CHAPTER XX. HOW ALEXANDER CAME TO HIS LIFE’S END AND WAS BURIED,

AND WHAT THEREON BEFELL.

Furthermore after the descent of Alexander into the sea, messengers

came from Susa with the word that the king of Babylon, Nabuzardan,

had refused the tribute that he ought to pay, and had declared war

against the Lord of Macedon, for he deemed that Alexander would

not return from the far lands to which he had departed, and he

thought that the city Babylon could not be taken of man, for it was

exceeding great and strong, and needed help of no man when it was

closed up. Then Alexander the king grew very wroth, and bade all

men prepare to go to Babylon, for he would gather all the armies

of the empire against it, and he turned his face towards the land

of Babylon and marched towards it, and they went through mighty

deserts and strange lands, and many strange things they saw and

wild beasts of strange shapes, and some that breathed out fire, and

had teeth and claws like iron, and were covered with scales like

brass. But above all wonders of the land men brought him a certain

bird called Caladrius. Now this bird is white of colour and hath no

part of blackness, and its nature is such that when a man suffers

from great sickness, and this bird turneth away its face from him

that is sick, then without doubt the man shall die. And if the sick

man shall escape, the bird setteth its sight on him and beholdeth

him as it were fawning and playing. And Alexander made proof of its

wondrous gifts.

Now the land of Babylon is the best land to bear all manner of

bread-corn and fruit and wine; full of sweet spices, herbs, and

trees; and most rich of precious stones and of divers metals,

with great plenty of camels, horses, oxen, asses, mules and other

beasts. And the greatness of the city may scarcely be told, for the

walls were fifty cubits thick, and as much in height, and the city

was four hundred and fourscore furlongs about. The walls were of

burnt tiles and brick, and without was a broad ditch and deep. Into

that ditch ran the river Euphrates all about the city. And in the

front of the walls were an hundred gates, and about the walls were

dwelling places for them that should defend the city, and those

places of defence were wondrous huge and strong.

On the day that Alexander came into the land of Babylon, there met

him messengers from his mother Olympias and from Aristotle the

wise, whom he had left to govern the land of Macedon. And Olympias

wrote telling of troubles in the kingdom, now Antipater the father

of Cassander and Roboas had stirred up the people against her,

and how he sought to be king of Macedon, for he had heard that

Alexander should return no more to Greece. But Aristotle wrote

praising the wondrous works he had wrought, and the sights he had

seen.

Soon the Lord of Macedon pitched his tents before the walls of

Babylon, and called on Nabuzardan its king to yield himself up. Now

it was the custom of Alexander when he besieged a town that for

three days a white flag hung over his tent, and after that a black

one flew, and if the town yielded while the white flag was flying,

then Alexander received it into the number of his friends, but if

they yielded not then were they treated as enemies and slain or

sold for slaves. And three days did the heralds come to the walls

of Babylon, and sound their trumpets and call on them to yield, but

they did not, and on the fourth day, Alexander brought up great

catapults and sent huge stones into the city, and the people feared

and sent out the dead body of Nabuzardan their king, and yielded

them to the mercy of Alexander. Then the Lord of Macedon entered

into the city with all his men, and they came into it and abode

there many months.

So Alexander reigned in Babylon, and of the gold of India and of

Persia he bade men make him a throne, and they brought the gold on

horses, and on camels, and on elephants, and cast it into a heap

twelve cubits high, and this was the fashion of the throne they

made. It was at the top of twelve steps, and was surrounded by

twelve images, the shapes of his twelve tried princes, and each of

these held up the heavy work of the canopy of the throne. The seat

of the throne was of smaragd stone, green and clear, and above all,

in the canopy, was a lovely carbuncle which shone in the darkest of

the night like a sun, and on the steps of the throne were engraved

the names of all the countries of the world, for they were subject

to his rule. Then made he a crown adorned with noble and precious

stones, rich beyond all telling, and on it was a name telling of

his power and might. And his heart swelled within him and he forgot

the warnings of the gods who had told him of his death.

Then wondrous things began to happen in the land, signs and

marvels, for on one day an ass fell upon a noble lion and kicked it

to death, nor did the lion resist, and on another day a child was

born in shape like a lion from the waist up, and the child spoke a

word and died. So Alexander asked his wise men and the priests of

Babylon, and they told him that it showed evil that should happen

to him. And this is how the evil came. There was a certain great

lord in Macedon, Antipater by name, and he sent to gather poison

from the rock of Nonacris, and so strong was this poison that no

cup or vessel might contain it, save only it were made from the

hoof of a horse. So when he had gathered it he sent messengers to

his son Cassander with the poison, and he bade him fear not to

use it. Now Cassander and Roboas his brother had determined evil

towards Alexander in their hearts since the day when Roboas had let

Alexander loose in the sea, and since the day when Cassander had

come into the camp to Alexander. For when Cassander had done his

homage to his lord, one of the Indian kings came up and fell on the

ground before him, and kissed the ground at his feet, and Cassander

laughed out at the Indian king, wherefore Alexander was offended,

and struck him a blow so that he reeled against the wall. So when

the poison came Cassander rejoiced, and he told his brother, and

they set a day to kill the Lord of Macedon, the noble Alexander.

The tale tells how Alexander held high feast in his palace at

Babylon, seated on his golden throne with his crown on his head,

and Roxana the queen by his side, and with him the twelve princes

of Greece, who had been his companions and his friends from the

days of his youth up. And they rejoiced and were glad, for all

nations were put under their feet, and the burden of warfare was

over, and now they had to rule the folk and to lead happy days,

and they trusted that they should be great kings under Alexander

the emperor. And now men passed the wine, and full draughts were

drunk, and Nearchus told a tale of the wonders that he had seen in

the great sea of ocean when he had sailed there at the orders of

Alexander, and another great lord reached for a lyre and sung a

song of old days. Then men told tales of their deeds in battle, and

each man boasted how near he had been to Alexander in the days of

the great battles, and at the last men fell to talk of that good

steed Bucephalus, and how he bore the king in battle, and served

him faithfully, and fought with him, and Cassander said to Roboas

his brother “What thou hast to do, that do,” and Roboas rose and

brought a cup to Alexander, and said “Dear Lord, this cup is made

from the hoof of thy brave steed, Bucephalus the white; drink we a

cup in memory of this horse, the best in the world.” And Alexander

rose and said “O Bucephalus, my fair horse, thou failedst me never;

were this cup my bane, I would refuse it not from thee,” and he

drank it down. Then he sat down for a space, and then he fell

forward from his seat, and his sword fell from its sheath, and

pierced his side, and he called but twice “Help! Help!” Yet when

his lords ran to him and raised him, he said “Nay, my good lords of

Macedon, it is nought; drink ye and rejoice for the good days to

come,” but he turned to Cassander and said “My faithful liegeman,

go and fetch me somewhat to ease me of this pain,” for he trusted

in Cassander as he did in his nearest friend. But Cassander brought

him that which only increased his pain.

That night Alexander the king lay alone in his palace at Babylon,

for he would have no man near him to watch by him or to guard him,

and as he lay the cold poison weighed on his heart. Then his brain

grew dizzy and faint, and the room seemed measurelessly great,

and all men seemed far away. The beginning of the night seemed to

be long time past, the dawn of day was still too far away to hope

for, the pain became over great to bear, the poison ran through the

veins and seemed to eat his throat with a cold fire, and in the

midst of his trouble and fear the light went out and the darkness

came on him like a net round him. Then he feared indeed, for he

knew that he could not stay there with the terror that was on him,

and he tried to stand and walk, but he could not for his wound and

the poison that he had drunk, he thought of the great cold river

flowing near and the water seemed to call him, so he crawled out

of the room on hands and knees painfully, step by step, till the

morning broke and he found himself in the garden of the palace

close on the bank of the river, and said, “The gods have left me,

and I know not why; but one more effort, and I shall be free of

this burning and wound.” Then he heard a great cry “My lord, my

life!” and Roxana the Queen came running down the garden to him,

and after her the women, and the lords of Greece. So one of them

snatched a shield from the guard that came up and laid it on the

ground for the King, and Roxana sat him on the shield and rested

his head on her bosom, while Ptolemy held up his golden shield over

him to guard his eyes from the rays of the morning sun, and a cry

of confused voices went up round him. Then Roxana the Queen said,

for in truth she knew not what to say, “See, my lord, a canopy of

gold for my Emperor.” “Aye, fair lady love,” said Alexander, “a sky

of gold, and a soil of iron; now are the fates accomplished and my

time is surely come; bear me back to my bed that I may die there.”

Then at the word all men there burst into tears and lamentation,

for the end of all things seemed at hand now their lord was to die

so young, and what words can tell the grief of Roxana the Queen.

So his lords bore him gently to his bed in the palace, and stood

round it, and listened to the words that he spoke, and Alexander

sent for his scribes and bade them bring parchment and an inkhorn

for his will. So it was done and he shared out all the lands that

he had conquered amongst his war-dukes, to every man of them a

kingdom. And he left to the priests of Egypt a thousand talents

of gold and his body that they should keep it for ever, and for

his wife Roxana, if she should have a son he should be Emperor

after him, if a daughter she should be married to the best of

the Macedonians and he should be Emperor. Then Alexander put his

seal to the parchment, and all the dukes put their seals on it as

witnesses, and the will was folded up and laid in a precious casket

before them all.

Now drew on the time that this noble Prince was to die, and all the

world suffered with the pain of losing him. The thunders rolled

and crashed, the lightnings flashed wide over the land, and there

was a darkness of thick clouds, and the earth was rent hither and

thither, and huge towers toppled and fell, so that all that was

strong and well-founded became weak and unstable as water, and the

foundations of all things were shaken. Then men in far-off lands

feared and wondered what these things should mean, and when they

hurried to the temples of the gods to enquire, the oracles answered

“The earth is poorer to-day by the loss of its most noble knight

and king,” and all men knew that Alexander was dying. Then the

seamen heard voices over the sea of weeping and wailing, and they

knew that all people mourned for the death of the Lord of Macedon,

the bravest, the most courteous, and most generous of knights.

But the army of the Macedonians came round the dwelling of their

chief, as it ever was their wont in time of danger, though they

knew that they could not help him, nor he them, in this his day of

passing away from them. Their hearts longed to see him once more,

to look on the face that had led them smiling into danger and out

of it again, and it may be, to touch the hand that had struck such

blows in their aid, or had given such gifts to them as he had.

So Alexander the king was brought on his bed into the great hall

of his palace, and the Macedonians crowded round to see him, and

one of them was over-bold and asked him “Whom dost thou leave to

be lord of thine army?” and Alexander lifted up his head and said

“Perdiccas, I leave my army and my Queen in thy charge, take care

of them: as I have loved thee, love and keep them in my memory.”

Then the Macedonians began to weep and lament and those who were

near kissed the cold hand of their king, and they went out, and the

sound of their sobs and lamentations was like the dying away of a

thunder storm far off.

There stood up in the midst of them a lord of Macedon, Solentius by

name, and said “Men of Macedon, our land was a small one, and our

name was lightly esteemed in Greece, till this man’s father was

born, and he ruled us and made us a mighty people among the Greeks,

and subdued Athens and made us first among the folk of our land.

And when he died, and Alexander our lord came to the throne he went

wide into the world, and rode over it, and conquered it, and he

made the footmen of his army lords over the people and kings among

the barbarian folk, so that no man stands before the Macedonians,

and they are the first of folk under heaven. Now is he at point to

die, and what shall fall to us, for no man has he left behind him

who can take his place. Soon shall the empire of the Macedonians be

broken to pieces, and the name of the country be forgotten.” And

all men said that he had spoken true, and they lamented exceedingly.

And Alexander died: and the sun was eclipsed.

Then Ptolemy sent physicians, and they embalmed the body of

Alexander, and dressed it in his imperial robes, and set it in a

chariot, and with all the army of Macedon, marched from the land

of Babylon to the land of Egypt, to the city of Alexandria which

Alexander had built. And when they were come there, Ptolemy built

a golden sepulchre for him in a high place looking over the city

he had built and the sea, and there he set a chair of state, and

in it was the body of Alexander, clothed as the Emperor of the

World, with his crown upon his head: his right hand held a golden

sceptre, and his left a golden ball, and on his knees lay his

sword, sheathed and swaddled in his girdle, for he should no more

draw it in the face of the foe.

The tale tells of Olympias that when men told in Macedon that

Alexander was dead, Antipater the traitor sent men, and they seized

the lovely queen, and slew her, and cast out her body to the beasts

of the field, and the fowls of the air; and great wars followed

that cruel deed. And other things are told of the son of Alexander

and Roxana, but never did he reach the empire of his father, nor

attain the fame of Alexander.

On a day there came to the tomb of Alexander wise men from all

lands, and one said, “Alexander made his treasure of gold, and the

gold endures, but not Alexander.” The second said, “Yesterday the

whole world did not satisfy him, to-day four ells are enough.”

The third said, “Yesterday he ruled the people, to-day the people

rules him.” The fourth said, “Yesterday he could save a multitude

from death, to-day he cannot save his own life.” The fifth said,

“Yesterday he led his army from the city, to-day they led him to

his burial.” The sixth said, “Yesterday he pressed down the earth,

to-day it weighs him down.” The seventh said, “Yesterday all men

feared him, to-day they hold him in small honour.” The last said,

“Yesterday he had friends and enemies, to-day all men are alike to

him.”

Then they went away, and Alexander was alone, sitting in his chair,

of state, watching his city.

[Illustration: WHO SHALL ME GIVEN TEARES TO COMPLAIN

THE DEATH OF GENTILLESSE AND OF FRANCHISE.

THE END]

AFTER-WORDS

The story which has just been told may be looked on as the result

of ten centuries of Eastern and Western imagination. The career

of the historical Alexander is perhaps one of the most important

things, in its way, that have happened on our earth, and could not

fail to give rise to a plenteous crop of legend and of marvels.

Even in his lifetime the Greek orators allowed their language

to run riot in the telling of his deeds, which required no

exaggeration to stand out before the world.

[Sidenote: _Greek Text of Pseud-Callisthenes._]

The form of the story was fixed much as we have it now, certainly

before the third century of our era, and probably much earlier, in

the work of which a corrupt text has come down to us, under the

name of Callisthenes, one of the companions of Alexander. The Greek

text of this work was printed by Muller (Paris, 1877) from three

MSS. in the Bibliothèque Nationale at Paris, which represent three

different classes of MS. There are about twenty MSS. of the work

known.

[Sidenote: _Probable Alexandrian origin of the Romance._]

The origin of this romance is probably Egyptian. In fact, there

seems little reason to doubt Favre’s guess, that its composition

was due to one of the Ptolemies, who were successors of Alexander

on the Egyptian throne, and willing to legitimatise their rule by

connecting it with that of the last of the ancient kings. The style

of the Greek seems to be Alexandrian, and Nicephorus Calistes (X.

36), speaks of the Life of Alexander written by the Alexandrian.

Other considerations tend to support the Egyptian origin of the

romance. The character of the magic is distinctly Egyptian (see

a very interesting discussion of some points in Budge’s Syriac

Version of the Alexander Story, pp. xxxix. _et seq._). The way in

which magic has been attributed to Anectanabus agrees with Egyptian

tradition, which has always attributed supernatural powers to him.

Reuvens, in his Third Letter (p. 76), gives an account of a papyrus

describing some of his magical powers, and Tertullian, in the “De

Anima” (lvii.), names him as one of the masters of magic.

[Sidenote: _Julius Valerius and his Epitome._]

The story was translated into Latin by Julius Valerius early in

the fourth century, since the translation is one of the sources of

the “Itinerarium Alexandri” (340-345 A.D.). An epitome of Julius

Valerius, made in the ninth century, was published by Zacher

(Halle, 1867). Our earliest MS. of Julius Valerius is at Turin, and

dates from about 800 A.D. He is quoted by Syncellus in the eighth

century, and by Malala in the ninth.

The most important translation--the one which is known as the

“Historia Alexandri Magni de Proeliis”--is, however, due to the

tenth century. Leo the Archpriest seems to have been sent on an

embassy to Constantinople to the Emperors Constantine and Romanus

(920-944) by John and Marius, Dukes of Campania (941-965), and

while there he seems to have collected many books, among which was

the Story of Alexander. On his return he was commanded by Duke John

to translate the story into Latin.

[Sidenote: _Alberic de Besançon. And the decasyllabic poem._]

[Sidenote: _Lamprecht’s Version._]

The Alexander Story came into European literature early in the

twelfth century. As far as we know it was introduced by Alberic

de Besançon. Of his work there exists now only a fragment of

about 105 lines, first printed by Heyse, Berlin, 1856, 8vo. We

can, however, judge of it by the decasyllabic poem, of which two

portions are printed by Meyer. It was founded on Julius Valerius

and the authentic histories of Alexander. Alberic rejects with

disdain the story of Anectanabus’ parentage of Alexander, judging

it a disgrace to any true knight to be base-born. The character of

the missing parts of the poem may also be gathered from the German

version of Lamprecht the preacher, who wrote towards the end of the

twelfth century, and who seems to have made use of Alberic’s poem

till it concluded with the episode of Nicholas. The poems printed

by Meyer here change their versification, and are henceforth in

Alexandrines, the continuator being Simon le Poitevin.

[Sidenote: _Lambert li Tors and Alexandre de Paris._]

The development of the Alexander Story in Europe is due, however,

neither to Alberic nor Lamprecht, but to Lambert li Tors and

Alexandre de Bernay (or Paris), who in the middle of the century

wrote the romance in Alexandrines. The poem was full of the magical

wonders which Alberic had rejected; it adopted the Egyptian origin

of Alexander and the wondrous stories of Bucephalus, and became

instantaneously popular.

[Sidenote: _The Alexander Cycle._]

But medieval listeners were not satisfied with so meagre

information as the Romance of Alexander gave. Here was a great king

foully murdered, beautiful queens beheaded; is there no justice in

the skies? So in quick succession came the “Testament d’Alexandre”

of Pierre de Saint Cloor, and in 1190 “La Vengeance Alexandre”

of Gui de Cambrai. Another poem on the same subject was written

between 1288-1308 by Jean le Nevelois (Nevelaux), and a new cycle

of poems was opened by the “Voeux du Paon” of Jacques de Longuyon,

1312, the “Restor du Paon” of Brisebarre de Douay (before 1338).

The Alexander cycle finishes by Jean de la Mote’s “Parfait du

Paon,” 1340.

[Sidenote: _Eustace of Kent._]

Meanwhile the Alexander Story itself had gone on its way. Eustace

of Kent had incorporated it in his (still inedited) “Roman de

Toute Chevalrie” in the middle of the thirteenth century. Four

manuscripts of this work still exist, and it seems to be the stock

from which many English translations have been made, notably

that published by Weber in 1810. About the same time the prose

translation of the “De Proeliis” was made, a translation which

profoundly influenced the later story-tellers. Soon the Epitome of

Julius Valerius, and a letter of Alexander to Aristotle, giving an

account of the wonders of India, were translated. Frère Jehan de

Vignay wrote a prose romance of Alexander in 1341, unfortunately

lost, and the roll is closed in 1445 by “l’Histoire d’Alexandre” of

Jean Wauquelin.

[Sidenote: _English Versions._]

Our English versions seem to have been later. Very few of them have

been printed, a fact perhaps due to the very insufficient support

extended to the Early English Text Society, which has printed the

portions to be found of two of them. Our earliest version seems

to be that of which some extracts are given in Warton. There was

an English version of 48,000 lines or so of the Alexander Story,

belonging to the Duke of Roxburghe, but the MS. has disappeared.

Weber, in his “Early English Metrical Romances,” gives a rhymed

poem of 8031 lines. Two fragments are known of an alliterative

translation of Lambert li Tors, which must have been of enormous

length; and a nearly complete poem, which follows pretty closely

the “De Proeliis,” is printed under the name of “The Wars of

Alexander.” The three last are published by the Early English Text

Society. Gower, in the “Confessio Amantis,” also makes use of

episodes of the romance. Cockayne printed an A.S. version of the

letter of Alexander.

We have thus run down the line which brought the tale from Egypt

to Chaucer’s doors, so that he could sing that--

“_Alisaundre’s storie is so commune_

_That everie wight that hath discrecionne_

_Hath horde somewhat or al of his fortune;_”

but we would not have the reader think that here is an exhaustive

list, even along the line of descent we have traced, of the forms

of the Alexander Story. Amongst other European versions are the

German prose version (printed in 1478, Aug. Vind., fo.), made by

John Hartlieb Moller, at the command of Albert, Duke of Bavaria.

There are further, early Spanish, Italian, Norse, Swedish, Dutch,

and Russian versions. An early rhyme, preserving an incident of the

story, is printed by Schiller, “Thesaur. Antiq. Teuton,” t. i., in

the Rhythm. de S. Annone, xiv., xv.

It hardly comes within our province to refer to other forms of the

Alexander Story in Europe, except in the briefest possible way. A

work often mistaken for the “De Proeliis” is the compilation of

Radulphus of St Albans, who compiled from Quintus Curtius and other

authors a Life of Alexander. In 1236 William of Spoleto wrote a

Life of Alexander in Latin elegiacs, a work quoted by Warton as of

Aretinus Quilichinus.

[Sidenote: _Independent Legends--Persian, Arabic._]

The Pseud-Callisthenes is often spoken of as the work of Simeon

Seth, protovestiarius of the palace of Antiochus at Constantinople,

and was in the last century considered a translation from the

Persian about the year 1070. Other reasons apart the dissimilarity

between the Egyptian and the Persian forms of the story would

disprove this theory. Just as the Egyptians represented Alexander

as the son of the last of their native kings, so the Persians

represented him (in the popular legend) as the son of Darius

(Codomannus of the Kayanian dynasty), and of a daughter of Philip

of Macedon, who was brought up by his grandfather, and afterwards

overcame his elder brother. An independent tradition seems to have

grown up among the Arabs, making him the son of an old woman, and

born in obscurity, his name being originally Mazban (Lord of the

Marches), son of Marzabah, descended from Yunan, son of Japhet

(Burton, “Arabian Nights”).

[Sidenote: _Syriac Versions._]

An early Arabic version of the Greek must have been made about the

eighth century, from which the Syriac version we have at present

was made, but unfortunately this has not been found. A Syriac

version was made in the eighth century, of which parts exist;

but our most complete version is that made in the seventh-ninth

century, and published with a version by Budge. Eight chapters

of this are missing, and it is noticeable that the source of the

translation did not contain the interpolations from Palladius

(367-431) which the Greek text now does. An Armenian version is

attributed to Moses of Chorene (fifth century), who certainly knew

the story.

[Sidenote: _Armenian, Hebrew, Arabic, Persian, Ethiopic, Coptic._]

The story early passed into Hebrew. It is found in Jos. ben

Gorion (lib. II. p. 94, ed. Oxon. 1704, 4to), and a pseudonymous

translation of the work of Ptolemy, son of Lagos, by Samuel ben

Judah ben Sibbon of Granada, appeared in the thirteenth century.

(See a French translation of a Hebrew version by J. Levi, “Revue

des Etudes Juives,” III. 241.) It is found in the Arabic of

Said ibn Batrik (939 A.D.), Patriarch of Alexandria (Eutychus.,

ed. Pocock, Oxon. 1606), and in Gregory Abul Farag (1265). Mohl

believed that Firdusi had an Arab author before him when writing

of Alexander. Among the Persian writers may be named Firdusi

(1024), Nizami (1203), and Mirkond (1497). An Ethiopic version

will shortly be published by Budge; and among others existing are

versions in Coptic, Malay, and Siamese. Several detached incidents

connect themselves with the story. Thus we may mention the “Iter

ad Paradisum,” twelfth century (of Talmudic origin), printed at

Konigsberg, 1859; the Gog and Magog story, &c.

[Sidenote: _Anectanabus._]

The Egyptian king who figures in our story as Anectanabus is known

to history as Necht-neb-f (Nakhtenephen). His mutilated statue

and two inscriptions are in the British Museum. He was overthrown

by Ochus, and retreated into Ethiopia some four years after the

birth of Alexander. We have already referred to the reputation

for magic that attached to him early in the Christian era. The

form Anectanabus is used as being the form (sometimes shortened to

Anec) in which the name appears in Gower and the poet of “The Wars

of Alexander.” His history may be read in Wiedemann, “Aegyptische

Geschichte,” p. 716, or in Maspero, “Histoire du Peuples de

l’Orient,” pp. 566-7.

[Sidenote: _Plutarch and the Alexander Story._]

It is difficult to resist the conclusion that Plutarch had before

him such a collection of tales as the “Pseud-Callisthenes,” and

was thinking of them when he wrote his first pages of the Life of

Alexander. The tradition of his birth from the visit of a dragon

is accounted for by the habits of the Macedonian women, who are

accustomed to pet large snakes. Justin XI. 2, 3, and XII. 16,

and Solinus, cap. XV., also mention the tradition. Other points

where Plutarch is contradicting the legend will readily suggest

themselves. However, this is saying nothing more than that many of

the stories must have grown up about the time of Alexander, or soon

after his death. The filiation of Alexander and Ammon is one of

these, the cartouche of Alexander being “Alexander, son of Amen.”

There has been no attempt to give a Greek character to the story.

Even when the alteration of a letter would have made a good Greek

name, as in the case of Pausanius, it has not been altered, and

Sir Samson, Sir Balaan, speak for themselves. But, on the other

hand, as the tales make him Christian or Pagan by turns, we have

not tried to make him consistent. In the same way, it was found

impossible to leave out the visit to Jerusalem, which makes such a

central point in the medieval stories.

[Sidenote: _Medieval Illuminated Copies._]

A word as to the illustrations--not those of our book, but those

of the veritable medieval illuminators. Among the chief treasures

of the British Museum are its illuminated copies of the Alexander

Romance, notably 19. D. I and 20. B. XX. Some others are older, but

these are filled with most beautiful paintings of the incidents

of the story. I may be allowed to mention one thing here which

I have noticed. In each of them, at the beginning, is a sort of

frontispiece divided into compartments, and labelled The Castle of

Cairo, The Town of Babylon (with Anectanabus shown on the walls

or elsewhere), The Garden of Balm, and The Mills of Babylon. Now,

these seem to have no connection with the French prose translation

in which they are found. Cairo is not mentioned in it, there is no

story of a garden of balm, and there is no story of the mills of

Babylon, which are large floating water-mills like those at Old

London Bridge.

FINISHED THIS THIRTIETH DAY OF MAY 1894 BY ME, ROBERT STEELE, AND

PRINTED BY BALLANTYNE, HANSON & CO., LONDON, FOR DAVID NUTT IN THE

STRAND.

* * * * * *

Transcriber’s note:

Obvious typographical errors and punctuation errors have been

corrected after careful comparison with other occurrences within

the text and consultation of external sources.

Except for those changes noted below, all misspellings in the text,

and inconsistent or archaic usage, have been retained.

Pg 25: ‘and gan question’ replaced by ‘and began to question’.

Pg 55: ‘CHAP. VII’ replaced by ‘CHAPTER VII’.

Pg 131: ‘and whatsover men’ replaced by ‘and whatsoever men’.

Pg 163: ‘the earth. Then’ replaced by ‘the earth.” Then’.

The Story of Alexander · 第 20 / 20 章