Between the fountain and one entrance to the mosque of Santa Sophia is

seen that of the seraglio. This gate, distinguished by its lofty arch,

was therefore called Babu Hummayoun, or “the high door,” by the Turks,

which the French translate into “Sublime Porte:”[2] the term has become

a designation for the cabinet of Turkish diplomacy, as before noticed.

The gate was originally erected by Mahomet II. when he entered the

Christian capital, and converted the residence of the priests of Santa

Sophia into a palace for himself. It consists of a massive and clumsy

pavilion, formerly crowned with turrets; it is pierced by the high door

from which it takes its name, and under the arch is an inscription on

a broad tablet. Above are one large and three smaller apertures for

windows at each side, and below, the dead wall is excavated by two

deep niches. It has undergone changes for improvements, but it still

resembles rather the strong-hold of a military station, than the great

entrance to the most extensive and gorgeous palace in the world; yet

it is from hence the sultans of the East for centuries dictated to the

sovereigns of Europe, and issued the mandates of the “high door” from

the city, or of “the imperial stirrup” from the field.

Much of the brutal and bloody barbarism which the Osmanli brought with

them into Europe, is still displayed in their most characteristic

manner at this imperial gate. Here it is that noses and ears are

exhibited as trophies of victory, like Indian scalps. In the year 1822,

the conqueror of Patrass sent many sacks of those trophies; they were

shaken out before the Babu Hummayoun, and formed two large piles of

various mutilated portions of the human countenance; and through these

ghastly and festering heaps of his subjects’ flesh, the sultan and his

officers passed every day, till they rotted and dissolved away. In the

niches, the heads of deposed Turkish officers were exposed; and the

ambassadors of European sovereigns proceeding to an audience, saw them

kicked about in sport and derision, and were threatened themselves with

being pelted with human sculls. Within the gate, the heads of pashas

of rank, Halet Effendi, Ali Pasha, and other great delinquents, were

allowed the indulgence of silver dishes to support them, and were daily

exposed to the multitude, like that of John the Baptist, in a charger.

[Illustration: T. Allom. W. J. Cooke.

THE CASTLE OF SMYRNA.]

Ascending from the alluvial and marshy soil below, are seen various

ruins indicating the more healthy and elevated site of the ancient

city. Crowning the summit of Mount Pagus, are what remains of the

Acropolis, consisting of ramparts and embattled walls, flanked by

numerous towers, some of which are square, and some circular. These

walls enclose a very extensive area of many acres, which seem never

to have been built on, or filled with any kind of edifices. It was a

clear space, on which the garrison defending the town pitched their

tents as on a field of battle, so that the whole formed a strong

walled camp.--Here are still seen the remains of a temple, and the

cistern that conveyed water. Here it was the knights of Rhodes took

their stand, when they defended the Christian city against the infidel

invasions. It was dilapidated by Tamerlane and his Tartars, who brought

down the stones from the hill, and threw them into the harbour, in

order at once to destroy both the security and commercial prosperity of

this great emporium of the Oriental Christians. Over one of the gates

is an inscription, implying that the walls were repaired by one of the

Comneni, and his wife Helena. But the most interesting of sculptured

remains, is a bust and head of marble, in good preservation, and

highly finished. It represents a female with a profusion of long hair,

which has given rise to various conjectures; some affirming it to

be part of the statue of the empress Helena, who, with her husband,

rebuilt the fortress. It seems, however, a better specimen than could

be executed during the total decay of the arts of that period, and

displays a boldness of design belonging to a more perfect age of

Grecian skill. It is therefore with greater probability supposed to

represent Smyrna, the heroic Amazon, who, according to Pliny, founded

the city, and conferred on it her own name.

On the slope of the hill on one side, are the ruins of a stadium,

or theatre. The stones were formerly removed to erect a khan, and

displayed under the foundation of the walls, the cells where those wild

beasts were confined, with which the early Christians were compelled

to fight, as St. Paul, “after the manner of men,” at Ephesus. To this

fate, St. Polycarp, the first Christian bishop, was condemned. He was

the disciple of St. John, and appointed by him to superintend his

church of Smyrna. He proceeded to Rome, at the age of one hundred and

four, to confer with the Christians of that city about some subjects

of controversy, which even then divided the infant church; and on his

return he was, by the order of the emperor, thrown to the beasts of

this theatre, and devoured, for the recreation of the assembled people

of one of the most opulent and polished cities of the heathen world:

some, however, say he was burned alive. The persecution of Christians

has distinguished this church of the Apocalypse even in modern times.

In the year 1770, after the defeat of the Turkish fleet, orders were

given by the pasha to retaliate on the Greeks of Smyrna. Armed men were

let loose on them at five o’clock on Sunday morning, who rushed into

their houses, and the churches where they were assembled, and in five

hours one thousand five hundred Greeks were sacrificed in cold blood.

In the year 1822, similar cruelties were perpetrated. The massacre of

Scio extended to Smyrna. For several days the Greeks were hunted out,

and brought, as they were seized, to a spot below the ascent of the

hill, as to a favourite place for immolation. Eight hundred were here

murdered, and their putrid remains were left for a long time tainting

the air, and spreading pestilence among their executioners.

In the front ground of our illustration is a bridge thrown over the

mouth of the Meles, where it debouches into the harbour. Over it is

constantly passing an uninterrupted current of caravans, bearing

merchandise, indicating the immense commercial intercourse of the city.

It is known, that eight hundred laden camels a day, cross the Meles at

this one point. Beside the bridge, is a tree, noted as the instrument

of the summary justice of the Turks. When a suspected delinquent is

seized in the neighbourhood, he is dragged to it, and immediately hung

up to one of the branches.

[Illustration: T. Allom. J. C. Bentley.

THE CITY OF MAGNESIA, AND MOUNT SIPYLUS.]

Two cities in Asia Minor of this name were known to, and recorded by

the ancients: one at the base of a mountain, and called “Magnesia on

Sipylus;” the other on the banks of a river, denominated “Magnesia on

Mæander.”−-The first is that given in illustration.

This city, though not hallowed by the notice of the sacred penman,

or selected as a beacon on which the early light of Christianity

was to shine, has yet many claims on the notice of a traveller.

Mythology and history contribute to the interest it excites, nor is

its name unconnected with the arts and sciences.−-Here it was that

Niobe lamented the loss of her children, and the effects of her grief

still appear in her supposed transformation−-here it was that Scipio

defeated the Asiatic confederacy, and obtained the first permanent

footing in Asia−-and here it was that extraordinary substance was first

discovered, whose properties and affinities have since become the

wonder and guide of man in the trackless ocean.

The city of Magnesia was founded by Tantalus, whose fabled punishment

renders his name so notorious in the world. The situation is striking;

it stands near the foot of a lofty mountain, on the edge of a vast and

fertile plain, and its site and soil resemble those of Brusa; but it

wants those important advantages which the other enjoys. The ridges of

Sipylus afford no perennial snows like those of Olympus, to refresh the

inhabitants below; nor is there any solution of the frigid element,

to ripple in copious currents through the streets, or meander through

the fertile plain. Its site, however, is very beautiful. Above it rise

in majestic grandeur the rugged and romantic precipices of a mountain

once celebrated for its thunder and lightning, and which still seem to

be the shattered and splintered effects of those electric storms; and

below it, lies one of those vast and exuberant levels, which, in Asia

Minor, are found at the base of its hill, endued with the capabilities

of all the luxury of life. This majestic plain is eight or ten miles

in breadth, and fifteen in length. Through the centre flows the river

Hermus, which, like the Pactolus its tributary stream, abounds in

auriferous sands, but, like the Nile, has the more valuable property of

fertilizing its soil, and, by the deposit of its rich mud, producing

golden harvests. This was so remarkable formerly, that medals in honour

of the river were struck, representing its course; having on one side

the branch of a fruit-tree, and on the other a cornucopiæ, emblematic

of its abundant produce. The fate of Turkey has, however, now blasted

it. The luxuriance of a wild vegetation covers its corn-fields, and its

former crops are converted into groves of tamarisk; still it abounds

in many indications of its former state. Gardens and vineyards cover

extensive spaces, verdant pastures are filled with snow-white sheep,

and the landscape is varied by herds of those sable goats peculiar to

Anatolia, whose dark and silky coats contrast in so striking a manner

with their woolly companions. The camel is nowhere more noble and

majestic. The breed is here particularly attended to. They are seen

gaily caparisoned, winding in long lines through the plains, laden with

Oriental produce for exportation, to the mart of Smyrna, where the

camel of Magnesia is particularly prized and admired.

The local attractions have rendered it in all ages the abode of a

numerous community, and the selected residence of the great and the

powerful. It was to Magnesia that Themistocles retired[3] from the

resentment of his fellow-citizens, when the Persian king afforded him

a tranquil retreat, to close his turbulent life. It was here that

Andronicus Palæologus sought repose, when he resigned the sceptre of

the Greek empire, and was no longer able to contend with the growing

power of the Osmanli. Here Turks as well as Christians sought a

retreat. Kiorod, son of Bajazet, and Selim, son of Soliman, dwelt in

Magnesia; and Murad, the father of the mighty Mahomed, the scourge of

Christians, when he abdicated, betook himself to the solitude of this

city, to seek that quiet which a throne denied him; and being again

called to public life, he once more retired to this favourite abode.

The early history of this town is connected with interesting events,

the records of which are still preserved in England. The noble bay of

Smyrna being the great outlet for the produce of the fertile plains of

Magnesia, a league was entered into by these free and polished cities,

for mutual benefit and protection. The citizens of one were admitted to

all the rights and immunities of the other; and the mutual alliance was

ratified by erecting marble pillars in both cities, with the terms of

the compact inscribed on them. One of these interesting documents has

escaped the ravages of time and accident. The tremendous earthquake,

in the reign of Tiberius, that prostrated thirteen noble cities in

Asia, and with them Magnesia, respected this monument, and it is now

preserved among the marbles which enrich the university of Oxford.

The citizens of Magnesia had been long celebrated for their skill in

staining glass, and still retain some beautiful specimens. Travellers

see with surprise, in the houses they enter, the floors covered with

varied forms in vivid colours, and find them caused by “storied

windows, richly dight,” through which the sun’s rays had passed. The

glass here manufactured possesses a brightness and transparency of

colours superior to those of Europe. It is thus that, while the arts

have long fled from this barbarized region to the more polished people

of the west, a beautiful one remained behind, the loss of which Europe

long regretted.

Indications of the wonderful substance to which the city gave its

name, is yet found in the mountain over the town. Pliny affirms that

the appellation of magnet was derived from Magnes, the shepherd, who

discovered it in mount Ida, by the iron attached to his crook; but

Lucretius, the philosophic poet, and others, say it took its name from

the place where it was first found.[4] Travellers in modern times

endeavour to settle the question; they bring with them ship and pocket

compasses, to ascertain the existence of the magnetic stone in this

place. They find the needle pointing to different quarters, as the

compass is moved from place to place, and at length losing its quality

of being attracted altogether; a circumstance known to be the effect

produced on magnetic needles, when brought near other bodies possessing

the same property.

The conversion of Niobe, not into a fountain, but a rock, was an

opinion so universally received by the ancients, that Pausanias

affirms, he himself, in ascending the hill, saw the statue with his own

eyes. This indurated memorial of the tear-dissolved mother, is yet to

be seen as Pausanias saw it 2,000 years ago. On the side of the hill

is the rude fragment of a rock, bearing a semblance to a human form,

which a lively imagination may easily convert into a Niobe. The person

represented, however, has been disputed; some have taken it for the

colossal statue of Cybele, the tutelar deity of the place.

The face of the mountain, ascending from the city, presents the remains

of very extensive fortifications, once occupied by soldiers of various

nations, but at present in a state of entire dilapidation. Its cannon

were removed to Smyrna, and now protect its ancient ally. A more modern

edifice, surrounded by well-timbered woods, attracts more attention.

This is the residence of the present Ayan, or proprietor of the soil,

whose family has been long distinguished in this region. When the

Osmanli made their first inroads on Christian possessions, they secured

them, by establishing, as they advanced, a feudal system. They left

the acquired territory under some military chief, who portioned it

out among his Moslem followers, on the terms of military service when

called upon. These were named Deré beys, or “Lords of the valleys;”

and the rich plains of Asia Minor were divided among them. They were

classed as _Zaims_ or _Timariots_, according to the number of spahis

or cavalry they were bound to supply; and were the only hereditary

nobility in the Turkish empire−-few in numbers, but the petty and

brutal tyrants of their respective territories. To these, however, was

one distinguished exception: the family of Cara Osman Oglou preserved

a high character for many generations, and every traveller who visited

Magnesia spoke of them as liberal and enlightened benefactors of the

territory over which they presided. This nobility is now extinguished;

the energetic Mahomed, in his reforms, reduced this small but tyrannic

oligarchy to the general level, and united, and confined to his own

person, the whole nobility of the empire. The last descendant of the

Oglous was invited to the capital, where he now employs his time and

revenues in mechanical pursuits. He is a cunning shipwright, and has

built a man-of-war, to serve in the Turkish fleet.

The present population of the city is estimated at somewhat more

than 30,000, of which 20,000 are Turks, and the remainder Jews and

Christians. The former have twenty mosques, whose bristling minarets

are seen in our illustration. There are three Greek and Armenian

churches, and two synagogues. In the foreground is represented one of

those Oriental wells, which from the earliest ages were “digged” in the

East, and which now form a conspicuous object in every landscape. A

long horizontal beam of wood is divided into two unequal lengths, and

supported and turned on a perpendicular. On the short arm is placed a

weight which counterpoises the longer and the bucket and cord attached,

when it descends into the well, and is very easily raised by means of

this lever. One of these machines is seen erected in every garden, and,

as irrigation is constantly required in an arid soil, it is always in

motion, and its dull and drowsy creaking is the sound incessantly heard

by all travellers.

[Illustration: T. Allom. J. B. Allen.

INNER COURT OF THE MOSQUE OF SULTAN OSMAN.]

Mahomet III. was distinguished by vice and imbecility; but his reign

was embellished by learned and upright men. Risman Ben Ac Hissar

wrote a treatise on government for the use of his master, which,

notwithstanding the excellent precepts contained in it, seems to have

but little improved his weak and vicious sovereign. The treatise has

come down to us, with many sage maxims. One was−-“that it is the duty

of a prince to govern with equity, for his own interest is concerned

in it: justice is the support of the throne, and Allah requires that

those persons only should be entrusted with power and dignity, who show

themselves worthy of exercising them.” Another, more shrewd, declares

that “a thousand friends are too few, and one enemy too many;” but the

only injunction that seems to have had any weight with the heedless

monarch was, that “he should not only honour and respect the Ulemah

(men of the law,) but promote all his undertakings by securing the

aid of their prayers, for they have the inheritance of the gifts of

the Prophet.” Influenced by this advice, he determined on building a

mosque, and adding another imperial Djami to the capital: in order to

make it more splendid than that of any of his predecessors, he sent

architects to collect the models of the Christian cathedrals in Europe,

that his mosque might be constructed from the perfections of them all.

This heterodox intention, however, was opposed by the Ulemah, who

denounced it as a desecration of a temple dedicated to the Prophet;

and while he hesitated in his architectural plans, and before he had

matured the whole design, death overtook him, and he left his mosque

unfinished.

It was reserved for Osman, or Ottoman, to complete it. His vizir died

immensely rich, and, by the maxims of the Turkish empire, his wealth

reverted to the sovereign. “The Sultan,” says the law, “never loses his

inheritance to wealth, for, cast it upon the ocean, and let it sink to

the bottom, it wall again rise to the surface, and become visible.”

Enabled, it should appear, by this accession of means, he set about

completing the unfinished mosque of his predecessor. This he effected,

though his pious work did not propitiate Allah to alter his decrees

with respect to his own fate; it was very miserable. He was seized by

Daud, his rebellious vizir, and sent a prisoner to the Seven Towers;

here, at the age of nineteen, in the prime of life, vigour of youth,

and bloom of beauty, he was strangled, his features mutilated, and one

of his ears cut off, and sent as a grateful present to his successor.

Notwithstanding the intentions of its first architect, the design

of the mosque of Osman is purely Oriental; yet it has an elegant

appearance. The approach is by an arcade, supported by a colonnade

of light and lofty pillars, enclosing the court. The whole of the

interior is covered by an expansive dome, without any visible

support of columns. Our illustration represents the court with the

congregation gathering for prayers, and some of them engaged in the

usual preparations. Nothing can be more grave and solemn than these.

The people seem impressed with their pious purpose before they enter

the house of prayer. They divest themselves of their gayest apparel,

because they suppose humility of appearance is required before God. As

they approach, the groups appear to be more than usually serious and

silent, as if meditating on what they were about to do. When arrived

at the reservoir of water provided for ablution, they wash their face,

hands, and feet, from a feeling that personal purity is indicative of

purity of the mind. When ascending the steps leading to the entrance,

they deposit their shoes, from a conviction that the place they are

about to enter is holy ground; and before the gate they sometimes

prostrate themselves in reverence to the tomb of the Prophet, whose

relative direction and position is always designated in every mosque.

Before the door is suspended a curtain, which it is necessary to

push aside on entering, and it immediately falls back, to screen the

congregation from profane eyes. The floor is generally covered with

carpets, on which the people kneel, and then fall prostrate on their

faces, resuming occasionally their erect position. During their prayer

there is no turning of the head, no wandering of the eye, to mark any

abstraction of thought, but every faculty both of mind and body seems

wrapt and bound up in the solemn act they are performing. Travellers

who have noticed this total engagement of the attention of a Turk when

he supposes himself in the presence of his Maker, and contrasts it with

the languid and careless inattention so often observed and complained

of in our churches, have remarked, “that Christian men might take a

lesson from men who were not Christians, in what manner they should

worship their common God.”

[Illustration: T. Allom. G. Presbury.

METROPOLITAN CHURCH OF MAGNESIA, ASIA MINOR.

INSTALLATION OF THE BISHOP.]

The existence of the Greek church, and the religion of the Gospel,

among its bitterest enemies, has evinced, at different periods when it

seemed doomed to destruction, a preservation as unexpected as it was

extraordinary. When the conqueror of Constantinople had suffered his

followers to glut their worst passions on the Christians, and their

total extinction was expected, he made a show of unexpected moderation,

and, to the astonishment of all, he sent for the patriarch Gennadius,

appointed him to his Christian pastoral office by placing in his hand

a staff of ebony, and, to do him further honour, after the military

manner of a Turk, he placed the meek minister of the Gospel on a

war-horse richly caparisoned. He then divided the churches equally

between the two sects; half being reserved to the former use, and the

other to the use of the Prophet.

Constantinople and the Scenery of the Seven Churches of Asia Minor Series One and Series Two in one Volume · 第 17 / 29 段