dinna look sae sair at me,

For weel ye ken me true;

O, gin ye look sae sair at me,

I daurna look at you.

When ye gang to yon braw, braw town,

And bonnier lassies see,

O, dinna, Jamie, look at them,

Lest ye should mind na me.

For I could never bide the lass

That ye'd lo'e mair than me;

And O, I'm sure my heart wad brak,

Gin ye'd prove fause to me!

John Dunlop [1755-1820]

A SONG

Sing me a sweet, low song of night

Before the moon is risen,

A song that tells of the stars' delight

Escaped from day's bright prison,

A song that croons with the cricket's voice,

That sleeps with the shadowed trees,

A song that shall bid my heart rejoice

At its tender mysteries!

And then when the song is ended, love,

Bend down your head unto me,

Whisper the word that was born above

Ere the moon had swayed the sea;

Ere the oldest star began to shine,

Or the farthest sun to burn, -

The oldest of words, O heart of mine,

Yet newest, and sweet to learn.

Hildegarde Hawthorne [18 -

THE REASON

Oh, hark the pulses of the night,

The crickets hidden in the field,

That beat out music of delight

Till summoned dawn stands half revealed!

Oh, mark above the bearded corn

And the green wheat and bending rye,

Tuned to the earth, and calling morn,

The stars vibrating in the sky!

And know, divided soul of me,

Here in the meadow, sweet in speech,

This perfect night could never be

Were we not mated each to each.

James Oppenheim [1882-1932]

"MY OWN CAILIN DONN"

The blush is on the flower, and the bloom is on the tree,

And the bonnie, bonnie sweet birds are caroling their glee;

And the dews upon the grass are made diamonds by the sun,

All to deck a path of glory for my own Cailin Donn!

Oh fair she is! Oh rare she is! Oh dearer still to me,

More welcome than the green leaf to winter-stricken tree!

More welcome than the blossom to the weary, dusty bee,

Is the coming of my true love - my own Cailin Donn!

O sycamore! O sycamore! wave, wave your banners green!

Let all your pennons flutter, O beech! before my queen!

Ye fleet and honeyed breezes, to kiss her hand ye run;

But my heart has passed before ye to my own Cailin Donn.

Ring out, ring out, O linden, your merry leafy bells!

Unveil your brilliant torches, O chestnut! to the dells;

Strew, strew the glade with splendor, for morn it cometh on!

Oh, the morn of all delight to me - my own Cailin Donn!

She is coming, where we parted, where she wanders every day;

There's a gay surprise before her who thinks me far away;

Oh, like hearing bugles triumph when the fight of freedom's won,

Is the joy around your footsteps, my own Cailin Donn!

George Sigerson [1839-1925]

NOCTURNE

All the earth a hush of white,

White with moonlight all the skies;

Wonder of a winter night -

And . . . your eyes.

Hues no palette dares to claim

Where the spoils of sunken ships

Leap to light in singing flame -

And . . . your lips.

Darkness as the shadows creep

Where the embers sigh to rest;

Silence of a world asleep -

And . . . your breast.

Amelia Josephine Burr [1878-

SURRENDER

As I look back upon your first embrace

I understand why from your sudden touch

Angered I sprang, and struck you in the face.

You asked at once too little and too much.

But now that of my spirit you require

Love's very soul that unto death endures,

Crown as you will the cup of your desire -

I am all yours.

Amelia Josephine Burr [1878-

"BY YON BURN SIDE"

We'll meet beside the dusky glen, on yon burn side,

Where the bushes form a cosie den, on yon burn side;

Though the broomy knowes be green,

And there we may be seen,

Yet we'll meet - we'll meet at e'en, down by yon burn side.

I'll lead thee to the birken bower, on yon burn side,

Sae sweetly wove wi' woodbine flower, on yon burn side;

There the busy prying eye,

Ne'er disturbs the lover's joy,

While in ither's arms they lie, down by yon burn side.

Awa', ye rude, unfeeling crew, frae yon burn side,

Those fairy scenes are no for you, by yon burn side;

There fancy smooths her theme,

By the sweetly murmuring stream,

And the rock-lodged echoes skim, down by yon burn side.

Now the plantin' taps are tinged wi' goud, on yon burn side,

And gloamin' draws her foggy shroud o'er yon burn side;

Far frae the noisy scene,

I'll through the fields alane,

There we'll meet, my ain dear Jean, down by yon burn side.

Robert Tannahill [1774-1810]

A PASTORAL

Flower of the medlar,

Crimson of the quince,

I saw her at the blossom-time,

And loved her ever since!

She swept the draughty pleasance,

The blooms had left the trees,

The whilst the birds sang canticles,

In cherry symphonies.

Whiteness of the white rose,

Redness of the red,

She went to cut the blush-rose buds

To tie at the altar-head;

And some she laid in her bosom,

And some around her brows,

And, as she passed, the lily-heads

All becked and made their bows.

Scarlet of the poppy,

Yellow of the corn,

The men were at the garnering,

A-shouting in the morn;

I chased her to a pippin-tree, -

The waking birds all whist, -

And oh! it was the sweetest kiss

That I have ever kissed.

Marjorie, mint, and violets

A-drying round us set,

'Twas all done in the faience-room

A-spicing marmalet;

On one tile was a satyr,

On one a nymph at bay,

Methinks the birds will scarce be home

To wake our wedding-day!

Theophile Marzials [1850-

"WHEN DEATH TO EITHER SHALL COME"

When Death to either shall come, -

I pray it be first to me, -

Be happy as ever at home,

If so, as I wish, it be.

Possess thy heart, my own;

And sing to thy child on thy knee,

Or read to thyself alone

The songs that I made for thee.

Robert Bridges [1844-1930]

THE RECONCILIATION

From "The Princess"

As through the land at eve we went,

And plucked the ripened ears,

We fell out, my wife and I,

O, we fell out, I know not why,

And kissed again with tears.

And blessings on the falling out

That all the more endears,

When we fall out with those we love

And kiss again with tears!

For when we came where lies the child

We lost in other years,

There above the little grave,

O, there above the little grave,

We kissed again with tears.

Alfred Tennyson [1809-1892]

SONG

Wait but a little while -

The bird will bring

A heart in tune for melodies

Unto the spring,

Till he who's in the cedar there

Is moved to trill a song so rare,

And pipe her fair.

Wait but a little while -

The bud will break;

The inner rose will open and glow

For summer's sake:

Fond bees will lodge within her breast

Till she herself is plucked and pressed

Where I would rest.

Wait but a little while -

The maid will grow

Gracious with lips and hands to thee,

With breast of snow.

To-day Love's mute, but time hath sown

A soul in her to match thine own,

Though yet ungrown.

Norman Gale [1862-

CONTENT

Though singing but the shy and sweet

Untrod by multitudes of feet,

Songs bounded by the brook and wheat,

I have not failed in this,

The only lure my woodland note,

To win all England's whitest throat!

O bards in gold and fire who wrote,

Be yours all other bliss!

Norman Gale [1862-

CHE SARA SARA

Preach wisdom unto him who understands!

When there's such lovely longing in thine eyes,

And such a pulse in thy small clinging hands,

What is the good of being great or wise?

What is the good of beating up the dust

On the world's highway, vexed with droughty heat?

Oh, I grow fatalist - what must be must,

Seeing that thou, beloved, art so sweet!

Victor Plarr [1863-

"BID ADIEU TO GIRLISH DAYS"

Bid adieu, adieu, adieu,

Bid adieu to girlish days,

Happy Love is come to woo

Thee and woo thy girlish ways -

The zone that doth become thee fair,

The snood upon thy yellow hair.

When thou hast heard his name upon

The bugles of the cherubim,

Begin thou softly to unzone

Thy girlish bosom unto him,

And softly to undo the snood

That is the sign of maidenhood.

James Joyce [1882-

TO F. C.

Fast falls the snow, O lady mine,

Sprinkling the lawn with crystals fine,

But by the gods we won't repine

While we're together,

We'll chat and rhyme, and kiss and dine,

Defying weather.

So stir the fire and pour the wine,

And let those sea-green eyes divine

Pour their love-madness into mine:

I don't care whether

'Tis snow or sun or rain or shine

If we're together.

Mortimer Collins [1827-1876]

SPRING PASSION

Blue sky, green fields, and lazy yellow sun!

Why should I hunger for the burning South,

Where beauty needs no travail to be won,

Now I may kiss her pure impassioned mouth?

Winds rippling with the rich delight of spring!

Why should I yearn for myriad-colored skies,

Lit by auroral suns, when I may sing

The flame and rapture of her starry eyes?

Oh, song of birds, and flowers fair to see!

Why should I thirst for far-off Eden-isles,

When I may hear her discourse melody,

And bask, a dreamer, in her dreamy smiles?

Joel Elias Spingarn [1875-

ADVICE TO A LOVER

The Home Book of Verse — Volume 2 · 第 31 / 38 段