Several natural phenomena confer on this harbour peculiarities not

elsewhere observed. Sometimes the power of refraction is so great as

altogether to change the aspect and distance of objects. Ships sailing

up, see the city as it were just under their bows, when suddenly it

disappears; and when it is again perceptible, it is on the distant

horizon. From the constant action of the sun on the air, at the extreme

end of the harbour, where it is encircled by an amphitheatre of high

hills, a considerable degree of rarefaction takes place, and the heated

air ascending, leaves a vacuum below into which the colder rushes. This

creates a continued current during the day, and causes that _Inbat_

which we have before noticed. This constant and regular trade-wind is

peculiarly favourable to the commerce of the port, as ships are wafted

by it to their stations with the unerring certainty of steam-boats.

Some artificial works in this bay attest the wisdom and beneficence of

one conqueror, and the energetic but barbarous sagacity of another,

and still exist as memorials of their labours. The great promontory

formerly the ancient Mount Mincas, shuts it up on the south, and

considerably retards the navigation of the entrance; but at some

distance the bay of Teos enters the land, and approaches so near to

that of Smyrna, as to make their union no difficult enterprise. The

great conqueror Alexander, therefore, pushed a communication across,

so that ships entering the bay of Teos, pushed into that of Smyrna,

and so avoided the dangerous navigation round the great promontory.

There lies also the islands of Clazomenæ, not far from the shore; and

as he had separated the land by a channel, he compensated by bridging

the sea, and uniting the island to the main. The remains of both these

works attract the curious traveller, and while they attest the activity

and skill of the great captain, reproach the indolence and ignorance of

the Turks, who, though it would be highly useful to repair them, and

facilitate the approach to Smyrna, their great emperors consider such a

thing as altogether beyond their comprehension and capability.

In the year 1402 Tamerlane besieged the city, and, in order to prevent

all communication by sea, he ordered every soldier to take a stone in

his hand, and drop it in the mouth of the harbour,−-by this he hoped

not only to keep out their allies, but to shut in all who would attempt

to escape. The ships in the harbour passed over the mound before it

was sufficiently high to obstruct their passage; and the disappointed

barbarian caused a thousand prisoners to be decapitated, and with their

heads, mixed with stones, erected a tower near the spot, to commemorate

his attempt.

[Illustration: W. L. Leitch. J. Sands.

THE CASTLE OF ARGYRO-CASTRO, ALBANIA.

TURKEY IN EUROPE.]

Among the wild and almost inaccessible mountains of Albania, the

traveller is often astonished to enter suddenly on beautiful and

fertile plains, where he expected nothing but a continuation of

those rugged and sterile rocks, over which he had been painfully and

perilously clambering. Of these the magnificent plain of Argyro-Castro

is one of the most remarkable. It extends in length more than thirty

miles, and varies from six to eight in breadth. It contains nearly one

hundred villages, either hanging on the sides of its alpine barriers,

or hidden in the recesses of the shadowy glens that cleave their sides.

Through the centre winds the limpid stream of the Druno, imparting

freshness and fertility to its verdant banks. Vast flocks of sheep

whiten the plain below, and picturesque herds of goats hang on the

crags above; and the whole scene, instinct as it were with life, gives

to the wildness and majestic aspect of nature a singularly beautiful

and interesting character.

At one extremity of this place, perched upon the summit of a precipice,

stands the town of Argyro-Castro. The rock on which it is built is

cleft into various fissures, so that the streets are divided by deep

and yawning chasms, which separate it into various districts, and give

it a character singularly different from any other town. The houses are

of a size and structure superior to those in Albanian towns. They are

not contiguous, or in the form of streets, leaning on one another for

support. They stand single and independent, sometimes on the summit of

a crag, sometimes on the side of a precipice, and sometimes concealed

in the fissure of the rock. The greater number, however, are on level

ground at the bottoms of ravines, and the street is the natural chasm

of the mountain. The sides are lined with fruit-trees, flowing shrubs,

and hanging gardens, so that every lane is a romantic mountain-glen.

These picturesque streets, however, have their disadvantages. On the

sudden solution of snows, or deluges of rain, the torrents from the

higher ground rush with fearful impetuosity through them, devastating

them from one end to the other, and leaving nothing behind, but torn-up

trees, submerged houses, and drowned bodies.

The present population is estimated at 150,000: the greater and more

opulent part are Turks; the rest Albanian Greeks, and Jews. Many of

them were lately engaged extensively in commerce, and the town contains

a spacious bazaar, well supplied with every species of merchandise; but

its prosperity has greatly declined: the ruthless hand of Ali Pasha

fell on it, in common with all its neighbouring towns; its inhabitants

were massacred, its merchants plundered and scattered, and its

prosperity, with its commerce, greatly reduced.

Our illustration presents the castle or fortress of the town impending

over its beautiful plain. This fortress is one of the most extensive

and important in Albania. It contains the seraglio of the pasha, a

mosque, and accommodation for a garrison of 5000 men. To secure it

against the effects of famine, the rock is hollowed into subterraneous

excavations, which form granaries always filled with corn; and in

order to be independent of either wind, water, or other uncertain

power, the mill by which it is ground is moved by a machinery of

clock-work, invented by an ingenious native, which daily yields an

abundant supply of flour. The necessary element of water is conveyed

from the neighbouring hills by a lofty aqueduct. The works are defended

by eighty pieces of English and French ordnance; so that it may be

considered one of the most noble and secure mountain-fortresses in

Europe.

[Illustration: W. L. Leitch. W. Floyd.

TOWN AND CASTLE OF PARAMYTHIA, IN ALBANIA.

TURKEY IN EUROPE.]

More to the south than Joannina, and approaching the Adriatic, are

the town and castle of Paramythia. Unlike the former, there are here

discovered certain indications of its site having been that of some

ancient Greek or Roman city: beautiful specimens of ancient art are

daily disinterred, and arches of ponderous and double masonry indicate

that its former inhabitants were in a far higher grade of social

intelligence than its present possessors. Yet of the ancient city which

did occupy this spot, the name has perished, while its remains attest

its former existence.

Paramythia, like Argyro-Castro stands at the extremity of a fertile

plain, suspended on a rock which overhangs it. The houses, like

those of the structure of Albanian towns in general, are all built

detached from each other. They indicate, however, the miserable state

of insecurity in which the inhabitants live. They resemble so many

fortresses closed up on the outside from light and air, pierced only

with small loop-holes, from whence is thrust the muzzle of a tophek.

They are generally shaded by the spreading branches of the Oriental

platanus: this magnificent tree attains to such a gigantic size in the

East, as to have been the wonder of antiquity; in the trunk of one

tree, 22 people were entertained at supper, and the branches of another

overshadowed a whole village. At Paramythia they grow to a magnificent

size, and the town is partly covered by their leafy canopies. This

luxuriance of vegetation is probably caused by the numerous springs

which issue from the hills, and water the roots. Every tree seems to

have a pure fountain connected with it. The spacious bazaar of the

city is peculiarly marked with this character, shadowed over with a

vast canopy of branches, and cooled by many rills of delicious water.

Towering above the town is the fortress, reposing on a vast rock, in

some places one thousand feet above the plain, and having the town

spread over an inclined plain on the side of the mountain just under it

The calcareous structure of this rock sometimes gives way, detaching

large masses, which overwhelm and crush the houses below on which they

fall. The castle is surrounded by an extensive battlemented wall,

crowned with turrets. Here it is that the ruins of a former town are

most conspicuous. The modern walls are raised on still more ponderous

remains of ancient foundations; and the gate-ways of arches yet remain

here, of evidently very ancient date.

Our illustration represents the fertile plain below, rich in various

productions, full of gardens and shrubs, where the song of the

nightingale seldom ceases, and is reported to be particularly sweet and

plaintive. High above are the ridges of the great chain of Albanian

mountains, which the ancients called Acroceraunian, because their

summits were always splintered with thunderbolts; of these sublime

hills, five distinct and mighty pinnacles can be traced from hence to

the Adriatic. Reposing on the inclined plane of the mountain-side,

is the city with its fortress, surrounded with lofty forests of

plane-trees, and in front is one of those ancient arches, which

indicate the early but unrecorded founder of the city.

[Illustration: T. Allom. J. Jenkins.

THE SULTANA IN HER STATE ARRHUBA.

CONSTANTINOPLE]

This carriage, peculiarly Turkish, we have already described among

the conveyances that thronged the social meetings at the Sweet Waters

of Asia. It is here presented as the principal and most conspicuous

object of our illustration. The ponderous body of the machine, placed

on wheels without springs; the heavy but gilded and gaudy carved-work

which covers it; the long-horned oxen which drag it; the singular

arches dangling with tassels, to which their tails are generally tied;

the dense mass of hair drawn down before, and carefully dyed, like the

ladies’ nails, with henna; and the amulets pending over their noses,

to guard them from the effects of an evil eye−-are here accurately

represented. Beside the draught-beasts walks the Greek arrhubagee,

leading the docile animals by the horns; and next the carriage is one

of the black eunuchs, with his drawn sabre, threatening with instant

death the passenger, whose profane eye shall dare to glance at his

sacred charge within. It was formerly the indispensable usage, that

every arrhuba should be closely covered with silken curtains, so that

the inmates were never seen, except when the wind, or the jolting on an

uneven road, moved the curtains aside, and revealed for a moment the

mysteries of the interior; but recent approximation to European usages

has removed this veil, and even open carriages on springs have been

seen in the Turkish capital, filled with the secluded females of the

harem.

Our illustration represents the Asmé Sultana driving from her palace at

Eyoub, through the Valley of the Sweet Waters. Crowds of females line

one side of the road; and, with the jealous sense of Turkish propriety,

the males, separated from them, line the other. A train of arrhubas

follow in the rear, with various ladies of the seraglio.

[Illustration: J. L. Leitch. H. Adlard.

THE TOMB OF ALI PASHA AND FATIMA, IN THE COURT OF SERAGLIO.

JOANNINA, ALBANIA.]

The wild mountains of Albania had long slumbered in obscurity, and,

though in the immediate vicinity of civilized Europe, and in sight of

the coast of Italy, had never been visited by the curious traveller,

till Ali Pasha, like some lurid meteor, blazed out in this obscure

district, and attracted the notice and admiration of the world by his

ability, his courage, his crimes, and his success.

This extraordinary man was born in Tepeleni, a small village of

Albania, in the year 1741. His ancestors had been distinguished

among the wild chieftains of the district, and his mother, a woman

of ferocious energy of character, determined that he should not

degenerate. He became expert in all manly exercises, and, at a very

early age, distinguished himself among the Kleftes, or robbers, of

the country. While absent at a wedding, the inhabitants of Gardaki, a

neighbouring and rival village, rushed into Tepeleni, and carried off

his mother, and sister Shaïnitza, whom they abused. He vowed he would

never rest till he stuffed the cushions of his divan with the hair

of all the women of Gardaki. This vow he religiously kept; and after

exterminating the inhabitants, and razing the village to the ground,

the long tresses, which are the pride and ornament of Albanian women,

were shorn from their lifeless remains, and the ferocious sister of Ali

exulted while she reposed on the cushions which were stuffed with them.

After a career of crime, in which his cruelty and perfidy were as

distinguished as his courage and ability, he at length made himself

master, under various pretexts, of all the towns and fortresses in the

country, and destroyed, with unrelenting cruelty, every rival whom by

force or fraud he could get into his power. He was then confirmed by

the Turks in the pashalik of all Albania, and he made Joannina his

residence, and the capital of his territory. Here he invited all the

distinguished travellers in Europe to visit him; and by their reports,

his name soon expanded beyond the obscurity of his native mountains.

After enjoying for half a century this celebrity, the Turks became

jealous of his power, and determined to depose him. He resisted all

their open efforts, and at length fell a victim to a perfidy equal to

his own. A pasha paid him a friendly visit, and, after many professions

of good will, rose to take his leave, and made him the usual obeisance.

Ali returned it, and before he could recover himself, his visitor

stabbed him in the back, and his yatagan passed directly through his

heart, and out of his breast. Thus perished, at the age of eighty-one

“the old lion,” as the Turks denominated him. His head was cut off,

and despatched, with his last wife, Vacilesso, to Constantinople,

where it was exposed for three days on a silver dish in the courts of

the seraglio. The heads of his four sons and grandson were sent after

him; and they are all interred, with suitable monuments, outside the

walls of Constantinople, and are the first objects seen by travellers

after passing the Selyvria gate. The body was embalmed, and buried

with that of his first wife, Fatimah or Ermineh, in a mausoleum he had

erected for her on the esplanade of the seraglio at Joannina, where it

overlooks the lake, as represented in our illustration.

[Illustration: T. Allom. W. H. Mote.

HALT OF CARAVANIERS AT A SERAÏ.

BULGARIA.]

The interior of the Turkish empire is constantly traversed by large

bodies of men, who proceed together for protection; and their object is

either commerce or devotion. We have already given some account of the

first−-the second remains to be noticed.

In the sixteenth year of Mahomet’s mission, he ordained that every

believer should engage in a pilgrimage, to visit the place of the

Caaba, or sacred house of Abraham, which was taken up to heaven at

the flood, but its model was left for true believers at Mecca. This

ordinance was rigidly observed by his followers. The caliphs set the

example; and all Mussulmans hold it an indispensable obligation at this

day, when it is possible for them to perform it. Even women are not

exempt. If they have no husband or brother, under whose protection they

could leave the harem, they are bound to marry, for the express purpose

of obtaining one to perform this duty. The only person in the empire

exempt is the Sultan; and he only because the pilgrimage would occupy a

longer period than he could be legally absent from the capital. He is

bound, however, to send a substitute, called Surré Emmini, who always

accompanies the caravan of pilgrims, and represents the sovereign. Thus

it is that every year above one hundred thousand persons, of all ages

and conditions, set out from various points, and traverse Europe, Asia,

and Africa, to fulfil this indispensable duty.

The great European caravan assembles at Constantinople in the month

of Regib, which, according to the Turkish calendar, falls at every

season of the year. They cross the Bosphorus, and unite on the great

plain of Scutari, from whence they take their departure. They exhibit

a strange display of folly and fanaticism. Among the various groups

are seen, at one place jugglers and buffoons exhibiting their light

and often indecent mummery; in another, molhas and dervishes exhorting

to piety, and tearing their limbs with disgusting lacerations: but

the most conspicuous object is the sacred camel; this carries the

mahhfil, or seat from which the Prophet preached and dispensed justice

in his journeys. The race is religiously kept up in the stables of

the seraglio; and some believe the camel of the mahhfil, at this day,

is the actual animal on which the Prophet rode, and kept alive by a

miracle, to perform this annual journey to his holy city.

Our illustration represents a group of a caravan of the faithful,

proceeding from the northern to the southern extremity of the empire,

to perform this pilgrimage. The venerable Moslem, who is ambitious

of becoming a hadgee, is attended by his guards, distinguished by

their fantastic dress, their glittering golden-hafted hanjars, stuck

in their shawl-girdles, beside their silver-mounted pistols, and the

grave turban replaced by a many-tasselled cap. Their accommodation

is the stable of a khan, which their camel equally shares; and their

refreshment is coffee, black, thick, and bitter, served by the khangee

in small characteristic cups.

[Illustration: T. Allom. J. Sands.

THE RUINS OF LAODICEA.

ASIA MINOR.]

This last church of the Apocalypse stood in Phrygia, on the river

Lycus, near Collosæ. It was first called Diospolis, or the “City of

Jupiter,” but changed its name to Laodicea, from the wife of Antiochus,

who rebuilt it. It became celebrated for its commerce; the richness of

its soil, and the raven fleece of its sheep, were a source of unbounded

wealth. It gave birth to many distinguished persons:−-Hiero, who named

its citizens as heirs to his immense wealth; and Zeno, who, though not

the founder of the Stoic sect, was renowned, with his son Polemon,

for skill in rhetoric. His name, two thousand years after, was found

sculptured on the seats of the theatre.

When Christianity was planted here, it was not received with the

eagerness and enthusiasm with which the “new faith” was embraced in

other churches. The evangelist, reproaches them with their “lukewarm”

zeal, and rebukes their indifference by wishing, they were either “hot

or cold.”[10] It does not appear that St. Paul ever visited them in

his travels; yet he took a great interest in their welfare. He was

well acquainted with their character; for he ordered his Epistle to

the Colossians to be read to them also, as equally requiring it.[11] A

letter exists which he is said to have written expressly to them; but

it is considered spurious, and not recognized in our canon.

The place was shattered with earthquakes, in common with other cities

in the same region; and what was not destroyed by the hand of nature,

was more effectually so by the hands of the Turks. In the year 1009

it fell into their power; and from that time it sustained various

assaults, during which the inhabitants were massacred, and their

Christian bishops driven into captivity, along with their cattle. There

is now no modern town built in or near the ancient site; but the extent

and magnificence of its ruins, slumbering in dilapidated grandeur,

attest what it once was; and various perfect and legible inscriptions

still mark the era when it flourished.

Our illustration represents what travellers suppose to have been the

senate-house. It consists of many piers, supporting arches of stone;

among which lie marble fragments of great beauty, mouldings, cornices,

pedestals, and columns, marking by their sculpture and abundance the

opulence of the inhabitants, and the advanced state of the arts among

them. On a portion of the wall is a legible inscription, creditable

to the people. It states that they had “elected Asem to be their

magistrate for life, as a reward for his piety and integrity.” Beyond,

extending over the plain, are the remains of various edifices−-a

stadium, amphitheatre, and other evidences of wealth and civilization

in this rich country, where all is now solitary and desolate−-where a

few wandering Turcomans make a temporary abode, and their feldt-tents

strongly contrast with what remains of the splendid edifices of its

former possessors.

[Illustration: W. L. Leitch. J. Tingle.

THE CASTLE OF PARGA, ALBANIA.

TURKEY IN EUROPE.]

Of all the places contained within the circuit of the Ottoman empire,

this little town is, perhaps, the most interesting to England; because

its fate has compromised that high and before unsullied character for

good faith, which had ever distinguished British transactions, and left

a stain behind which no length of time can entirely wash away.

This town is of comparatively modern foundation, and was unknown before

the fifteenth century. Its erection was attributed to a miracle in the

Greek church. The Christian inhabitants had occupied a place in the

interior, open to the continued assaults and attacks of the Turkish

invaders of the country. While deliberating on searching for a more

secure site, a shepherd, following after some stray sheep, discovered,

in a cave over the sea, a statue of the Panaya, and brought it with

great reverence to a church in the old city. The image, however, would

not rest there, but returned to her former abode. It was brought back,

but again returned; when the inhabitants, hailing the miraculous omen,

followed it, built a church over the cave in which it was found, and

commenced a new city round the church. So Parga rose upon its sea-beat

rock, impending over the Adriatic, and protected by its impregnable

situation from all attacks of the Infidels. The site chosen was

particularly beautiful. A conical hill juts out from a deep bay,

having secure harbours on each side. From hence the bay sweeps with

picturesque curves, embracing with its long arms a magnificent sheet

of water; the view terminated behind with the rugged precipice of the

Albanian chain, and before by the islands of Paxo and Corfu, floating

on a singularly clear and lucid sea. On the summit, over the caves,

stands the acropolis of the city; and sloping down the sides, the

houses of the inhabitants.

The Venetians, who were then in possession of the Ionian Islands,

immediately took this little Christian community, on the opposite

coast, under their care, and for many years they greatly prospered.

Their town contained four thousand inhabitants, and their territory

extended for twenty miles along the shores of the bay. The district

had been anciently called Elaiatis, from the excellency of the oil

it yielded; and the Parghiotes improved this quality to the utmost.

Eighty-one thousand olive-trees clothed the sloping sides of the

bay, and the oil of the industrious citizens of Parga was esteemed

all over the Levant. The character of the people corresponded with

this prosperity−-they were esteemed for their piety and integrity. No

Parghiote, it is said, was ever found among that numerous class in the

country, which were robbers by land and pirates by sea; but, above

all, they were distinguished by an ardent love of liberty, and an

enthusiastic attachment to their native soil, that nothing could subdue

or weaken; and this character they supported in this lawless region for

three centuries.

Constantinople and the Scenery of the Seven Churches of Asia Minor Series One and Series Two in one Volume · 第 27 / 29 段