DIARY OF AN ENNUYÉE.[A]

* * * * *

_Calais, June 21._--What young lady, travelling for the first time on

the Continent, does not write a "Diary?" No sooner have we slept on

the shores of France--no sooner are we seated in the gay salon at

Dessin's, than we call, like Biddy Fudge, for "French pens and French

ink," and forth steps from its case the morocco-bound diary, regularly

ruled and paged, with its patent Bramah lock and key, wherein we are

to record and preserve all the striking, profound, and original

observations--the classical reminiscences--the thread-bare raptures--the

poetical effusions--in short, all the never-sufficiently-to-be-exhausted

topics of sentiment and enthusiasm, which must necessarily suggest

themselves while posting from Paris to Naples.

Verbiage, emptiness, and affectation!

Yes--but what must I do, then, with my volume in green morocco?

Very true, I did not think of that.

We have all read the DIARY OF AN INVALID, the best of all

diaries since old Evelyn's.--

Well, then,--Here beginneth the DIARY OF A BLUE DEVIL.

What inconsistent beings are we!--How strange that in such a moment as

this, I can jest in mockery of myself! but I will write on. Some keep

a diary, because it is the fashion--a reason why _I_ should not; some

because it is _blue_, but I am not _blue_, only a _blue devil_; some

for their amusement,--_amusement_!! alas! alas! and some that they may

remember,--and I that I may forget, O! would it were possible.

When, to-day, for the first time in my life, I saw the shores of

England fade away in the distance--did the conviction that I should

never behold them more, bring with it one additional pang of regret,

or one consoling thought? neither the one nor the other. I leave

behind me the scenes, the objects, so long associated with pain; but

from pain itself I cannot fly: it has become a part of myself. I know

not yet whether I ought to rejoice and be thankful for this

opportunity of travelling, while my mind is thus torn and upset; or

rather regret that I must visit scenes of interest, of splendour, of

novelty--scenes over which, years ago, I used to ponder with many a

sigh, and many a vain longing, now that I am lost to all the pleasure

they could once have excited: for what is all the world to me

now?--But I will not weakly yield: though time and I have not been

long acquainted, do I not know what miracles he, "the all-powerful

healer," can perform? Who knows but this dark cloud may pass away?

Continual motion, continual activity, continual novelty, the absolute

necessity for self-command, may do something for me. I cannot quite

forget; but if I can cease to remember for a few minutes, or even, it

may be, for a few hours? O how idle to talk of "_indulging_ grief:"

talk of indulging the rack, the rheumatism! who ever indulged grief

that truly felt it? to _endure_ is hard enough.

It is o'er! with its pains and its pleasures,

The dream of affection is o'er!

The feelings I lavish'd so fondly

Will never return to me more.

With a faith, O! too blindly believing--

A truth, no unkindness could move;

My prodigal heart hath expended

At once, an existence of love.

And now, like the spendthrift forsaken,

By those whom his bounty had blest,

All empty, and cold, and despairing,

It shrinks in my desolate breast.

But a spirit is burning within me,

Unquench'd, and unquenchable yet;

It shall teach me to bear uncomplaining,

The grief I can never forget.

_Rouen, June 25._--I do not pity Joan of Arc: that heroic woman only

paid the price which all must pay for celebrity in some shape or

other: the sword or the faggot, the scaffold or the field, public

hatred or private heart-break; what matter? The noble Bedford could

not rise above the age in which he lived: but _that_ was the age of

gallantry and chivalry, as well as superstition: and could Charles,

the lover of Agnes Sorel, with all the knights and nobles of France,

look on while their champion, and a woman, was devoted to chains and

death, without one effort to save her?

It has often been said that her fate disgraced the military fame of

the English; it is a far fouler blot on the chivalry of France.

* * * * *

_St. Germains, June 27._--I cannot bear this place, another hour in it

will kill me; this sultry evening--this sickening sunshine--this

quiet, unbroken, boundless landscape--these motionless woods--the

Seine stealing, creeping through the level plains--the dull grandeur

of the old chateau--the languid repose of the whole scene--instead of

soothing, torture me. I am left without resource, a prey to myself

and to my memory--to reflection, which embitters the source of

suffering, and thought, which brings distraction. Horses on to Paris!

Vite! Vite!

_Paris, 28._--What said the witty Frenchwoman?--_Paris est le lieu du

monde où l'on peut le mieux se passer de bonheur;_--in that case it

will suit me admirably.

_29._--We walked and drove about all day: I was amused. I marvel at my

own versatility when I think how soon my quick spirits were excited by

this gay, gaudy, noisy, idle place. The different appearance of the

streets of London and Paris is the first thing to strike a stranger.

In the gayest and most crowded streets of London the people move

steadily and rapidly along, with a grave collected air, as if all had

some business in view; _here_, as a little girl observed the other

day, all the people walk about "like ladies and gentlemen going a

visiting:" the women well-dressed and smiling, and with a certain

jaunty air, trip along with their peculiar mincing step, and appear as

if their sole object was but to show themselves; the men ill-dressed,

slovenly, and in general ill-looking, lounge indolently, and stare as

if they had no other purpose in life but to look about them.[B]

_July 12._--"Quel est à Paris le suprême talent? celui d'amuser: et

quel est le suprême bonheur? l'amusement."

Then _le suprême bonheur_ may be found every evening from nine to ten,

in a walk along the Boulevards, or a ramble through the Champs

Elysées, and from ten to twelve in a salon at Tortoni's.

What an extraordinary scene was that I witnessed to-night! how truly

_French_! Spite of myself and all my melancholy musings, and all my

philosophic allowances for the difference of national character, I was

irresistibly compelled to smile at some of the farcical groups we

encountered. In the most crowded parts of the Champs Elysées this

evening (Sunday), there sat an old lady with a wrinkled yellow face

and sharp features, dressed in flounced gown of dirty white muslin, a

pink sash and a Leghorn hat and feathers. In one hand she held a small

tray for the contribution of amateurs, and in the other an Italian

bravura, which she sung or rather screamed out with a thousand

indescribable shruggings, contortions, and grimaces, and in a voice to

which a cracked tea-kettle, or a "brazen candlestick turned," had

seemed the music of the spheres. A little farther on we found two

elderly gentlemen playing at see-saw; one an immense corpulent man of

fifteen stone at least, the other a thin dwarfish animal with gray

mustachios, who held before him what I thought was a child, but on

approaching, it proved to be a large stone strapped before him, to

render his weight a counterpoise to that of his huge companion. We

passed on, and returning about half an hour afterwards down the same

walk, we found the same venerable pair pursuing their edifying

amusement with as much enthusiasm as before.

* * * * *

Before the revolution, sacrilege became one of the most frequent

crimes. I was told of a man who, having stolen from a church the

silver box containing the consecrated wafers, returned the wafers next

day in a letter to the Curé of the Parish, _having used one of them to

seal his envelop_.

* * * * *

July 27.--A conversation with S** always leaves me sad. Can it then be

possible that he is right? No--O no! my understanding rejects the idea

with indignation, my whole heart recoils from it; yet if it should be

so! what then: have I been till now the dupe and the victim of

factitious feelings? virtue, honour, feeling, generosity, you are then

but words, signifying nothing? Yet if this vain philosophy lead to

happiness, would not S** be happy? it is evident he is _not_. When he

said that the object existed not in this world which could lead him

twenty yards out of his way, did this sound like happiness? I remember

that while he spoke, instead of feeling either persuaded or convinced

by his captivating eloquence, I was perplexed and distressed; I

_suffered_ a painful compassion, and tears were in my eyes. I, who so

often have pitied myself, pitied him at that moment a thousand times

more; I thought, I would not buy tranquillity at such a price as he

has paid for it. Yet _if_ he should be right? that _if_, which every

now and then suggests itself, is terrible; it shakes me in the utmost

recesses of my heart.

S**, in spite of myself, and in spite of all that with most perverted

pains he has made himself (so different from what he once was), can

charm and interest, pain and perplex me:--not so D**, another disciple

of the same school: he inspires me with the strongest antipathy I ever

felt for a human being. Insignificant and disagreeable is his

appearance, he looks as if all the bile under heaven had found its way

into his complexion, and all the infernal irony of a Mephistopheles

into his turned-up nose and insolent curled lip. He is, he _says_ he

is, an atheist, a materialist, a sensualist: the pains he takes to

deprave and degrade his nature, render him so disgusting, that I could

not even speak in his presence; I dreaded lest he should enter into

conversation with me. I might have spared myself the fear. He piques

himself on his utter contempt for, and disregard of, women; and, after

all, is not himself worthy these words I bestow on him.

* * * * *

_Aug. 25._--Here begins, I hope, a new æra. I have had a long and

dangerous illness; the crisis perhaps of what I have been suffering

for months. Contrary to my own wishes, and to the expectations of

others, I _live_: and trusting in God that I have been preserved for

some wise and good purpose, am therefore thankful: even supposing I

should be reserved for new trials, I cannot surely in this world

suffer more than I have suffered: it is not possible that the same

causes can be again combined to afflict me.

How truly can I say, few and evil have my days been! may I not say as

truly, I have not weakly yielded, I have not "gone about to cause my

heart to despair," but have striven, and not in vain? I took the

remedies they gave me, and was grateful; I resigned myself to _live_,

when had I but willed it, I might have died; and when to die and be at

rest, seemed to my sick heart the only covetable boon.

_Sept. 3._--A terrible anniversary at Paris--still ill and very weak.

Edmonde came, _pour me désennuyer_. He has soul enough to bear a good

deal of wearing down; but whether the fine qualities he possesses will

turn to good or evil, is hard to tell: it is evident his character has

not yet settled: it vibrates still as nature inclines him to good, and

all the circumstances around him to evil. We talked as usual of women,

of gallantry, of the French and English character, of national

prejudices, of Shakspeare and Racine (never failing subjects of

discussion), and he read aloud Delille's Catacombes de Rome, with

great feeling, animation, and dramatic effect.

_La mode_ at Paris is a spell of wondrous power: it is most like what

we should call in England a rage, a mania, a torrent sweeping down the

bounds between good and evil, sense and nonsense, upon whose surface

straws and egg-shells float into notoriety, while the gold and the

marble are buried and hidden till its force be spent. The rage for

cashmeres and little dogs has lately given way to a rage for Le

Solitaire, a romance written, I believe, by a certain Vicomte

d'Arlincourt. Le Solitaire rules the imagination, the taste, the dress

of half Paris: if you go to the theatre, it is to see the "Solitaire,"

either as tragedy, opera, or melodrame; the men dress their hair and

throw their cloaks about them _à la Solitaire_; bonnets and caps,

flounces and ribbons, are all _à la Solitaire_; the print shops are

full of scenes from Le Solitaire; it is on every toilette, on every

work-table;--ladies carry it about in their reticules to show each

other that they are _à la mode_; and the men--what can they do but

humble their understandings and be _extasiés_, when beautiful eyes

sparkle in its defence and glisten in its praise, and ruby lips

pronounce it divine, delicious; "quelle sublimité dans les

descriptions, quelle force dans les caractères! quelle âme! feu!

chaleur! verve! originalité! passion!" etc.

"Vous n'avez pas lu le Solitaire?" said Madame M. yesterday. "Eh mon

dieu! il est donc possible! vous? mais, ma chère, vous êtes perdue de

réputation, et pour jamais!"

To retrieve my lost reputation, I sat down to read Le Solitaire, and

as I read my amazement grew, and I did in "gaping wonderment abound,"

to think that fashion, like the insane root of old, had power to drive

a whole city mad with nonsense; for such a tissue of abominable

absurdities, bombast and blasphemy, bad taste and bad language, was

never surely indited by any madman, in or out of Bedlam: not Maturin

himself, that king of fustian,

"----ever wrote or borrowed

Any thing half so horrid!"

and this is the book which has turned the brains of half Paris, which

has gone through fifteen editions in a few weeks, which not to admire

is "_pitoyable_," and not to have read "_quelque chose d'inouie_."

The objects at Paris which have most struck me, have been those least

vaunted.

The view of the city from the Pont des Arts, to-night, enchanted me.

As every body who goes to Rome views the Coliseum by moonlight, so

nobody should leave Paris without seeing the effect from the Pont des

Arts, on a fine moonlight night:--

"Earth hath not any thing to show more fair."

It is singular I should have felt its influence at such a moment: it

appears to me that those who, from feeling too strongly, have learnt

to consider too deeply, become less sensible to the works of art, and

more alive to nature. Are there not times when we turn with

indifference from the finest picture or statue--the most improving

book--the most amusing poem; and when the very commonest, and

every-day beauties of nature, a soft evening, a lovely landscape, the

moon riding in her glory through a clouded sky, without forcing or

asking attention, sink into our hearts? They do not console,--they

sometimes add poignancy to pain; but still they have a power, and do

not speak in vain: they become a part of us; and never are we so

inclined to claim kindred with nature, as when sorrow has lent us her

mournful experience. At the time I felt this (and how many have felt

it as deeply, and expressed it better!) I did not _think_ it, still

less could I have _said it_; but I have pleasure in recording the past

impression. "On rend mieux compte de ce qu'on a senti que de ce qu'on

sent."

_September 8._--Paris is crowded with English; and I do not wonder at

it; it is, on the whole, a pleasant place to live in. I like Paris,

though I shall quit it without regret as soon as I have strength to

travel. Here the social arts are carried to perfection--above all, the

art of conversation: every one talks much and talks well. In this

multiplicity of words it must happen of course that a certain quantum

of ideas is intermixed: and somehow or other, by dint of listening,

talking, and looking about them, people _do_ learn, and information to

a certain point is general. Those who have knowledge are not shy of

imparting it, and those who are ignorant take care not to seem so; but

are sometimes agreeable, often amusing, and seldom _bêtes_. Nowhere

have I seen unformed sheepish boys, nowhere the surliness,

awkwardness, ungraciousness, and uneasy proud bashfulness, I have seen

in the best companies in England. Our French friend Lucien has, at

fifteen, the air and conversation of a finished gentleman; and our

English friend C---- is at eighteen, the veriest log of a lumpish

school-boy that ever entered a room. What I have seen of society, I

like: the delicious climate too, the rich skies, the clear elastic

atmosphere, the _out of doors_ life the people lead, are all (in

summer at least) delightful. There may be less _comfort_ here; but

nobody feels the want of it; and there is certainly more

amusement--and amusement is here truly "le suprême bonheur."

Happiness, according to the French meaning of the word, lies more on

the surface of life: it is a sort of happiness which is cheap and ever

at hand. This is the place to live in for the merry poor man, or the

melancholy rich one: for those who have too much money, and those who

have too little; for those who only wish, like the Irishman "to live

all the days of their life,"--_prendre en légère monnaie la somme des

plaisirs_: but to the thinking, the feeling, the domestic man, who

only exists, enjoys, suffers through his affections--

"Who is retired as noontide dew,

Or fountain in a noonday grove--"

to such a one, Paris must be nothing better than a vast frippery shop,

an ever-varying galantee show, an eternal vanity fair, a vortex of

folly, a pandemonium of vice.

_September 18._--Our imperials are packed, our passports signed, and

we set off to-morrow for Geneva by Dijon and the Jura. I leave nothing

behind me to regret, I see nothing before me to fear, and have no hope

but in change; and now all that remains to be said of Paris, and all

its wonders and all its vanities, all its glories and all its

gaieties, are they not recorded in the ponderous chronicles of most

veracious tourists, and what can I add thereto?

_Geneva, Saturday Night, 11 o'clock._--Can it be the "blue rushing of

the arrowy Rhone" I hear from my window? Shall I hear it to-morrow,

when I wake? Have I seen, have I felt the reality of what I have so

often imagined? and much, _much_ more? How little do I feel the

contretemps and privations which affect others--and feel them _only_

because they affect others! To me they are nothing: I have in a few

hours stored my mind with images of beauty and grandeur which will

last through my whole existence.

* * * * *

Yet I know I am not singular; others have felt the same: others, who,

capable of "drinking in the soul of things," have viewed nature less

with their eyes than their hearts. Now I feel the value of my own

enthusiasm; now am I repaid in part for many pains and sorrows and

errors it has cost me. Though the natural expression of that

enthusiasm be now repressed and restrained, and my spirits subdued by

long illness, what but enthusiasm could elevate my mind to a level

with the sublime objects round me, and excite me to pour out my whole

heart in admiration as I do now! How deeply they have penetrated into

my imagination!--Beautiful nature! If I could but infuse into you a

portion of my own existence as you have become a part of mine--If I

could but bid you reflect back my soul, as it reflects back all your

magnificence, I would make you my only friend, and wish no other;

content "to love earth only for its earthly sake."

I am so tired to-night, I can say nothing of the Jura, nor of the

superb ascent of the mountain, to me so novel, so astonishing a scene;

nor of the cheerful brilliance of the morning sun, illuminating the

high cliffs, and throwing the deep woody vallies into the darkest

shadow; nor of the far distant plains of France seen between the hills,

and melting away into a soft vapoury light; nor of Morey, and its

delicious strawberries and honey-comb; nor of that never-to-be-forgotten

moment, when turning the corner of the road, as it wound round a cliff

near the summit, we beheld the lake and city of Geneva spread at our

feet, with its magnificent back-ground of the Italian Alps, peak beyond

peak, snow-crowned! and Mont Blanc towering over all! No description

had prepared me for this prospect; and the first impression was

rapturous surprise; but by degrees the vastness and the huge gigantic

features of the scene pressed like a weight upon "my amazed sprite,"

and the feeling of its immense extent fatigued my imagination till my

spirits gave way in tears. Then came remembrances of those I ought to

forget, blending with all I saw a deeper power--raising up emotions,

long buried though not dead, to fright me with their resurrection. I

was so glad to arrive here, and shall be _so_ glad to sleep--even the

dull sleep which laudanum brings me.

_Oct. 1._--When next I submit (having the power to avoid it) to be

crammed into a carriage and carried from place to place, whether I

would or not, and be set down at the stated _points de vue_, while a

detestable laquais points out what I am to admire, I shall deserve to

endure again what I endured to-day. As there was no possibility of

relief, I resigned myself to my fate, and was even amused by the

absurdity of my own situation. We went to see the junction of the

Arve and the Rhone: or rather to see the Arve pollute the rich, blue

transparent Rhone, with its turbid waters. The day was heavy, and the

clouds rolled in prodigious masses along the dark sides of the

mountains, frequently hiding them from our view, and substituting for

their graceful outlines and ever-varying contrast of tint and shade,

an impenetrable veil of dark gray vapour.

_3rd._--We took a boat and rowed on the lake for about two hours. Our

boatman, a fine handsome athletic figure, was very talkative and

intelligent. He had been in the service of Lord Byron, and was with

him in that storm between La Meillerie and St. Gingough, which is

described in the third canto of Childe Harold. He pointed out among

the beautiful villas, which adorn the banks on either side, that in

which the empress Josephine had resided for six months, not long

before her death. When he spoke of her, he rested upon his oars to

descant upon her virtues, her generosity, her affability, her goodness

to the poor, and his countenance became quite animated with

enthusiasm. Here, in France, wherever the name of Josephine is

mentioned, there seems to exist but one feeling, one opinion of her

beneficence and _amabilité_ of character. Our boatman had also rowed

Marie Louise across the lake, on her way to Paris: he gave us no very

captivating picture of her. He described her as "_grande, blonde, bien

faite et extrêmement fière_:" and told us how she tormented her ladies

in waiting; "_comme elle tracassait ses dames d'honneur_." The day

being rainy and gloomy, her attendants begged of her to defer the

passage for a short time, till the fogs had cleared away, and

discovered all the beauty of the surrounding shores. She replied

haughtily and angrily, "Je veux faire ce que je veux--allez toujours."

M. le Baron M----n, whom we knew at Paris, told me several delightful

anecdotes of Josephine: he was attached to her household, and high in

her confidence. Napoleon sent him on the very morning of his second

nuptials, with a message and billet to the ex-empress. On hearing that

the ceremony was performed which had passed her sceptre into the hands

of the proud, cold-hearted Austrian, the feelings of the _woman_

overcame every other. She burst into tears, and wringing her hands,

exclaimed "Ah! au moins, qu'il soit heureux!" Napoleon resigned this

estimable and amiable creature to narrow views of selfish policy, and

with her his good genius fled: he deserved it, and verily he hath had

his reward.

We drove after dinner to Copet; and the Duchesse de Broglie being

absent, had an opportunity of seeing the chateau. All things "were

there of her"--of her, whose genuine worth excused, whose

all-commanding talents threw into shade, those failings which belonged

to the weakness of her sex, and her warm feelings and imagination. The

servant girl who showed us the apartments, had been fifteen years in

Madame de Staël's service. All the servants had remained long in the

family, "elle était si bonne et si charmante maîtresse!" A picture of

Madame de Staël when young, gave me the idea of a fine countenance and

figure, though the features were irregular. In the bust, the

expression is not so prepossessing:--_there_ the colour and brilliance

of her splendid dark eyes, the finest feature of her face, are of

course quite lost. The bust of M. Rocca[C] was standing in the Baron

de Staël's dressing-room: I was more struck with it than any thing I

saw, not only as a chef-d'oeuvre, but from the perfect and regular

beauty of the head, and the charm of the expression. It was just such

a mouth as we might suppose to have uttered his well-known reply--"_Je

l'aimerai tellement qu'elle finira par m'aimer._" Madame de Staël had

a son by this marriage, who had just been brought home by his brother,

the Baron, from a school in the neighbourhood. He is about seven years

old. If we may believe the servant, Madame de Staël did not

acknowledge this son till just before her death; and she described the

wonder of the boy on being brought home to the chateau, and desired to

call _Monsieur le Baron_ "Mon frère" and "Auguste." This part of

Madame de Staël's conduct seems incomprehensible; but her death is

recent, the circumstances little known, and it is difficult to judge

her motives. As a _woman_, as a _wife_, she might not have been able

to brave "the world's dread laugh"--but as a _mother_?----

We have also seen Ferney--a place which did not interest me much, for

I have no sympathies with Voltaire:--and some other beautiful scenes

in the neighbourhood.

The Panorama exhibited in London just before I left it, is wonderfully

correct, with one pardonable exception: the artist did not venture to

make the waters of the lake of the intense ultramarine tinged with

violet as I now see them before me;

"So darkly, deeply, beautifully blue;"

it would have shocked English eyes as an exaggeration, or rather

impossibility.

The Diary of an Ennuyée · 第 8 / 35 题