Up the Thames.--Vauxhall.
THE RIVER-SIDE.--VIEWS OF THE RIVER.--THE TIDES.--THE BRIDGES.--THE
TEMPLE AND SOMERSET HOUSE.--ENTRANCE TO VAUXHALL.--BRITISH
DECORATIVE GENIUS.--SOMEBODY RUNS AWAY WITH DR.
KEIF.--MAGIC.--NELSON AND WELLINGTON.--THE CIRCUS.--THE BURNING OF
MOSCOW.--AN EPISODE AT THE TEA TABLE.
If you leave King William-street just at the foot of London-bridge and
turn to the right, you will find your way into a set of narrow and steep
streets, few only of which admit of carriage and horse traffic. The
lower stories of the houses are let out as offices, and the upper as
warehouse floors; the pavement is narrow and the road as bad as broken
stones and long neglect can make it; dirty boys in sailors' jackets play
at leap-frog over the street posts; legions of wheel-barrows encumber
the broader parts of these thoroughfares; packing-cases stand at the
doors of houses, and cranes and levers peep out from the upper stories.
Such are the streets which lead down to the banks of the Thames. It is
altogether a dusty, filthy, "uncannie" quarter. A few steps through a
black, cornery, nondescript structure of sooty brick and mortar, covered
all over with immense shipping advertisements in all colours, and we
stand on the bank of the river. An entirely new scene is opened before
our eyes.
Close to our left the mighty grey arches of London-bridge rise up from
the river. We look under them downwards where the last ocean ships are
crowded together on their moorings, where the distant masts are lost in
the haze, and where ocean-life finds its limits, because the bridges
prevent those large ships from passing up the river. We look in an
opposite direction along the broad expanse of water, with busy little
steamers rushing frantically in every conceivable direction; we look up
to the parapet of London-bridge, where, high as it is, we see the heads
of the passengers, and the crowded roofs of the omnibuses; we look over
to the other bank, where a thousand high chimneys vomit forth their
smoke and we behold Southwark, that amiable appendix to the metropolis,
which at this day has its six hundred thousand inhabitants; and lastly,
we look straight down before our feet where half a dozen steamers,
closely packed together, dance up and down on the waves; where steam
rushes forth noisily from narrow pipes, where hundreds of men, women,
and children, run about in inextricable confusion pushing their way to
the shore, to one of the boats, or from one boat to another; where the
paddles beat the water and the boys start the machinery by shrill
screams, while the mooring barges creak as the ropes are drawn tight. We
look and behold this is the Thames! This is the great, living, fabulous,
watery high-road in the heart of the British metropolis.
They have abused thee sadly, thou grey Thames, for the filth of thy
waters and the fogs which arise from thee. But most unjustly hast thou
been abused. At Lechlade where the four rivulets from the Cotswolds join
into a river, thy waters are as pure and pellucid as the Alpine streams
which spring forth from the glacier. At Lechlade there are no fogs
obscuring thy surface; there the air is pure; there art thou romantic
and idyllic, innocent alike of the temptations of the world and the vice
and filth of the greatest town. For many, many miles further down to Kew
and Richmond thou art beautiful to behold, flowing through the emerald
green of the meadows and the deep luscious green of the bush, a mirror
for the lordly villas and charming cottages which stud thy banks. But
most rapidly dost thou rush forward to thy metamorphosis! Most quickly
dost thou expand into a broad, grey, elderly man of business. He who saw
thee at Richmond will not know thee again at Westminster; and the
travelling stranger who only beheld thee between the bridges of the
metropolis has not the faintest idea of thy beauties at Richmond. The
grey business atmosphere of London has cast its gloom upon thee, as well
as on the stones, the houses, and the human beings that inhabit them.
But, whatever the Thames may lose in romance, it gains in the grandeur
and importance of its appearance. Its breadth increases with every step.
Navigable to the length of 180 English miles, with a tidal rise to the
extent of seventy miles, the Thames takes the largest merchantmen to the
immediate vicinity of London-bridge; and as the tide is going out it
takes them back, without the help of oars, sails, or steam-tugs. Nature
has made the Thames the grandest of all trading rivers; it gave it a
larger share of the ocean tides than it ever bestowed on any other river
in Europe.
At the Land's End the tides from the Atlantic are divided into two
distinct streams. One rushes up the Channel, and round the North
Foreland into the mouth of the Thames; the other beats against the
western coasts of England and Scotland, and, taking a southerly
direction down the eastern coast, this tide too enters the basin of the
Thames. Hence the tides in the Thames are formed of two different
ocean-tides; they are equal by day and by night, and so powerful is the
rush of the tide from the North Foreland to the metropolis, that it
flows at the rate of five miles an hour.
But here is the boat smoking away right at our feet. There is a rush of
persons _from_ the shore, and a rush of persons _to_ the shore. We pay
two-pence, scramble down a variety of steps and stairs, and jump on
board just as they are casting off. There is no whistling or ringing of
a bell, no noise whatever. We are already steaming it up to the far
west.
The bank on our left offers no interesting points on which the eye might
dwell with pleasure. Manufactories, breweries and gas-works dispute
every inch of ground with the ugliest store-houses imaginable. The sight
strikes one as that of a large city in ruins. But on our right we see
St. Paul's rising from an ocean of roofs. The sun, still visible on the
horizon, shines on the roof of the cathedral, and shows the gigantic
cupola in the most charming light. St. Paul's ought to be seen from the
river by those who would fully understand its grandeur.
We pass through the arches of Blackfriars-bridge and proceed in a line
with Fleet-street; before us the stream is spanned by a number of
bridges, so that it seems as if their pillars crossed one another, and
as if the nearest bridge bore the next following on its arched back. So
strange and astonishing is this sight that we are tempted to mistake it
for a _Fata Morgana_ and expect to see it dissolve into thin air.
Seven enormous bridges have been built across the river at very short
intervals, and unite the more animated parts of the Borough and Lambeth
with London proper. Among these bridges is an iron suspension bridge
with a bold double arch; another bridge is composed of iron and stone;
and the rest are simply built of massive stones. It is true that only
three of these seven bridges are freely open to the public, and that the
four others exact a toll. But, for how many years past, have the Germans
talked of a stone bridge across the Rhine at Cologne, and another stone
bridge across the Danube at Vienna! And as yet neither Cologne nor
Vienna have mustered the funds for such undertakings! And in London
there are seven bridges within a river-length of a few miles. A little
higher up, moreover, is Battersea-bridge, and lower down the river there
is the Tunnel, and already have they commenced making a new bridge at
Chelsea. The English have a right to pride themselves on the grandeur of
the British spirit of enterprise. But the German who comes into this
country and beholds its marvels, makes comparisons which sorely vex and
trouble his spirit.
We pass the Temple, the Chinese Junk, Somerset-house, the new Houses of
Parliament, and Westminster Abbey, but we cannot stop to describe them,
for we purpose to reserve them for a special visit on another occasion.
Besides our attention is engaged by the general aspect of the river and
its banks. Darkness has set in. Steamers with red and green eyes of fire
rush past us; little boats cross in all directions under the very bows
of the steamers; fishing-boats with dark brown sails go with the tide in
solemn silence; the lights on the bridges and in the streets are
reflected in the water. This is the hour at which matter of fact London
dons her poetical night-dress.
We pass Lambeth Palace and its ruin-like watch-tower. The boat stops at
Vauxhall-bridge. We get off, and walk through some of the streets of
Lambeth; we pass under a railway-bridge, and stand in front of
Vauxhall.
"The season is over! every body is gone out of town," etc., write the
correspondents of provincial and continental newspapers--"every
body"--that is to say, every body with the exception of two millions of
men, who make rather a considerable noise in the northern, southern, and
eastern towns of London. But of course they are "nobodies"; they are
merely merchants, tradesmen, manufacturers, clerks, agents, public
functionaries, judges, physicians, barristers, teachers, journalists,
publishers, printers, musicians, actors, clergymen, labourers, beggars,
thieves, foreigners, and other members of the "vile rabble." Every body
else left the metropolis immediately after the Parliament was prorogued
by the Queen, and the Royal Italian Opera was prorogued by Signora
Grisi. The West-end is now a city of the dead. The deserted streets and
the shuttered windows proclaim that all who are not exactly "nobodies,"
are shooting in Scotland or gaping on the Rhine; that they suffer from
the blues in Italy, or that the trout suffer from them in Sweden. But
Vauxhall is still open, partly because the weather is so uncommonly mild
for the season; partly because there are a good many foreigners in
London; but chiefly because Vauxhall has come to be vulgar--and very
vulgar too--a haunt of milliners and democrats, "by birth and
education."
Vauxhall was born in the Regency, in one of the wicked nights of
dissolute Prince George. A wealthy speculator was its father; a prince
was its godfather, and all the fashion and beauty of England stood round
its cradle. In those days Vauxhall was very exclusive and expensive. At
present, it is open to all ranks and classes, and half a guinea will
frank a fourth-rate milliner and sweetheart through the whole evening.
A Londoner wants a great deal for his money, or he wants little--take it
which way you please. The programme of Vauxhall is an immense _carte_
for the eye and the ear: music, singing, horsemanship, illuminations,
dancing, rope-dancing, acting, comic songs, hermits, gipsies, and
fireworks, on the most "stunning" scale. It is easier to read the
_Kölner Zeitung_ than the play-bill of Vauxhall.
With respect to the _quantity_ of sights, it is most difficult to
satisfy an English public. They have "a capacious swallow" for sights,
and require them in large masses as they do the meat which graces their
tables. As to quality, that is a minor consideration; and to give the
English public its due, it is the most grateful of all publics.
The entrance to Vauxhall is dismally dark and prison-like. Dr. Keif
objects to the place.
"It's a trap," says he; "the real road to ruin! I am sure the Chevalier
Bunsen and that fellow Buol-Schauenstein lie in ambush in some of those
dark holes; they will pounce upon me, and seize me, and take me back to
Germany, where they have no brown stout, and where I must needs get
famous, or die with ennui. _Lasciate ogni speranza, voi che entrate!_"
Just at that moment a German refugee goes by. He bids us good evening,
and is lost in the darkness.
"Ah!" says the Doctor, "that boy has been sentenced to be shot in the
Grand Duchy of Baden. I believe they shot him in effigy. He's an imp of
fame, and if he dares go in why should'nt I dare it. Let us go in!"
The dismal aspect of the entrance is the result of artistic speculation;
it is a piece of theatrical claptrap. For all of a sudden we emerge from
the darkness of the passage into a dazzling sea of light, which almost
blinds one. All the arbours, avenues, grottos and galleries of the
gardens are covered with lamps; the trees are lighted to the very tops;
each leaf has its coloured lady-bird of a gas-light. Where the deuce did
those people ever get those lamps! And how did they ever get them
lighted! It must be confessed that the manager has done his duty. If you
can show him a single leaf without its lamp, he will surely jump into
the Thames or hang himself on the branch which was thus shamefully
neglected.
Dr. Keif, who is disposed to find fault with everything, and who just
now protested that the entrance to Vauxhall was a trap expressly
constructed for the apprehension of political refugees, asserts that the
illumination is enough to spoil the temper of any one. "Look at those
English madcaps!" says he. "In other parts of the town I walk for hours
before I find a human being smoking a cigar, and offering an opportunity
to light my own weed; and here I stand as the donkey in the midst of
three hundred thousand bundles of hay. Which of these lamps shall I
select for the lighting of my cigar?"
"This way, sir! Look down there where the Queen is burning in gas," says
an Englishman, with a cigar in his mouth, who has overheard the Doctor's
lament. And he added--"Light your weed at the flames of Victoria, and
implore Her Gracious Majesty that she may be pleased to abolish the duty
on tobacco."
From that moment is Dr. Keif lost to the rest of our party. An
Englishman, who, spurning all old-established customs and traditions,
dares to address a stranger, and to address him too on a subject which
has nothing whatever in common with the state of the weather--such an
Englishman is a _rara avis_, and nothing could induce Dr. Keif to forego
his acquaintance. Already has he engaged him in conversation, utterly
oblivious of the friends who came with him, and of all the world
besides. We must try to get on without the Doctor.
The gardens are crowded; dense masses are congregated around a sort of
open temple, which at Vauxhall stands _in lieu_ of a music-room. The
first part of the performance is just over; and a lady, whose voice is
rather the worse for wear, and who defies the cool of the evening with
bare shoulders and arms, is in the act of being _encored_. She is
delighted, and so are the audience. Many years ago this spot witnessed
the performances of Grisi, Rubini, Lablache, and other first-class
musical celebrities.
The crowd promenade these gardens in all directions. In the background
is a gloomy avenue of trees, where loving couples walk, and where the
night-air is tinged with the hue of romance. Even the bubbling of a
fountain may be heard in the distance. We go in search of the sound;
but, alas, we witness nothing save the triumph of the insane activity of
the illuminator. A tiny rivulet forces its way through the grass; it is
not deep enough to drown a herring, yet it is wide enough and babbling
enough to impart an idyllic character to the scene. But how has this
interesting little water-course fared under the hands of the
illuminator? The wretch has studded its banks with rows of long
arrow-headed gas-lights. Not satisfied with lighting up the trees, and
walls, and dining-saloons, he must needs meddle with this lilliputian
piece of water also. That is _English_ taste, which delights in
quantities: no Frenchman would ever have done such a thing!
Following the rivulet, we reach the bank of a gas-lit pond, with a
gigantic Neptune and eight white sea-horses. To the left of the god
opens another gloomy avenue, which leads us straightway to _Fate_, to
the hermit, and the temple of Pythia, who, in the guise of a gipsy,
reclining on straw under a straw-roofed shed, with a stable lanthorn at
her side, is in the habit of reading the most brilliant Future on the
palm of your hand, for the ridiculously low price of sixpence only. This
is specially English; no house without its fortifications--no open-air
amusements without gipsies. The prophetess of Vauxhall is by no means a
person of repulsive appearance. You admire in her a comely brown
daughter of Israel, with black hair and dark eyes; it is very agreeable
to listen to her expounding your fate. She is good-tempered and
agreeable, and has a Californian prophecy for all comers. She predicts
faithful wives, length of days, a grave in a free soil to every one,
even to the German.
The dwelling of the sage hermit is much less primitive, nor are
believers permitted to enter it. They must stand on the threshold, from
whence they may admire a weird and awful scenery--mountains, precipices
and valleys, and the _genius loci_, a large cat with fiery eyes, all
charmingly worked in canvas and pasteboard, with a strict and
satisfactory regard for the laws of perspective. The old man, with his
beard so white and his staff so strong, comes up from the mysterious
depth of a pasteboard ravine; he asks a few questions and disappears
again, and in a few minutes the believer receives his or her Future,
carefully copied out on cream-coloured paper, and in verses, too, with
his or her name as an anagram. Of course these papers are all ready
written and prepared by the dozen, and as one lady of our party had the
name of Hedwig--by no means a common name in England--she had to wait a
good long while before she was favoured with a sight of her fate. This,
of course, strengthened her belief in the hermit and the fidelity of her
husband.
We, the Pilgrims of Vauxhall, leave the hermit's cell. Our eyes have
become accustomed to the twilight, and as we proceed we behold, in the
background, the tower and battlements of a large and fantastically-built
tower. Can this be Westminster Abbey, or is it a mere optical delusion?
Let us see.
Hark! a gun is fired in the shrubbery. The promenaders, who are familiar
with the place, turn round, and all rush in one direction, sweeping us
along with them. Before we can collect ourselves, we have been pushed
forward to a panoramic stage, on which Nelson, in plaster, is in the act
of expiring, while Wellington, in pasteboard, rides over the
battle-field of Waterloo. These two figures are the worst of their kind;
still the public cheer the two national heroes. No house without its
fortifications--no open-air amusements without gipsies--and no play
without the old Admiral and the old General.
Wellington has scarcely triumphed over Napoleon, and silenced the French
batteries, when the cannonade recommences in the shrubbery: one--two
guns! it is the signal for the arena. Unless you purchase a seat in the
boxes or the galleries, you have no chance of seeing the exhibition in
the circus, for the pit, which is gratis, is crowded to suffocation.
Englishmen care more for live horses than they do for pasteboard
chargers, fraught though they be with national reminiscences.
The productions of horsemanship at Vauxhall are exactly on a par with
similar exhibitions on the other side of the Channel. Britons are more
at home on horseback, or on board a ship, than on the strings of the
fiddle, or on the ivory keys of the pianoforte. And thus, then, do the
men and women dance on unsaddled horses, play with balls and knives, and
jump through paper and over boards; half a dozen of old and young clowns
distort their joints; a lady dances on a rope, _à la marionette_; and
Miss A., who was idolised at Berlin, and whom seven officers of the
Horse Guards presented with a bracelet, on which their seven heroic
faces were displayed, condescends to produce her precious bracelet and
her precious person in this third-rate circus; and an American Gusikow
makes music on wood, straw, and leather; and the horses are neighing,
and the whips smacking, and the sand is being thrown up, and the
boarding trembles with the tramp of the horses, and there is no end of
cheering; and Miss A. re-appears and curtsies, with the seven gentlemen
of the Horse Guards on her arm; and another gun is fired, and the
public, leaving the circus, rush madly into the gardens. To the
fireworks! they are the most brilliant exhibition of the evening. The
gardens are bathed in a bluish light, and the many thousand lamps look
all pale and ominous. The gigantic and fantastic city, which before
loomed through the twilight of the distant future, burns now in Bengal
fire. It is Moscow! it is the Kremlin, and they are burning it! Sounds
of music, voices of lamentation, issue from the flames, guns are firing,
rockets shoot up and burst with an awful noise, the walls give way--they
fall, and from the general destruction issues a young girl, with very
thin clothing and very little of it, who makes her escape over a rope at
a dizzy height. The exhibition is more awful than agreeable; but the
public cheer this, as they do any other neck-or-nothing feat. If the
girl were to carry a baby on her perilous way, the cheering would be
still greater.
It is past midnight. The wind is cold, and fresh guests are crowding in
to join the ball, which is kept up to the break of day. But we have not
the least inclination to watch the ungraceful movements of English men
who dance with English women, or of English women who dance with English
men. We hail a cab and hasten home.
At the door we fall in with the Doctor, whom we had lost in the early
part of the evening. He is greatly excited, for he has walked the whole
way from Vauxhall to Guildford-street. In the parlour we find Sir John
and his most faithful wife seated at the round table, with the
tea-things before them, waiting tea for us. As we enter, Sir John puts
down the _Times_, in which he has been gloating over a "damaging letter"
against the Chancellor of the Exchequer; and the lady of the house
welcomes us with a friendly nod and a look of anxious inquiry. That look
means, "Have you caught a cold, you or any of you? Or is it a sore
throat or a cough! Surely you cannot have been out all night without
some slight illness which will justify me in opening my medicine chest?"
And she looks at the things to see if they are all in good order, and
then the tea is poured out with the utmost precision. A cup of tea is
delicious after that long ride from Vauxhall, and there is much comfort
and snugness in an English parlour.
The cup, which "cheers but not inebriates," loosens Dr. Keif's tongue.
"The tea is very refreshing, Madam," is a remark which the Doctor makes
twice every day, in fine and foul weather; and, in making this remark,
he always holds out his empty cup that it may be filled again.
"But, most loyal Sir John," continues the Doctor, refreshed by the tea,
"it's a mighty difficult task to get through an English evening's
pleasure in a single night. To think of all the things I have seen this
evening, and for half-a-crown too. Why one-half of them would suffice to
entertain the inhabitants of a German capital for a period of six
calendar months."
"That is what I always say," interposed Bella, the daughter of the
house, with a look of triumph, "London is the cheapest town in the whole
world."
"So it is," says Dr. Keif, "awfully cheap. I had some cold beef at
Vauxhall, some cheese, and a cruet of wine, and I paid _only_ nine
shillings--on my honor nothing but nine shillings. The bread was not
included. The waiter gave me a piece after I had asked him long enough.
But I had scarcely put it on my plate, and I was lost in its
contemplation, when it was carried off by a sparrow. Now that will give
you an idea how very large it must have been."
"But what could induce you to drink wine or ask for bread at Vauxhall!"
said Bella. "And where have you been all the evening? What did you do
with your friend?"
"O I had a delightful conversation with him, and let me tell you he is a
clever fellow. Still he is not free from English prejudice, though a
great deal of it has been rubbed off on his travels. Of Germany he saw
only the south, having been compelled, as he told me, to return to
England to look after some property which a whimsical old uncle had left
him, under conditions which make residence in this country a matter of
necessity. It's a pity! There is a great deal of good in him, and I have
no doubt he would be a great genius, if he could but pass a couple of
winters at Berlin."
"Indeed! What was his English prejudice?" asked Sir John with great
disgust.
"It is not easy to answer that question. National prejudice is like a
pig-tail--you can't see it in front. Another cup of tea, if you please,
it's only my fourth. And it's scandalous how they teach history in your
schools. This new friend of mine is a well-bred man, but he had never
heard of Blücher. We looked at the Duke of Wellington riding over the
field of Waterloo; and I said: 'Couldn't you find a place for our
Blücher?' 'Blutsher,' said he, 'who is Blutsher?' He knew nothing
whatever of Blücher and the Prussian army; and when I told him, that but
for the Prussians Wellington would have been made minced-meat of at
Waterloo, he actually laughed in my face. Now tell me, most respectable
Sir John, how do they teach history in your schools? The French, I know,
_cook_ history, and make matters pleasant for 'the young idea.'"
Sir John was silent. The article he had read in the _Times_ had made him
magnanimous; and our friend Keif remained uncontradicted.
"I told my companion," continued the Doctor, after a pause, "that the
dancing was a disgraceful exhibition; he said, so it was. He had seen
the dancing abroad. If he had never been out of England, I am sure, he
would have been delighted with the performance of his countrywomen; and,
as most Englishmen do in such a case, he would have shrugged his
shoulders and set me down as a fool for the unfavourable opinion I
pronounced. But he had left part of his prejudice on the other side of
the channel, and he himself pointed out to me how ridiculous those
people looked, and how the couples clung to one another like woolsacks
which cannot stand alone, and how they pushed one another, and marked
the time by kicking one another's toes."
"Don't believe," said he, "that there is better dancing in the saloons
of our aristocracy. We know nothing of the noble art, and for that very
reason do we practise it with so much devotion. Such like unnatural
leanings are common with all nations. They are most zealous in what they
least understand. The Russians build a fleet, the Austrian affect
finances, the Germans make revolutions, the French _will_ have a
Republic, and the English dance."
"But surely, Doctor," said Bella, "neither you nor your new friend can
deny that better dancing is going on in London than in any other town.
This very season we had Taglioni, Rosati, and Feraris, all on the same
stage!"
"The old argument," said the Doctor. "Because you have got money, and
because you can afford to pay for a good ballet, you pretend that the
most graceful dancers are hatched in England. You subsidised the German
armies against Napoleon; and now you believe that your red-coats alone
vanquished the French. Port and sherry are your _English_ wines; and
because you succeed, at an enormous expense, to rear hothouse peaches,
grapes, and apples, you will have it that England produces better fruit
than any other country. But it's all nonsense. It's money and money, and
again money; and with that money you buy up the world, and---- After
all, old England for ever! Then another cup of tea for me?"
"Did you see that gas-lit rivulet at Vauxhall?" asked I, for I like to
hear the Doctor find fault with England. He does it in such a
good-natured, amiable manner, and with a spice of roguishness which is
all the more interesting, since in Germany Dr. Keif is generally
disliked for his Anglomania. "What," asked I, "do you say to the
romantic style of decoration which prevails in England?"
"Of course I saw that rivulet, and had a splendid adventure on its
banks."
Dr. Keif is literally overwhelmed with adventures. He cannot go to the
next street without a remarkable incident of some sort or other.
"I had lost my companion," said Dr. Keif, leaning back in his chair; "I
had lost him in the crowd. I saw a dark avenue in the distance, and I
longed for rest. You know, Sir John, we Germans cannot for any length of
time go on without peace and tranquillity, although the _Times_ will
have it that we are the most restless and disturbance-loving nation in
Europe. Well, under the trees, near the rivulet, I espied a loving
couple--they walk up and down, and stand still--of course they are happy
to be alone and unobserved. But anxious to understand the character of
the English, I resolved to overhear their conversation. I passed them
several times, but they were silent. Right, thought I, affection makes
them mute! Their souls stand entranced on the giddy pinnacle of passion!
But they could not be silent all night, especially since it was so dark
they could not speak with their eyes. I laid myself in ambush; they
approached; my heart beat quick with thrilling anticipation; they were
talking--but can you fancy what they were talking about?--Of Morrison's
pills, and the mode and manner of their effect in bilious complaints! Of
course there was no resisting this; I jumped out of the thicket, leaped
across the rivulet, and came home at once."
We all laughed at the Doctor's adventure, and Sir John, too, laughed.
Dr. Keif had met with half a dozen adventures on his way home. For
instance, he had fallen in with a sailor who told him long stories about
Spain. He (not the sailor) had found a drunken woman in a gutter and
dragged her out; and Bella declared that that woman must have been
Irish. And two vestals had taken hold of his arms, and he had a deal of
trouble before he could induce them to leave him alone. In short, there
was no end of the Doctor's adventures.