CHAP. VIII.

A Frenchman's Notions.

DR. KEIF AT DINNER WITH A FRENCHMAN.--MONS. GUERONNAY.--GRAND

INTER-NATIONAL CONTEST.--AN ARMISTICE.--SIR JOHN SERMONISES.--THE

GLORY OF FRANCE AND THE DOWNFALL OF ENGLAND.--SUNDRY REMARKS ON THE

OPERA AND THE BRITISH FEMALE; ON ENGLISH MUSIC AND FRENCH

POLITICS.--SIR JOHN A TRUE JOHN BULL.--A CONTROVERSY ON THE STAIRS.

"Dr. Keif has got nothing to eat," said Sir John. "I say, Dr. Keif has

nothing whatever to eat. Bella, how inattentive you are to your

neighbour."

"But, Sir John," said his wife, "Dr. Keif is no infant. He will speak if

he wants anything."

"Nonsense, he forgets it. Dr. Keif, your plate, if you please."

But the learned Doctor is deaf to Sir John's warning voice. He is

engaged in an interesting conversation with his neighbour, M. Gueronnay,

from Paris.

M. Gueronnay is an elderly gentleman, with a youthful head of hair, red

cheeks, and preposterously black whiskers. He is grave of aspect; but

there is in his small black eyes an inexhaustible fund of good nature

and conceit. For the last twenty years he has every season paid a visit

of a week or two to Sir John, and each time he finds London gloomier and

more unbearable. In fact, nothing but his affection for his old friends

could induce him to leave the paradise of Paris for a week's punishment

in the fog and smoke of the Thames. But, however great his disgust may

be, he is amiable enough to conquer it; he eats and drinks as an

Englishman, laughs and jokes with the ladies all day long, and sheds a

few tears at leave-taking. To complete the picture, we ought to add,

that M. Gueronnay makes a vow every year to return as a married man, and

to bring his wife with him.

Heaven knows what can have happened between him and Dr. Keif, while the

rest of the family were eating their roast beef; but everybody is struck

with the fact that they talk violently, and both at the same time, too.

"Dr. Keif, your plate!" says Sir John.

"He does not hear you," responded Bella. "I dare say he is again talking

politics."

"Order!" cries Sir John, now for the third time. "Dr. Keif, M.

Gueronnay, another piece of pudding."

But the two arch-foreigners murmur an excuse, and turn again to one

another.

"Yes, surely," says Dr. Keif, "the sun rises in the West."

"You allude to the sun of the mind?"

"Certainly! and the West is Paris."

"_A la bonne heure._ Thus do we understand one another."

"Just so, M. Gueronnay; an opinion after your own heart, isn't it? What

I cant understand is, that the world does not settle down to sleep

quietly, since Paris thinks and acts for it. What more can be required

for the general regeneration of humanity than the _Journal des Débats_,

that is to say, the diffusion of useful knowledge--Madame Rachel, that

is to say, the art-education of mankind--and a few _Chasseurs

d'Afrique_, that is to say, liberty?"

"Not bad; you have French esprit. Well, you flatter us."

"Indeed," says Dr. Keif, very gravely. "Even the Paris _Cancan_, immoral

though it may appear, has, after all, decency and grace enough to

civilise half the world. Am I not right? And if _la France_ has been put

into the stocks, it is merely because she has been dancing all night for

the benefit of distressed humanity; her present misfortune is, after

all, nothing but a fresh proof of creative genius, which conceals the

profoundest of all modern ideas of emancipation; for, if you please,

whatever _la France_ will do that she can do. She takes the resolution,

in the face of all Europe, and in plain daylight, to lie in the

dirtiest gutter that can be found, and lo! she performs the feat. Alas,

for the blindness of the other nations, who do not also lie down in the

same gutter, and who will not understand that there must be salvation in

the pool in which it pleases _la France_ to wallow!"

"Stop! stop!" replies M. Gueronnay. "What does all this mean?"

"It means simply that the French are the most conceited, insane people

on the face of the earth."

"_Mais_, Monsieur, I am a Frenchman!"

"Of course you are," continues the Doctor, with a low impressive voice.

"You cannot deny that the French go on sinning on the strength of their

constitution! Pray let me go on. That they are a nation of spirited

fools, genial ragamuffins, overgrown _gamins_, and revolutionary

lacqueys, who can neither govern themselves, nor will they allow any

despot 'by the grace of God' to govern them for any length of time."

"Now pray let me have my say."

"And that, after their fourth revolution, and their third republic, they

will surely fall down at the feet of some Orleanist or Legitimist

prince; and after that, by means of universal suffrage, they will sell

themselves to some romantic hairdresser, dancing-master, or cook. I, for

one, vote for Soyer. He at least has learned something at the Reform

Club."

The most outrageous blasphemy, uttered in the presence of the

grandmother of an Anglican bishop, cannot have that dreadful effect

which Dr. Keif's words produced on the nerves of his neighbour. He is

first paralysed, then astonished, and in the next instance, angry. He

would speak, but he cannot utter a word, for Dr. Keif has seized the

wretched man by the topmost button of his coat, and in this position he

pours broadside after broadside into his ears, saying continually--"Pray

let me go on!" "Now do hear me," "I know exactly what you wish to say."

Poor M. Gueronnay! All his endeavours to escape are vain, for the Doctor

knows no pity for a Frenchman. His hand holds the button with an iron

grasp, until, at length, he concludes with the following _coup de

grace_:--"Pray understand me. All I wish to say is, that the

French--surely I have not the least intention of offending you--the

French are on their last legs, because the last particle of marrow has

oozed out of their bones by dint of lying; but that does not prevent

their being even in a state of profound degradation, exactly like the

Spaniards, Italians, and Irish--spiritual, amusing, and rather an

interesting nation."

"_In-fi-ni-ment obligé_," cries M. Gueronnay, jumping up and making low

bows. "How did you say a-mu-sing? _Infiniment obligé_, Doctor, your

German modesty is extremely complimentary."

"No compliment whatever, M. Gueronnay," replies Dr. Keif, rather

embarrassed; "nothing whatever but my candid opinion."

The Frenchman casts an epigrammatical glance at the Doctor, buttons his

coat, as if preparing for some grand resolution, and says with a loud

voice--"Sir, you are"--a long pause. Everybody rises from the table.

"Monsieur," continues the Frenchman, "you have never been in Paris."

"Certainly not," says Dr. Keif.

"That is enough. That is all I desire to know. _Enfin!_" and M.

Gueronnay, shrugging his shoulders in a crushing manner, turns his back

upon the Doctor.

This scene created a general confusion at the dining-table. Everybody

was silent. The lady of the house, whose profound knowledge of the

"_Dictionnaire de l'Academie_" commands M. Gueronnay's special respect,

has taken him to the window, and tries to soothe his feelings, by

assuring him that Dr. Keif is certainly wrong-headed in the true

Germanic style; but that he is, after all, a good-natured eccentric

person, and nobody's enemy but his own. Dr. Keif, meanwhile, with a

forced smile on his lips, and green and yellow with rage, promenades the

room. He is evidently not satisfied with himself. Sir John alone has

kept this seat at the table; and, enforcing his views by several thumps

of his dessert-knife, makes a very instructive speech on that

Parliamentary order which is observed at all public dinners in England.

Who could even think, while dinner is on the table, of conversing on any

other subject but the domestic virtues of the turtle, the sole, and the

salmon, the tenderness of roast lamb and venison, the bees-wing of port

wine, and all the other good things which are especially fit to

establish a delightful harmony between Whigs and Tories, High Churchmen

and Dissenters, Cotton Lords and old aristocrats? There's the rub.

That's what the foreigners will never learn; they cannot do a thing at

the right time, and poison their very meat with politics!

I dare say Sir John is right; but his speech is interrupted by the

coffee, which has greater effect upon the company than his practical

philosophy. Dr. Keif and Sir John take their coffee by the fire.

"Are you aware," says the latter, "that your remarks have been very

offensive to our French friend? We Englishmen can never approve of a

wholesale condemnation of any nation. If you had said those words in the

House of Commons, you would have been called to order; and I really

think there is an Act of Parliament--"

"Well never mind your Act of Parliament! the less you say about it the

better. There are examples of examples. You are always preaching manners

to people, and--. Never mind, just provoke me, if you please. I'm

exactly in a temper."

"But my dear Doctor, I really can't understand what is the matter with

you."

"Well, I'll tell you. People believe that a German's skin ought to be as

thick as that of a rhinoceros. I was not in the least angry, but merely

gave that fellow change for his five-franc piece. Just as we sat down to

dinner he said a few words which I don't care to repeat. In short, he

said that we Germans were not very likely to set the Thames on fire."

"Very wrong indeed," replies Sir John, turning to M. Gueronnay. "I'll

tell him so; he must make an apology."

"For God's sake be quiet! An apology, ridiculous! I'm ashamed of my

childishness, that his vapid phrase could ruffle my temper; but that is

what a man comes to. In Germany I used to laugh at our patriots; and

here I'm covered with patriotism as with a cutaneous eruption, and

irritated by the slightest touch."

"Nonsense, sir! Consider it is only the word of a Frenchman!" said Sir

John, almost instinctively attacking the weakest side of the sapient and

wrathful Doctor. "And I say a Frenchman is no one. But now be

reasonable, and shake hands with Mons. Gueronnay. I say--Mons.

Gueronnay! You, Sir! Confound the Frenchman!" muttered Sir John, with

earnest devotion, "Confound him, he _won't_ hear!"

The attempts at mediation between the two foreign powers are here

interrupted by George, the tiger, bringing in a letter.

"Dr. Keif, if you please, a letter from Mr. Bonypart."

A flagrant absurdity flung into the midst of a quarrel is, after all,

the readiest means to restore good will and smooth the ruffled tempers.

George's blunder makes everybody laugh. Dr. Keif is at once assailed

with many questions as to the "Emperor's" intentions. "Is it an

invitation to Paris? Is it a challenge? or the offer of a pension?"

"Yes, it's in his own hand," said the Doctor, and pocketed the

mysterious document.

"Is it, indeed!" cried the Frenchman, in a state of delightful

amazement. "Is it a letter from Louis Napoleon--pardon! I would say,

from his Majesty the Emperor himself?"

"Suppose it is, I can see nothing in it to justify your opening your

eyes to that extent!" said Mrs. Bella, with the prettiest imaginable

little sneer. "I'm sure Dr. Keif is by far more respectable than one

half of his majesty's old friends and companions. But perhaps you will

say Dr. Keif holds very strange opinions on the subject of the French

nation. Just so, Mons. Gueronnay. Your emperor, I'm sure, thinks even

worse of your countrymen than Dr. Keif does, and that's why he is your

Emperor!"

"Order!" shouts Sir John, "I'll fine you a shilling if you say another

word about politics."

"Hear! hear!" said the Doctor. "But I will explain the matter to Mons.

Gueronnay before I go. My friend Baxter has come to town and promises me

no end of adventures, if I--"

"Mr. Baxter!" quoth the lady of the house, looking up from the

supplement of the _Times_, which for the last few minutes had engaged

her attention. "Mr. Baxter! Really George is getting duller every day;

he mispronounces even English names. The fact is, Mons. Gueronnay, that

boy George cannot on any account repeat or remember a foreign name.

Whenever any German comes to the house and sends up his name, George

_will_ make the most shocking mistakes. He will not learn, and gives to

every foreigner the very first name he happens to think of."

"He takes them from the newspapers," said Mrs. Bella. "The Doctor is

continually teaching him politics. It's true, Doctor, you spoil all our

servants. That boy George is too fond of reading, and reading is almost

a vice in a young--"

"Aristocrat," adds Dr. Keif. "But I beg your pardon: lackey is the

proper word."

"In short," continues the lady of the house, "there is no getting on

with him. He turns _Schulze_ into Shelly, and converts _Fritze_ into Sir

Fitzroy. The honest name of Müller becomes in his mouth Macaulay, and a

Prussian gentleman of the name of Lehman is always announced as Lord

Palmerston. He is so fond of great names."

"Delicious!" cried Mons. Gueronnay. "What a subject for Scribe!"

"Ladies and gentlemen, I cannot wait for the tea-hour; for at nine

o'clock, I am expected at the cigar-divan in the Strand;" saying which,

Dr. Keif prepared to leave the room.

"Stop!" said Sir John, consulting his watch. "You've plenty of time;

exactly sixty-one minutes."

"How exact you English people are--punctilious!" We need scarcely inform

our readers that the speaker is Mons. Gueronnay. "Sixty minutes and one!

What Frenchman would say sixty minutes and one! Tell us, Mons. le

Docteur, are your adventures so very important that they depend on the

minute?"

"By no means! Nothing but an appointment of many weeks standing with Mr.

Baxter. We propose making an expedition into the theatrical quarters,

and I dare say we shall drop in here and there at half-price."

But the Frenchman cannot understand how any one can go to the theatre at

this unseasonable time of the year. He has always understood that in

London there are but two entertainments worthy of the notice of _un

homme comme il faut_: the Italian opera and the French theatre at St.

James's. But they are closed now that the season is over. It is true

that the Queen does now and then pay a visit to some of the obscure

English theatres; but surely she does that for no other reason but to

humour the national prejudices of the English.

The ladies cry out against these shocking opinions; but all their

protests cannot shake the smiling and gallant and withal obstinate

Frenchman.

"_Enfin mes dames!_" cried he, "you have not an idea of all you must

forego in London. You are very fortunate that you have never been at

Paris. _Par Dieu!_ Paris! It is there, _mesdames_, where the common life

is a delicious farce; every _salon_ is a stage; every apartment has its

coulisses, and every one, from the duke down to the portier, knows his

part. Your honest Englishmen can neither act, nor can they judge the

action of the stage. An English actor is an unnatural creature, exactly

like a Paris Quaker. Where can you find more passion for art than with

us! Paris has not half so many inhabitants as London; but it has more

theatres, and they are always more crowded than your churches. The

poorest _ouvrier_ cannot live without basking in the splendour of the

stage; he drinks milk and eats bread for _toute la semaine_, that he may

have some sous to go to the _Variétés_ or the _Funambules_ on Sunday

night. Show me the Englishman who would sacrifice a beefsteak for the

sake of a theatrical representation. _Allez! allez!_ You weave, and you

spin, you steam and you hammer, you eat and you drink, at the rate of so

many horse-power, but to enjoy your life, that is what you do not

understand. Am I right, madam?" The girls look at one another, and do

not exactly know what to say.

Sir John, in his easy chair, shakes his head and mutters, "There are

good reasons for the difference."

"_Ah ça_," continues the Frenchman triumphantly, "there are reasons;

but, let me tell you, the reasons are atrocious! First, a theatrical

piece would desecrate the Sunday evening, and the Sabbath must end in

the same wearisome manner in which it commenced. If you mention this to

an Englishman, he will make a long face, and say something about the

morals of the lower classes. Ah, surely the lower classes in England are

extremely moral! You can see that on Monday morning, when the drunkards

of the night before are accused before the fat Lord Mayor. One has

bitten off the constable's nose; another has knocked down his wife, and

kicked her when she was on the ground; and a third has been knocked down

by his wife through the instrumentality of a poker. It is nothing but

morals and gin; but, _Dieu merci_, they have not been at the theatre. Do

not tell me, because you have more churches and chapels than there are

days in the year, that your lower classes go to church. For the poor

there are no benches in your churches; your religion is only for

respectable people, and while they pray they rattle the money in their

pockets. And then there are thousands of Quakers, and Methodists, and

Latter-day Saints, who even on week days shun the theatre as a place of

abomination. How is it possible for a theatre to prosper? And lastly,

you are so fond of your fire-places and parlours, that it is almost

impossible to induce you to go out; and you have such a strange passion

for green grass, that you live far away in the suburbs, and want a

carriage to come back from the theatre in the dawn of the morning. These

dreadful distances are ruinous to the purse, and prevent all

civilisation. Let me tell you, _Monsieur le Docteur_, that your

admirable Englishmen do not monopolise all the wisdom of the world; but

let them go. I do not pity them; but I am sorry for the poor daughters

of Albion. _Parole d'honneur, Mesdames_, you would not regret it if the

beautiful dream of Napoleon were accomplished. Ha, what a merry life!

Fancy our great army landing on your shores one fine morning. Before the

sun is risen our gallant soldiers are in the city; they say, '_Bon

jour_,' they conquer, and are conquered by the charms of the fair-haired

Anglo-Saxon ladies. Our soldiers demand nothing but a due recognition of

their transcendant merits. You may keep your Bank, your religion, and

your Lord Mayor. France covets nothing but the glory of killing the

dragon of English _ennui_. Hand in hand with the fair sex, our

invincible army will perform the work of restoration. On the first night

there is a grand ball of fraternisation at Vauxhall. On the following

morning the liberators publish a manifesto, which decrees that there

shall be at least one French vaudeville theatre in every parish."

The girls on the sofa listen with awe-struck curiosity, and the

Frenchman continues his harangue.

"And after a few years, when these new institutions shall have taken

root in the hearts of Englishmen, the heroic army returns to sunny

France, saying, 'Now we understand one another, and now there will be

eternal peace between us.' The regeneration of merry England, by means

of Norman blood, will outlive many centuries. But if you relapse again

into your puritanical spleen, then we shall come again. And the

daughters of Albion stand on the chalky cliffs wailing, and stretch

their white arms after their liberators. How do you like the sketch? Is

it not chivalrous? Is it not full of the most touching disinterestedness?

How do you like it, Sir John? Do not be frightened, it is merely

_une idée_."

But Sir John is far too angry to reply, and M. Gueronnay turns again to

the Doctor.

"_Parole d'honneur_," says he, "it is a perfect disgrace, the education

of the women in England! _N'est ce pas_, even your German philosophers

must admit, that the Grand Opera is the cynosure, the academy, the

flower of high life--of elegance, _enfin_, of civilisation. _Eh bien!_

go to the opera, take a good glass, and you will despair. Beautiful

women, you will find in plenty in the boxes, in the stalls, and in the

gallery. But please to take your glass, and you will see they are

allmere raw material. A splendid breed, certainly--a little heavy

in the bones--large feet, but that makes no difference--but a

complexion--hair--flesh--tell me, am I impartial, or am I not? _Mais,

mon cher_, they are all rough diamonds. It makes one's heart bleed, to

think how this race of women might be brought out, and what a treasure

these brutal Englishmen are neglecting! I will say nothing whatever of

the toilet. Take a Paris _grisette_, give her three-quarters of a yard

of tulle and two yards and a half of ribbon, and she conquers the world;

but an English woman--say Lady A.--with her California of shawls and

diamonds on her person, has the appearance of a clothes' stand. But, as

I said before, I will not go the length of asking for a genius for

toilet. I will suppose that the light-haired marchioness, with those

superb curls, has the good sense to get her fashions from Paris, and

that, as a constitutional lady, she is governed by the advice of her

responsible French maid. She does not insist on having a scarlet shawl

and a light green dress with orange flounces, and a cavalry hat with

ostrich feathers. No; she is _bonne enfante_--she listens to reason."

"_Bon._"

"But my dear Doctor, all this is of very little use. Listen to me, and

let us confine our remarks to the light-haired marchioness. She leaves

her box. Her carriage stops the way. She enters it. Now tell me, what is

her behaviour? Throws she backwards one of those dilating, radiating,

dangerous glances, which one might justly expect of her--without which,

public life, even in the largest town, lacks all public interest; which

the fair sex actually owe to those around them; for after all, what were

women created for but to beautify the earth? But our light-haired

marchioness walks straight on, as if she had blinkers to her eyes; she

walks in a business-like manner--in the way of a student who enters his

college, or a clergyman on his way to church; and though she makes but a

few steps, I should know her as an English woman among the thousands of

the women of all nations. Not a trace of hovering, of gliding, of

jumping, or a little coquetry; nothing of the kind. If you meet her, she

looks you straight in the face, exactly as if you were a statue or her

husband. Be on your guard, she kicks! In sober seriousness, she raises

her foot in such a manner as makes me wish that I could box her

dancing-master's ears. Yes, yes, my friend, Lady A. commands my fullest

respect, so long as she sits in her box and conducts herself as a

statue. Her bust--classic! Her white hand, with long taper

fingers--noble--very noble--though a little too thin; her face, full of

_hauteur_! _à la bonne heure!_ in her large blue eyes there is even the

shadow of a shade of romance; and round her lips plays something like a

smile, which has caught a cold and is afraid of coming out in the open

air. But her forehead is a little too severe for me; behind it there is

a good deal of scripture reading and history, and details of the

money-market, perhaps even Latin and Greek. Her long taper fingers write

a firm hand; I am quite sure they can, without the least musical

scruples, hammer on the substantial keys of a Broadwood. Of course they

can; but do you know what these carefully-trimmed fingers cannot do?

They cannot move a fan! Do you know what this beauty, with all the

slenderness of her waist, and all the fulness of her shoulders, can

never attain? Deportment! She has two left arms and two left hands. A

French waist can languish, love, hate, smile, and weep; but this

beautiful English woman, during the performance, looks at the libretto

as if it were a book of common prayer. Now and then she raises her fan

like a screen; and perhaps in one of the _entre-actes_ she condescends

to a little coquetry. Such things happen now and then. You see how

impartial I am. _Mon Dieu!_ how awkward she is! _Enfin_, she wants the

_je ne sais quoi_. And, _au bout du compte_, one fine morning you read

in the _Post_, that such and such an accomplished and very chaste lady,

who happens to be the youngest daughter of a half-ruined house, has

eloped, that is to say, she has run away, with some red-cheeked chaplain

or groom. Don't tell me what the English are!" says M. Gueronnay,

drawing a deep breath, and wiping the perspiration off his forehead with

a triumphant look, as if he had captured the British fleet and brought

it to Cherbourg. "There is your Italian Opera!"

"But you cannot pay such singers in Paris," interrupted Sir John,

mustering up all his courage. "And as for decency and good manners, I do

not think they can be found in your Tuilleries. None but gentlemen are

admitted in Her Majesty's Theatre."

"Gentlemen--that is to say, black dress coat and black pantaloons; 'tis

a pity that wigs and hair-powder are not also _de rigueur_. If we are to

believe what the _Morning Post_ says, the ladies in the first row of

boxes fainted away, because a foreigner with a blue neck-tie had by some

means or other gained admittance to the pit. Mind he had paid for his

place, as well as everybody else. My dear Sir John, good manners are not

innate in you; and because you cannot rely on your instincts, you draw

up an orthodox code of decency, and observe it strictly to the letter,

as if it were the law of the land. A black dress coat is _de rigueur_,

black pantaloons ditto; but the dress coat and the pantaloons may be

old, dirty, and shabby. Only think, you pay your money and submit to be

schooled by a theatrical lackey. I would not submit to it, that's all;

none but the English, who adore the aristocracy, would ever put up with

such impertinence. But the foreigners are justly treated. Why should

they go to your Italian Opera House? Can they not go to Paris; and do

not Grisi, Mario, and Lablache also sing in Paris? We do not, indeed,

crowd all the talents of Italy into a single opera, because our ears are

not made of cast-iron."

Dr. Keif thinks it high time to mediate between the vainglorious

Frenchman and the incensed Sir John. "You go a little too far," says he.

"All English ladies are not like your light-haired marchioness, and

there are exquisite connoisseurs in music in London; but I am quite free

to confess, the powers of digestion of the public amaze me. John Bull

listens to two sympathies by Beethoven, an overture by Weber, two fugues

by Bach, ten songs by Mendelssohn, and half a dozen arias and variations

at one sitting, and then he goes home and falls asleep in peace. At the

theatre, a tragedy by Shakespeare, a three-act melodrama from the

French, a ballet, and a broad London farce, do him no harm, so great is

the strength of his stomach."

"A capital remark! I am sure we shall understand one another," whispers

M. Gueronnay. "The cry here is always for large quantities. The

Englishman throws down his sovereign and wants a hundred-weight of music

in return. _Mon cher Docteur_, you should come to Paris. Do not smile,

and do not allow our friend here to make you too partial to the English.

Sir John is the best fellow in the world, but _entre nous_, he is very

queer. But you, my dear doctor, you have _esprit_, you are not without a

certain talent for observation. Why should you rest in this town? I am

sure your eyes will be opened after your first quarter of a year in

Paris. _Par Dieu_, Paris! Does not the whole of the civilised world wear

the cast-off clothes of Paris? It is quite ridiculous your shaking your

head at our having got rid of our constitution; but in return Europe

trembles at our nod, and _enfin ça ne durera pas_. We may change and

change again. Constitutions of original Paris-make we have in plenty. We

have had more of them than England, Germany, and Italy--in fact, what is

there that Paris has not? Do you want religion? there is _Lacordaire_

and _Lamennais_; and there is the _Univers_--religions of all shades.

Are you fond of philosophy and religion? Go to Prudhon. To tell you the

truth, I myself do not care for philosophy and religion; they are

either of them _mauvais genre_. I am for civilisation and property; and

I should not mind seeing M. Prudhon hanged, but that does not prevent

me, as a Frenchman, being very fond of him. In one word, the world is

but a bad imitation of Paris. In Paris you find heaven and hell, order

and liberty, the romance of orgies, and the solitude of the cloister, in

the most charming harmony and in the grandest and most elegant form. But

above all," said M. Gueronnay, very impressively, "do not believe that

you will ever learn to speak the French language unless you go to Paris.

Impossible; you will never catch the accent. And England is the worst

climate for French pronunciation that can be found. Look at me! I, a

Parisian, still feel the pestilential influence of this English jargon,

which they are presumptuous enough to call a language, and whenever I go

back from London I am ashamed of myself, and dare not speak to the

family of my porter."

"Monsieur _Enfin_," said Sir John, as he accompanied the Doctor to the

door, "has been bothering you, but, dear me; what can you expect of a

Frenchman? a harmless fellow, but queer, very queer! You might make a

good deal of money if you shewed him in Piccadilly. At one time I took

some trouble with him, and tried to give him an idea of what England is,

but it was of no use. You cannot argue a dog's hind-leg straight. You

will never catch me quarrelling with him, that's all."

"It is the story of the pot and the kettle," said Dr. Keif, when he was

in the street. "Each one says of the other that he is a queer fellow."

Saying which, the Doctor smiles, without the least suspicion that he is

quite as queer as the rest.

It is past midnight when the Doctor returns from his nocturnal

expedition, the adventures of which shall be duly recorded in another

chapter. George opens the door to him. "The family have gone to bed,"

says he, "but the two gentlemen have not yet _adjourned_." Indeed their

voices are plainly audible in the hall, and Dr. Keif looking up, beholds

Sir John and Mons. _Enfin_ on the landing, each holding a flat

candle-stick with the candle burnt down to an awful degree of lowness,

in his hand. The case is as clear as daylight. False to his principles,

Sir John is engaged in a desperate attempt to "reason the dog's hind-leg

straight."

Dr. Keif came just in time to enjoy the climax of the controversy.

"_Enfin_--the less you say about literature the better. What English

author ever made a revolution?"

"I assure you, sir, Shakespeare--"

"And I assure you, sir, that, in my opinion, Shakespeare is entirely

deficient in power. No power whatever, _parole d'honneur_! Coarse! Ah

yes! he is indeed coarse. But power? Ah, my dear sir, where will you

find it?"

"And I tell you, sir, that your grisettes and lorettes and actresses

want _grace_, that's what they do. And why do they want it? To be

graceful, a woman should be decent, sir, and respectable, sir; and your

grisettes are not a whit better than they ought to be!"

"Good night, gentlemen," whispers Dr. Keif, as he passes them on the

landing. "Don't settle the question now; I should like to say a few

words about it to-morrow morning."

They stare at him in a bewildered manner, and the very next moment they

dispute as fierce as ever.

"Mons. Gueronnay thinks Shakespeare lacks power; and Sir John is

disgusted with the French women, because they want grace! Why it's as

good as a play!" mutters Dr. Keif as he gains his own room.

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