Edward VI, 375.
Effects, pianistic, 303ff. See also Pianoforte technique.
Elizabeth, Queen of England, 4.
Elman, Mischa, 464f.
Embellishments, 35. See also Ornamentation.
Emotional expression, 14, 41.
Enescou, Georges, 466.
England, 18, 21;
(harpsichords in), 4;
(modern), 339.
English horn (in chamber music), 598, 601.
English virginal music, 18ff, 32.
Equal Temperament, 67f.
Érard, Sebastian, 157.
Ernst, Heinrich Wilhelm, 445.
Esterhazy, Prince, 496.
[L’]Estrange, Roger, 394.
[d’]Étree, 376.
Études. See Pianoforte études; Violin études.
Exoticism (in modern music), 362f.
F
Fantasia, 11, 469;
(on ut-re-mi-fa-sol-la), 20;
(popularity in early 19th cent.), 285;
(on airs from favorite operas), 286;
(Liszt), 308;
(early use of term), 472.
Fantasie, 79.
Fantasy pieces, 211. See also Schumann.
Farina, Carlo, 382, 467, footnote.
Farinelli, G. B., 397.
Farinelli’s Ground, 397.
Farrenc, Madame, 53. See also _Trésor des pianistes_.
Fauré, Gabriel, 352f, 604;
(violin sonata), 462;
(chamber music), 583, 588, 589.
Pianoforte quintet in D minor, 588.
Ferrara, Carlo, 591.
Ferrari, Domenico, 404.
Fétis (cited), 440.
Fidula, 369.
Field, John, 55, 132, 176, 179, 183, 254, 278.
Figured bass, 486, 487, 573.
Fingering (violin), 370;
('cello), 591.
First-movement form, 91. See also Sonata form.
Fischer, Johann, 392.
Fitzwilliam collection, 18, 21.
Fitzwilliam Museum, 18.
Florid style (harpsichord), 35.
Floridia, Pietro, 465.
Flute (use of, in chamber music), 598, 604.
Flute concerto, 599.
Fochsschwantz, 468.
Folk-melodies (in English virginal music), 20;
(in pianoforte music), 136, 325.
Fontana, Giovanni Battista, 383, 476.
Foote, Arthur, 340, 589.
Form, 10;
(harmonic principle), 14;
(Scarlatti), 49;
(Chopin), 256;
(César Franck), 550.
See also Instrumental forms; Fugue; Sonata form; etc.
Förster, Emanuel Aloys, 510.
Fortunatus, Venantius, 368.
Foster, Will, 18.
France, 25;
(modern pianoforte music), 341ff;
(violinist-composers), 405ff.
Franck, César, 207, 345ff, 349, 461, 547ff, 561, 581, 586.
Prelude, Chorale and Fugue, 345f.
Prelude, Aria and Finale, 346.
Symphonic Variations, 347f.
Violin sonata, 461.
String quartet in D minor, 547ff.
Pianoforte quintet, 586.
Franck, Melchior, 472.
Franco-Belgian school (of violin playing), 447f.
Francœur, 406.
Franz, Robert (transcriptions of songs), 306.
Franzl, Ferdinand, 418.
Franzl, Ignaz, 418.
Franzl, Johann C., 413.
Frederick the Great, 414.
Frederick William II, King of Prussia, 487, 494, 506, 591.
Freedom of the arms (in pianoforte playing), 301f.
Freedom of the hands (in pianoforte playing), 293.
Freedom of the wrist (in pianoforte playing), 296.
French Revolution, 407, 410, 432.
Frescobaldi, Girolamo, 15ff, 24, 476.
_Frische Clavier-Früchte_ (Kuhnau), 29.
Friskin, James, 589.
Froberger, Johann Jacob, 15, 23 (footnote), 24, 32, 75, 104, 473.
Fuga, 10.
Fugue, 11, 17, 21, 29, 41;
(Bach), 70ff;
(in pianoforte sonata), 129f, 166, 171;
(Mendelssohn), 215;
(Franck), 346;
(for 4 vlns., 16th cent.), 376;
(three and four subjects, Haydn), 493.
Furcheim, Wilhelm, 386.
Furiant, 586.
G
G-string, 374, 382, 384.
Gabrieli, Andrea, 10.
Gabrieli, Giovanni, 10, 11, 471.
Gade, Niels, 326.
Gaillarde. See Galliard.
‛_Gaily the Troubadour_,’ 285.
Galitzin, Nikolaus, Prince, 520.
Galliard, 22, 23, 473.
[Le] Gallors, 36.
Galuppi, Baldassare, 97, 116f.
Ganassi, Silvestro, 374.
Gassmann, Florian, 499, 503.
Gastoldi, 377.
Gautier, Denis, 26f, 33, 34.
Gaviniés, Pierre, 408f.
Gavotte, 26.
Gelinek, 182.
Geminiani, Francesco, 401, 430f, 482.
Generative theme, 562. See also Thematic metamorphosis.
Genouillière, 156.
Genre pieces, 212.
George, Stephen, 571.
Gerber (cited), 383.
Gerle, Hans, 374.
German romanticism, 320, 321.
Germany, 16, 36.
Gernsheim, Friedrich, 321, 324, 466.
Ghro, Johann, 472.
Giardini, Felice, 404.
Gibbons, Orlando, 19, 394.
Giga, 23.
Gighi, 478.
Gigue, 23.
Glazounoff, Alexander, 333;
(violin concerto), 464;
(chamber music), 555.
Glière, Reinhold, 555.
Glinka, 329;
(transcription of ‘A Life for the Czar’), 330.
Glissando, 192, 243.
Gluck, 7, 503.
‘God Save the King,’ 291, 308, 363.
Godard, Benjamin, 342.
Goldberg Variations, 67.
Goldmark, Karl (violin music), 466;
(pianoforte quintet), 589.
Gossec, 499.
‛_Gott erhalte Franz den Kaiser_,’ 497.
Graces, 35.
Grainger, Percy, 339.
‘Grand style’ of piano playing, 303.
Graun, Johann Gottlieb, 413, 414, 415, 420.
Gravicembalo, 5. See also Harpsichord.
Greco, Gaëtano, 38, 43.
Greek modes (modern use of), 362f.
Greek mythology, 27.
Gretchaninoff, Alexander, 555.
Grieco. See Greco.
Grieg, Edvard, 326ff, 338;
(influence), 340;
(violin sonata), 463;
(cello sonatas), 597.
Pianoforte sonata in E minor, 327.
Pianoforte concerto, 327f.
Ballade (piano), 328.
Holberg, suite (piano), 328.
String quartet, 556.
Grossi, 391, 478.
Ground bass, 83.
Grün, 445.
Guenin, Marie Alexandre, 408, 409f.
Guillemain, 409.
Guitar, 437;
(imitation of, on violin), 387.
H
Haack, Carl, 416.
Habeneck, Coretin, 447.
Habeneck, F. H., 447.
Habeneck, Joseph, 447.
Halir, Karl, 451, 465.
Hammerschmidt, Andreas, 473.
Handel, 7, 8, 26, 42, 43, 87, 421, 484.
Harmonious Blacksmith, 87.
Hardelle, 36.
Harmonic basis (in the fugue), 70f.
Harmonic coloring (Mozart), 145.
Harmonic principle (in musical form), 14.
Harmonic style, 13.
Harmonics (on violin), 438, 439, 448;
(use of, in string quartet), 571f.
Harmonious Blacksmith, 87.
Harmony, 13f, 29;
(Schubert), 194;
(Chopin), 261f, 265ff;
(Liszt), 318;
(Scriabin), 336f;
(Debussy), 354f;
(Ravel), 364; (modern), 534.
Harp concerto, 599.
Harpsichord, 1, 2, 4ff, 32, 34, 35, 128;
(‘touch’), 5;
(with two or more manuals), 47;
(in instrumental combinations), 573f.
Harpsichord music, 16ff, _40ff_;
(florid style), 35;
(leaping figures), 47;
(descriptive pieces), 55f;
(ornamentation), 59.
Harpsichord playing, 66, 68.
Harpsichord sonata, 97;
(with violin _ad lib._), 426.
See also Pianoforte sonata.
Hasse, Johann Adolph, 7, 43.
Hausmann, Robert, 451.
Haydn, Joseph, 7, 89, 98, 100f, 112, 116, 128, 131f, 134, _135ff_,
207, 410, 412, 416, 424, 444, 487, 503;
(compared with Beethoven), 133;
(fugue), 493;
(string quartet), 489ff, _498ff_, 560;
(influence on Mozart), 499, 502f;
(trios), 574.
Piano sonata in G major (op. 14, Peters 11), 138.
Piano sonata in C major (op. 13, Peters 15), 138.
Piano sonata in F major (Peters 20), 138.
Piano sonatas in E-flat (Peters 1 and 3), 139.
Variations on a theme in F (for piano), 140f.
String quartets (op. 9), 491.
String quartets, (op. 20) (Sonnen quartets), 492.
String quartets (op. 33), 493f.
String quartets, op. 50 (1787), 495f.
String quartets (op. 54 and 55), 496f.
Haydn, Michael, 499.
Heine, 134.
Heller, Stephen, 321.
Helmesberger, G., 445.
Henselt, Adolf, 217.
Herz, Henri, 285ff, 297, 447.
‘La Sonnambula’ Variations, 286.
Heuberger, Richard, cited, 194.
Hiller, Ferdinand, 176, 182.
Hoffmann, E. T. A., 218, 232.
Hoftanz, 470.
Holbrooke, Joseph, 589.
Holland, 21.
Holz, Karl, 521 footnote.
‘Home, Sweet Home,’ 291.
Horn (in chamber music), 598, 600, 604.
Horn sonata, 600.
Hubay, Jenö, 466.
Hugo, Victor, 318.
Hummel, Johann Nepomuk, 158f, 175f, 183, 254.
Piano concerto in A minor, 176ff.
Hungary, 317.
Hupfauff, 470.
Huygens, Constantine, 32.
I
Imitative music, 28, 386f.
Impressionism. See France (modern).
Impromptus (Schubert), 200ff.
Improvisation (Mozart), 142f.
d’Indy, Vincent, 129f, 349ff;
(cited), 167;
(violin sonata), 463;
(pianoforte quartet), 589f.
Poëmes des Montagnes, 350.
Pianoforte sonata in E (op. 63), 351.
String quartets, 551f.
Inner melodies, 60;
(Chopin), 278.
Instrumental forms, 11f, 41, 102.
See also Canzona, Ricercar, Sonata, Toccata, etc.
Instrumental music (development), 1, 8ff;
(early), 92;
(in 16th cent.), 373;
(15th-16th cent.), 469ff.
Instrumental style, 11, 33;
(influence on vocal), 9, footnote.
Interlocking of the hands (piano-playing), 222, 352.
Inventions (Bach), 67.
Italian influences (in sonata), 99, 107, 117;
(in French violin music), 406;
(in German violin music), 412, 420;
(in France and Germany), 428;
(Mozart), 499.
Italy, 16, 25, 37;
(supremacy of, in 18th-cent. violin music), 427f.
J
Jahn, Otto (cited), 507.
Jannequin, Clement, 10.
Jarnowick, 436.
Jenkins, John, 392f.
Jensen, Adolf, 321, 323.
Jerome of Moravia, 370.
Joachim, Joseph, 238, 443, 445, 450f, 458 (footnote), 460.
Joachim quartet, 451.
Jommelli, 491.
Jongleurs, 370, 372.
_Jour de fête_ (String quartet by Russian composers), 555.
Judenkönig, 374.
Juon, Paul, 333.
K
Kaiserling, Count, 83.
Kalbeck, Max (cited), 543.
Kalkbrenner, 64, 176.
Kalliwoda, Johann Wenzelaus, 418, 445.
_Kammenoi-Ostrow_, 331.
Karganoff, Genari, 333.
Keiser, 7.
Kelly, Michael (cited), 502.
Kempi, Nicolaus, 478.
Key, variety of, 94.
Key contrast. See Contrast (of keys).
Key relationships, 30, 102;
(in suite), 23;
(Debussy), 355.
Keyboard instruments, 1ff.
Keyboard style, 12.
Kielflügel, 5. See also Harpsichord.
Klengel, 446.
Kopyloff, A., 555.
Kraft, Nikolaus, 510, footnote.
Kreisler, Johann (‘Kapellmeister Kreisler’), 232.
Kreutzer, Rodolphe, 408, 412, 418, 431f, 451.
Kruse, J. C., 451.
Kuhnau, Johann Friedrich, 27, 28f, 34, 35, 37, 59, 69, 75, 90, 94.
Sonate aus dem B., 28f.
L
_La ci darem la mano_, 258, 309.
Lablache, 254.
Laborde, Jean B. (cited), 108 (footnote).
Lacombe, Paul, 342.
Lady Nevile’s Book, 18.
L’Augier, 43, 100.
LeBègue, 36.
Leblanc, 410.
Lafont, 431.
LaFranco, 374.
Lahoussaye, Pierre, 408.
Lalo, Edouard, 451, 461f.
Lamartine, 318.
Lanzetti, 591.
‛[The] Last Rose of Summer,’ 285, 291.
Laub, Ferdinand, 418, 553.
Laurenti, 390.
Leaping figures (in harpsichord music), 47.
Leclair, Jean Marie, 406, 407.
Legato style, 30;
(pianoforte touch), 161;
(violin-playing), 374, 381.
Legends (Liszt), 311f.
Legrenzi, Giovanni, 386, 478.
Leighton, William, 394.
Lenau, 318.
Lentor, John, 394.
Lenz, W. von (cited), 290, 291.
Léonard, 447.
‘Lessons,’ 22, footnote.
Liadoff, Anatole, 334, 555.
Lichnowsky, Prince, 510, 513.
Lichtenstein, Ulrich von, 370.
‘Lily Dale,’ 291.
Linke, Joseph, 521 footnote.
Linley, Thomas, 404.
Lipinski, C. J., 446.
Liszt, 48, 134, 207, 276, 286, _298ff_, 321, 342, 357, 367;
(cited on Chopin), 253, 258;
(cited on Field), 278;
(on Thalberg), 296;
(influence on Raff), 322;
(influence on Russian composers), 329;
(influence), 337, 354;
(influence in France), 341.
Études, 301f, 313f.
Reminiscences de Don Juan, 309ff.
Realistic pieces, 311ff.
Années de pélerinage, 312.
Pianoforte concerto, 314.
Pianoforte sonatas, 314ff.
Hungarian Rhapsodies, 317.
Literary suggestions, 318.
Lobkowitz, Prince, 517.
Locatelli, Pietro, 95, 401, 405, 435, 436, 487f.
Lock, Matthew, 394.
Loeffler, Charles Martin, 604.
Lolli, Antonio, 409, 435, 436.
Lombardini, Maddelena, 404.
London, 24;
(Salomon concerts), 410, 443.
London Philharmonic Society, 416.
Longo, Alessandro, 44.
Lotti, Antonio, 108.
Louis XIV, 7, 52.
Loures, 26.
Löwe, Johann Jakob, 473.
Lübeck, 2.
Lucchesi, G. M., 404.
Lully, Jean-Baptiste, 7, 393.
Lute music, 9, 469;
(transcriptions), 468.
Lutenists, 26, 33.
Lutheran Church, 12.
Lydian mode, 526.
M
MacDowell, Edward, 340.
Mace, Thomas, 395, 470.
Mackenzie, A. C., 339.
Madrigali da camera, 474.
Madrigals, 9, 10, 473, 486.
Malfatti, Theresa, 517.
Malibran, Maria, 448.
Malibran-Garcia, 254.
Mandolin, 47.
Manfreli, Filippo, 404.
Manieren, 35, footnote.
Mannheim school, 419f.
Mannheim orchestra, 487.
Mannheim symphonies, 490.
Manuals (in organ and harpsichord), 47.
Marchand, 60.
Marie Casimire, Queen of Poland, 42.
Marini, Biagio, 379, 476.
Marini, C. A., 478.
Marmontel, A. (cited), 178, 344.
Marschner, Heinrich (trio), 577.
Marseillaise (The), 285.
Martini, Padre, 96f, 104, 106, 119.
Maschera, Florentino, 378, 470.
Mass, 9.
Massart, Joseph, 447.
Mattheson, 7.
Maximilian, Emperor of Mexico, 312.
Maximilian Franz, Prince, 600.
Mayseder, Joseph, 419, 444.
Mazurkas, 252f.
Mazzaferrata, 391, 478.
Mazzolini, 390, 478.
Medici, Ferdinand de’, 44.
Melody (treatment of, in pianoforte music), 296.
Mendelssohn-Bartholdy, Felix, 212ff, 440, 451;
(compared to Schumann), 223;
(transcription), 306, 307;
(influence), 326, 328;
(string quartets), 539ff;
(trios), 577;
(cello music), 595.
Songs without Words, 213, 217,
Variations sérieuses, 215.
Violin concerto, 458.
Mereaux, Amadée, 62.
Merula, Tarquino, 384, 476.
Merulo, Claudio, 10.
Meyerbeer, 191;
(transcriptions), 296.
Miniature forms, 211f, 321;
(Schubert), 204;
(Schumann), 222;
(Brahms), 239.
Minnesinger, 370.
Minstrels, 371.
Minuet, 26;
(in pianoforte sonata), 166;
(in string quartet), 493, 495, 504, 511.
Modes. See Ecclesiastical modes, Greek modes.
Modulation, 13, 114. See also Key contrast.
Moffat, Georg, 36f.
Moffat, Gottlieb, 36, 37.
Molinari, Marquis, 108.
Molique, Bernhard, 450.
Molliner Collection, 18.
Monochord, 2.
Mont’Albano, Bartolomeo, 384, 476.
Montaigne, 375.
Monteverdi, Claudio, 6, 378.
Moór, Emanuel, 466, 598.
Mordents, 32.
More, Sir Thomas, 375.
Morino, 470.
Morley, Thomas, 22.
Moscheles, Ignaz, 64, 132, 176, 182, 285.
Moszkowski, Maurice, 321, 323f.
Motet, 9.
Motive, 70.
Mouquet, J., 604.
Moussorgsky, 330, 331.
Mozart, 8, 89, 98, 100f, 112, 116, 123, 128, 131f, 134f, _141ff_,
207, 367, _424ff_, 426ff, 496, 591f;
(compared to Beethoven), 133;
(concerto form), 150ff;
(influence on Chopin), 254f;
(‘Don Giovanni’ transcription), 308f;
(influence on Haydn), 495;
(string quartet), _498ff_;
(miscel. chamber music), 560;
(trio), 574f;
(compositions for wind instruments with piano), 598f.
Pianoforte sonatas, 144ff.
Piano sonata in C minor (K. 457), 145.
Piano sonata in A minor, 145f.
Piano sonata in A minor (K. 310), 146.
Piano sonata in F major (K. 332), 146.
Piano sonata in A major (K. 331) 147f.
Piano sonata in F major (K. 332), 147.
Piano sonata in A major (K. 331), 148.
Piano sonata in C minor (K. 457), 148f.
Piano sonata in F major (K. 533), 149.
Piano fantasia in C minor, 149f.
Pianoforte concerto in A major (K. 488), 151f, 154.
Piano concerto in D-major: ‘Coronation’ (K. 537), 154.
Violin concertos, 425.
Violin sonatas, 427.
Divertimenti (1772), 499.
Six string quartets (1772, K. 155-160), 500ff.
Six string quartets (Vienna, 1773, K. 168-173), 502f.
Six string quartets (1782-1785) (G major, K. 387;
D minor, K. 421;
E-flat major, K. 428;
B-flat major, K. 458;
A major, K. 464;
C major, K. 465), 504ff.
String quartets (1789-90; K. 575, 589, 590), 506.
String quintets (K. 515, 516, 593, 614), 507f.
Mozart, Leopold, 374, 413, 416f.
Mühlfeld, Professor, 579, 603.
_Musikalisches Kunstmagazin_, 494.
N
Nardini, Pietro, 403, 428, 430.
Nationalism, 320, 325, 329;
(Brahms), 248;
(Chopin), 252f;
(Liszt), 317;
(Grieg), 326f;
(Spanish), 339;
(Tschaikowsky), 464.
Neri, Massimiliano, 385, 477.
Neubauer, Johann, 473.
Nevin, Ethelbert, 340.
Newmarch, Rosa (cited), 465.
Nibelungen Lied, 369.
Niemann, Walter (cited), 333, 334.
Niemetschek, Franz Xaver (quoted), 143.
Nocturne, (Field), 179;
(Chopin), 281.
Nocturne form, 180.
Nonet (Spohr), 603.
Notker, 369.
Notre Dame, Paris, 369.
Notturni (quartet), 489.
Novàk, Vatislav (pianoforte quintet), 589.
O
Oboe (in chamber music), 598, 601, 604.
Octet (with wind instruments), 600, 601.
Ofried, 369.
Opera, 6, 14, 40.
Operatic fantasias, 286, 291, 300, 308, 575.
Orchestra, 6, 7;
(early combinations), 370f, 373, 376.
Orchestral masterpieces (transcriptions of), 306.
Orchestral style (in pianoforte music), 162f, 193;
(organ-playing), 16;
(in early chamber music), 486;
(in string quartet), 556f, 558, 561.
Ordres, 22 (footnote), 54.
Organ, 1f, 4, 8.
Organ music, 9, 16, 21;
(influence of, on harpsichord), 30.
Organ style, 30f, 63, 347, 422, 424.
Organist-composers (16th and 17th cent.), 14ff.
Organists, 17.
Oriental ‘color,’ 362, 365.
Ornamentation (in harpsichord music), 59;
(Chopin), 278f.
Ottoboni, Cardinal, 42.
Overtones, 219, 243, 356, 357, 363. See also Harmonics.
Overture, French, 79.
Overtures, transcriptions of, 310.
P
Pachelbel, 16.
Paderewski, Ignace, 338.
Paganini, 243, 299, 318, 430, 433, 435, 437ff, 443, 446;
(influence), 448.
Pagin, A. N., 408.
Palestrina, 10, 13.
Paradies, Domenico, 97, 116.
Paris, 430.
Paris Conservatoire, 408, 433, 434.
Paris School (violin music), 430, 435.
Parthenia, 18, 22.
_Partien_, 22 (footnote).
Partita. See Bach, J. S.
Parody (in pianoforte music), 366.
Pasquini, Bernardo, 6, 37, 43, 90.
Passacaglia, 83.
Passages, 32;
(Weber), 186f;
(Chopin), 276.
See also Arpeggios, Scales.
Passepieds, 26.
Pasta, 254.
Paul, Archduke of Russia, 493.
Paumann, Conrad, 372.
Pauses, 140.
Pavane, 22, 23, 469, 473.
Pawirschwantz, 468.
Pedal, 156.
Pedalling, 161f, 181, 356;
(Schumann), 219.
Pepys’ Diary, 393.
Pergolesi, Giovanni, 1O1f, 107.
Peri, 474.
Petrarch, 318.
Petrucci’s lute collection, 469.
Petzolds, Johann, 473.
Philip, Isadore, 343.
Pianists. See Virtuosi (piano).
Pianoforte, 132;
(use of, by Mozart), 144;
(development of), 155ff;
(exploitation of resources), 310;
(modern development of resources), 363;
(in chamber music combinations), 573ff.
See also Virtuoso music.
Pianoforte actions, 156, 157.
Pianoforte concerto, (Mozart), 150ff, 154;
(Beethoven), 173;
(Schumann), 237;
(Chopin), 263;
(Liszt), 314;
(Tschaikowsky), 332;
(Grieg), 327f;
(Brahms), 247f;
(Rachmaninoff), 334.
Pianoforte études, (Czerny), 44, 64, 182;
(Clementi), 121;
(Chopin), 258;
(Liszt), 301, 313f;
(Scriabin), 335.
Pianoforte music, (orchestral style in), 193;
(influence of song in), 194, 254.
Pianoforte playing, (C. P. E. Bach), 127f;
(Mozart), 142;
(Beethoven), 160f;
(Hummel), 176;
(Field), 179;
(Schubert), 194;
(Chopin), 255;
(Thalberg), 291;
(Liszt), 299f, 301.
Pianoforte quartet, 582, 583.
Pianoforte quintet, 582f, 586ff.
Pianoforte sonata, (Kuhnau), 28;
(development), _89ff_;
(general character of movements), 98f;
(dramatic conception of), 122;
(Haydn and Mozart), 136ff;
(Beethoven), 154ff, 159ff;
(interdependence of movements), 167f, 262f;
(Weber), 187ff;
(Schubert), 195ff;
(after Beethoven), 207;
(Romantic), 208f;
(Schumann), 235;
(Brahms), 240;
(Chopin), 257ff;
(Liszt), 314ff;
(Grieg), 327;
(Rachmaninoff), 334;
(Scriabin), 337;
(d’Indy), 351;
(with violin _ad libitum_), 426.
Pianoforte style, 33, 268, 277.
Pianoforte technique, 68, 132, 268;
(Clementi), 157;
(Beethoven), 162f;
(after Beethoven), 175;
(Weber), 184, 187;
(Schumann), 219;
(Brahms), 247;
(Thalberg), 293;
(Liszt), 301ff;
(Scriabin), 335;
(Alkan), 343;
(Franck), 346;
(d’Indy), 352;
(Debussy), 358f.
Picture music, 214.
Pierné, Gabriel, 353, 604.
Piquot (quoted), 488f.
Pisendel, Johann Georg, 413.
Piva, 469.
Pixis, F. W., 418.
Pizzicato, 378, 387, 448, 588;
(combined with bowed notes), 438;
(Mozart), 505;
(Debussy), 564;
(in string quartet, Schönberg), 571f.
Plain-song, 10, 20.
Playford, John, 395.
_Polka de la reine_, 322f.
Polonaises, 252f;
(Chopin), 282.
Polyphonic style, 9 (footnote), 11, 16, 22, 74, 383, 386, 392, 471;
(organ), 31;
(Chopin), 269, 271;
(Corelli), 397;
(in violin solo sonata), 422.
Polyphony (vocal), 9.
Popularization (of Bach, Beethoven, Chopin), 300.
Porpora, Nicolo, 51.
Portraiture, musical, 55f, 226.
Positions in violin playing, (change of), 384;
(seventh), 431.
Pot-pourri, 310.
Præludium, 469. See also Prelude.
Prætorius, Michael, 375;
(cited), 468, 472.
Preamble, 79, 469.
Prelude, 12, 17, 21, 29, 41;
(Bach), 80;
(Chopin), 264;
(Heller), 321;
(Rachmaninoff), 334;
(Debussy), 361ff.
Program music, 27f, 312.
Proportz, 470.
Puccini, Giacomo, 366.
Pugnani, Gaëtano, 402, 404, 410.
Punto, 600.
Purcell, Henry, 21, 392, 479.
Pythagoras, 2.
Q
Quagliati, Paolo, 381.
Quantz, J. J., 415, 515.
Quartet style, 555f, 565.
Queen Elizabeth Virginal Book, The, 18.
Quintet, (Beethoven), 509;
(clarinet and strings), 599;
(wind instruments and piano), 599;
(with wind instruments), 600, 601.
See also Pianoforte quintet; String quintet.
R
Rachmaninoff, 334, 338.
Raff, Joachim, 321, 322f;
(string quartet), 547.
Rameau, J. P., 8, 61f, 131.
Rappoldi, 445, 451.
Rasoumowsky, Prince, 419, 513.
Ravel, Maurice, 353, 364ff, 564f.
Realism, 27;
(in pianoforte music), 311, 344.
Rebec, 369, 372.
Rébel, 406.
Recitative, 14.
Recoupe, 470.
Regal, 1.
Reger, Max, 321, 466, 598, 604.
Registers, contrast of (in pianoforte music), 277.
Reichardt, J. F., 494.
Reiteration of notes, 47.
Reményi, 445.
Reusser, Esajas, 473.
Revolution. See French Revolution.
_Rhétorique des Dieux_, 26.
Rhythm, (syncopated), 219f;
(mixture of duple and triple, Brahms), 241;
(5/4 time), 258;
(7/8 time), 359;
(rhythmic oddities), 547.
Ricercar, 10, 11, 469.
Richter, Franz Xaver, 112, 413, 487.
Richter, Jean Paul, 218, 321.
Riemann, Hugo, cited, 512, 521.
Ries, Ferdinand, 182.
_Rigoletto_, 309.
Rimsky-Korsakoff, 330f, 555.
Robineau, L’Abbé, 409.
Rode, Pierre, 412, 430, 432, 433f, 451, 456;
(influence on Spohr), 440.
Rogers, Dr. Benjamin, 394.
Rois des ménestriers, 372.
Rois des violins, 372.
Rolla, Alessandro, 437.
Romanticism, 207f, 211, 218, 239, 320, 321.
Rome, 2, 6, 15.
Rondo (Couperin), 17f, 58, 79.
Ropartz, Guy, 598.
Roseingrave, Thomas, 43, 44.
Rosenmüller, Johann, 473.
Rossi, Salomone, 474.
Rossini, 292.
Rounds, 473.
Rubert, Martin, 473.
Rubini, 254.
Rubinstein, Anton, 295, 331;
(trio), 579f.
Rudolph, Archduke, 575.
Ruggeri, 391, 402.
Rugieri, 478.
‘Rule, Britannia,’ 291.
Runs, 383, 430, 448.
Russia (modern composers), 329, 553.
Russian ‘color’ (Beethoven), 515.
Rust, Friedrich Wilhelm, 98, 100f, 117, 129, 416.
Rust, Ludwig Anton, 117.
S
Saint-Foix, 425.
St. Georges, Chevalier de, 407.
St. Germain des Près, Abbey of, 369.
St. Mark’s, Venice, 1.
St. Nicholas Brüderschaft, 371.
St. Peter’s (Rome), 2, 15, 42.
Saint-Saëns, Camille, 341f;
(violin music), 462;
(trio), 581;
(pianoforte quartet), 589;
('cello sonata), 598.
Salieri, 454.
Salomon, Johann Peter, 416, 496.
Salomon concerts (London), 410, 443.
Salon music, 201;
(Chopin), 280f.
Saltarello, 469.
Sammartini, Giovanni Battista, 498, 499.
Santini, Abbé, 44.
Sarabande, 23, 25, 75.
Sarasate, Pablo de, 451, 452, 462, 465.
Satie, Eric, 366f.
Saxophone (in chamber music), 598.
Scale passages, 20;
(harpsichord), 68;
(Clementi), 120.
Scandinavia (pianoforte music), 326ff.
Scarlatti, Alessandro, 7, 38, 42ff, 111.
Scarlatti, Domenico, 8, 19, 38, 41, 42ff, 45, 86, 91, 105ff,
109. 131, 276;
(sonatas), 46ff;
(form), 49;
(compared with Bach), 65.
Schachbrett, 3.
Scharwenka, Philipp, 321.
Scharwenka, Xaver, 321, 323f.
Scheidt, Samuel, 16.
Schein, I. H., 472.
Scherzo, 79;
(in string quartet), 493.
Schmitt, Florent, 365f.
Schobert, Jean, 97, 98, 113, 114, 117, 123, 426, 498.
Schönberg, Arnold, piano music, 324;
(chamber music), 565ff.
Sextet, _Verklärte Nacht_, 565.
First string quartet, 567ff.
Second string quartet, 570f.
Schubart, C. F. D., 417.
Schubert, Franz, 89, 183ff, _193ff_, 206, 209, 254, 367,
547, 577, 590;
(compared with Brahms), 248;
(_Müller-Lieder_ transcription), 296;
(transcriptions of songs of), 306, 307;
(transcription of waltzes), 310;
(violin music), 456;
(string quartet), 536ff;
(octet), 602.
Piano sonata in A major (op. 120), 198.
Piano sonata in D major (op. 120), 195.
Piano sonata in A minor (op. 143), 196f.
‘Wanderer’ Fantasy (op. 15), 198.
Impromptus (first set), 200ff.
Impromptus (second set), 202f.
‘Musical Moments,’ 204ff.
Dances (for piano), 206.
String quartet in G major, 537f.
Trios (op. 99 and 100), 577.
‘Forellen’ quintet, 590.
Schumann, Clara, 133, 300, 584.
Schumann, Robert, 193, 207, 218ff, 254, 333, 367, 439, 440, 547;
(opinion of Mendelssohn), 217;
(compared with Brahms), 248;
(transcriptions of songs of), 306;
(influence on Chopin), 323;
(influence), 329, 349ff, 551;
(violin sonatas), 457f;
(string quartets), 541ff;
(trio), 578;
(pianoforte quintet), 587;
(cello music), 595;
(viola pieces), 598;
(comp. for clarinet, viola and piano), 603.
Fantasy Pieces, 222f.
Kinderscenen, 224.
Carnaval, 225ff.
Davidsbündler Dances, 229.
Papillons, 229.
Faschingsschwank aus Wien, 229.
Abegg Variations, 230.
Symphonic Études, 230ff.
Kreisleriana, 232ff, 273.
Novelletten, 235.
Sonata in F-sharp minor, 235.
Sonata in G minor, 236.
Fantasy, 236.
Pianoforte concerto, 237.
String quartet in A minor, 541.
String quartet in F major, 542.
String quartet in A, 542.
Pianoforte quartet (op. 44), 582.
Pianoforte quartet (op. 47), 582.
Schuppanzigh, Ignaz, 419, 510 (footnote), 513.
Schuppanzigh quartet, 510 (footnote), 521.
Scott, Cyril, 339.
Scriabin, Alexander, 335ff.
Senaillé, J. B., 406.
Sénancourt, 318.
Sensationalism, 294f. See also Virtuoso music.
Septet (with wind instruments), 600.
Serenades, 599.
Serrato, Arrigo, 466.
Sextet, (Beethoven), 509;
(with wind instruments), 600, 601.
Sgambati, Giovanni, 338f;
(pianoforte quintet), 589.
Shedlock, J. S., (cited), 38 (footnote); 43; 50 (footnote);
(quoted on Chopin), 259;
(quoted on Beethoven), 262.
Short forms. See Miniature forms.
Sibelius, 465.
Sibylla, Duchess of Württemberg, 24.
Siciliana, 505.
Simphonia (early use of term), 472.
Simpson, Christopher, 394.
Sinding, Christian, 328f;
(pianoforte quartet), 590.
Concerto in D-flat, 329.
Sinfonia, 79, 475.
Singing allegro, 101, 107, 113.
Singing bass, 60.
Singing melody (in pianoforte playing), 296, 307.
Sinigaglia, Leone, 466.
Skips (violin playing), 430.
Slavic influences (in sonata), 98, 99.
Slawjk, Joseph, 445f.
Smetana, 556f, 561;
(influence), 589.
String quartet, _Aus meinem Leben_, 556f.
Société des Concerts du Conservatoire, 447.
Sokoloff, Nikolas, 555.
Somis, 402.
Sonata, (origin of word), 12;
(Kuhnau), 28;
(so-called), 37, 91;
(Scarlatti), 46ff;
(for violin alone), 409, 421;
(for two violins), 421;
(with figured bass), 426;
(for harpsichord and violin _ad libitum_), 426;
(early use of term), 471, 472;
(in early instrumental music), 474f, 477, 478ff;
(Corelli), 482;
(a quattro), 484.
See also Pianoforte Sonata; Violin sonata; Violoncello sonata;
Trio sonata, etc.
Sonata a quattro (early form of string quartet), 484.
Sonata cycle, 478, 482;
(interchange of movements), 100.
Sonata da camera, 22 (footnote), 385, 396;
(fusion with Sonata da chiesa), 483.
Sonata da chiesa, 12, 385, 396;
(fusion with sonata da camera), 483.
Sonata form, 49, 50, 90f, 104, 484f, 487;
(in string quartet), 490.
See also Triplex form.
Song (influence of, on pianoforte music), 194, 254.
Songs, (variations on), 289;
(transcriptions of), 307.
Songs without Words, 211. See also Mendelssohn.
Sontag, Henriette, 439.
Spain (modern), 339.
Spinet, 5.
Spineta, Giovanni, 5.
Spohr, Ludwig, 412, 418, 430, 438, 440ff;
(string quartet), 535f;
(trio), 577;
(clarinet compositions), 603.
Staccato (violin), 449.
Stamitz, Anton, 418, 432.
Stamitz, Carl, 418.
Stamitz, Johann, 98, 112f, 413, 418, 420, 487, 491, 499.
Stcherbatcheff, Nicholas de, 334.
Steibelt, 182.
Stein, 156, 158.
Stich, 600.
Stillman-Kelley, Edgar (cited), 251.
Stormant, Lord, 502.
Stradivarius, 386 (illus.). See Vol. VIII.
Strauss, Ludwig, 445.
Strauss, Richard, 321, 324;
(influence), 338;
(violin sonata), 465f;
(pianoforte quartet), 590;
('cello sonata), 597f;
(horn concerto), 604.
Streicher, 156, 158.
Striggio, 376.
String quartet (early example of combination), 376;
(early forms of), 475, 477, 484;
(early classics), 486ff;
(Boccherini), 487, 488;
(Haydn), 489ff;
(Mozart), 507f;
(Beethoven), 509ff, 512ff, 534;
(Spohr), 535f;
(Schubert), 536ff;
(Mendelssohn), 539ff;
(Schumann), 541ff;
(Brahms), 545ff;
(Franck), 547ff;
(d’Indy), 551f;
(Chausson), 552;
Dvořák, 559;
(modern), 560ff;
(Debussy), 561ff;
(Ravel), 564f;
(Schönberg), 565f.
String sextet, (Brahms), 543ff;
(Schönberg), 565f.
Strungk, Nicholas Adam, 392, 412.
Studies, 321. See also Études.
Style galant, 58, 75, 502.
Suite, 12ff, 41, 74ff, 93;
(uniformity of key), 25;
(Bach), 70ff;
(Grieg), 327;
(early form of), 469f.
See also Ordres.
Sulponticello, 556.
Süssmayer, 425.
Sutterheim, Baron von, 528.
Symbolical sequence of notes, 218.
Sympathetic vibrations, 356, 363.
Symphonic masterpieces (transcriptions of), 306.
Symphony (term applied to string quartet), 490.
Syncopated rhythms (Schumann), 219f.
T
Taglietti, 478.
Taneieff, Serge, 555.
Tarantella (Heller), 321;
(Dargomijsky), 330.
Tartar le corde, 469.
Tartini, Giuseppe, 122 (footnote), 402, 412, 415, 417,
427, 428, 430.
Tausig, 44, 290.
Technique. See Pianoforte technique; Violin technique.
Telemann, Georg Philipp, 413.
Temperament, equal. See Equal temperament.
Terminology (uncertain, in Renaissance period), 472.
Ternary form, 45. See Triplex form.
Thalberg, Sigismund, 286, 291ff, 449;
(rivalry with Liszt), 299f.
Fantasia on ‘Moses,’ 292ff.
Thayer, 433.
Thematic development, 475, 480.
Thematic metamorphosis, 548.
Themes, 11, 70;
(contrasted), 113;
(second), 476, 477.
Thome, François, 342.
Thomelin, Jacques, 52.
Thumb (use of, in pianoforte playing), 68.
Toccata, 12, 21, 29, 41, 79, 469, 470;
(A. Scarlatti), 38;
(Bach), 81.
Tone color (attempt at, in string quartet), 517, 572.
Tone-painting, 382.
Tonini, 391, 478.
Tordion, 470.
Torelli, Giuseppe, 388f, 399, 413, 483;
(influence on Bach), 422.
Tost, Johann, 496, 535.
‘Touch’ (harpsichord), 6. See also Pianoforte technique.
Touchemoulin, 409.
Tourte, François, 431.
Transcriptions, 296;
(Liszt), 306;
(Mendelssohn’s ‘Midsummer Night’s Dream’), 310;
(Schubert’s Waltzes), 310;
(Glinka), 330;
(of Vivaldi’s concertos, by Bach), 422;
(Rode’s Theme and Variations), 434;
(Paganini caprices), 439;
(for lute), 468.
See also Fantasias; Operatic fantasias.
Transitional passages (in sonata), 114.
Tremolo, (pianoforte), 302;
(string instruments), 378, 381, 384, 556.
_Trésor des Pianistes_ (Madame Farrenc’s), 53, 104, 129.
Trills, 32, 430.
Trio, 469;
(Haydn, Mozart), 574ff;
(Beethoven), 576f;
(Schubert, Mendelssohn, Schumann), 577;
(modern Russian), 579f;
(Arensky, Dvořák, Tschaikowsky), 580;
(modern French), 581;
(wind instruments and piano), 599.
Trio sonatas, 101, 388, 474, 476, 484, 574.
Triplex form, 91, 96, 102, 104ff, 115;
(C. P. E. Bach), 113;
(Beethoven), 163ff;
(Chopin), 260.
See also Sonata form; Ternary form.
Trium, 469.
Trombone (in chamber music), 604.
Troubadours, 9 (footnote), 370.
Tschaikowsky, 331ff, 463f, 553f, 561, 580;
(on Lalo), 462.
Pianoforte concerto in B-flat minor, 332.
Violin concerto, 463f.
String quartet, 553f, 561.
Trio (op. 50), 580.
Tum-tum bass, 177, 191, 287.
Tuning (modified, of violin), 392, 436, 439.
See also Equal temperament.
Turin School (of violin music), 404f.
Turini, Francesco, 475.
Turns, 32.
U
Ucellini, Marco, 385.
Uhland, 252.
V
Valentini, Giuseppi, 402.
Variations, 17, 18, 19, 20f;
(Handel), 87;
(Beethoven), 165, 595;
(Weber), 184f;
(Mendelssohn), 215;
(Schumann), 230f;
(Brahms), 242ff;
(popularity in early 19th cent.), 285;
(Herz), 286f;
(Thalberg), 291;
(in early instr. music), 475;
(Haydn), 475.
Venetian school (violin composers), 399.
Venice, 1.
Veracini, Antonio, 390, 479, 483.
Veracini, Francesco Maria, 401, 483.
Verdi (Rigoletto transcription), 309.
Viadana, 474.
Vicentino, Nicola, 467 (footnote).
Vienna, 89, 371, 502.
Viennese classics, 131ff.
Vieuxtemps, Henri, 412, 446, 448f, 453.
Vinacesi, 391, 478.
Viol, 371, 372.
Viola, 598.
Viola da gamba, 590f.
Viola pomposa, 591.
Viola sonata, 598.
Viola suite, 598.
Violin, 370;
(ancestors of), 368f;
(in 16th cent.), 373f;
(modified tunings), 392.
Violin bow, 382, 385.
Violin concerto, (Torelli), 388;
(Viotti), 405, 411;
(Bach), 422, 423;
(Mozart), 424f;
(Kreutzer), 432;
(Rode), 433;
(Baillot), 435;
(Paganini), 440;
(Spohr), 441;
(de Bériot), 448;
(Joachim Wieniawski), 450;
(modern), 451f;
(Beethoven), 456f;
(Schubert), 456;
(Mendelssohn), 458;
(Brahms), 460;
(Lalo), 461f;
(Tschaikowsky), 463f;
(Glazounoff), 464f;
(Bruch), 465;
(Sibelius), 465;
(Reger), 466;
(modern Bohemian and Italian), 466.
See also Violin solo, sonata for.
Violin études, (Gaviniés), 409;
(Kreutzer), 432.
Violin methods, (Geminiani), 401;
(L. Mozart), 417;
(Conservatoire), 433;
(Baillot), 435;
(Spohr), 442.
Violin music, before Corelli, 379ff;
(English, 17th cent.), 393;
(18th cent.), 396ff;
(19th cent.), 430ff.
Violin playing (in Middle Ages), 371, 372;
(16th cent.), 373;
(popularity of, in 18th cent.), 400f;
(Gaviniés), 409;
(in Germany, 18th cent.), 412f;
(Benda), 415;
(Tartini), 431;
(Paganini), 438f;
(Spohr), 442;
(modern), 452.
See also Violin technique.
Violin solo, concerto for, 399;
sonata for (Gaviniés), 409;
(Handel), 421;
(Bach), 422, 424;
works for, 422.
Violin sonata (evolution), 384;
(G. B. Vitali), 387;
(Biber), 391;
(Corelli), 397ff;
(Albinoni), 399;
(Vivaldi), 400;
(Veracini), 402;
(Tartini), 403;
(Leclair), 407;
(Rust), 416;
(Handel), 421;
(various types), 426f;
(Beethoven), 454ff;
(Schubert), 457;
(Schumann), 457f;
(Brahms), 459f;
(Franck), 461;
(Saint-Saëns, modern French), 462f;
(Grieg), 463;
(Strauss), 465f.
See also Violin solo, sonata for.
Violin technique, (development), 368ff, 373ff;
(18th cent.), 430f;
(Paganini), 438;
(Spohr), 441;
(Brahms-Joachim), 460.
See also Double-stopping; Bowing.
Violinists. See Virtuosi (violin).
Violoncello music, 590ff;
(Beethoven), 592ff;
(Schumann, Mendelssohn), 595f;
(Brahms), 596f;
(Grieg), 597;
(modern), 597f.
Viotti, Giambattista, 402, 404f, 408, 410ff, 428, 430,
431, 433, 488.
Violin concertos, 411.
Virdung, S., 374.
Virginal, 4.
Virginal music, 18.
Virtuosi, (piano), 209, 284, 290;
(violin), 401f, 411, 417, 435ff, 444, 451f.
Virtuosity, 41, 43, 45, 298f.
Virtuoso effects (violin), 401, 448.
Virtuoso music, 165, 177, 276, 288ff, 297, 304, 310, 400,
436, 443, 466, 511.
Virtuoso style, 216, 405.
Vitali, Giovanni Battista, 387, 479.
Vitali, Tommaso Antonio, 383, 388.
Vivaldi, Antonio, 37, 95, 98, 399, 400, 413, 483f;
(influence on Bach), 69, 422.
Vocal music (as chamber music), 467;
(15th-16th cent.), 486ff.
Vocal polyphony, 9.
Vocal style, 12;
(influence on instrumental), 9 (footnote);
(in violin music), 376;
(in instrumental music), 377, 378.
Vogler, Abbé, 191.
Volkmann, Robert (string quartet), 547.
W
Wachs, Paul, 342.
Wagenseil, G. C., 113, 117, 123f, 498.
Wagner, Richard, 132, 133, 251, 442, 459;
(transcription of _Tannhäuser_ overture), 307.
Waldhorn. See Horn.
Walter, Jacob, 386, 422.
Wasielewski, G., 122 (footnote);
(cited), 406, 412, 413, 415, 446.
Variations on a Popular Romanza, (op. 28), 185.
Variations on a Theme in C major (op. 7), 185.
Variations (op. 40), 186.
Variations on a Bohemian Melody (op. 55), 186.
Piano sonata in C major (op. 42), 188.
Piano sonata in A-flat major, 188ff.
Piano sonata in D major, 189.
Invitation to the Dance, 190f.
Konzertstück in F minor, 191f.
Weber, Carl Maria von, 132, 183ff, 206, 208, 209, 267, 350, 367;
(_Preciosa_ transcription), 296;
(clarinet compositions), 602f.
Weiss, Amalie, 451.
Weiss, Franz, 510, footnote.
Weitzmann (cited), 137.
Well-Tempered Clavichord. See Bach.
‘We're a' noddin',’ 285.
Whole-tone scale, 355, 359f.
Wieck, Clara. See Clara Schumann.
Wieniawski, Henri, 447, 450.
Wihtol, Joseph, 334.
Wilhelmj, August, 443.
Wind instruments (in chamber music), 598ff;
(combinations of), 604.
Woldemar, 436.
Women violinists, 404.
Worms, 371.
Wranitzky, Anton, 419.
Wyzewa, 425.
Y
Ysäye, Eugène, 461.
Z
Zacconi, Ludovico, 375.
Zanata, 391, 478.
Zinke. See Cornetto.
Zmeskall von Domanowecz, Nicolaus, 492, 518.
Zweelinck, 16, 21.