CHAPTER XVII

THE METHODS OF PETER GANNS

Two men travelled together in the train de luxe from Milan to

Calais. Ganns wore a black band upon the sleeve of his left arm; his

companion carried the marks of mourning in his face. It seemed that

Brendon had increased in age; his countenance looked haggard; his

very voice was older.

Peter tried to distract the younger man, who appeared to listen,

though his mind was far away and his thoughts brooding upon a grave.

"The French and Italian police resemble us in the States," said Mr.

Ganns. "They are much less reticent in their methods than you

English. You, at Scotland Yard, are all for secrecy, and you claim

for your system superior results to any other. And figures support

you. In New York, in 1917, there were two hundred and thirty-six

murders and only sixty-seven convictions. In Chicago, in 1919, there

were no less than three hundred and thirty-six murders and

forty-four convictions. Pretty steep--eh? In Paris four times as

many crimes of violence are committed yearly as in London, though,

of course, the population is far smaller. Yet what are the

respective achievements of the police? Only half as many crimes are

detected by the French as by the British. Your card index system is

to be thanked for that."

He ran on and then Brendon seemed to come to himself.

"Talk about poor Albert Redmayne," he said.

"There's little to be added to what you know. Since Pendean chooses

to keep dumb, at any rate until he's extradited, we can only assume

exactly what happened; but I have no doubt of the details. It was

Pendean, of course, you saw leave the villa, while his wife held you

in conversation, and so ordered her falsehoods that you were swept

away from every other consideration save how best to rescue her from

her husband.

"She took good care to involve your own future and to say just what

was most likely to make you forget your trust. My dear, dear Albert,

forgive me if I am blunt; but when you look back, presently, you

will see that the great loss is really mine, not yours. Michael

Pendean, once out of sight, gets a boat, adopts his disguise--the

false beard and mustache found upon him--and presently rows round to

Albert's steps. He sees Assunta, who does not recognize him, and

says that he has come from Virgilio Poggi, who is at death's door at

Bellagio.

"There was no weightier temptation possible than that. Redmayne

forgets every other consideration and in five minutes has started

for Bellagio. The boat is quickly in mid-lake under the darkness and

there Albert meets his death and burial. Pendean undoubtedly

murdered him with a blow--probably just as he murdered Robert and

Bendigo Redmayne; then, no doubt, he used weights, heavy stones

brought for the purpose, and sank his victim in the tremendous

depths of Como. He was soon back again with a clean boat and his

disguise in his pocket. He had an alibi also, for we found out that

he had been drinking for more than hour at an _albergo_ before he

came back to the villa."

"Thank you," said Brendon humbly. "There can be no doubt that it was

so. And now I will ask a final favour, Ganns. What happened has made

my mind a blank in some particulars. I should be thankful and

grateful if you would retrace your steps when you were in England. I

want to go over that ground again. You will not be at the trial; but

I must be; and, praise God, this is the last time I shall ever

appear in a court of law."

He referred to a determination that he had already expressed: to

leave the police service and seek other occupation for the remainder

of his life.

"That's as may be," answered Peter, bringing out the gold snuffbox.

"I hope you'll think better of it. You've had a bitter experience

and learned a great deal that will help you in business as well as

in life. Don't be beaten by a bad woman--only remember that you had

the luck to meet and study one of the rarest female crooks our

mysterious Creator ever turned out. A face like an angel and a heart

like a devil. Let time pass and presently you'll see that this is

merely a hiatus in a career that is only begun. Much good and

valuable work lies before you; and to abandon a profession for which

you are specially suited is to fly in the face of Providence

anyway."

After a pause and a long silence, while the train sped through the

darkness of the Simplon tunnel, Peter retraced the steps by which he

had been enabled to solve the riddle of the Redmaynes.

"I told you that you had not begun at the beginning," he said. "It's

really all summed up in that. You occupied an extraordinary

position. The criminal himself, in the pride of his craft and by

reason of the consuming vanity that finally wrecked him,

deliberately brought you in. It was part of his fun--his art if you

like--that he should involve a great detective for the added joy of

making a fool of him. You were the spice in his bloody cup for

Michael Pendean--the salt, the zest. If he had merely stuck to

business, not a thousand detectives would ever have queered his

pitch. But he was as playful as any other hunting tiger. He rejoiced

in adding a thousand details to his original scheme. He was an

artist, but too florid, too decadent in his decorations. And so he

ruined what might have been the crime of the century. It is just the

touch of human fallibility that has brought Nemesis to many a great

criminal.

"The machinery he employed focussed attention from the first on the

apparent murderer rather than his victim. It appeared impossible to

doubt what had happened and Pendean's death was assumed but never

proved. Particulars concerning Robert Redmayne were abundant; yet,

during the whole course of the official inquiry, none was

forthcoming concerning the supposed victim. Of him you had heard

from his wife; and her original statement to you at Princetown--when

she invited you, doubtless at Pendean's direction, to take up the

case--was masterly because so nearly true in every respect.

"But from the time that I met and spoke with Albert's niece I began

to reflect upon that statement, and my speedy conviction was this:

that a great deal more concerning Jenny's first husband demanded to

be known. Do not suppose that I was on the track of the truth at

that period. Far from it. I only desired more data and regarded the

history of Michael Pendean as being of doubtful value, since his

wife alone was responsible for the details. It seemed to me

absolutely necessary to learn more than she was prepared to tell. I

had questioned her, but found her either ignorant of much concerning

him--or else purposely evasive. Of her three uncles, only Robert had

ever seen Michael Pendean. Neither Bendigo nor dear Albert had set

eyes on him; and that fact, though of no significance at first, of

course, became very significant indeed at a later stage of my study.

"I went first to Penzance and devoted several days to learning all

possible particulars of the Pendean family. On examining Michael

Pendean's ancestry, as a preliminary to finding out everything

remembered of Pendean himself, I at once made a highly important

discovery. Joseph Pendean, Michael's father, was often in Italy on

his pilchard business for the firm, and he married an Italian woman.

She lived with her husband at Penzance and bore him one son, and a

daughter who died in infancy. The lady seems to have given cause for

a certain amount of scandal, for her Latin temperament and lively

ways did not commend themselves to the rather austere and religious

circle in which her husband and his relations moved.

"She visited Italy sometimes and Joseph Pendean undoubtedly

regretted his marriage. He might have divorced her in the opinion of

some with whom I spoke; but for the sake of his son he would not

take this step. Michael was devoted to his mother and accompanied

her frequently to Italy. On one of these occasions, when a boy of

seventeen or eighteen, he met with an accident to his head; but I

could glean no particulars of its nature. He seems to have been a

silent and observant lad and never quarrelled with his father.

"When at last Mrs. Pendean died in Italy, her husband attended the

funeral at Naples and returned to England immediately afterward with

his son. The boy was subsequently apprenticed to a dentist, having

expressed a wish to follow that profession. He promised well, passed

his examinations and practised at Penzance for a time. But then he

ceased to be interested in the work and presently joined his

father. In connection with the pilchard trade, he now visited Italy

and often spent a month at a time in that country.

"Few could give me any information as to his nature, and pictures of

him did not apparently exist; but an elderly relative was able to

tell me that Michael had been a silent, difficult boy. She also

showed me an old photograph of his parents, taken together with

their son when he must have been a child of three, or thereabout.

His father didn't suggest a man of character; but Mrs. Pendean

appeared to be a very handsome creature indeed, and it was at the

moment I studied her features through a magnifying glass that I won

my first conviction of a familiar likeness.

"It is a rule with me, when any sudden flash of intuition throws

real or false light upon a case, to submit the inspiration to a most

searching and destructive analysis and bring every known fact

against it. Thus, on seeing a possible glimpse of Giuseppe Doria's

beautiful countenance reflected upon my eyes from the photograph of

the mother of Michael Pendean, I began to marshal all my knowledge

to confound any deduction from that accident. But judge of my

interest and surprise when I found nothing that could be pointed to

as absolute refutation of the theory now taking such swift shape in

my mind. Not one sure fact clashed with the possibility.

"Nothing at present was positively known by me which made it out of

the question that Joseph Pendean's wife should be the mother of

Giuseppe Doria. But none the less many facts might exist as yet

beyond my knowledge, which would prove such a suspicion vain. I

considered how to obtain these facts and naturally my thought turned

to Giuseppe himself. To show you by what faltering steps we

sometimes climb to safe ground, I may say that at this stage of my

inquiry I had not imagined Doria and Michael Pendean were one and

the same person. That was to come. For the moment I conceived of the

possibility that Madame Pendean, a lady who had caused some

fluttering in the Wesleyan dovecots of Penzance, might by chance

have been the mother of a second son in her native country. I

imagined that Michael and an Italian half brother might know each

other, and that the two were working together to destroy the

brothers Redmayne, so that Michael's wife should inherit all the

family money.

"Having found out what Penzance could tell me, I beat it up to

Dartmouth, because I was exceedingly anxious to learn, if possible,

the exact date when Giuseppe Doria entered the employment of Bendigo

Redmayne as motor boatman. Albert's brother hadn't any friends that

I could find; but I traced his doctor and, though he was not in a

position to enlighten me, he knew another man--an innkeeper at

Tor-cross, some miles away on the coast--who might be familiar with

this vital date.

"Mr. Noah Blades proved a very shrewd and capable chap. Bendigo

Redmayne had known him well, and it was after spending a week at the

Tor-cross Hotel with Blades and going fishing in his motor boat,

that the old sailor had decided to start one himself at 'Crow's

Nest.' He did so and his first boatman was a failure. Then he

advertised for another and received a good many applications. He'd

sailed with Italians and liked them on a ship, and he decided for

Giuseppe Doria, whose testimonials appeared to be exceptional. The

man came along and, two days after his arrival, ran Bendigo down to

Tor-cross in his launch to see Blades.

"Redmayne, of course, was full of the murder at Princetown, which

had just occurred, and the tragedy proved so interesting that Blades

had little time to notice the new motor boatman. But what matters is

that we know it was on the day after the murder--on the very day

Bendigo heard what his brother, Robert, was supposed to have done at

Foggintor Quarry--that his new man, Giuseppe Doria, arrived at

'Crow's Nest' and took on his new duties.

"From that all-important fact I built my case, and you don't need to

be told how every step of the way threw light upon the next until I

had reached the goal. Robert Redmayne is seen on the night of

Michael Pendean's supposed destruction. He is traced home again to

Paignton. He leaves his diggings before anybody is up and, from that

exit, vanishes off the face of the earth. But during the same

day--probably by noon--Giuseppe Doria arrives at 'Crow's Nest'--an

Italian whom nobody knows, or has even seen before.

"That meant good-bye to any theory of a half brother for Michael;

and it also meant that not Pendean, but his wife's uncle, Robert

Redmayne, perished on Dartmoor. And there he lies yet, my son!"

Mr. Ganns took snuff and proceeded.

"Now, having made this tremendous deduction, I looked over all the

facts again and they became very much more interesting. Every moment

I expected some crushing blow to shake my structure; at every turn I

guessed a certainty would come along and bowl my theory over; but no

such thing happened. Details, of course, there are--many little

pieces of the puzzle now known to only one man alive, and that is

Pendean himself; but the main incidents, the true picture, loomed

out clear enough for me before I left Dartmouth and came back to

Albert in London. The big things were all, not there to be shaken.

The picture was fogged at certain points, but I had no doubt as to

what it represented, and even the incredible details that seemed to

contradict reason were composed and cleaned up when Michael

Pendean's own temperament was brought as a solvent to them.

"Here, I think, we may spare a tribute of admiration to Pendean's

histrionics. I guess that his original conception and creation of

'Giuseppe Doria' was an exceedingly fine and well thought out piece

of acting. He actually lived in the character and day after day

exhibited qualities of mind and an attitude to life quite foreign to

his real rather saturnine and reserved nature. Both he and his wife

were heaven-born comedians as well as hell-born criminals.

"To return; the large particulars, then, were these: the foreground,

the middle distance and the background made a synthetic whole,

logically consistent, rational even--when you allow for the artist's

make-up. That he will leave a full statement before the end, I

venture to prophecy. His egregious vanity demands it. Nothing that

he writes is likely to be sincere and he'll have his eye on the

spotlight all the time; but you may expect a pretty complete account

of his adventures before he's hanged; you may even expect something

a little new in the suicide line if they give him a chance; for be

sure he's thought of that.

"And now I'll indicate how I brought fact after fact to bombard my

theory, and how the theory withstood every assault until I was bound

to accept it and act upon it.

"We start with the assumption that Pendean is living and Robert

Redmayne dead. We next assume that Pendean, having laid out his

wife's uncle at Foggintor, gets into his clothes, puts on a red

mustache and a red wig and starts for Berry Head on Redmayne's motor

bicycle. The sack supposed to contain the body is found, and that is

all. His purpose is to indicate a hiding-place for the corpse and

lead search in a certain direction; but he is not going to trust the

sea; he is not going to stand the risk of Robert Redmayne's corpse

spoiling his game. No, his victim never left Foggintor and probably

Michael will presently tell us where to find the body.

"Meanwhile a false atmosphere is created under which he proceeds to

his engagement at 'Crow's Nest.' And then what happens? The first

clue--the forged letter, purporting to come from Robert Redmayne to

his brother. Who sent it? Jenny Pendean on her way through Plymouth

to her Uncle Bendigo's home. She and her husband are soon together

again--working for the next stroke. As I say, they were a pair who

ought to have been on the stage, where they would have made darned

sight bigger money than the Redmayne capital all told; but crime was

in their blood; they must have met like the blades of a scissors and

found themselves heart and soul in agreement. Evil was their good;

and no doubt, when they understood each other's lawless point of

view, both felt they must join forces. A tolerable bad dame, I'm

afraid, Mark; but she knew how to love all right; and nobody doubts

that bad women can love as well as good ones--often a great deal

better.

"They settle down and the supposed death of Michael Pendean blows

over. Jenny plays widow but spends as much time as she wants in her

husband's arms all the same; and together they plan to put out poor

Ben. He'd never seen Pendean, of course, which made the Doria

swindle possible. And a great point--that only Michael himself can

clear--is the intended order of his murders. That puzzled me a bit,

because before Robert Redmayne appeared at Princetown and the

reconciliation between him and his niece and her husband was

affected, he must already have got the appointment of motor boatman

to Bendigo and known that he was going there presently under a false

name and character. I incline to think that he meant to begin with

the old sailor and that, when Robert turned up unexpectedly on

Dartmoor, he altered his plans. That accident opened the way to his

first performance if I'm not wrong; but he'll throw light on that

assumption later and show what really did pass through his mind.

"Now we come to the preliminary steps at 'Crow's Nest' which ended

in the death of the second brother. What plan was to be taken we

cannot be sure, but your second visit to Dartmouth--a surprise

visit, remember--quickened it. You offered just the starting point;

and before you left on that rough, moonlight night, Pendean had

recreated the forgery of Robert Redmayne and appeared before you in

that character. And not content with this, he kept the part going

for all it was worth. As Robert Redmayne, he broke into Strete Farm

and was seen by Mr. Brook, the farmer; while as 'Doria,' next

morning, he comes to you at Dartmouth to tell you the murderer of

Michael Pendean has reappeared.

"One may easily imagine the joy that he took in this double

impersonation and how easy it was, with the help of his wife, to

fool you to the top of your bent. He had already derived the

exquisite entertainment of seeing you jealous of his attentions to

Jenny and suspicious that she was yielding to them; while she--well,

it is instructive to consider again her treatment of you. Yes, a

very great actress; but whether inspired by love for Pendean, or

hate for her unfortunate relatives, or just pure creative joy in her

own talent, who shall say? Probably all these emotions played their

part.

"Now we get to blindman's-buff with the forgery. Follow each step.

Bendigo never sees his supposed brother once; you never see him

again. Your united search through the woods is futile; but Jenny and

her husband in the motor boat bring news of him. She comes back with

tears in her eyes. She has seen Robert Redmayne--the murderer of her

husband! She and the motor boatman have spoken to him; they describe

his miserable condition and intense desire to see his brother. They

paint a wonderful and realistic picture. Robert must see Bendigo all

alone--and he must have food and a lamp in his secret hiding-place.

He has been in France--that was a sop for you, Mark--but can endure

suspense no longer.

"Well, it's fixed up and Ben decides to meet his brother after

midnight, alone; but the old sailor's pluck wavers--who shall blame

him?--and he arranged in secret with you that you should be hidden

in his tower room when Robert Redmayne comes to keep the

appointment. He writes a letter to his brother, and Jenny and Doria

go to sea again and take it, together with stores and a lamp. While

they're away, you get planted in the tower room to watch the coming

interview; and when the pair in the motor boat return, Jenny's uncle

tells her that you've gone back to Dartmouth and will blow in again

next morning. You recollect exactly what followed. Night comes and,

at the appointed time, footsteps are heard ascending to the

observatory and Bendigo prepares to meet his brother. But no Robert

Redmayne appears. It is Giuseppe Doria. He has already had a long

talk with his master about Jenny Pendean. He has told the old sailor

of his love for Jenny and so forth. You, hidden, heard that yarn,

and how Bendigo told him to stow the subject and say no more about

it for another six months.

"Now the next thing puzzled me for a moment; but I think I know what

happened. Only Pendean's final statement, if he ever makes one, will

serve to clear the point; but I can guess that at that first

interview with Ben he tumbled to the fact that you were hidden in

the tower room. He is a man with a power of observation sharp as a

razor, and I'm inclined to bet that before he left Bendigo, after

their talk over Jenny, he'd got you--knew you were there.

"That being so, his own plans had to be modified pretty extensively.

Whether he meant to finish off Ben that night, you can't be sure;

but there is very little doubt of it. Everything was planned. The

interview with Robert had been arranged and various people,

including yourself, knew about it. His wife was ready down below to

help him get the body away, and their plans were, no doubt, mature

to the last detail. If, therefore, all had gone right with Pendean,

if you had really been away that night, next morning you would

probably have been greeted with the information that Bendigo had

disappeared. You would possibly have found evidences of a struggle

in the tower room and a pint of blood judiciously decorating the

floor, but nothing else.

"Only on the assumption that Pendean had found you out can I explain

why this didn't start under your nose. I imagine that if he had

believed his master alone at one o'clock that night, he would have

knocked him on the head and proceeded as I suggest. But he does no

such thing. He arrives in great excitement to describe another

meeting with Robert and to report that the wanderer has changed his

mind and will only see his brother in his own secret hiding-place

after dark.

"On hearing this, Bendigo bids you come out of your cupboard, and

Doria, so to call him, pretends great indignation and surprise.

"Now we get another lifelike report of runaway Robert; and finally

Bendigo consents to visit him in his hiding-place. The lamp is going

to burn and show the particular cave on that honeycombed coast where

Bendigo's brother is supposed to be concealed. Another night comes

and Ben goes to his death. Probably he was murdered instantly on

landing and disposed of at sea. Again there is going to be no dead

man. Pendean returns to you and his wife at 'Crow's Nest.' He

reports that the brothers are conferring and reveals the situation

of the hiding-place. He is soon off again and, on his second visit,

plays his tiger tricks, runs a bloody trail up the tunnel to the

plateau, and sets his trap for the police next morning.

"One needn't go over the futile hunt that followed. Everything

worked exactly as Pendean had planned, and you can very easily

picture the entertainment furnished for that vampire pair by the

course of the subsequent man hunt.

"Two Redmaynes have gone to their account and there remains but one.

Meantime the course of true love runs smoothly and Doria marries his

wife again. So, at least, they are pleased to declare, for the

satisfaction of Albert Redmayne and yourself. Needless to say they

went south together as man and wife, reported a ceremony that did

not take place, and after a reasonable delay turned their attention

to my hapless friend.

"Would you not have thought some ray of human truth might have

touched their hearts in the company of that childlike and kindly

spirit? Would you not have judged that close acquaintance with one

so amiable and large-hearted must have wakened a spark of compassion

in their souls? No; they came to kill him and the unsuspecting

victim welcomes his murderers with friendship. It is interesting to

observe that he prefers Giuseppe to his own niece. He confessed to

me that Jenny puzzled him and it seemed strange to Albert that she

had forgotten her first husband so easily. His tender sensibilities

could not admire such indifference; and no doubt he also remembered

that his niece's early record, in marrying Pendean against her

family's wishes, too much reminded him of her father's wilful ways

and headstrong passions.

"But they come on their dark business and are welcomed; and then--an

insensate act of folly! The weak spot in their remorseless plan!

Again Doria rouses Robert Redmayne from the grave; again he

challenges you! A thousand simple and safe ways had offered to

dispose of Albert Redmayne. The region in which he chose to live and

his own trusting and ingenuous character had alike made him the

easiest possible prey of any human hunter; but Michael's vanity has

grown by what it feeds on. He is an artist, and he desires to

complete his masterpiece with all due regard to form. It must be

fashioned to endure and take its place forever in the highest

categories of crime. His pride rebels against the line of least

resistance. All shall end on the same large pattern in which it was

originally conceived. He courts danger and creates difficulty that

his ultimate achievement may be the more august.

"So the forgery is trotted out once more; and it is not enough that

Jenny shall report to her uncle the advent of Robert Redmayne beside

Como. An independent witness is demanded and Assunta Marzelli sees

the big man with the red mustache, red hair and red waistcoat. She

also records the tremendous shock to her mistress that resulted from

this sudden apparition. Remember that Jenny's husband was still

supposed by Albert to be in Turin. Then the old game is played;

Doria presently arrives in person; they toy with their subject; they

enrich it with details; awaken the alarm of their unhappy victim and

send for you, designing to treat you in the same manner as before.

"Nor does Albert's appeal to me hasten their operations. Who is

Peter Ganns? A famous American bull. Good! They will have another

victim at their chariot wheels. It shall be an international

triumph. Albert Redmayne must be murdered before an audience worthy

of the occasion. The combined detective forces of the States, of

Italy, of England, shall seek Robert Redmayne and succour Albert;

but the one shall evade capture, the other perish under their eyes."

He turned to Brendon. "And they brought it off--thanks to you, my

son."

"And paid for it--thanks to you," answered Mark.

"We are but men, not machines," answered the elder. "Love thrust a

finger into your brain and created the inevitable ferment. Of course

Pendean was lightning quick to win his account from that. He may

have even calculated upon it when he made Jenny beg your aid at the

outset. He knew what men thought of her; he had doubtless taken

stock of you at Princetown and probably learned that you were

unmarried. So, when time has passed and you can look back without a

groan, you will take the large view and, seeing yourself from the

outside, forgive yourself and confess that your punishment was

weightier than your error."

In gathering dusk the train thundered through the valley of the

Rhine while, above, the mountain summits melted upon the night. A

steward looked into the carriage.

"Dinner is served, gentlemen," he said. "I will, if you please, make

your beds while you are absent."

They rose and went together to the saloon carriage.

"I'm dry, son, and I've sure earned a drink," said Peter.

"You've earned a vast deal more than I or any man can ever pay you,

Ganns," said Brendon.

"Don't say it, or think it. I've done nothing that you wouldn't have

done if you had been free. And always remember this: I shall never

blame you, even when I think with dearest affection of my old

friend. I shall only blame myself, because the final, fatal mistake

was mine--not yours. I was the fool to trust you and had no excuse

for doing so. You were not to be trusted for a moment just then, and

I ought to have known it. 'Twas our limited capability that made you

err, that made me err, that made Michael Pendean err. The best laid

plans of mice and men--you know, Mark. The villain mars his

villainy; the virtuous smudge their white record; the deep brain

suddenly runs dry--all because perfection, in good or evil, is

denied to saints and sinners alike."

The Red Redmaynes · 第 17 / 19 章