CHAPTER VII

HOW THE GARVEYS BROKE IN

Course, Vee gives me all the credit. Perfectly right, too. That's the

way we have 'em trained. But, as a matter of fact, stated confidential

and on the side, it was the little lady herself who pushed the starter

button in this affair with the Garveys. If she hadn't I don't see where

it would ever have got going.

Let's see, it must have been early in November. Anyway, it was some

messy afternoon, with a young snow flurry that had finally concluded to

turn to rain, and as I drops off the 5:18 I was glad enough to see the

little roadster backed up with the other cars and Vee waitin' inside

behind the side curtains.

"Good work!" says I, dashin' out and preparin' to climb in. "I might

have got good and damp paddlin' home through this. Bright little thought

of yours."

"Pooh!" says Vee. "Besides, there was an express package the driver

forgot to deliver. It must be that new floor lamp. Bring it out, will

you, Torchy?"

And by the time I'd retrieved this bulky package from the express agent

and stowed it inside, all the other commuters had boarded their various

limousines and flivver taxis and cleared out.

"Hello!" says I, glancin' down the platform where a large and elegant

lady is pacin' up and down lonesome. "Looks like somebody has got left."

At which Vee takes a peek. "I believe it's that Mrs. Garvey," says she.

"Oh!" says I, slidin' behind the wheel and thrown' in the gear.

I was just shiftin' to second when Vee grabs my arm. "How utterly

snobbish of us!" says she. "Let's ask if we can't take her home?"

"On the runnin' board?" says I.

"We can leave the lamp until tomorrow," says Vee. "Come on."

So I cuts a short circle and pulls up opposite this imposin' party in

the big hat and the ruffled mink coat. She lets on not to notice until

Vee leans out and asks:

"Mrs. Garvey, isn't it?"

All the reply she gives is a stiff nod and I notice her face is pinked

up like she was peeved at something.

"If your car isn't here can't we take you home?" asks Vee.

She acts sort of stunned for a second, and then, after another look up

the road through the sheets of rain, she steps up hesitatin'. "I suppose

my stupid chauffeur forgot I'd gone to town," says she. "And as all the

taxis have been taken I--I---- But you haven't room."

"Oh, lots!" says Vee. "We will leave this ridiculous package in the

express office and squeeze up a bit. You simply can't walk, you know."

"Well----" says she.

So I lugs the lamp back and the three of us wedges ourselves into the

roadster seat. Believe me, with a party the size of Mrs. Garvey as the

party of the third part, it was a tight fit. From the way Vee chatters

on, though, you'd think it was some merry lark we was indulgin' in.

"This is what I call our piggy car," says she, "for we can never ask but

one other person at a time. But it's heaps better than having no car at

all. And it's so fortunate we happened to see you, wasn't it?"

Being more or less busy tryin' to shift gears without barkin' Mrs.

Garvey's knees, and turn corners without skiddin' into the gutter, I

didn't notice for a while that Vee was conductin' a perfectly good

monologue. That's what it was, though. Hardly a word out of our stately

passenger. She sits there as stiff as if she was crated, starin' cold

and stony straight ahead, and that peevish flush still showin' on her

cheekbones. Why, you'd most think we had her under arrest instead of

doin' her a favor. And when I finally swings into the Garvey driveway

and pulls up under the porte cochere she untangles herself from the

brake lever and crawls out.

"Thank you," says she crisp, adjustin' her picture hat. "It isn't often

that I am obliged to depend on--on strangers." And while Vee still has

her mouth open, sort of gaspin' from the slam, the lady has marched up

the steps and disappeared.

"Now I guess you know where you get off, eh, Vee?" says I chuckly. "You

_will_ pass up your new neighbors."

"How absurd of her!" says Vee. "Why, I never dreamed that I had offended

her by not calling."

"Well, you've got the straight dope at last," says I. "She's as fond of

us as a cat is of swimmin' with the ducks. Say, my right arm is numb

from being so close to that cold shoulder she was givin' me. Catch me

doin' the rescue act for her again."

"Still," says Vee, "they have been livin out here nearly a year, haven't

they? But then----"

At which she proceeds to state an alibi which sounds reasonable enough.

She'd rather understood that the Garveys didn't expect to be called on.

Maybe you know how it is in one of these near-swell suburbs! Not that

there's any reg'lar committee to pass on newcomers. Some are taken in

right off, some after a while, and some are just left out. Anyway,

that's how it seems to work out here in Harbor Hills.

I don't know who it was first passed around the word, or where we got it

from, but we'd been tipped off somehow that the Garveys didn't belong. I

don't expect either of us asked for details. Whether or not they did

wasn't up to us. But everybody seems to take it that they don't, and act

accordin'. Plenty of others had met the same deal. Some quit after the

first six months, others stuck it out.

As for the Garveys, they'd appeared from nowhere in particular, bought

this big square stucco house on the Shore road, rolled around in their

showy limousine, subscribed liberal to all the local drives and charity

funds, and made several stabs at bein' folksy. But there's no response.

None of the bridge-playing set drop in of an afternoon to ask Mrs.

Garvey if she won't fill in on Tuesday next, she ain't invited to join

the Ladies' Improvement Society, or even the Garden Club; and when

Garvey's application for membership gets to the Country Club committee

he's notified that his name has been put on the waitin' list. I expect

it's still there.

But it's kind of a jolt to find that Mrs. Garvey is sore on us for all

this. "Where does she get that stuff?" I asks Vee, after we get home.

"Who's been telling her we handle the social blacklist for the Roaring

Rock district of Long Island?"

"I suppose she thinks we have done our share, or failed to do it," says

Vee. "And perhaps we have. I'm rather sorry for the Garveys. I'm sure I

don't know what's the matter with them."

I didn't, either. Hadn't given it a thought, in fact. But I sort of got

to chewin' it over. Maybe it was the flashy way Mrs. Garvey dressed, and

the noisy laugh I'd occasionally heard her spring on the station

platform when she was talking to Garvey. Not that all the lady members

of the Country Club set are shrinkin' violets who go around costumed in

Quaker gray and whisper their remarks modest. Some are about as spiffy

dressers as you'll see anywhere and a few are what I'd call speedy

performers. But somehow you know who they are and where they came from,

and make allowances. They're in the swim, anyway.

The trouble might be with Garvey. He's about the same type as the other

half of the sketch--a big, two-fisted ruddy-faced husk, attired sporty

in black and white checks, with gray gaiters and a soft hat to match the

suit. Wore a diamond-set Shriners' watch fob, and an Elks' emblem in his

buttonhole. Course, you wouldn't expect him to have any gentle, ladylike

voice, and he don't. I heard he'd been sent on as an eastern agent of

some big Kansas City packin' house. Must have been a good payin' line,

for he certainly looks like ready money. But somehow he don't seem to be

popular with our bunch of commuters, although at first I understand he

tried to mix in free and easy.

Anyway, the verdict appears to be against lettin' the Garveys in, and we

had about as much to do with it as we did about fixin' the price of

coal, or endin' the sugar shortage. Yet here when we try to do one of

'em a good turn we get the cold eye.

"Next time," says I, "we'll remember we are strangers, and not give her

an openin' to throw it at us."

So I'm a little surprised the followin' Sunday afternoon to see the

Garvey limousine stoppin' out front. As I happens to be wanderin' around

outside I steps up to the gate just as Garvey is gettin' out.

"Ah, Ballard!" he says, cordial. "I want to thank you and Mrs. Ballard

for picking Mrs. Garvey up the other day when our fool chauffeur went to

sleep at the switch. It--it was mighty decent of you."

"Not at all," says I "Couldn't do much less for a neighbor, could we?"

"Some could," says he. "A whole lot less. And if you don't mind my

saying so, it's about the first sign we've had that we were counted as

neighbors."

"Oh, well," says I, "maybe nobody's had a chance to show it before. Will

you come in a minute and thaw out in front of the wood fire?"

"Why--er--I suppose it ain't reg'lar," says he, "but blamed if I

don't."

And after I've towed him into the livin' room, planted him in a wing

chair, and poked up the hickory logs, he springs this conundrum on me:

"Ballard," says he, "I'd like to ask you something and have you give me

an answer straight from the shoulder."

"That's my specialty," says I. "Shoot."

"Just what's the matter with us--Mrs. Garvey and me?" he demands.

"Why--why--Who says there's anything the matter with either of you?" I

asks, draggy.

"They don't have to say it," says he. "They act it. Everybody in this

blessed town; that is, all except the storekeepers, the plumbers, the

milkman, and so on. My money seems to be good enough for them. But as

for the others--well, you know how we've been frozen out. As though we

had something catching, or would blight the landscape. Now what's the

big idea? What are some of the charges in the indictment?"

And I'll leave it to you if that wasn't enough to get me scrapin' my

front hoof. How you goin' to break it to a gent sittin' by your own

fireside that maybe he's a bit rough in the neck, or too much of a yawp

to fit into the refined and exclusive circle that patronizes the 8:03

bankers' express? As I see it, the thing can't be done.

"Excuse me, Mr. Garvey," says I, "but if there's been any true bill

handed in by a pink tea grand jury it's been done without consultin'

me. I ain't much on this codfish stuff myself."

"Shake, young man," says he grateful. "I thought you looked like the

right sort. But without gettin' right down to brass tacks, or namin' any

names, couldn't you slip me a few useful hints? There's no use denyin'

we're in wrong here. I don't suppose it matters much just how; not now,

anyway. But Tim Garvey is no quitter; at least, I've never had that

name. And I've made up my mind to stay with this proposition until I'm

dead sure I'm licked."

"That's the sportin' spirit," says I.

"What I want is a line on how to get in right," says he.

At which I scratches my head and stalls around.

"For instance," he goes on, "what is it these fine Harbor Hills folks do

that I can't learn? Is it parlor etiquette? Then me for that. I'll take

lessons. I'm willin' to be as refined and genteel as anybody if that's

what I lack."

"That's fair enough," says I, still stallin'.

"You see," says Garvey, "this kind of a deal is a new one on us. I don't

want to throw any bull, but out in Kansas City we thought we had just as

good a bunch as you could find anywhere; and we were the ringleaders, as

you might say. Mixed with the best people. All live wires, too. We had a

new country club that would make this one of yours look like a freight

shed. I helped organize it, was one of the directors. And the Madam took

her part, too; first vice-president of the Woman's Club, charter member

of the Holy Twelve bridge crowd, as some called it, and always a

patroness at the big social affairs. A new doormat wouldn't, last us a

lifetime out there. But here--say, how do you break into this bunch,

anyway?"

"Why ask me, who was smuggled in the back door?" says I, grinnin'.

"But you know a lot of these high-brows and aristocrats," he insists. "I

don't. I don't get 'em at all. What brainy stunts or polite acts are

they strongest for? How do they behave when they're among themselves?"

"Why, sort of natural, I guess," says I.

"Whaddye mean, natural?" demands Garvey. "For instance?"

"Well, let's see," says I. "There's Major Brooks Keating, the imposin'

old boy with the gray goatee, who was minister to Greece or Turkey once.

Married some plute's widow abroad and retired from the diplomatic game.

Lives in that near-chateau affair just this side of the Country Club.

His fad is paintin'."

"Pictures?" asks Garvey.

"No. Cow barns, fences, chicken houses," says I. "Anything around the

place that will stand another coat."

"You don't mean he does it himself?" says Garvey.

"Sure he does," says I. "Gets on an old pair of overalls and jumper and

goes to it like he belonged to the union. Last time I was up there he

had all the blinds off one side of the house and was touchin' 'em up.

Mrs. Keating was givin' a tea that afternoon and he crashes right in

amongst 'em askin' his wife what she did with that can of turpentine.

Nobody seems to mind, and they say he has a whale of a time doin' it. So

that's his high-brow stunt."

Garvey shakes his head puzzled. "House painting, eh?" says he. "Some

fad, I'll say."

"He ain't got anything on J. Kearney Rockwell, the potty-built old sport

with the pink complexion and the grand duchess wife," I goes on. "You

know?"

Garvey nods. "Of Rockwell, Griggs & Bland, the big brokerage house,"

says he. "What's his pet side line?"

"Cucumbers," says I. "Has a whole hothouse full of 'em. Don't allow the

gardener to step inside the door, but does it all himself. Even lugs 'em

down to the store in a suitcase and sells as high as $20 worth a week,

they say. I hear he did start peddlin' 'em around the neighborhood once,

but the grand duchess raised such a howl he had to quit. You're liable

to see him wheelin' in a barrowful of manure any time, though."

"Ought to be some sight," says Garvey. "Cucumbers! Any more like him?"

"Oh, each one seems to have his own specialty," says I. "Take Austin

Gordon, one of the Standard Oil crowd, who only shows up at 26 Broadway

for the annual meetings now. You'd never guess what his hobby is. Puppet

shows."

"Eh?" says Garvey, gawpin'.

"Sort of Punch and Judy stuff," says I. "Whittles little dummies out of

wood, paints their faces, dresses 'em up, and makes 'em act by pullin' a

lot of strings. Writes reg'lar plays for 'em. He's got a complete little

theatre fitted up over his garage; stage, scenery, footlights, folding

chairs and everything. Gives a show every now and then. Swell affairs.

Everybody turns out. Course they snicker some in private, but he gets

away with it."

Garvey stares at me sort of dazed. "And here I've been afraid to do

anything but walk around my place wearing gloves and carrying a cane;"

says he. "Afraid of doing something that wasn't genteel, or that would

get the neighbors talking. While these aristocrats do what they please.

They do, don't they!"

"That about states it," says I.

"Do--do you suppose I could do that, too?" he asks.

"Why not?" says I. "You don't stand to lose anything, do you, even if

they do chatter? If I was you I'd act natural and tell 'em to go hang."

"You would?" says he, still starin'.

"To the limit," says I. "What's the fun of livin' if you can't?"

"Say, young man," says Garvey, slappin' his knee. "That listens

sensible to me. Blamed if I don't. And I--I'm much obliged."

And after he's gone Vee comes down from upstairs and wants to know what

on earth I've been talking so long to that Mr. Garvey about.

"Why," says I, "I've been givin' him some wise dope on how to live among

plutes and be happy."

"Silly!" says Vee, rumplin' my red hair. "Do you know what I've made up

my mind to do some day this week? Have you take me for an evening call

on the Garveys."

"Gosh!" says I. "You're some little Polar explorer, ain't you?"

It was no idle threat of Vee's. A few nights later we got under way

right after dinner and drove over there. I expect we were about the

first outsiders to push the bell button since they moved in. But we'd no

sooner rung than Vee begins to hedge.

"Why, they must be giving a party!" says she. "Listen! There's an

orchestra playing."

"Uh-huh!" says I. "Sounds like a jazz band."

A minute later, though, when the butler opens the door, there's no sound

of music, and as we goes in we catches Garvey just strugglin' into his

dinner coat. He seems glad to see us, mighty glad. Says so. Tows us

right into the big drawin' room. But Mrs. Garvey ain't so enthusiastic.

She warms up about as much as a cold storage turkey.

You can't feaze Vee, though, when she starts in to be folksy. "I'm just

so sorry we've been so long getting over," says she. "And we came near

not coming in this time. Didn't we hear music a moment ago. You're not

having a dance or--or anything, are you?"

The Garveys look at each other sort of foolish for a second.

"Oh, no," says Mrs. Garvey. "Nothing of the sort. Perhaps some of the

servants----"

"Now, Ducky," breaks in Garvey, "let's not lay it on the servants."

And Mrs. Garvey turns the color of a fire hydrant clear up into her

permanent wave. "Very well, Tim," says she. "If you _will_ let everybody

know. I suppose it's bound to get out sooner or later, anyhow." And with

that she turns to me. "Anyway, you're the young man who put him up to

this nonsense. I hope you're satisfied."

"Me?" says I, doin' the gawp act.

"How delightfully mysterious!" says Vee. "What's it all about?"

"Yes, Garvey," says I. "What you been up to?"

"I'm being natural, that's all," says he.

"Natural!" snorts Mrs. Garvey. "Is that what you call it?"

"How does it break out?" says I.

"If you must know," says Mrs. Garvey, "he's making a fool of himself by

playing a snare drum."

"Honest?" says I, grinnin' at Garvey.

"Here it is," says he, draggin' out from under a davenport a perfectly

good drum.

"And you might as well exhibit the rest of the ridiculous things," says

Mrs. Garvey.

"Sure!" says Garvey, swingin' back a Japanese screen and disclosin' a

full trap outfit--base drum with cymbals, worked by a foot pedal,

xylophone blocks, triangle, and sand boards--all rigged up next to a

cabinet music machine.

"Well, well!" says I. "All you lack is a leader and Sophie Tucker to

screech and you could go on at Reisenwebers."

"Isn't it all perfectly fascinating?" says Vee, testin' the drum pedal.

"But it's such a common, ordinary thing to do," protests Mrs. Garvey.

"Drumming! Why, out in Kansas City I remember that the man who played

the traps in our Country Club orchestra worked daytimes as a plumber. He

was a poor plumber, at that."

"But he was a swell drummer," says Garvey. "I took lessons of him, on

the sly. You see, as a boy, the one big ambition in my life was to play

the snare drum. But I never had money enough to buy one. I couldn't have

found time to play it anyway. And in Kansas City I was too busy trying

to be a good sport. Here I've got more time than I know what to do with.

More money, too. So I've got the drum, and the rest. I'm here to say,

too, that knocking out an accompaniment to some of these new jazz

records is more fun than I've ever had all the rest of my life."

"I'm sure it must be," says Vee. "Do play once for us, Mr. Garvey.

Couldn't I come in on the piano? Let's try that 'Dardanella' thing?"

And say, inside of ten minutes they were at it so hard that you'd most

thought Arthur Pryor and his whole aggregation had cut loose. Then they

did some one-step pieces with lots of pep in 'em, and the way Garvey

could roll the sticks, and tinkle the triangle, and keep the cymbals and

base drum goin' with his foot was as good to watch as a jugglin' act,

even if he does leak a lot on the face when he gets through.

"You're some jazz artist, I'll say," says I.

"So will the neighbors, I'm afraid," says Mrs. Garvey. "That will sound

nice, won't it?"

"Oh, blow the neighbors!" says Garvey. "I'm going to do as I please from

now on; and it pleases me to do this."

"Then we might as well nail up the front door and eat in the kitchen,

like we used to," says she, sighin'.

But it don't work out that way for them. It was like this: Austin Gordon

was pullin' off one of his puppet shows and comes around to ask Vee

wouldn't she do some piano playin' for him between the acts and durin'

parts of the performance. He'd hoped to have a violinist, too, but the

party had backed out. So Vee tells him about Garvey's trap outfit, and

how clever he is at it, and suggests askin' him in.

"Why, certainly!" says Gordon.

So Garvey pulls his act before the flower and chivalry of Harbor Hills.

They went wild over it, too. And at the reception afterwards he was

introduced all round, patted on the back by the men, and taffied up by

the ladies. Even Mrs. Timothy Garvey, who'd been sittin' stiff and

purple-faced all the evenin' in a back seat was rung in for a little of

the glory.

"Say, Garvey," says Major Brooks Keating, "we must have you and Mrs.

Ballard play for us at our next Country Club dinner dance after the fool

musicians quit. Will you, eh? Not a member? Well, you ought to be. I'll

see that you're made one, right away."

I don't know of anyone who was more pleased at the way things had turned

out than Vee. "There, Torchy!" says she. "I've always said you were a

wonder at managing things."

"Why shouldn't I be?" says I, givin' her the side clinch. "Look at the

swell assistant I've got."

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