Well, then, are we prepared in the fifth act for the declaration of

this monster of depravity, under the stings of a tormenting

conscience, when she gazes on the hand that had done the deed and

exclaims:

"All the perfumes of Arabia, will not sweeten this little hand."

But let us quit such specimens as these, and go back to our subject.

Who is there among us, who can look back to the period of his infant

career, and not shed a tear of gratitude for a mother's love, and a

mother's care? What heart does not heave with emotion at the

recollection of the first years of our education, when day by day we

were clasped in our mother's arms, and with the kiss of affection

imprinted upon the brow, were charged to be good boys, and learn with

cheerfulness the lesson that was assigned us. Black indeed must be

that heart which can forget a mother's solicitude. The recollection of

her advice and admonition has often saved the individual in the hour

of temptation, and we can almost forgive Marmontel for his vices and

his sins, while breathing the atmosphere of a profligate and abandoned

court, when we peruse in his interesting memoirs the following

paragraph, occasioned by the farewell which he took of his mother in

declining health. "Yet a little while, and she will be no longer mine;

this mother who from my birth has breathed only for me; this adored

mother whose displeasure I feared as that of heaven, and if I dare say

it, yet more than heaven itself. For I thought of her much oftener

than of God, and when I had some temptation to subdue or some passion

to repress, it was always my mother that I fancied present. What would

she say, if she knew what passes in me? What would be her confusion?

What would be her grief? Such were the reflections that I opposed to

myself, and my reason then resumed its empire, seconded by nature, who

always did what she pleased with my heart. Those who, like me, have

known this tender filial love, need not be told what was the sadness

and despondency of my soul." Montaigne in his singular, but highly

amusing and ingenious essays, places Epaminondas of Thebes, among the

_three men_ who were "more excellent than all the rest" of whom he had

any knowledge; and the very first proof which he adduces of his

excessive goodness is the declaration of Epaminondas, "that the

greatest satisfaction he ever had in his whole life, was the pleasure

he gave his father and mother by his victory at Leuctra."

The influence which a mother's care and a mother's love produces upon

a girl, is much greater than that wrought on a boy. The girl is more

constantly with her mother; she is taught to imitate and act like her;

she is more constantly with the younger children of the family; her

attentions, her kindnesses, her sympathies and her love, come in

process of time to resemble those of the mother, much more than of the

father. Hence it is fair to say, that all the effects wrought on the

mother by the nursing, training, &c. of the infant, are produced in

some degree on all her daughters.

Having thus pointed out the character of that love which a mother

bears for her children, I will now proceed to show the effects which

it produces on the character of the mother herself. Marmontel in his

"_Lecons Sur la Morale_," pronounced "the heart of a good mother, to

be the masterpiece of nature's works;" and Stewart, on the Active and

Moral Powers, endorses the assertion,--and adds, "there is no form

certainly, in which humanity appears so lovely, or presents so fair a

copy of the Divine image after which it was made."

The tender offices of a mother, combined with that inferiority of

strength which I have before noted, together with difference in

physical organization, will no doubt contribute to increase the number

and sensibility, if I may use the expression, of the chords of

affection and sympathy. They will cultivate to a much greater extent,

the finer and the lovelier feelings of our nature. They understand

better and receive more readily those finer and more fugitive

impressions which come under the description of sentiment. We become

hackneyed by the rough and rude business of the world, our feelings

become coarse and less delicate, and less minute. In consequence of

their domestic life, "that reciprocation of social kindnesses which is

only a recreation to men, is to women in some sense a business. It is

their field duty, from which household cares are their repose. Men do

not seek the intercourse of society as a friend to be cultivated, but

merely throw themselves on its bosom to sleep." In the same manner, we

shall find that woman possesses much more tact, and much nicer

discernment of character than man. Perhaps in the rough storms of

life, when the master passions are called into action, and mind is

brought into conflict with mind, under the most powerful agitation,

man then may be the best judge of character; for the tragedy has

become too deep and dark for woman's penetration and experience. She

is not so well acquainted with the deep feelings of the heart, when

lashed into a tempest by the strife and conflicts of the political

world. But of the fireside character, of those inequalities exhibited

by the temper under all the manifold aggravations of social injury,

she is decidedly the best judge, and knows best how to administer the

proper remedies. Under the influence of sorrow and pain, we may often

wear a countenance that will deceive man,--rarely one that will impose

on woman, when she is interested in our fate. Every man will have

observed occasionally how quickly a woman discerns the wound which she

has involuntarily inflicted upon his feelings, and how soon and how

tenderly she will repair the mischief; making him by the manner of

reparation, not only forgive the injury, but admire her more than

ever. With man it is but too often very different, and he must be

asked for explanation before he is aware of the injury.

Woman, in all conditions, is a better comforter and a better nurse

than man. She reads in the countenance with more facility all our

little wants, and is ever ready to administer to them. Her sympathy is

more alive, and her familiarity with the distresses around, make her

more humane and compassionate than man. Mercy and mildness have always

been her attributes; and the horrors and barbarities of war were never

moderated, until chivalry and religion brought forward the mighty

influence of woman to suppress them.

The following most beautiful and just eulogy of one of the most

distinguished travellers which the world has ever produced, written

without any view to publication, is so apposite to the views which

have just been presented, that I will give it entire from Sparks's

Life of Ledyard, with the exception of portions already quoted. "I

have observed among all nations (says Ledyard,) that wherever found,

they (women,) are the same kind, civil, obliging, humane, tender

beings. They do not hesitate like man to perform a hospitable or

generous action; not haughty, nor arrogant, nor supercilious, but full

of courtesy, and fond of society; industrious, economical, ingenious,

more liable to err than man, but in general, also more virtuous, and

performing more good actions than he. I never addressed myself in the

language of decency and friendship to a woman, whether civilized or

savage, without receiving a decent and friendly answer. With man, it

has often been otherwise. In wandering over the barren plains of

inhospitable Denmark, through honest Sweden, frozen Lapland, rude and

churlish Finland, unprincipled Russia, and the wide spread regions of

the wandering Tartar, if hungry, dry, cold, wet or sick, woman has

ever been friendly to me, and uniformly so; and to add to this virtue

so worthy of the appellation of benevolence, these actions have been

performed in so free and so kind a manner, that if I was dry, I drank

the sweet draught, and if hungry, ate the coarse morsel with a double

relish."[7]

[Footnote 7: The author of "Leaves from my Log Book," relates the

following incident which occurred while he was passing through a

village near Rochefort in France, as a prisoner under a military

escort. It affords so fine an illustration of the truth of Ledyard's

eulogy on the sex, that I am induced to insert it in a note.

"I had obtained a fresh supply of canvass for my feet, which were much

blistered and extremely sore; but this was soon worn out, and I

suffered dreadfully. About noon, we halted in the market place of a

small town bearing every mark of antiquity, (I think it was Melle,) to

rest and refresh. To escape the sun, I took my seat on an old tea

chest, standing in front of a Huckster's shop, and removed my tattered

moccasins. Whilst doing this, an elderly woman came out of the shop

accompanied by a young girl very prettily dressed, and '_pauvre

garcon! pauvre prisonier!_' were uttered by both. The girl with tears

in her eyes looked at my lacerated feet, and then without saying a

word returned to the house. In a few moments afterwards she

reappeared, but her finery had been taken off, and she carried a large

bowl of warm water in her hands. In a moment the bowl was placed

before me. She motioned me to put in my feet, which I did, and down

she went upon her knees and washed them in the most tender manner. Oh

what luxury was that half hour! The elder female brought me food,

while the younger having performed her office, wrapt up my feet in

soft linen, and then fitted on a pair of her mother's shoes." Well

then might this grateful writer exclaim, in conclusion of this little

narrative,

"Hail! woman hail! last formed in Eden's bowers,

Midst humming streams, and fragrance breathing flowers:

Thou art 'mid light and gloom, through good and ill,

Creation's glory, man's chief blessing still.

Thou calm'st our thoughts, as Halcyons calm the sea,

Sooth'st in distress, when servile minions flee;

And oh! without thy sun bright smiles below,

Life were a night, and earth a waste of woe."

Far, indeed, might this poor prisoner have journeyed without meeting

in our sex, with such a kind, tender being, as the fair Evlalie.]

Marmontel tells us that Madame de Tencin, one of the most

distinguished and fashionable ladies at Paris, and one who possessed a

deep and exquisite knowledge of men and women, advised him always to

seek for friends among women, rather than among men. "For by means of

women (said she,) you may do what you please with men; and these are

either too dissipated or too much occupied with their own personal

interest to attend to yours: whereas women think of your interest, be

it only out of indolence. Mention this evening to a woman who is your

friend, an affair that intimately concerns you; to-morrow at her

spinning wheel, at her embroidery, you will find her occupied with

you, torturing her fancy to invent some means of serving you. But be

careful to be nothing more than the friend of her whom you think may

be useful to you; for between lovers, where once there happens any

cloud, dispute or rupture, all is lost. Be then assiduous to her,

complaisant, gallant even, if you will, but nothing more. You

understand me?"

So strongly does woman sympathize with the distress and suffering of

those around her, that under peculiar circumstances, she sometimes is

carried to perform acts of enterprise and heroism, which rival the

achievements of the ages of chivalry. Under the impulse of highly

excited feelings, she has sometimes forgotten her inferiority of

strength, and the dangers to which she is exposed by collision with

the rudeness and roughness of the out of door world. On such

occasions, she has braved all the hardships and labors which have

opposed her, has crossed mountains and rivers, and penetrated alone

into Siberian deserts; or visited courts and camps, and importuned

monarchs and generals, until she has accomplished her humane purposes.

How interesting is Elizabeth to us, in the Exiles of Siberia, by

Madame Cottin, when she determines to go alone from the heart of the

Siberian desert, to beg the Emperor for the liberty of her exiled

father; and how much more deeply interested do we become in this tale

when we know that it is not only founded on fact, but that the real

dangers and difficulties which Elizabeth encountered, were of such a

character as to make Madame Cottin suppose that they would not be

believed, if faithfully narrated. The deep and thrilling interest

excited by the character of Jeannie Deans, in the Heart of Mid

Lothian, is due in a great measure to her magnanimous and heroic

resolution, taken under the influence of sisterly love, to make a

journey on foot, unprotected and alone, from her father's mansion near

Edinburg, to London, for the purpose of obtaining the pardon of her

sister, and to the difficulties, dangers and hardships which she is

represented as surmounting with unshaken fortitude. Mrs. Jameson in

her Visits and Sketches, has given us a narrative of the adventures of

Mademoiselle Ambos, equal to those of Elizabeth in the Exiles of

Siberia, or to those of Jeannie Deans in the beautiful fiction of Sir

Walter Scott.

This young lady formed the bold and daring project of visiting the

court of Russia for the purpose of obtaining the pardon of her brother

Henri Ambos, who was exiled to Siberia. She actually visited St.

Petersburg alone,--obtained after a triumph over the most appalling

difficulties, the pardon of her brother from the Emperor

Nicholas,--and then under the impulse of those Divine feelings which

can exist in woman's heart alone, she determined herself to be the

bearer of the glad tidings which would restore a lost son to a broken

hearted mother, and an affectionate sister. And the reader can scarce

refrain from dropping a tear of sympathy, when she received for answer

to the pardon which she had delivered to the commandant of the

fortress, with a hand trembling with impatience, and joy almost too

great to be borne, "Henri Ambos _is dead!_"--In order to estimate the

heroism, the sublimity of such deeds, we must call to mind the

relative positions of the sexes in society; we must recollect the

weakness, the modesty, and above all the shrinking timidity of the

female, before we can estimate the depth of that feeling which can

conquer all the weaknesses of her nature, in the execution of her

benevolent purposes.

"Ye who shall marvel," (says Byron in his very interesting description

of the Maid of Saragossa,)

"Ye who shall marvel when you hear her tale,

Oh! had you known her in her softer hour,

Mark'd her black eye that mocks her coal black veil,

Heard her light, lively tones in lady's bower,

Seen her long locks that foil the painter's power,

Her fairy form, with more than female grace,

Scarce would you deem that Saragoza's tower

Beheld her smile in danger's Gorgon face,

Thin the closed ranks, and lead in glory's fearful chase."

The sympathies, the feelings of woman on such occasions, impart a

courage and fortitude which seem to be almost the inspiration of

heaven itself; the rude uncourteous world, is awed into respect and

admiration by the forbidding dignity of her demeanor, and the fearless

determination with which she executes her resolves. When Mademoiselle

Ambos was asked if she had ever met with insult, she said she had

twice met "with wicked men"--but she felt no alarm, she knew how to

protect herself; and as she said this, (says Mrs. Jameson,) her

countenance assumed an expression which showed that it was not a mere

boast.

_Influence of Love_.

I come now to the consideration of the character of the sexes in

relation to a passion, which is one of the most universal, powerful

and interesting, implanted in the human breast--the passion of love. A

passion which has agitated alike, the philosopher and the poet, the

nobleman and the peasant; which in the language of the Edinburg

Review, "has filled the parsonage house with chubby children, and

beats in the breast of the Baptist, animates the Arminian, melts the

Unitarian maid, and stirs up the moody Methodist, to declare himself

the ready victim of human love." My limits will not of course allow me

to enter fully into a subject upon which so much has been written, and

so much more has been felt. The sexes throughout the whole animated

creation are determined towards each other by an instinct, and this is

animal love. Under its operation but little preference is shown for

individuals, except in those cases where the joint aid of male and

female is necessary to the rearing of the offspring. There nature,

ever consistent with herself, and with that harmonious design and

beautiful adaptation observed throughout the universe, has established

a temporary union among the sexes, similar to marriage in the human

family. But this connexion seems to be determined more by the

operation of mere instinct, than by reason, imagination, and the

association of ideas. With man, love is no doubt founded on animal

instinct; but then all the powers of the human mind, all the passions

of the heart, all the affections and emotions; in fine, the whole

moral and mental machinery of our nature are brought to bear on this

instinct, to foster or stifle, to develope or exterminate it. By means

of the mighty power of imagination, and the laws of association, such

a complicated and magnificent fabric is reared, as occasionally to

obscure and almost hide the instinct material which lies at the

bottom. It is under the influences of these higher and more exalted

powers of the mind, that this passion of our nature is directed

towards one object alone, and that all the world is so readily

forsaken for the possession of that one.

Most of our desires, although natural, are determined as to their

particular direction by the operation of circumstances--take for

example the desire for society. There is no doubt that this is a

natural instinctive desire; man is certainly a gregarious animal; he

delights in intercourse with fellow-man; solitude is at war with the

condition of his nature, and so strong is his desire for society, that

if man be deprived of intercourse with man, he will make companions of

brutes and reptiles themselves. Horses, dogs, cats, even spiders and

rats, have become his very dear associates in his solitary condition.

And yet, under the operation of reason, imagination, and the passions,

together with that endless variety of character which we find in the

human family, this desire is directed to particular persons and

particular circles. We may shun the society of A and B--we may court

that of C and D--and indeed, under the very severe pressure of

calamity, when all our hopes and our darling schemes of ambition and

aggrandizement are blasted forever, by the perfidious machinations and

wily projects of those very individuals whom we had fondly called our

friends, there is an almost irresistible tendency in the mind, at such

a melancholy crisis, to indulge the gloomy feeling of misanthropy, and

plunge into the depth of solitude, where we may escape the persecution

and treachery of a dissembling world. Thus do we find circumstances

controling, directing, and sometimes almost exterminating our natural

passions and propensities.

Love in the human family is eminently under the control of

circumstances. The original, natural passion implanted in the breast,

may be compared to the common quantities in algebra--it belongs to

all. Cupid cares not for creeds, nor occupations, nor professions; but

the development of the passion, under the guidance of reason,

association and imagination, assumes as many shapes as the

dispositions and intellects of the myriads who compose the human

family. In the civilized countries of Europe, and in our own, woman

has been liberated from that state of servitude and debasement, to

which either the condition of barbarism, or the laws of Mahommedanism

had too long confined her. The institution of chivalry, and the

diffusion of the humane spirit of christianity, have assigned her that

station in society which makes her in the social circle the equal of

man. She has been disenthralled from that jealousy which would quietly

immure her within the walls of the Seraglio, and which, in attempting

to preserve her chastity by constraint, prevents the development of

mind, extinguishes the vigor and intensity of the affections, and

really in the end, debauches the heart, whilst it guards the person.

Under a system of free and equal intercourse among the sexes, love

assumes a totally different form from that which exists in society

where woman is not looked on as the equal of man. In the former case,

she must be wooed and won; in the latter, she is bought and locked up.

In the former case, she is allowed the free employment of all her

faculties, and the full play of all her graces and accomplishments. In

the latter, becoming the slave of man, and losing all those higher

inducements to mental and moral excellence which freedom alone can

foster, she degenerates into a mere being of ignorance and sensuality,

going through the dull round of solely animal pleasures, unattended by

that grace and refinement which throw so bright a lustre around the

female character.

When freedom of intercourse exists among the sexes, what is called

courtship, becomes a longer and more assiduous task to the gentlemen,

than where such freedom does not exist. The heart of woman may be

likened to the besieged and fortified castle. It must be regularly

invested; slowly and cautiously, or boldly and daringly approached,

according to circumstances. The whole science of social tactics must

be studied, and a skilful application made to the heart which is to be

won. Under these circumstances, when all the affections of a man's

heart have really been concentrated upon one object, if he possess a

keen sensibility and a highly wrought imagination, the period of his

love and of his courtship, may be the most important of his whole

life: like the fabled wand of the magician, it may but wave over the

character, and change the whole inner man. Ardent and intense love is

certainly the master passion of our nature, whilst it exists; but like

all tyrants, it may reign but for a season; it is liable to

dethronement. Whilst, however, it is enthroned, it conquers every

other. Ambition, interest, patriotism, all have yielded during the

hour of its ascendancy. Whilst this passion endures, it clusters

around its object all the dearest associations and fondest

recollections of our life. It is the spirit which has only to move

over the chaos of our existence, and attract to itself all the

elements of our nature. It enters the heart, and makes us brood over

dreams of joy, and look with rapturous gaze and supplicating eye,

"To the bright form of our idolatrous worship,

Whose every gesture, motion, look or word--

Like wonder-working secret alchymy,

Changes each passing thought to visioned bliss."

It mixes itself with all our thoughts, our desires, our hopes and

actions. It is the realization of the fable of the fish, which

imparted its own beautiful color to every object that approached it.

How often when we have stood amid the lone majesty of nature's works,

"all heaven above" and earth beneath, with no eye gazing on us, save

that of him _who doeth his will and ruleth in the armies of heaven_,

have we felt this unseen spirit to move within us--to touch, as if

with magic hand, all the springs of our moral sensibility, and waken

up all the tender emotions of our soul. Even with the prayer which we

address to heaven from this great temple of nature we cannot refrain

from mingling the name of her whose beauty and loveliness have excited

within us the sympathetic emotions of virtue and piety. This passion

of love, when it is genuine, accompanies us wherever we go; it

associates the beloved object with all our plans and schemes of

ambition, and casts its own bright radiance over all the objects which

surround us:

"It breathes forth in the song of joyous birds--

In the violet hues of the broad laughing heavens--

In sunlight--in the beams of radiant stars--

In gush of waters--in the evening breeze,

Making its nest amidst the parting boughs

Of murmuring trees--and oh! the most of all

In _her_ sweet melting tones of tenderness,

The steadfast lustre of her gazing eye--

For all are nature's oracles, and teach

The heart to love."

Even the circle of friends by which we are surrounded, become

associated in our imagination with the sole object of our affections;

our tastes are often changed, our friendships altered, our very

opinions and inclinations are sometimes revolutionized by the potent

but silent sway of that being whose beauty and loveliness have placed

us under this mysterious spell. Love like this, terminating in

marriage, founded on reciprocity of affection, must be productive of

the most exquisite and refined happiness which the frail condition of

man will allow us in this world. It is such love as this which will

quickly bring two heterogeneous beings to harmonize in temper and

disposition. It is such as this which will tame down the ferocity of

the tiger and triumph over the savage spirit of the hyena. Under its

operation the corsair has been sometimes arrested in his bold career,

the robber has been reformed, and the arm of the bloodthirsty villain

has been withholden from an infliction of the deadly blow.

When, however, such love is unfortunate, and fails to win its object,

there comes perhaps one of the heaviest blows to which mortality is

subject; then does it become necessary to gather up the shattered

resources of mind and body to withstand the storm which is

overwhelming us with calamity. This is a period fraught with infinite

danger even to the character of man. At such a time we seem suddenly

arrested in our mid career by the cruel hand of misfortune. The

bright, the delusive prospects which we beheld reflected in the mirror

of hope, have suddenly disappeared from the mental vision. But a

little while ago and we were like him who had wandered into the

splendid repository of the works of art, illumined by the bright lamp

whose radiant light was beautifully reflected from the thousand

polished surfaces which glittered around; now we are like him in that

same mazy hall, with his lamp extinguished and total darkness around.

The very sun of our moral and social existence seems suddenly struck

from the heavens, and well may we in the agony of despair exclaim,

"how stale, flat, and unprofitable" is this world to us now. When we

wander abroad, how dismal is the prospect which lies before us. The

sun, and the moon with her nightly train, seem to have lost that

celestial spirit which a little while ago had made us gaze upon them

in silent and pensive bliss. Our homes, our firesides, our friends

have lost the charm which can neutralize woe; for a period the desire

for fame and honor is lost, and the voice of ambition is silenced

within.

"Look where he comes. In this embowered alcove

Stand close concealed and see a statue move;

Lips busy and eyes fixed, foot falling slow,

Arms hanging idly down, hands clasped below!

That tongue is silent now; that silent tongue

Could argue once, could jest or join the song--

Could give advice, could censure or commend,

Or charm the sorrows of a drooping friend.

Now neither healthy wilds, nor scenes as fair

As ever recompensed the peasant's care,

Nor gales that catch the scent of blooming groves

And waft it to the mourner, as he roves,

Can call up life into his faded eye,--

That passes all he sees unheeded by."

This period of agony which I have just described has often infused the

gall of bitterness into the cup of life, turned benevolence into

misanthropy, soured the temper, and destroyed the tranquillity of

existence. When the shock has come after matrimonial engagement, which

has been ended by woman's caprice, or the wily artifices of the

mischief-making meddler, then the stroke is still more dreadful, and

productive of effects still more marked in the character of the man;

and oftentimes is the conduct of that being, who stands an anomaly in

the eyes of the world, to be traced back to this cause. We have seen

an individual mysteriously settle down in our vicinage, immure himself

in his solitary mansion, shrink from the gaze of the world as from the

dragon's visage, and live as though life were a burden which was to

him insupportable. Pry into his history, and you will find, when you

have traced it out, that it was the treachery of her upon whom he had

lavished all the affections of his soul, which separated him from his

original home and happiness. Look again--there is another being whose

brilliant, but meteor like career, alarms the selfish statesman and

puzzles the philosopher. To-day, listening senates are hanging on his

words, and electrified by the magic of his soul-stirring eloquence.

To-morrow, in the social circle, he displays those powers of

fascination and attraction which fix the gaze of all on the play of

his features, while the brilliancy of his fancy and the vivid

corruscations of his wit and intellect, are delighting all around with

his wonder-working speech.

At times he realizes the fable of Orpheus; he draws the very trees

after him, melts the hearts of stone that are around him, and makes

them forgive the wrongs which he has done--then his reason seems to be

dethroned, the very demon of malice enters his heart; his shafts of

calumny transfix alike friend and foe, and he traverses seas and

continents almost like the deluded victim of knight errantry, impelled

by a spirit which urges forward with irresistible impetuosity, whilst

it seems to have lost its destination. The world stands amazed whilst

this brilliant meteor is playing above the horizon. One ascribes his

course to the waywardness of nature, and calls him a _lusus naturæ_;

another traces his character to the diseases of the body; another

tells you he was ambitious, and that all his schemes of promotion and

self-aggrandizement were wrecked.

But go to him who has shared his confidence, and nursed him in the

hours of his misfortune--to him who can best tell you his history, and

he will tell you his was a heart with feelings as intense and pure, as

ever were given to the heart of man; he will tell you that that heart

poured forth the mighty stream of its affections upon another, and

that his love, great as it was, was returned by that being,--when the

spoiler came, and then came mystery, converting the very affections of

the heart into the scorpions of the furies, and the garden of Eden

into a place of torment, which deranged his faculties and destroyed

the equilibrium of his mind; and that thus all those fitful moods

which puzzle the world, may be traced back to disappointed love.

The effects which I have been describing as flowing from disappointed

love, are certainly of an extreme character, happening only in the

case of ardent temperaments, combined with a concurrence of

circumstances which generate intense and all absorbing affection for

the beloved object. In these cases, when all hope is entirely

eradicated, there is certainly a tendency to peevishness, fretfulness,

whim, suspicion and misanthropy; and against these consequences the

individual ought always to be on his guard. He should not charge to

the human race, or even to the whole sex, the vices which he thinks he

sees in a single individual. This is a case in which kind friends,

especially females, may do much to soothe and tranquillize the mind.

Women alone seem to have enough of that deep discernment, nice tact,

and generous sympathy, which can administer consolation to a wounded

heart and calm the irritated feelings of blasted hope. In the great

majority of cases however, the disappointed lover plunges into the

business and scenes of active life, forms new associations and

attachments, and quickly forgets his former love, without any

permanent effect being produced on the character by mere

disappointment. Man (says Dr. Cogan on the passions) rarely runs any

serious risk from disappointment in love. "If he have not speedy

recourse to the pistol or the rope, he will probably survive the

agonies under which the softer sex will gradually pine and die."

I will now examine briefly, a few of the effects produced on the

character of the male, during the period of courtship in society,

organized as it is in this country and Europe,--and certainly one of

the most marked effects, is the strengthening of vanity and the

weakening of pride. As it is the province of man to woo and to win,

his constant aim must be to render himself agreeable to the object of

his affections. To gain her esteem, her approbation, _her love_, is

the object of all his efforts. Now this is vanity. The proudest heart,

the soul of sternest stuff, by the operation of this all subduing

passion of love, is made to yield--to become a candidate for the

praise of her whose affections he so much covets. In this condition we

are all more or less like Petrarch, who declared that "she (Laura) was

the motive and object of all his studies--that he coveted glory only

as it might secure _her esteem_--that she alone had taught him to

desire life, and to lift his thoughts towards heaven." In his

"Conversations with St. Augustin," he even confesses that he was more

ardent in his desire for the _Laurel Crown_, on account of its

affinity to the name of Laura. Now, although this vanity seeks the

approbation directly of but one, yet as she is regulated by the

opinion of the world, we quickly find it necessary to gain the good

opinion and esteem of those around us, in order, by their means, to

win the approbation of the object of our affections. Hence, however

proud the man, love and courtship will in the civilized countries of

our globe soon infuse a degree of vanity, which will temper his

overweening pride and make him more social, more loquacious, more

attentive to all the little courtesies of life, and much more cheerful

than he was before. In all the Mahommedan countries, where woman is

bought and locked up, and the alternately sweet and painful

solicitudes of love and courtship are never known--how proud, how

taciturn, how forbidding, unsocial and grave, is the character of man!

In France, where the influence of women is very great, how entirely

opposite is his character; there, vanity is his predominant trait.

Montesquieu, in his "Lettres Persannes," makes Usbeck say to Ibben, in

a letter from Paris, on the characters of the French and Persians, "It

must be allowed that the seraglio is better adapted for health than

for pleasure. It is a dull uniform kind of life, where every thing

turns upon subjection and duty; their very pleasures are grave, and

their pastimes solemn; and they seldom taste them but as so many

tokens of authority and dependence. The men in Persia are not so gay

as the French; there is not that freedom of mind and that appearance

of content which I meet with here in persons of all ranks and estates.

It is still worse in Turkey, where there are families, in which from

father to son, not one of them ever laughed from the foundation of the

monarchy." Now these proud, taciturn, grave beings would at once be

changed, by giving full freedom to the females, and rendering it

necessary for each one to woo, to interest and to delight her whom he

would make his wife.

In fact, we have never learned so well to know the unappreciable, the

priceless value of a woman's heart, as when we have experienced the

pains and the pleasures, the doubts and hopes, pertaining to the

period of courtship. There have been instances of husbands losing all

affection for their wives in the quietude of their possession, but who

were suddenly roused to the most tormenting love, as soon as they saw

that their cold and brutal indifference had destroyed that affection

which they once possessed. Mrs. Jameson, in her very interesting

description of the beauties of Charles 2d, tells us that Lady

Chesterfield, the daughter of the Duke of Ormond, when first married

to Lord Chesterfield, received from him in return for her own pure,

warm and innocent affection, a negligent and frigid indifference,

which astonished, pained and humiliated her. Finding however that all

her tenderness was lavished in vain, mingled pique and disgust

succeeded to her first affection and admiration: and in this condition

she was suddenly taken by her husband to the Court of Charles the 2d,

where, from a neglected wife, living in privacy and even in poverty,

she suddenly became a reigning beauty. Lord Chesterfield, when he

found his charming wife universally admired, was one of the first to

sigh for her; and his passion rose to such a height, that casting

aside the fear of ridicule, he endeavored to convince her by the most

public attentions, that his feelings towards her were entirely

changed. And let the result be a warning to all negligent

husbands.--"Unfortunately," says Mrs. J., "it was now too late: the

heart he had wounded, chilled and rejected, either could not, or would

not be recalled; he found himself slighted in his turn, and treated

with the most provoking and the most determined coldness."

The author of the "Journal of a Nobleman at the Congress of Vienna,"

has given us a still more interesting and striking illustration of the

assertion which I have made, in the case of the Count and Countess of

Pletenburg, whom he saw in the gay circles of Vienna during the period

of the session of the Holy Alliance in that city. Pletenburg had

married, without much courtship or difficulty, a young and beautiful

woman, for the purpose of securing a fortune which had been left to

him, on the condition that he married before he was twenty-five. He

soon plunged into every kind of debauchery and dissipation, conceived

the greatest disgust for his lovely and loving wife of sixteen--left

her almost broken hearted, for the purpose of travelling in Europe,

returned after some years, saw her, and saw that she had ceased to

love him: then he loved in turn, and loved most violently and

hopelessly. He is thus described by the author of the Journal just

mentioned, who met with him at a party of the Countess Freck's in

Vienna. "The poor man has become an object of ridicule by the

servility of his devotion; always sighing, as at the age of eighteen,

and, as jealous as a sexagenarian, he never moves from her side. He is

ever taking up her gloves and her handkerchief, and pressing them to

his bosom in public. But all this tends only to increase the aversion

he has raised. Proscribed from the nuptial bed which he had so long

disdained, he complains of this rigor in prose, and laments his fate

in verse. In short, his enthusiasm has become so great, that if it

continues for any length of time, his intellect must become affected

by it." And thus is it that the disenthralment of woman will always

cause her to be more respected and loved, and by her influence on man

she will be sure to make him more agreeable, more social, less proud.

Besides this, virtuous love has a tendency to improve the morals of

man, to increase his sympathies and call into play all his most tender

feelings. This moral tendency of love in the male, arises partly from

imitation of the virtues and character of her whom we love; but mostly

from that exquisite, indescribable pleasure, which one in love feels,

from the performance of those acts of kindness and virtue which excite

the gratitude and esteem of the lady beloved. In this case his minute,

tender and ever anticipating attentions to the female, have an effect

on man similar to that which I have described as being produced on

woman by the relation of mother and child.

"How oft the thrillings of transported joy

Have stolen on the heart, with life's warm tide,

When _she_ has deigned with approbating smile

To pay the effort of the wish to please!

How oft with sorrow's keen corroding pang

We've seen displeasure cloud her beauteous face!

As when the sun, obscured, would teach the world

The value of his genial noontide smile."

I know of nothing so well calculated to soften the heart, to smooth

down the asperities of character, to excite all the kindly,

sympathetic and amiable feelings of our nature, as ardent affection

for a virtuous and pious female. Mr. Randolph in his letters to a

relation, has spoken with great force and propriety of this effect of

virtuous love.

So far, I have been describing the nature of man's love, and the

effects which it produces on his character. The love of woman however,

is much more interesting, and if not more ardent, it is perhaps more

devoted, more tender and more constant than that of man. "Man," says

Irving, "is the creature of interest and ambition. His nature leads

him forth into the bustle and struggle of the world. Love is but the

embellishment of his early life, or a song piped in the intervals of

the acts. He seeks for fame, for fortune, for space in the world's

thoughts, and dominion over his fellow men. But a woman's whole life

is the history of the affections. The heart is her world; it is there

her ambition strives for empire--it is there her avarice seeks for

hidden treasures. She sends forth her sympathies on adventure; she

embarks her whole soul in the traffic of affection; and if

shipwrecked, her case is hopeless,--for it is a bankruptcy of the

heart." Madame de Stael tells us that love is but an episode in the

history of man's life, but it is the serious business of a woman's.

And a _man_, says Thomas, is more to a woman than a whole nation.

Under these circumstances, when a woman's affections have been won,

when, casting aside all passions, feelings, joys of earth, save for

one alone, she settles down,

"With wings all folded and with silent tongue"--

to brood over dreams of felicity to be enjoyed with _him_--how

overwhelming, how crushing must his treachery be, to her all confiding

heart. Her bygone dreams of deep enthralling bliss are all a mockery.

Her pride is wounded, her modesty is shocked. For a time she may still

affect gaiety; she may travel the routine of apparent pleasure; but

the worm is at the heart, and she sinks at last a martyr to her

affections. Where one man falls a victim to love, there are perhaps at

least ten women. No wonder then she should be more inveterate in her

antipathies and animosities when she has once been wronged--when once

deceived she rarely forgives.

Taught to conceal, the bursting heart desponds

Over its idol.

And if 'tis lost, life hath no more to bring,

And their revenge is as the tiger's spring,

Deadly, and quick, and crushing; yet as real

Torture is theirs--what they inflict they feel.

But if the affections of a woman are once fixed on a man,--so

absorbing, so overwhelming do they become, that she will forgive the

stain which his conduct has inflicted on his own honor; she will

forgive him for her own ruin; she will pardon every thing in fine,

save the _loss of his love for her_. For this wrong, and for this

alone, will she conceive the most bitter and deadly hatred and

revenge. How admirably did Sir Walter Scott understand this trait in

woman's love. When in the heart of Mid Lothian, Effie Deans is visited

in prison by her sister, who makes mention of the being who had

disgraced and ruined her, but who nevertheless loved her and was

anxious to save her life, he makes Effie exclaim, in the overflowing

and forgiving fulness of her affection, "O Jeannie, if ye wad do good

to me at this moment, tell me every word that he said, and whether he

was sorry for poor Effie or no." A woman in this situation is

sometimes like Antigone in the Oedipus--she may become fond of the

_very misery_ which she feels for his sake.

The constraint which is put upon the passion of love in woman, nurses

and invigorates it. Fear and modesty mingle inquietude with her love,

and double its force. The confession of her affection is of itself a

mighty sacrifice; but a woman is then only the more tender for the

great sacrifice which she has made. The more the confession has cost

her, the more fondly does she love him to whom she has made it. "She

attaches herself," says Thomas, "by her sacrifices. Virtuous, she

enjoys her denials; guilty, she glories in the favors she bestows.

Women therefore, when love is a passion, are more constant than men;

but when it is only an appetite they are more libertine. For then they

feel no more of those anxieties, those struggles, and that sweet shame

which impressed the delicious sentiment so strongly on their hearts."

With what facility a Ninon de l'Enclos and a Catherine of Russia would

change their lovers, every body knows; theirs was more of an appetite

than of an affection and sentiment, and where this is the case,

woman's love is more fickle than man's; in every other instance it is

more constant and faithful.

I have thought proper, in this dissertation, to speak of the effects

produced upon the character of man during the period of courtship and

love; and we have seen that the effects in his case are decidedly

beneficial. I doubt whether the same may be asserted in all cases with

regard to woman. The time which a woman passes between the period of

her entrance into society and her marriage, is perhaps the most

important and the most perilous of her career. Having led a previous

life of retirement and comparative seclusion, unacquainted with the

wiles and stratagems of the world--endowed almost always with a vivid

imagination and warm feelings, she comes forth into society with

buoyant hopes and an animating gaiety, which throw a charm over the

whole face of nature, that conceals from view the snares and

deceptions of the world. She may then fall a sacrifice to some artful

deceiver, and suffer the pangs of disappointment, which I have just

been describing.[8] Or she may acquire a love of conquest in the wars

of Cupid--may become fascinated by the applauses and flattery of the

world, until nothing but the incense of adulation can satisfy her

perverted vanity. This period, is one, during which, a woman enjoys

more fame, more worldly glory, than during any other of her life. It

is not to be wondered at then, that she is so frequently seen

suppressing her feelings and smothering her affections, in order that

she may protract this period of her glory and reputation.[9] There is

nothing more seducing, more captivating to the vanity and imagination

of woman, than to see all hearts enchained, and rendering the willing

homage of love and admiration to her graces and accomplishments. But

she must beware, lest this delightful devotion implant in the heart a

lust for applause and notoriety, at the sacrifice of all the more

feminine and lovely virtues. And she must recollect too that the very

pain of disappointment, which she is obliged to inflict and to witness

from day to day, in her unfortunate lovers, is of itself calculated to

weaken and obtund her feelings and sympathies, and to generate

coldness and hardness of heart. Metaphysicians tell us that the active

feelings are strengthened, but the passive are weakened by too

frequent repetition--the frequent sight of beggary, of death, of pain

and misery of every description, when it is beyond our power to

administer relief, always tends to weaken our sympathy and harden the

heart. Now there can be no pain,--no anguish more exquisite, than that

which the disappointed lover feels in the melancholy hour of his

rejection; and the woman, who witnesses such scenes too frequently,

may at last lose the generous sympathies of her nature. Like the man

of deep feelings and keen sensibility, who the historian informs us,

was at first unwillingly dragged to the amphitheatre to witness the

horrid, the revolting combats of the gladiators, she may at last by

repetition so conquer the feelings of nature as even to experience a

savage delight in the pain and suffering of human sacrifice and human

woe.

[Footnote 8: "It is easier for an artful man who is not in love, (says

Addison) to persuade his mistress he has a passion for her, and to

succeed in his pursuit, than for one who loves with the greatest

violence. True love has ten thousand griefs, impatiences and

resentments, that render a man unamiable in the eyes of the person

whose affection he solicits: besides that, it sinks his figure, gives

him fears, apprehensions and poorness of spirit, and often makes him

appear ridiculous, where he has a mind to recommend himself."]

[Footnote 9: A lively French writer, says Mary Wolstoncraft, asks what

business women turned of forty can have in this world.]

Before leaving this topic, I beg leave to add one word of advice to

the gay and fascinating belle, who is moving forward in her victorious

career,--conquering all hearts before her,--until, like the Juan of

Moliere, she may wish for other worlds, not for purposes of conquest,

like Alexander, but to win the hearts of those that inhabit them. A

lady in this situation ought always to be mindful of the great

influence which she is exerting on those around her. Her lightest

words are treasured up with the fondest zeal, her very defects are

sometimes considered as surpassing beauties. A principle advocated by

her, no matter how erroneous,--a doctrine advanced, no matter how

false, is apt to make an impression, sometimes deep and indelible, on

the susceptible hearts of her admirers. She should ever recollect that

the cause of virtue and of piety is peculiarly hers; and when she is

walking the golden round of her pleasures, shedding her influence on

all who approach her, let her be conscious to herself of no word or

deed which can injure the sacred cause of morality and religion. We

all know the irresistible influence of association. A writer of

antiquity said he would rather believe drunkenness no vice, than that

Plato could have one. The stuttering of Aristotle and the wry neck of

Alexander were admired on the same principle: and Des Cartes, the

great philosopher, declared he had a partiality for persons who

squinted; and he says that in his endeavor to trace the cause of a

taste so whimsical, he at last recollected, that, when a boy, he had

been fond of a girl who had that blemish. I have rarely known a very

devoted lover who did not love all the peculiarities and even oddities

of his mistress. We are all like the Frenchman, whose mistress had a

_twisted nose_, of which the lover used to say, "C'est au moins la

plus belle irregularité du monde." Hence, for the very same reason

that Dr. Johnson remarks, "if there is any writer whose genius can

embellish impropriety, or whose authority can make error venerable,

_his_ works are the proper object of criticism,"--would I say, that if

there be any being whose opinions and actions form the

"Glass

Wherein the noble youths do dress themselves,"

let such beings remember the nature and responsibility of their

station, and manage well the _talents_ which are committed to their

charge. I shall for the present, pass over all consideration of the

married state, with the sole remark, that in all ages and countries

the women love more constantly and more devotedly in that state than

the men, possessing a more exclusive and more engrossing affection,

and that their errors and infidelity have generally been the result,

not the cause, of those of the men. Hence, the more attentive, the

more sedulously tender and kind the husband is, the more virtuous,

affectionate and faithful the wife becomes. All over the world, the

woman who marries from love, covets, beyond every thing else, the

entire affections of her husband. He is all in all to her,--and it

will be only his indifference and infidelity which will ever alienate

her affections; then, in the spirit of chagrin and mortification, may

she bewail her lot, in the language of Dryden:

"Cursed vassalage,

First idolized till love's hot fire be o'er,

Then slaves to those who courted us before."

For the Southern Literary Messenger.

DANCING, WALTZING, &c.

J'ai toujours cru que le _bon_ n'etait que le _beau_ mis en

action.--_Rousseau_.

Amid the various changes in the customs and fashions of society, the

abolition of old, and the introduction of new modes, which an age

prolific in intelligent and important improvement has effected, it is

matter of surprise, that some of the engines of reform, some of the

batteries of satire, have never been unmasked upon the crude and

barbarous fashion of dancing. Start not, gentle reader, when I say

_barbarous_ fashion, for such dancing unquestionably is. Its very

origin is barbarous. In a rude state, when the untutored savage is

agitated by any strong emotion, as joy, patriotism, admiration, &c.,

his first impulse is to caper and skip about like a grasshopper. Among

the records of the customs and manners of the most polished and

civilized nations of antiquity, we seek in vain for the importance and

admiration which attaches to this miscalled accomplishment at the

present day. The Romans, perhaps the most accomplished and polite of

the ancients, held the art in very low esteem. Indeed we find Cicero

striving with all the force of his matchless eloquence, to vindicate

his friend Muræna from the charge of being a dancer, preferred against

him by Cato. So conscious is he of the weight of the imputation, that

he makes it the subject of one branch of his defence, and, in a

digression, recounts the brilliant services and devoted patriotism of

his client's ancestors, to discountenance a charge affecting so

seriously, the value and dignity of his character.

"Tempestivi convivii, amæni loci,

Multarum deliciarum, comes est extrema saltatio."

The Greeks, we are told, held the art of dancing in higher estimation,

and it is said, considered graceful dancing one of the necessary

constituents to the character of an accomplished gentleman; but the

very word, and indeed the only one used by them to express the motion,

[Greek: orchêsis], signified _mimicry_; plainly intimating its

derivation from the buffoons and jesters of the stage, and

consequently it never could have had much popularity in their more

refined and elegant circles. As a religious rite it was in use, it

seems, among the ancient Jews, and in celebration of the worship of

the heathen deities of Greece and Rome, we find it only practised in

the orgies of Bacchus, a fact of itself sufficient to mark it as a

lewd, licentious and vulgar pastime. It was a favorite amusement of

the ancient Scythians, the Chinese, the Goths, the Vandals, the

Persians, and other barbarous nations of antiquity, and is yet in

practice among the modern French and Italians, who, first introducing

it in theatrical amusements, and then having carried the art to great

perfection, have now transplanted it to the fashionable circles of

domestic society. But it is rather in reference to its effects upon

the present constitution of society, and its awkward adaptation to the

chastened simplicity of the republican character, that I propose to

consider dancing, than in regard to its estimation among the ancients.

Excellence in _national_ dances, _as such_, may deservedly be ranked

among the highest efforts of skill and grace. We discover much

elegance, certainly, in the easy and graceful evolutions of the

Spanish waltz. There is a charming vivacity in the romping gaiety of

the French gallopade; and even the oriental mazourka, is not devoid of

a certain graceful beauty. But they derive their interest from the

national and historical associations connected with them. We see the

haughty Spaniard, proud indeed, but pliant, aptly pictured in the

mysterious intricacy of the mazy waltz. The lively _gallop_ presents

to our mind at once, the reckless _nonchalance_ and chivalrous gaiety

of the Frenchman; and thus these dances come to us as faithful types

of their national origin. But why may we not be content to witness

this delineation of national characteristics upon our theatrical

boards? Why should we take them from their appropriate sphere, and

introduce them to the frivolous and undignified imitation of the

polite and refined? I do not know a scene more faithfully descriptive

of rude, boisterous, and unbecoming merriment, than an American ball

room. Place your hands upon your ears, and look down the hall. You

will see the most unmeaning grimaces--the most ridiculous contortions

of body in one quarter--while another view presents to you the

unwelcome picture of man, lordly man, fallen from his high estate, and

going through the laborious operations of the dance, with the farcical

solemnity of a monk, or the clownish rapture of a mountebank. People

may say what they please, about those only opposing this capering

vice, who cannot dance themselves. They may tell us, that Lord Byron

wrote his fretful satire upon waltzing, because his lordship could not

participate in that fashionable dance, owing to his _club foot_. They

may preach, that the ignorant alone complain of those accomplishments

which they cannot attain themselves; that the dances in practice, from

time immemorial, among our ancestors, were equally objectionable as

those we now adopt and admire, which certain bold critics, going

beyond their province, dare to denounce as dangerous innovations,

savoring of foreign modes and manners, licentious and demoralizing.

All this will not do, Mr. Editor. Dancing is dangerous, and _the waltz

especially_: and a virtuous and intelligent community will unite, I

feel assured, to frown these vicious amusements out of society, and

consign them to the barbarous regions whence they were so irreverently

introduced among us.

This mania for dancing, waltzing, &c., is the bane of every social

circle. Do you go to pass the evening sociably with your friend, where

you have a vague instinctive idea you will meet the pretty creature

you passed in the street, on the Thursday previous--you will

enter--your fondest anticipations are realized--you draw your chair

towards her, and fall into a charming tete-a-tete, with the dear

object for whom you already conceive a nascent passion--who has made

you lose a whole week's sleep, break your mirror, tear your black silk

_bonnet de nuit_ into fragments, and kick your faithful _valet de

chambre_ down stairs, because your laundress has failed to impart the

due degree of rigidity to your collar linen. Now you promise yourself

a full indemnity for all the _contre-temps_ of the past week--you are

just arranging a most pleasant excursion with the lady the next

afternoon, when, alas! the vanity of human hopes! an impertinent

coxcomb, whose only merit consists in a well arranged dress and

capacious whiskers, demands the honor of the lady's hand for the next

waltz. Odious, detested waltz! You have too much taste to dance

yourself: your _inamorata_, however, must yield to the unrelenting

tyranny of fashion, and you are left in a posture of _amiable_

abstraction, musing on the provoking scene enacting before you. To sit

quietly and await the termination of the dance, might not be an

unattainable effort of patience; but to see her partner's place

supplied again and again--you take leave of hope and the company

together, and pass the next week to the manifest infringement of your

own peace of mind, and your aforesaid ill-fated valet's physical

comforts.

Now, Mr. Messenger, I take you to be a sensible and discreet man,

anxious for the purity of public taste, and ever vigilant to rid

society of all nuisances; I doubt not, therefore, that I shall find in

you, an able and willing coadjutor in the remedy I propose to apply,

for the extirpation of this unspeakable annoyance; and I hope the

undignified, graceless, dancing fraternity, aye, and _sisterhood_ too,

(for sorry am I to say, the ladies are the most _untiring_ patrons of

this capering vice,) will take the hint forthwith. I propose, through

the "Messenger," to give to the public the result of my best labors to

eradicate this odious practice from society. I know not if my efforts

will ever receive their deserved reward. The public is an ungrateful

master, and ever incredulous and uncourteous when you propose to

reform him. It is not, however, the part of a philanthropist and

reformer, to abate his efforts on that account. Immortality will be

the price of success, and posterity will pay it. Had Columbus

abandoned his attempts to explore the western main, because bigoted

and ignorant monarchs would not accept the world he offered them, we

might now have been the wretched subjects of some European despot

instead of the countrymen of Washington, under a government of equal

laws, and in a land of liberty.

On a visit a few evenings ago, to a maiden aunt, I was glad to find,

that among the ladies assembled on the occasion, the utmost unanimity

prevailed as to the importance and utility of the proposed reform.

Miss Betsy Bloomever declared it would be one of the most extensively

beneficial reformations which the world has witnessed, since the

proscription of hoops, stays, and stomachers. Miss Debby Creaktone

pronounced it a more important revolution than that achieved by

Signorina Garcia, in the musical style of the American vocalists; and

Miss Judith Knowell said, that in her estimation, (and she was a

Protestant Episcopalian, she added,) Luther's reformation would sink

to insignificance before it.

You can imagine my gratification, Mr. Messenger, at so numerous and so

respectable an accession to my opinions; a fact upon which I could not

forbear to felicitate myself, to Miss Sophronisba Grundy, adding, that

I was confident my exertions would now be duly appreciated by an

enlightened public, when it should be apprised, that I was aided in my

labors by ladies, from whose _age_ and _experience_, so much might be

expected, when----conceive my astonishment, the whole group rose upon

me, with unanimous rage; and declared it was a positive insult--

"Age and experience indeed! humph! Call me _old_ at thirty-five!"

screamed Miss Deborah.

"And _me_, at forty--only five years more!" shouted Miss Betsy.

"And _I_," said Miss Judith, scornfully, "that will let you know, Sir,

I shall not be thirty-five till the 29th day of June next."

"Impudence!" said Miss Primrose.

"Insult!" echoed Miss Grundy.

In short, I found it impossible, Mr. Messenger, to compose the

troubled elements, thus innocently put in motion, and was forced to

retire. All my attempts at expostulation and entreaty, being overborne

and silenced by the volume of voice and clamor sent after me--my aunt

even intimating to me, at the hall door, that I must not visit her

house, unless I could better estimate the _feelings_ of her friends,

who certainly had much cause to complain of my wanton outrage upon

them.

I was electrified--was astounded--and tossed on my pillow the whole

night, vainly laboring to unravel the inexplicable problem. That

ladies of such seeming propriety, should evince such passion at an

allusion to that to which I considered them _alone_ indebted, for any

consequence they might have in the world, was more than my philosophy

could estimate, or my ingenuity explain.

As some compensation, however, for the defection of these _young_

ladies with delicate _feelings_, I am rejoiced to find that the sex

can appreciate my exertions in the cause of elegance and refinement,

and are determined to aid me in my patriotic labors. Last evening the

penny post brought me the two following letters, on the subject of the

great reformation of manners in which we are engaged; and as they

strengthen my opinions with great force of argument, I am unwilling to

suppress them, and beg leave you will give them at once to the dear

public, whose welfare I have so much at heart. With the kind and very

welcome invitation contained in the first, I shall certainly comply,

and hope ere long, to give you the result of the deliberations of a

body, from whose wisdom, (I will not say _age_ or _experience_,) so

much may be justly expected; and in the mean while, I am very

faithfully, yours and the public's dear friend,

The southern literary messenger, Vol. I., No. 9, May, 1835 · 第 59 / 74 题