The Turks entertain for the name of St. John a considerable respect

and veneration. He is recognized in the Koran as the son of Zacharias,

and the account of him resembles that in the Gospel. His father was

promised a child, and, from the age of his wife, he doubted the

fulfilment of it; as a token and punishment, he was struck dumb, and

was unable to speak for three days. The Turks, who do not seem to make

any distinction between the Evangelist and the Baptist, suffered this

edifice to continue its Christian worship after they had overrun Asia

Minor, and taken possession of this city of the Apocalypse; but on

the subjugation of Constantinople, when Santa Sophia was assigned to

the worship of Mahomed, this great Christian church shared its fate,

and was converted into a mosque; but tradition says that a miracle

caused it to be abandoned. To mark its appropriation to the Prophet, a

minaret was built at one of its angles, as was done at Santa Sophia,

where the muezzin ascended, and called the faithful to pray in it. In

this minaret was a door which pointed to the west or setting sun, a

proper orthodox aspect: when the muezzin returned next day to invite

the people to morning-prayer, he could not find the door; and after

an examination as to the cause of its disappearance, it was discovered

that the tower had turned completely round on its base, and opposed

an impenetrable wall to the entrance of the Islam priest: this was

considered a plain indication of the will of Allah; so the edifice was

restored to its former worship. This continued long after, till the

decline and total decay of its Christian congregation; and still the

semblance of it is faintly displayed. The traveller, in exploring his

way through the ruins, is attracted by the light of a dim and dingy

lamp, which he finds is placed before a dirty, tawdry picture of the

panaya, stuck on the naked wall behind it. The poor Greek, his guide,

as he passes it, first kisses it with affectionate respect, then kneels

and bows his head to the ground, and offers up a short prayer to this

his favourite picture. He then “goes on his way rejoicing,” but never

presumes to pass without this tribute of devotion to the Virgin, though

he probably knows nothing of the Evangelist to whom the church was

consecrated. Other parts of the building are applied to the meanest

uses; a portion of it is converted into a manufacture of coarse earthen

ware, and filled with heaps of mud, and rude and barbarous pottery.

As an appropriate object in our illustration, the stork is seen

crowning the summit of a tower with its slender form and elongated

limbs. This bird has been in all ages a never-failing inhabitant of

Oriental towns, noted and celebrated for its qualities, which have

conferred upon it its name; it is called in Hebrew _chesadao_, which

implies “mercy or piety,” and alludes to the known tenderness and

attachment of the bird to its parents, whom it is reported never to

desert in advanced age, but feeds and protects even at the hazard

of its own safety: its emigrating qualities are noticed by the most

ancient writers: Jeremiah says, “Yea, the stork in the heavens knoweth

her appointed time;”[7] and nothing can be more striking than their

appearance at the approaching period. They collect together in large

detachments, and are seen wheeling about at an immense height in

the air, above some lofty eminence, before their forward progress

commences, like scouts sent out to reconnoitre the way; their white

bodies, long-projected red legs, and curved necks turning to every

point of the compass as if examining the road, give them a singular

picturesque appearance, while the light, reflected from their bright

colours, causes them to be distinctly seen at a great distance in the

air.

When they do depart for distant regions, their vigilance and precaution

have been extolled by many writers; their leader appoints certain

sentinels, to watch where they alight for repose; this they must do

standing on one leg, while they hold a stone grasped in the claw of the

other. If they are known to have dropped the stone, it is a presumption

they have slept on their post, and are punished accordingly; when

they arrive at the place of their destination, they take note of the

loiterer who comes last, and he also suffers, as an example to the

negligent. To the ingenious pictures of ancient writers and others,

which tradition has handed down to us, the moderns have added many

more.−-The Psalmist says, “As for the stork, the fir-trees are her

house,”[8] and here they build at the present day, and seem to take

under their protection a multitude of small birds, who make their nests

among the materials of the larger ones, and form a numerous community.

It is pleasing to see the harmony and affection that subsist between

them; and the sense of security the smaller evince under the protection

of their larger friends. Many of these are birds of passage also, but

their size, and the feebleness of their flight, seem to preclude the

possibility of a long journey; yet they all disappear together, so

the Turks affirm that the storks take their little friends upon their

backs, and every one carries as many as he can stow between his wings.

It is certain, that when the storks disappear in the night, on the next

day not a small bird is to be seen left behind them. From a belief in

this and similar tales, the Turks confer a sacred character on the

bird; and besides their general indisposition to hurt any animal in a

state of nature, they peculiarly inhibit the destruction of a stork.

Whoever injures one, incurs considerable personal danger. For this

feeling, there is some reasonable foundation:−-the marshes abound with

reptiles of all kinds, generated in immense numbers in the rank slime

of the soil. They are providentially the food of the stork, and, but

for their consumption in this way, would so increase as to render the

country uninhabitable by man. It appears from Pliny, that their utility

for this purpose was so felt, that the penalty of death was decreed

against any man who destroyed a stork.

Though the bird is seen in great numbers in all Oriental towns,

Pergamus seems its favourite haunt; the inhabitants feel for it

a fraternal regard, call it by endearing names, and affirm their

attachment is so mutual, that it follows the Moslem people into

whatever part of the globe they emigrate. They erect on their houses

frame-work of wood, to induce the stork to build there; the public

edifices are covered with them; the mosques and their minarets are full

of their nests, and on every “jutting pier, buttress, and coign of

“vantage” is seen their “procreant cradle.” Below, they strut about the

town with perfect familiarity, and are never disturbed by those they

meet; and their tall, slender heads are seen rising among the turbans

and calpacs of a crowded street. So jealous are the Turks of the

friendship of this bird, that they affirm it never builds on an edifice

inhabited by any but a Mussulman. It is certain they are seldom seen in

the Greek and Armenian quarters; it is probable the timid Christians,

from the apprehension of exciting the envy of their masters, discourage

or repel the stork whenever it approaches their habitations.

[Illustration: Drawn by Leitch. Sketched by T. Allom. Engraved by J. Sands.

MOSQUE OF SANTA SOPHIA, AND FOUNTAIN OF THE SERAGLIO.

CONSTANTINOPLE.]

This is another view of the same objects as were given in a former

illustration; but their are presented under a different aspect. In the

centre of the front is the Fountain built by Achmet, with its rich

display of gilded arabesque, on a bright blue and red ground; on the

left are the various edifices connected with Santa Sophia, the vast

aërial dome swelling above them, and intended to represent a section

of the concave firmament; and on the right is the Babu Hummayoun, or,

“Sublime Porte,” already described.

From this gate is seen, in perspective, descending the hill, the

turreted and battlemented walls of the Seraglio gardens, running down

to the harbour, and supposed to be the remains of that very ancient

fortification which marked the city of Byzantium, and cut off the apex

of the triangle which it occupied. The street below it is the great

avenue leading from the lower parts of the city to the Seraglio, and

many characteristic displays of Turkish manners are exhibited in it.

When an audience is granted by the sultan to a Frank ambassador, it is

notified to him by the dragoman, and a very early hour is appointed for

the purpose. Horses, richly caparisoned, are sent to convey him and

his suite; and, before light in the morning, if it be not in summer,

they mount in their grandest costumes. As all the Frank ministers

reside in Pera, they have the harbour to cross, so they clatter down

the steep and rugged streets leading to the water, at the imminent

hazard of breaking their limbs, and display any thing but a grand and

dignified procession. Having passed the harbour, they are received in a

small mean coffee-house on the water-edge, where pipes and coffee are

presented, after which they resume their march on fresh horses. There

stands a great tree, at the point where some streets meet; here the

cortege are directed to halt, and here they are condemned to wait till

the grand vizir, and other functionaries, are pleased to issue from

his bureau, in the Downing-street of Constantinople. The contemptuous

manner in which infidel ministers were formerly treated, here began to

display itself. Instead of the respect with which the representative of

a brother sovereign ought to be received, he was kept standing in an

open, dirty street, sometimes under heavy rain, for an hour or more,

without the slightest attention shown, or notice taken of him, except

being stared at, or called opprobrious names, muttered by some fanatic

Turk as he passed by. At length the vizir was seen slowly moving down

from his office; and it was supposed that he would courteously greet

the expected ambassador, and apologize for his delay:−-but no−-he

passed on with the most imperturbable gravity; not even condescending

to look at the ambassador, or seeming to know that he and his suite

were not part of the vulgar crowd. They were then permitted to move

on, and follow, at an humble distance, the vizir up this street,

till they entered the Babu Hummayoun; and here commenced a new series

of degradations, which have been already noticed. These barbarisms,

however, are now passing away, and, among other ameliorations of

Turkish manners, the sultan receives the representatives of his brother

sovereigns in a more becoming manner.

As the houses in the street overlook the gardens of the Seraglio,

strangers, who dared not enter, are led, by an idle and dangerous

curiosity, sometimes to attempt to overlook the walls of the sacred

enclosure, and see what is passing on the other side; and stories are

related of persons sacrificed to the perilous effort. Some even who

had no such object in view, have fallen victims to the jealousy of the

harem. On one occasion, the friend of an Armenian merchant, who had

a house here, brought a telescope, to examine the distant objects on

the other side of the sea of Marmora: unfortunately the view extended

across the gardens, and, while he was intently engaged in tracing the

declivities of Mount Olympus, the sultan passed below, and caught with

his eye the glitter of the glass of the telescope. Two chaoueshes were

instantly despatched, who entered the house, and the unfortunate man

found himself seized behind; and, before he had time to take the fatal

instrument from his eye, a bowstring was put round his neck, and he was

strangled at the window, in view of the sultan, who, it is said, waited

below to assure himself of the execution.

But this street witnessed a still more terrible display of Turkish

vengeance. After the awful destruction of the Janissaries at the

Atmeidan, they were everywhere hunted down like wild beasts through

the city. Sometimes they were killed wherever they were overtaken, and

their bodies suffered to remain weltering on the spot. Sometimes they

were brought to some enclosure, where they were kept till a number

was collected together, when armed men rushed among them, and they

were destroyed in a mass. Some of them were dragged into this street

from the neighbouring ones, as it was the great avenue leading to the

Seraglio, and there sacrificed as a grateful offering to the sultan.

Their heads were cut off, their trunks were drawn up at each side of

the street, and for three days, the appointed time for executed bodies

to remain so exposed, he passed up and down between this Oriental

display of headless men, lining the street to do the sovereign honour;

thus realizing, only a few years since, in a European capital, the

horrid exhibitions in which a Bajazet or a Tamerlane delighted,

centuries ago.

Along the wall near the great gate was the favourite spot selected for

the suspension of those trophies which marked the triumph of Islamism

over Christianity. On every victory obtained during their European

wars, the standards taken from Germans, Russians, Hungarians, and other

powers, were displayed here; and more recently the captive flags of

the Greeks were constantly seen fluttering, in an inverted position,

over heaps of ears and noses which were piled below. Among them were

several on which was depicted the cross, and various representations

of Christian events, but particularly the resurrection which was

labelled “Anastasis,” intended to be emblematic of their political

resurrection. But of all the standards, that of Ipsera was the most

interesting. After a gallant and almost incredible defence of this

little island against the Turkish fleet, which surrounded it on all

sides, and poured in numerous troops at every point, these few

brave defenders were compelled to take refuge in their last fortress.

Here they displayed their flag inscribed with their determination to

die, and their actions coincided with the inscription. The Turks were

permitted without much opposition to enter the fortress, and, when it

was filled with the crowd, the whole was blown into the air. The last

remnant of the Ipsariots, with an equal number of Turks, perished in

one indiscriminate carnage. The broad flag which had floated over the

self-devoted fortress, was brought in triumph, and suspended on this

wall. It was of large size, and inscribed ΗΛΑΗΘΤ, the Greek anagram

of “Death or Freedom;” and while the passenger “contemplated its

scorched and torn remnants hanging over the mutilated remains of the

brave spirits who unfurled it, it forcibly recalled to his mind that

desperate devotion which in all ages distinguished the Greeks.”

[Illustration: Drawn fom Nature by F. Hervé. E. Benjamin.

PASS AND WATERFALL IN THE BALKAN MOUNTAINS.]

This celebrated chain presents continually to the traveller a

succession of objects sometimes minute and picturesque, sometimes vast

and sublime. In the recesses between the high ridges, the scenery is

rural and pastoral, equalling that of Arcadia; on the summits of the

mountains, all seems thunder-splintered rocks and riven precipices,

where the ear is stunned with the roar of cataracts, as the eye is

astonished and the senses are appalled by the vast chasms through which

they rush. The Balkans are seldom seen covered with snows, and the

waters are rarely arrested by ice. At no season is observed, as in the

Alps, frost-suspended waterfalls,

“Whose idle torrents only seem to roar;”

but the sound of the bursting cataract never ceases, and the

mountain-streams, fed by continued showers, do not depend on the

solution of snows, but are always tumbling down the steeps and rushing

through the ravines.

The beautiful waterfall given in our illustration, occurs in the

pass by Bazarjik, not far from the village of Yenikui, half way up

the mountain-side. In several parts of this pass, the vegetation is

extremely luxuriant. Sometimes vast forest-trees are seen rising

from the depths of chasms, and shooting their giant trunks, as they

struggle up for light and air, till they reach the summit, and then,

and not till then, expanding their noble foliage; while the eye of the

traveller, looking down into the chasm from which they issue, is lost

in the immensity of the depth, and cannot trace the vast stems of the

trees to the ground. Sometimes the vegetation is of a very different

character: the mountains are celebrated for the abundance of plants and

shrubs used in dyeing, and parties set out every year, in the season,

from Adrianople, Philopopoli, and other towns, to collect them. Nothing

can then surpass the rich and glowing hue which clothes the surface.

The deep crimson of the sumachs, with the varying colours of yellow,

brown, purple, and the dark tints of the overhanging evergreens, give

a beautiful variety, exceeding perhaps that of any other region on the

surface of the earth.

[Illustration: T. Allom. S. Fisher.

CITY OF THYATIRA.

ASIA MINOR.]

The notice of Thyatira in profane history is brief. It is enumerated as

one of the cities of Lydia, but not distinguished by any circumstances

that would confer upon it celebrity among the Greek free cities of

this region. When the all-conquering Romans possessed themselves of

Asia, it fell under their power, and is mentioned by their historians.

Livy says, Antiochus collected his forces at Thyatira, when he marched

against their invading legions; he was defeated at Magnesia, and

Thyatira with all the surrounding territories merged into a Roman

province.

When Christianity began to expand itself, the inhabitants of this place

early evinced a disposition to embrace its new doctrines. St. Paul, in

his travels in Greece, met at Philippi a woman of Thyatira; she was

concerned in the sale of purple, either the dye or the dyed cloth, for

which the region in which her city was situated was then famous. It was

extracted from the shell-fish abounding on the sea-coasts, and was in

extensive demand as an article of commerce, used on various important

occasions. It was selected by the Jews for the curtains of the

tabernacle and the robes of the priests. Among Gentiles, the Chaldeans

clothed their idols, and the Persians their great men, in purple;

for Daniel was honoured with a robe of that colour when interpreting

Belshazzar’s dream, and Mordecai was arrayed in it when he was raised

to the rank of minister of state. Among the Romans, it was the hue most

precious, and distinguished their kings and emperors from the time of

Tullus Hostilius to Augustus Cæsar. It marked the difference between

the patrician and the knight, the youth and the child; the temples of

the gods, and the triumphs of mortals, were adorned with it. It was the

colour most prized and honoured both in the East and the West of the

ancient world.

Lydia, the vender of this precious dye in Europe, which was imported

from her own country, when she heard Paul expound the doctrines of

Christ, at once embraced them. She was baptized by the apostle, who, at

her entreaty, made her house his abode while he remained at Philippi.

It is probable that this circumstance may have facilitated the

reception of the gospel at Thyatira among the friends and commercial

connexions of Lydia. A congregation was immediately after formed there,

and the fourth church of the Apocalypse established. It was eulogized

by the Evangelist for the good works of the new converts; their

charity, their patience, their service in God’s law, and all characters

by which the primitive Christians were distinguished; but these high

qualities were alloyed by the frailties of a corrupt nature, from which

not even the purest Christian state was exempt. A woman named Jezebel,

or whose character resembled that infamous one of the Old Testament,

influenced and seduced them to evil; and, to reclaim them from their

sinful practices, St. John sent them a solemn warning in his divine

epistle to the Asiatic churches; but it does not appear with what

success, for no further notice is found of the city, and its fate is

involved in impenetrable obscurity. Its very site was lost in oblivion,

and it was not till about a century and a half since, that travellers

set out from Smyrna to ascertain its locality. At a Turkish village

some inscriptions were discovered, on one of which was found the words

ΚΡΑΤΙΣΤΗ ΘΥΑΤΕΙΡΗΝΩΝ ΒΟΥΛΗ, which seemed to decide the situation of

the ancient town; its modern Turkish name is “Akhissar,” or the White

Castle.

The town is approached by a long avenue of cypress and poplars, through

the vistas of which, the domes and minarets of the mosques are seen

shooting up. The background is closed by an amphitheatre of hills,

circling the rich plain on which the city stands. On entering it a busy

scene presents itself, forming a strong and pleasing contrast to what

the mind anticipates in this obscure church of the Apocalypse. Stores,

merchant shops, and a busy crowd bustling through them, give it the

appearance of a thronged and opulent mart, such as perhaps Thyatira

once was, when purple was its staple commodity. It still carries

on an extensive trade in cotton wool, and is still famous for the

_milesia vellera fucata_, which formerly conferred celebrity upon its

neighbouring city.

The present population of Akhissar

amounts to between six and seven thousand inhabitants, of whom 1,500

are Christians of the Greek and Armenian churches, which have each

respectively a place of worship. That of the Greeks is very mean,

and the earth and numerous graves have so accumulated about it,

that it seems half buried, and is approached by a descent of many

steps. This process seems to have gone on, so as to obliterate the

former Christian edifices which stood here. There exist no traces of

them above ground, but in excavating different places, the remains

of masonry, to a considerable extent, are discovered, having once,

according to tradition, formed the foundation of Christian churches.

Shafts of mutilated columns are often found obtruding above the soil

in cemeteries and other places−-all that exist of buildings once

standing on the surface. It is probable that many of these marked fanes

dedicated to Diana, whose worship was very extensive in Asia, and not

confined to Ephesus; she appears to have been the tutelar deity of

Thyatira also, and several inscriptions intimate the extent of her

influence and the devotion of her worshippers, till both yielded to a

superior power, and the visionary train of heathen deities vanished

before the light of the gospel.

Among the very agreeable accessories of this place, is the abundance

of pure water with which it is supplied; perennial streams run down

from the hills by which it is surrounded, and, meandering through the

more level ground, and imparting freshness and fertility to the meadows

and gardens of its environs, they enter the city, conducted by various

courses formed for the purpose. This fluid, essential to the Osmanli,

both as a natural and religious want, they prize and cherish so dearly,

that expedients are used to collect it, where it is available. At Ak

Hissar they have taken more than common care; they have constructed

aqueducts consisting of more than 3000 pipes, from whence the water

issues in various channels through the streets, so that the air in the

heats of summer is constantly refreshed by the gushing streams, and the

ear soothed by the gurgling sound. This water is remarkable for its

salutary qualities; it is cool, sweet, limpid, very grateful to the

taste, and light of digestion to the stomach. The country about the

town is rich and fertile to a high degree, and the air remarkable for

its purity, fragrance, and salubrity; it has all those qualities which

the bounty of nature has conferred on the lovely plains of Asia Minor,

and has invited a larger population than is usually found in those

beautiful but now desolate regions.

It is marked, however, by Oriental circumstances revolting to European

feelings. It is surrounded by cemeteries more numerous than those

found near much larger cities. Attracted, perhaps, by the odour of

these charnel-houses, vultures abound here; instead of the cooing of

doves which marks Philadelphia, or the crepitation of the stork’s bill

which distinguishes Pergamus, the scream of this ravenous and unclean

bird is the sound most frequently heard; flocks are constantly seen

wheeling round in the air, or lighting by the road-side, covering

the fields, and so tame as quite to disregard the approach of a

passenger. It is this characteristic of the town which is presented in

our illustration−-one of its cemeteries strewn over with shafts and

mouldings of former buildings now laid to mark the graves, and vultures

flapping their wings over the corpse interred below.

[Illustration: Drawn by W. L. Leitch. Sketched by T. Allom. Engraved by H. Adlard.

CONSTANTINOPLE FROM THE HEIGHTS ABOVE EYOUB.]

This view of the city is a companion for a former. The one presented

it as it appears from the mouth of the Golden Horn, the other from

its head; and it displays many objects of interest on both sides of

a beautiful expanse of water, whose visible circumference may be

estimated at 20 miles; the length of the whole harbour being about 15

miles, and its general breadth from 8 to 10 furlongs.

Where the Cydaris and Barbyses discharge themselves into it, the

slime and mud carried down by the stream are deposited; and it forms

a flat alluvial soil, where extensive manufactories of pottery have

been established. As this is in the vicinity of a royal kiosk, it has

obtained the name of the Tuileries, for the same reason as the French

called their palace−-because it was built where a manufactory of tiles

had been established. The deposit continues to fill up the harbour, and

it is necessary to mark the new-formed shoals, for the direction of

vessels, by stakes stuck in the mud, so that this part of the harbour

exhibits a curious spectacle of a labyrinth of palisades.

Constantinople and the Scenery of the Seven Churches of Asia Minor Series One and Series Two in one Volume · 第 21 / 29 段