CHAPTER XXXIV

While scientists seek germs that shall change the world, while war

comes or winter takes earth captive, even while love visibly flowers,

a power, mighty as any of these, lashes its human pack-train on the

dusty road to futility. The Day's Work is the name of that power.

All these days of first love Carl had the office for lowering

background. The warm trust of Ruth's hand on a Saturday did not make

plans for the Touricar any the less pressing on a Monday. The tyranny

of nine to five is stronger, more insistent, in every department of

life, than the most officious oligarchy. Inspectors can be bribed,

judges softened, and recruiting sergeants evaded, but only the grace

of God will turn 3.30 into 5.30. And Mr. Ericson of the Touricar

Company, a not vastly important employee of the mothering VanZile

Corporation, was not entitled to go home at 3.30, as a really rational

man would have done when the sun gold-misted the windows and suggested

skating.

No longer was business essentially an adventure to Carl. Doubtless he

would have given it up and have gone to Palm Beach to fly a hydro for

Bagby, Jr., had there been no Ruth. Bagby wrote that he was coming

North, to prepare for the spring's experiments; wouldn't Carl consider

joining him?

Carl was now, between his salary and his investment in the Touricar

Company, making about four thousand dollars a year, and saving nearly

half of it, against the inevitable next change in his life, whatever

that should be. He would probably climb to ten thousand dollars in

five years. The Touricar was promising success. Several had been

ordered at the Automobile Show; the Chicago, Boston, and Philadelphia

agents of the company reported interest. For no particular reason,

apparently, Milwaukee had taken them up first; three Milwaukee people

had ordered cars.... An artist was making posters with beautiful

gipsies and a Touricar and tourists whose countenances showed lively

appreciation of the efforts of the kind Touricar manufacturers to

please and benefit them. But the head salesman of the company laughed

at Carl when he suggested that the Touricar might not only bring them

money, but really take people off to a larger freedom:

"I don't care a hang where they go with the thing as long as they pay

for it. You can't be an idealist and make money. You make the money

and then you can have all the ideals you want to, and give away some

hospitals and libraries."

* * * * *

They walked and talked, Ruth and Carl. They threaded the

Sunday-afternoon throng on upper Broadway, where on every clear Sunday

all the apartment-dwellers (if they have remembered to have their

trousers pressed or their gloves cleaned in preparation) promenade

like stupid black-and-white peacocks past uninteresting

apartment-houses and uninspiring upper Broadway shops, while two

blocks away glorious Riverside Drive, with its panorama of Hudson and

hills and billowing clouds, its trees and secret walks and the

Soldiers and Sailors Monument, is nearly deserted. Together they

scorned the glossy well-to-do merchant in his newly ironed top-hat,

and were thus drawn together. It is written that loving the same cause

makes honest friendship; but hating the same people makes alliances so

delightful that one can sit up late nights, talking.

At the opening of the flying season Carl took her to the Hempstead

Plains Aviation Field, and, hearing his explanations, she at last

comprehended emotionally that he really was an aviator.

They tramped through Staten Island; they had tea at the Manhattan.

Carl dined with Ruth and her father; once he took her brother, Mason,

to lunch at the Aero Club.

Ruth was ill in March; not with a mysterious and romantic malady, but

with grippe, which, she wrote Carl, made her hate the human race, New

York, charity, and Shakespeare. She could not decide whether to go to

Europe, or to die in a swoon and be buried under a mossy headstone.

He answered that he would go abroad for her; and every day she

received tokens bearing New York post-marks, yet obviously coming from

foreign parts: a souvenir card from the Piraeus, stating that Carl was

"visiting cousin T. Demetrieff Philopopudopulos, and we are enjoying

our drives so much. Dem. sends his love; wish you could be with us";

an absurd string of beads from Port Said and a box of Syrian sweets; a

Hindu puzzle guaranteed to amuse victims of the grippe, and

gold-fabric slippers of China; with long letters nonchalantly relating

encounters with outlaws and wrecks and new varieties of disease.

He called on her before her nose had quite lost the grippe or her

temper the badness.

Phil Dunleavy was there, lofty and cultured in evening clothes,

apparently not eager to go. He stayed till ten minutes to ten, and, by

his manner of cold surprise when Carl tried to influence the

conversation, was able to keep it to the Kreisler violin recitals, the

architecture of St. John the Divine's, and Whitney's polo, while Carl

tried not to look sulky, and manoeuvered to get out the excellent

things he was prepared to say on other topics; not unlike the small

boy who wants to interrupt whist-players and tell them about his new

skates. When Phil was gone Ruth sighed and said, belligerently:

"Poor Phil, he has to work so hard, and all the people at his office,

even the firm, are just as common as they can be; common as the

children at my beastly old settlement-house."

"What do you mean by 'common'?" bristled Carl.

"Not of our class."

"What do you mean by 'our class'?"

And the battle was set.

Ruth refused to withdraw "common." Carl recalled Abraham Lincoln and

Golden-Rule Jones and Walt Whitman on the subject of the Common

People, though as to what these sages had said he was vague. Ruth

burst out:

"Oh, you can talk all you like about theories, but just the same, in

real life most people are common as dirt. And just about as admissible

to Society. It's all very fine to be good to servants, but you would

be the first to complain if I invited the cook up here."

"Give her and her children education for three generations----"

She was perfectly unreasonable, and right in most of the things she

said. He was perfectly unreasonable, and right in all of the things he

said. Their argument was absurdly hot, and hurt them pathetically. It

was difficult, at first, for Carl to admit that he was at odds with

his playmate. Surely this was a sham dissension, of which they would

soon tire, which they would smilingly give up. Then, he was trying not

to be too contentious, but was irritated into retorting. After fifteen

minutes they were staring at each other as at intruding strangers, he

remembering the fact that she was a result of city life; she the fact

that he wasn't a product of city life.

And a fact which neither of them realized, save subconsciously, was in

the background: Carl himself had come in a few years from Oscar

Ericson's back yard to Ruth Winslow's library--he had made the step

naturally, as only an American could, but it was a step.

She was loftily polite. "I'm afraid you can't quite understand what

the niceties of life mean to people like Phil. I'm sorry he won't give

them up to the first truck-driver he meets, but I'm afraid he won't,

and occasionally it's necessary to face facts! Niceties of the kind he

has gr----"

"_Nice!_"

"Really----" Her heavy eyebrows arched in a frown.

"If you're going to get 'nice' on me, of course you'll have to be

condescending, and that's one thing I won't permit."

"I'm afraid you'll find that one has to permit a great many things.

Sometimes, apparently, I must permit great rudeness."

"Have I been rude? Have----"

"Yes. Very."

He could endure no more. "Good night!" he growled, and was gone.

He was frightened to find himself out of the house; the door closed

between them; no going back without ringing the bell. He couldn't go

back. He walked a block, slow, incredulous. He stood hesitant before

the nearest corner drug-store, shivering in the March wind, wondering

if he dared go into the store and telephone her. He was willing to

concede anything. He planned apt phrases to use. Surely everything

would be made right if he could only speak to her. He pictured himself

crossing the drug-store floor, entering the telephone-booth, putting

five cents in the slot. He stared at the red-and-green globes in the

druggist's window; inspected a display of soaps, and recollected the

fact that for a week now he had failed to take home any shaving-soap

and had had to use ordinary hand-soap. "Golly! I must go in and get a

shaving-stick. No, darn it! I haven't got enough money with me. I

_must_ try to remember to get some to-morrow." He rebuked himself for

thinking of soap when love lay dying. "But I must remember to get that

soap, just the same!" So grotesque is man, the slave and angel, for

while he was sick with the desire to go back to the one comrade, he

sharply wondered if he was not merely acting all this agony. He went

into the store. But he did not telephone to Ruth. There was no

sufficiently convincing reason for calling her up. He bought a silly

ice-cream soda, and talked to the man behind the counter as he drank

it. All the while a tragic Ruth stood before him, blaming him for he

knew not what.

He reluctantly went on, regretting every step that took him from her.

But as he reached the next corner his shoulders snapped back into

defiant straightness, he thrust his hands into the side pockets of his

top-coat, and strode away, feeling that he had shaken off a burden of

"niceness." He had, willy-nilly, recovered his freedom. He could go

anywhere, now; mingle with any sort of people; be common and

comfortable. He didn't have to take dancing lessons or fear the

results of losing his job, or of being robbed of his interests in the

Touricar. He glanced interestedly at a pretty girl; recklessly went

into a cigar-store and bought a fifteen-cent cigar. He was free again.

As he marched on, however, his defiance began to ooze away. He went

over every word Ruth or he had said, and when he reached his room he

sat deep in an arm-chair, like a hurt animal crouching, his coat still

on, his felt hat over his eyes, his tie a trifle disarranged, his legs

straight out before him, his hands in his trousers pockets, while he

disconsolately contemplated a photograph of Forrest Haviland in

full-dress uniform that stood on the low bureau among tangled ties,

stray cigarettes, a bronze aviation medal, cuff-buttons, and a

haberdasher's round package of new collars. His gaze was steady and

gloomy. He was dramatizing himself as hero in a melodrama. He did not

know how the play would end.

But his dramatization of himself did not indicate that he was not in

earnest.

Forrest's portrait suggested to him, as it had before, that he had no

picture of Ruth, that he wanted one. Next time he saw her he would

ask her.... Then he remembered.

He took out his new cigar, turned it over and over gloweringly, and

chewed it without lighting it, the right corner of his mouth vicious

in appearance. But his tone was plaintive as he mourned, "How did it

all start, anyway?"

He drew off his top-coat and shoes, and put on his shabby though once

expensive slippers. Slowly. He lay on his bed. He certainly did not

intend to go to sleep--but he awoke at 2 A.M., dressed, the light

burning, his windows closed, feeling sweaty and hot and dirty and

dry-mouthed--a victim of all the woes since tall Troy burned. He

shucked off his clothes as you shuck an ear of corn.

When he awoke in the morning he lay as usual, greeting a shining new

day, till he realized that it was not a shining day; it was an ominous

day; everything was wrong. That something had happened--really

had--was a fact that sternly patrolled his room. His chief reaction

was not repentance nor dramatic interest, but a vexed longing to

unwish the whole affair. "Hang it!" he groaned.

Already he was eager to make peace. He sympathized with Ruth. "Poor

kid! it was rotten to row with her, her completely all in with the

grippe."

At three in the afternoon he telephoned to her house. "Miss Ruth," he

was informed, "was asleep; she was not very well."

Would the maid please ask Miss Ruth to call Mr. Ericson when she woke?

Certainly the maid would.

But by bedtime Ruth had not telephoned. Self-respect would not let him

call again, for days, and Ruth never called him.

He went about alternately resentful at her stubbornness and seeing

himself as a lout cast out of heaven. Then he saw her at a distance,

on the platform of the subway station at Seventy-second Street. She

was with Phil Dunleavy. She looked well, she was talking gaily,

oblivious of old sorrows, certainly not in need of Carl Ericson.

That was the end, he knew. He watched them take a train; stood there

alone, due at a meeting of the Aeronautical Society, but suddenly not

wishing to go, not wishing to go anywhere nor do anything, friendless,

bored, driftwood in the city.

So easily had the Hawk swooped down into her life, coming by chance,

but glad to remain. So easily had he been driven away.

* * * * *

For three days he planned in a headachy way to make an end of his job

and join Bagby, Jr., in his hydroaeroplane experiments. He pictured

the crowd that would worship him. He told himself stories unhappy and

long about the renewed companionship of Ruth and Phil. He was sure

that he, the stranger, had been a fool to imagine that he could ever

displace Phil. On the third afternoon, suddenly, apparently without

cause, he bolted from the office, and at a public telephone-booth he

called Ruth. It was she who answered the telephone.

"May I come up to-night?" he said, urgently.

"Yes," she said. That was all.

When he saw her, she hesitated, smiled shamefacedly, and confessed

that she had wanted to telephone to him.

Together, like a stage chorus, they contested:

"I was grouchy----"

"I was beastly----"

"I'm honestly sorry----"

"'ll you forgive----"

"What was it all about?"

"Really, I do--not--know!"

"I agree with lots of the things you----"

"No, I agree with you, but just at the time--you know."

Her lively, defensive eyes were tender. He put his arm lightly about

her shoulders--lightly, but his finger-tips were sensitive to every

thread of her thin bodice that seemed tissue as warmly living as the

smooth shoulder beneath. She pressed her eyes against his coat, her

coiled dark hair beneath his chin. A longing to cry like a boy, and to

care for her like a man, made him reverent. The fear of Phil vanished.

Intensely conscious though he was of her hair and its individual

scent, he did not kiss it. She was sacred.

She sprang from him, and at the piano hammered out a rattling waltz.

It changed to gentler music, and under the shaded piano-lamp they were

silent, happy. He merely touched her hand, when he went, but he sang

his way home, wanting to nod to every policeman.

"I've found her again; it isn't merely play, now!" he kept repeating.

"And I've learned something. I don't really know what it is, but it's

as though I'd learned a new language. Gee! I'm happy!"

The Trail of the Hawk: A Comedy of the Seriousness of Life · 第 12 / 20 章