In cricket wisdom Clarke is truly “Old:” what he has learnt from
anybody, he learnt from Lambert. But he is a man who thinks for
himself, and knows men and manners, and has many wily devices,
“_splendidè mendax_.” “I beg your pardon, sir,” he one day said to a
gentleman taking guard, “but ain’t you Harrow?”--“Then we shan’t want
a man down there,” he said, addressing a fieldsman; “stand for the
‘Harrow drive,’ between point and middle wicket.”
The time to see Clarke is on the morning of a match. While others are
practising, he walks round with his hands under the flaps of his coat,
reconnoitring his adversaries’ wicket.
“Before you bowl to a man, it is worth something to know what is
running in his head. That gentleman,” he will say, “is too fast on his
feet, so, as good as ready money to me: if he doesn’t hit he can’t
score; if he does I shall have him directly.”
Going a little further, he sees a man lobbing to another, who is
practising stepping in. “There, sir, is ‘practising to play Clarke,’
that is very plain; and a nice mess, you will see, he will make of it.
Ah! my friend, if you do go in at all, you must go in further than
that, or my twist will beat you; and, going in to swipe round, eh!
Learn to run me down with a straight bat, and I will say something to
you. But that wouldn’t score quite fast enough for your notions. Going
in to hit round is a tempting of Providence.”
“There, that man is purely stupid: alter the pace and height with a
dropping ball, and I shall have no trouble with him. They think, sir,
it is nothing but ‘Clarke’s vexatious pace:’ they know nothing about
the curves. With fast bowling, you cannot have half my variety; and
when you have found out the weak point, where’s the fast bowler that
can give the exact ball to hit it? There is often no more head-work in
fast bowling than there is in the catapult: without head-work I should
be hit out of the field.”
“A man is never more taken aback than when he prepares for one ball,
and I bowl him the contrary one: there was Mr. Nameless, the first time
he came to Nottingham, full of fancies about playing me. The first
ball, he walked some yards out to meet me, and I pitched over his head,
so near his wicket, that, thought I, that bird won’t fight again. Next
ball, he was a little cunning, and made a feint of coming out, meaning,
as I guessed, to stand back for a long hop; so I pitched right up to
him; and he was so bent upon cutting me away, that he hit his own
wicket down!”
Look at diagrams page 179. Clarke is there represented as bowling two
balls of different lengths; but the increased height of the shorter
pitched ball, by a natural ocular delusion, makes it appear as far
pitched as the other. If the batsman is deceived in playing at both
balls by the same forward play, he endangers his wicket. “See, there,”
continues Clarke, “that gentleman’s _is_ a dodge certainly, but not a
new one either. He does step in, it is true; but while hitting at the
ball, he is so anxious about getting back again, that his position has
all the danger of stepping in, and none of its advantages.”
“Then there is Mr. ----,” naming a _great_ man struggling with
adversity. “He gives a jump up off his feet, and thinks he is stepping
in, but comes flump down just where he was before.”
“Pilch plays me better than any one. But he knows better than to step
in to every ball, or to stand fast every ball. He plays steadily, and
discriminates, waiting till I give him a chance, and then makes the
most of it.”
Bowling consists of two parts: there is the mechanical part, and the
intellectual part. First, you want the hand to pitch where you please,
and then the head to know where to pitch, according to the player.
To LEARN THE ART OF BOWLING.--1. First, consult with some Lillywhite
or Wisden, and fix on one, and one only, plan of holding the ball,
manageable pace, and general style of delivery. Consult and experiment
till you have chosen the style that suits the play of your muscles and
your strength. If you choose a violent and laborious style, you will
certainly become tired of it: but a style within your strength will
be so delightful that you will be always practising. Secondly, having
definitely chosen one form and style of bowling, the next thing is to
fix it and form it into a habit: for, on the law of Habit a bowler’s
accuracy entirely depends.
To form a steady habit of bowling, the nerves and muscles being a very
delicate machinery, you must be careful to use them in one way, and one
way only; for then they will come to serve you truly and mechanically:
but, even a few hours spent in loose play--in bowling with few steps or
many, or with a new mode of delivery--will often establish conflicting
habits, or call into action a new set of muscles, to interfere with
the muscles on which you mainly depend. Many good players (including
the most destructive of the Gentleman’s Eleven!) have lost their
bowling by these experiments: many more have been thrown back when near
perfection. Therefore,
2. Never bowl a single ball but in your chosen and adopted form and
style--with the same steps, and with the ball held in the same way. “If
these seem small things, habit is not a small thing.” Also, never go
on when you are too tired to command your muscles; else, you will be
twisting yourself out of form, and calling new and conflicting muscles
into action.
As to Pace, if your strength and stature is little, your pace cannot
be fast. Be contented with being rather a slow bowler. By commencing
slowly, if any pace is in you, it will not be lost; but by commencing
fast, you will spoil all.
3. Let your carriage be upright though easy; and start composedly from
a state of perfect rest. Let your steps, especially the last, be short;
and, for firm foothold, and to avoid shaking yourself or cutting up the
ground, learn to descend not on the heel but more on the toe and flat
of the foot, and so as to have both feet in the line of the opposite
wicket. For,
4. A golden rule for straight bowling is to present, at delivery, a
full face to the opposite wicket; the shoulders being in the same line,
or parallel with, the crease. That is the moment to quit the ball--a
moment sooner and you will bowl wide to the leg, a moment later and
you will bowl wide to the Off. Observe Wisden and Hillyer. They deliver
just as their front is square with the opposite wicket. They look well
at their mark, and bowl before they have swung too far round for the
line of sight to be out of the line of the wicket. Observe, also, bad
bowlers, and you will see a uniformity in their deviation: some bowl
regularly too much to the On; others as regularly to the Off. Then,
watch their shoulders; and you will recognise a corresponding error in
their delivery. The wonder is that such men should ever bowl straight.
Also, adopt a run of from five to seven yards. Let your run be quite
straight; not from side to side, still less crossing your legs as you
run.
5. “Practise,” says Lillywhite, “both sides of the wicket. To be able
to change sides, is highly useful when the ground is worn, and it often
proves puzzling to the batsman.”
6. Hold the ball in the fingers, not in the palm, and always the same
way. If the tips of the fingers touch the seam of the ball, it will
assist in the spin. The little finger “guides” the ball in the delivery.
7. The essence of a good delivery is to send the ball forth rotating,
or turning on its own axis. The more spin you give the ball, the better
the delivery; because then the ball will twist, rise quickly, or cut
variously, the instant it touches the ground.
8. This spin must not proceed from any conscious action of the fingers,
but from some mechanical action of the arm and wrist. Clarke is not
conscious of any attempt to make his ball spin or twist: a certain
action has become habitual to him. He may endeavour to increase this
tendency sometimes; but no bowling could be uniform that depended so
much on the nerves, or on such nice feeling as this attention to the
fingers would involve. A bowler must acquire a certain mechanical
swing, with measured steps and uniform action and carriage of the body,
till at length, as with a gun, hand and eye naturally go together. In
rowing, if you look at your oar, you cut crabs. In skating, if you look
at the ice and think of your steps, you lose the freedom and the flow
of your circles. So, with bowling, having decided on your steps and one
mode of delivery, you must practise this alone, and think more of the
wicket than of your feet or your hand.
To assist the spin of the ball, a good bowler will not stop short, but
will rather follow the ball, or, give way to it, after delivery, for
one or two steps. Some bowlers even continue the twisting action of the
hand after the ball has left it.
9. Commence with a very low delivery. Cobbett, and others of the best
bowlers, began underhand. The lower the hand, the more the spin,
and the quicker the rise. Unfair or throwing bowlers never have a
first-rate delivery. See how easy to play is a throw, or a ball from a
catapult; and simply because the ball has then no spin. Redgate showed
how bowling may be most fair and most effective. No man ever took
Pilch’s wicket so often. His delivery was easy and natural; he had a
thorough command of his arm, and gave great spin to the ball. In Kent
against England, at Town Malling, he bowled the finest Over on record.
The first ball just grazed Pilch’s wicket; the second took his bails;
the third ball levelled Mynn, and the fourth Stearman; three of the
best bats of the day.
10. Practise a little and often. If you over-fatigue the muscles, you
spoil their tone for a time. Bowling, as we said of batting, must
become a matter of habit; and habits are formed by frequent repetition.
Let the bowlers of Eton, Harrow, and Winchester resolve to bowl, if
it be but a dozen balls, every day, wet or fine. Intermission is very
prejudicial.
11. The difficulty is to pitch far enough. Commence, according to your
strength, eighteen or nineteen yards, and increase to twenty-two by
degrees. Most amateurs bowl long hops.
12. Seek accuracy more than speed: a man of fourteen stone is not
to be imitated by a youth of eight stone. Many batsmen like swift
bowling, and why? Because the length is easier to judge; the lines are
straighter for a cut; the ball wants little accuracy of hitting; fast
bowlers very rarely pitch quite as far even as they might, for this
requires much extra power; fast balls twist less in a given space than
slow balls, and rarely increase their speed at the rise in the same
proportion as slow balls; fast bowling gives fewer chances that the
fieldsman can take advantage of, and admits generally of less variety;
fewer fast balls are pitched straight, and fewer even of those would
hit the wicket. You may find a Redgate, a Wisden, or a Mynn, who can
bring fast bowling under command for one or two seasons; but these are
exceptions too solitary to afford a precedent. Even these men were
naturally of a fast pace: swiftness was not their chief object. So,
study accurate bowling, and let speed come of itself.
So much for attaining the power of a bowler; next to apply it. Not only
practise, but _study_ bowling: to pelt away mechanically, with the
same lengths and same pace, is excusable in a catapult, but not in a
man.--Can your adversary guard leg-stump or off-stump? Can he judge a
length? Can he allow for a curve? Can he play well over an off-ball to
prevent a catch? Can you deceive him with time or pace? Is he a young
gentleman, or an old gentleman?--
“_Ætatis cujusque notandi sunt tibi mores._”
1. Pitch as near the bat as you can without being hit away. The
bowler’s chance is to compel back play with the shortest possible sight
of the rise.
2. If three good balls have been stopped, the fourth is often
destructive, because the batsman’s patience is exhausted: so take pains
with the fourth ball of the Over.
3. The straighter the ball, the more puzzling to the eye, and the more
cramping to the hand of the batsman.
4. Short-pitched balls are not only easier to hit, but have more scope
for missing the wicket, though pitched straight.
5. A free leg-hitter may often be put out by placing an extra man On
side, and bowling repeatedly at leg-stump--only do not pitch very far
up to him. Short-pitched leg-balls are the most difficult to hit, and
produce most catches. By four or five attempts at leg-hitting, a man
gains a tendency to swing round, and is off his straight play.
6. Besides trying every variety of length, vary your pace to deceive
the batsman in timing his play; and practise the same action so as not
to betray the change of pace. Also, try once or twice a high dropping
ball.
7. Learn to bowl tosses and tices. With a stiff player, before his eye
is in, a toss often succeeds; but especially practise high lobs--a most
useful variety of ball. In most Elevens there are one or two men with
whom good roundhand bowling is almost thrown away. A first-rate player
in Warwickshire was found at fault with lobs: and till he learnt the
secret, all his fine play was at an end.
8. Find out the farthest point to which your man can play forward
safely, and pitch just short of that point with every variety of pace
and dropping balls. Lillywhite’s delight is by pitching alternately
just within and just out of the batsman’s reach, “_to catch him in two
minds_.” Here we have positive metaphysics! Just such a wary antagonist
as Lillywhite is described by Virgil,--
“Ille, velut celsam oppugnat qui molibus urbem,
Nunc hos, nunc illos aditus, omnemque pererrat
Arte locum; et variis adsultibus irritus urget.”
Of course _aditus_ means an unguarded stump, and _locum_ where to pitch
the ball.
9. A good underhand ball of two high curves--that is, a dropping ball
rising high--with a twist in to leg-stump, and a third man to On side,
is very effective, producing both catch and stumping. This is well
worth trying, with four men on the On side, even if some great player
is brought to win a country match.
10. Most men have a length they cannot play. The fault of young bowlers
is, they do not pitch far enough: they thus afford too long a sight of
the ball. In the School matches and the University matches at Lord’s,
this is very observable, especially with fast bowlers.
11. The old-fashioned underhand lobbing, if governed by a good
head--dropping short when a man is coming out, and sometimes tossed
higher and sometimes lower,--is a valuable change in most Elevens; but
it must be high and accurately pitched, and must have head-work in it.
Put long-stop upon the On side, and bring long-slip nearer in; and be
sure that your long-fields stand far away.
12. Lastly, the last diagram explains that curvilinear bowling (the
effect of a moderate pace with a spin) gives the batsman a shorter
sight of the rise than is possible with the straighter lines of swift
bowling. A man has nearly as much time to make up his mind and prepare
for Wisden as for Clarke; because, he can judge Wisden’s ball much
sooner, and, though the rise is faster, the ball has farther to come in.
THEORY OF BOWLING.--What characterises a good delivery? If two men
bowl with equal force and precision, why does the ball come in from the
pitch so differently in respect of cutting, twisting, or abrupt rise?
“Because one man gives the ball so much more rotatory motion on its own
axis, or, so much more spin than the other.”
A throw, or the catapult which strikes the ball from its rest, gives no
spin; hence, the ball is regular in its rise, and easy to calculate.
Cobbett gave a ball as much spin as possible: his fingers appeared
wrapped round the ball: his wrist became horizontal: his hand thrown
back at the delivery, and his fingers seemingly unglued joint by joint,
till the ball quitted the tips of them last, just as you would spin
a top. Cobbett’s delivery designed a spin, and the ball at the pitch
had new life in it. No bowling so fair, and with so little rough play
or violence, ever proved more effective than Cobbett’s. Hillyer is
entitled to the same kind of praise.
A spin is given by the fingers; also, by turning the hand over in
delivering the ball.
A good ball has two motions; one, straight, from hand to pitch; the
other, on its own axis.
The effect of a spin on its own axis is best exemplified by bowling a
child’s hoop. Throw it from you without any spin, and away it rolls;
but spin or revolve it against the line of its flight with great
power, and the hoop no sooner touches the ground than it comes back to
you. So great a degree of spin as this cannot possibly be given to a
cricket ball; but you see the same effect in the “draw-back stroke” at
billiards. Revolve the hoop with less power, and it will rise abruptly
from the ground and then continue its course--similar to that awkward
and abrupt rise often seen in the bowling of Clarke among others.
Thirdly, revolve the hoop as you bowl it, not _against_ but _in_ the
line of its flight, and you will have its tendency to bound expended in
an increased quickness forward. This exemplifies a low swimming ball,
quickly cutting in and sometimes making a shooter. This is similar to
the “following stroke” at billiards, made by striking the ball high and
rotating it in the line of the stroke.
Such are the effects of a ball spinning or rotating vertically.
Now try the effect of a spin from right to left, or left to right: try
a side stroke at billiards; the apparent angle of reflection is not
equal to the angle of incidence. So a cricket ball, with lateral spin,
will work from Leg to Off, or Off to Leg, according to the spin.
But why does not the same delivery, as it gives the same kind of spin,
always produce the same vertical or lateral effect on a ball? In other
words, how do you account for the fact that (apart from roughness of
ground) the same delivery produces sometimes a contrary twist? “Because
the ball may turn in the air, and the vertical spin become lateral. The
side which on delivery was under, may, at the pitch, be the upper side,
or the upper side may become under, or any modification of either may
be produced in conjunction with inequality in the ground.”
With throwing bowling, the ball comes from the ends of the fingers;
why, then, does it not spin? Because, unlike Cobbett’s delivery, as
explained, wherein the ball left the fingers by degrees, and was sent
spinning forth, the ball, in a throw, is held between fingers and
thumb, which leave their hold at the same instant, without any tendency
to rotate the ball. The fairer and more horizontal the delivery the
more the fingers act, the more spin, and the more variety, after the
pitch. A high and unfair delivery, it is true, is difficult from
the height of the rise; otherwise it is too regular and too easy to
calculate, to make first-rate bowling.
A LITTLE LEARNING IS A DANGEROUS THING--and not least at cricket. The
only piece of science I ever hear on a cricket field is this: “Sir, how
can that be? The angle of reflection must always be equal to the angle
of incidence.”
That a cricketer should have only one bit of science, and that, as he
applies it, a blunder, is indeed a pity.
I have already shown that, in bowling, the _apparent_ angle of
reflection is rendered unequal to the angle of incidence by the
rotatory motion or spin of the ball, and also by the roughness of the
ground.
I have now to explain that this law is equally disturbed in batting
also; and by attention to the following observations, many a forward
player may learn so to adapt his force to the inclination of his bat as
not to be caught out, even although (as often happens to a man’s great
surprise) he plays over the ball!
The effect of a moving body meeting another body moving, and that same
body quiescent, is very different. To prove this,
Fix a bat _immoveably_ perpendicular in the ground, and suppose a
ball rises to it from the ground in an angle of 45° as the angle of
incidence; then supposing the ball to have no rotatory motion, it will
be reflected at an equal angle, and fall nearly under the bat.
But supposing the bat is not fixed, but brought forcibly forward to
meet that ball, then, according to the weight and force of the bat, the
natural direction of the ball will be annihilated, and the ball will be
returned, perhaps nearly point blank, not in the line of reflection,
but in some other line more nearly resembling the line in which the bat
is moved.
If the bat were at rest, or only played very gently forward, the angles
of reflection would not be materially disturbed, but the ball would
return to the ground in proportion nearly as it rose from it; but by
playing very hard forward, the batsman annihilates the natural downward
tendency of the ball, and drives it forward, perhaps, into the bowler’s
hands; and then, fancying the laws of gravitation have been suspended
to spite him, he walks back disgusted to the pavilion, and says, “No
man in England could help being out then. I was as clean over the ball
as I could be, and yet it went away as a catch!”
Lastly, as to “being out by luck,” always consider whether, with the
same adversaries, Pilch or Parr would have been so put out. Our opinion
is, that could you combine the experience and science of Pilch with
the hand and eye of Parr, luck would be reduced to an infinitesimal
quantity.
_Fortuna fortes adjuvat_, men of the best nerve have the best luck;
and _nullum numen habes si sit prudentia_, when a man knows as much of
the game as we would teach him, he will find there is very little luck
after all. Young players should not think about being out by chance:
there is a certain intuitive adaptation of play to circumstances,
which, however seemingly impossible, will result from observation and
experience, unless the idea of chance closes the ears to all good
instruction.