The Turks call it Scodra, or Scutari, and consider it a suburb of

Constantinople, though on the opposite side of the straits, and in

another quarter of the world. The beauty and salubrity of its situation

have rendered it a favourite residence. The streets are wider, the

open areas more spacious, and the houses better built than in the

capital; and the prospect, as you climb the hills above, is exceedingly

beautiful. In the ascent to the hill of Bourgourloo, you arrive at a

plateau, celebrated for the richness of the scenery it affords. Mount

Olympus, the Princes’ Islands, the winding strait of the Bosphorus

with its bays and villages, appear with singular beauty from this

spot; while the fragrance exhaled from the gardens, and the chant of

the nightingale, afford a gratification to every sense. Beside it is a

valley called Bulbul Dereci, or “the Vale of the Nightingale,” where

these birds abound, and their song is heard all day. When a public

functionary is deprived of his office, and suffered to retain his life,

he retires to Scutari, and seeks solace in its soothing enjoyments.

The Persian ambassador and his suite, excluded, like the Franks, from

Constantinople, here take up their abode. With the exception of a few

Jews, it is exclusively a Mohammedan city, and contains eighty thousand

Moslem inhabitants.

It is distinguished by many edifices of piety or utility. Here the

daughter of Soliman the Magnificent erected a mosque to the memory of

her father; and an inscription recording the circumstance, represents

her as “the gem of the world,” and prays that “Allah would render her

excellent in every other qualification.” Here Selim established his

printing-press, when he revived it, to enlighten his subjects: here he

erected a magnificent cotton-factory, to improve them in the industry

and arts of life: here he built a noble kisla, or barrack, for his

nizam djeddit, or new troops, to discipline a rude and turbulent rabble

to European restraints: and here he endowed a mosque, to which he

usually repaired to perform his Friday’s devotion. This edifice, given

in our illustration, stands on the slope of the hill, surrounded by an

extensive area, and exhibits considerable lightness and elegance. Among

the group of Turks is seen some in the costume of European soldiers;

which he lost his crown and life in endeavouring to establish, though

his more energetic successor completely succeeded. The violence and

impetuosity of one of those sudden currents of air which burst out in

the Sea of Marmora, was strongly marked by its effects on this mosque.

The principal minaret was snapped off like the stem of a pipe, and the

upper part was carried unbroken to a distance.

[Illustration: T. Allom. W. Floyd.

MOSQUE OF MAHMOUD II. AT TOPHANA.]

This beautiful but small imperial mosque of the reigning sultan, is

situated not on a conspicuous eminence like those of his predecessors,

but in the low alluvial ground on the shores of the Bosphorus, and on

the water’s edge; but the beauty and finish of the edifice compensate

for the defects of its site. All the skill of Oriental ornament is

expended upon it. Rich lattice-work and taper spires of minarets

highly gilded, glitter in the sun with a brilliancy and recency, as if

they had been left just finished by the hands of the artisans; while

painting and sculpture, in rich arabesque, give a peculiar elegance to

the edifice. It is entered by a lofty approach of marble steps, and

it is distinguished by a separate and detached spire, not a minaret,

but intended for a use which modern improvement and approximation to

European arts have lately introduced. The Turks abhorred the sound of a

bell in any form, and inhibit its use even to the Franks in assembling

their congregations for divine service. They could not be induced to

erect a public clock in the capital,[12] and it was supposed, some

years ago, that there were but two in the Turkish empire of Europe−-one

in the town of Shumla, erected by a minister who brought it from

Russia, where he had been on a mission, had learned its use, and

conferred it as a benefit on his native town; the other was bestowed

on Athens, while under the dominion of the Turks, by Lord Elgin, as a

compensation for his abduction of the marbles of the Parthenon. The

present sultan, however, among his improvements, has erected a steeple

in his temple for a clock, that the muezzim may be directed with more

certainty in calling the faithful to prayer; and it is probable that,

in a few years, the more effectual sound of the prohibited bell will be

substituted for the human voice.

[Illustration: T. Allom. G. Presbury.

CARAVANSARY AT GUZEL-HISSAR, ON THE MEANDER.

ASIA MINOR.]

There are two modes of travelling through Asiatic Turkey. When the

traveller takes with him a firman from the sultan, and a Tartar

janissary as a guard, and brings an introduction to the pasha or

muzzelim of a town or village−-on his arrival, and the presentation

of his credentials, he has a _conak_ assigned him; that is, some

house is conferred upon him and his company, and a chaoush is sent

to establish him in it. The house is generally the residence of

some Greek, Armenian, or Jew. The chaoush enters without ceremony,

turns out the family, and puts the stranger in possession of all

it contains, as long as he chooses to remain. By special favour

of some more considerate traveller, he asks the family to stay as

lodgers in their own house, having assigned to the strangers the best

apartments in it. Should the traveller not meet with the comfort and

consideration of a conak, he is compelled to betake himself to a khan,

or a caravansary. The first of these is an immense edifice, with a

lofty roof and bare walls, resembling a rude imitation of Westminster

Hall, in which the horses literally appear like mice, contrasted with

the immensity of their stable. Round the bottom runs a low parapet,

leaving a small space between it and the wall, which serves as a

manger. Behind, it is filled with chopped straw, the usual food for

horses. When a traveller arrives, he rides in without question or

inquiry, turns his horse to his provender, spreads his carpet beside

him for himself, sups on whatever he brings with him, sleeps where he

eats, on the floor, and departs the next morning without payment. In

cities, the khan has somewhat more accommodation, and in the country

there is sometimes a small apartment stuck on the side of the lofty

wall like a pigeon-house, and ascended by a ladder, like a hay-loft.

Here the traveller finds a ragged mat on a rough dirty floor, and,

perhaps, there is a coffee-room in the street, whence he can procure

some refreshments; but these are rare luxuries. These naked edifices

were first erected by Murad Khan, vizir to Soliman the Magnificent,

and afterwards by the munificence and charity of sultans, for the

gratuitous accommodation of all travellers.

The caravansary is an improved khan.[13] Commerce with the interior

of Asia is carried on principally by the Armenians, who travel in

caravans. Companies of merchants combine and travel together; and when

the number is considerable, a chief is appointed, who commands and

regulates the march. They are often attended by hired soldiers, and

every man is himself armed with some weapon. When a pasha, or other

great man, is known to be about to make a movement, the caravan awaits

his departure, and proceed under his protection, like a fleet of

merchantmen under the convoy of a man-of-war. The caravan in this way

sometimes amounts to several thousand persons. Along the usual route,

large edifices are erected, having more accommodation than common

khans. They consist of quadrangles surrounded by chambers, where the

merchants are lodged, and their wares stowed, rising sometimes to the

height of two or three stories, ascended by stairs, and connected by

galleries and corridors. The area has frequently a fountain of pure

water playing in the centre, is planted with shrubs and trees, and the

fronts are trellaced with vines climbing over the roofs, affording

agreeable shade, or pendent with rich clusters of fruit. Some of them

are very picturesque and pleasing objects, and afford a most grateful

repose to the tired and heated traveller. As the indispensable duties

of charity, formerly prescribed to Moslems, and strictly followed, are

daily becoming of looser obligation; the fountains, khans, and other

erections of piety and charity, are rapidly falling to decay and ruin,

and no new ones are erected to supply their places.

The town of Guzel-Hissar, the caravansary of which is given in the

illustration, is supposed to be the ancient Tralles, stigmatized by

Juvenal for sending its effeminate inhabitants to corrupt the Romans.

It is situated in Asia Minor, on the north side of the Meander, about

thirty miles from Ephesus. It is approached by an excellent road, with

rich gardens on either side, planted with vines, olives, and other

Oriental trees. On ascending the hill on which the Acropolis of the

ancient city stood, the eye commands a magnificent view of the rich

plain beneath, with the Meander twining its tortuous current in such a

way, as conveys in a striking manner the character of the stream, and

why it gave its name to all winding rivulets. The modern town contains

a large population of about fifty thousand inhabitants. The Jews have

ten synagogues, and the Greek and Armenian Christians two churches.

Our illustration presents the arrival of a caravan, with all its busy

accompaniments; the patient camel, “the ship of the desert,” and the

great medium of communication in these countries, discharging its

cargo. Contrasted with this enormous and misshapen beast of burden,

is the Arabian courser, on which is mounted the tchelebi, or Turkish

gentleman, seated on his lofty saddle, his feet thrust into his

fire-shovel stirrups, and his knees protruding above his horse’s back

by the shortness of his stirrup-leather. On the ground is seated the

disengaged traveller, solacing his fatigue with his nargillai, and

behind him a pious Mussulman, preparing by ablution for the namaz, or

evening prayer.

[Illustration: T. Allom. J. Sands.

ANADOLI-HISSAR,--OR CASTLE OF ASIA, AND THE HILL OF KANDELI.

ON THE BOSPHORUS.

ASIA MINOR.]

This castle was originally built, with that on the opposite shore,

by the Greek emperors, to command the passage of the strait at its

narrowest part. It was falling into ruins by the neglect and supineness

of the sovereigns of the lower empire, but the site was appropriated

and the edifice rebuilt by Mahomet I., when the Turks extended their

dominion to the Asiatic shores of the Bosphorus, as an effectual

step in his advance to the capital. Its fate was soon after sealed

by Mahomet II., who completed his line of approach by seizing on and

rebuilding the castle on the European shore.

The Asiatic castle stands, somewhat elevated, on a low promontory,

which, with a village around it, it covers. Near it is the Guyuk Sou,

or Sweet Waters of Asia, frequented as one of the favourite scenes of

Turkish enjoyment. The neighbourhood, on both sides the Bosphorus,

possesses springs of great celebrity. They are called by the Greeks

_ayasma_, or “holy wells,” and held in high repute for the sanctity

and efficacy of their waters, their spiritual and physical qualities

healing all diseases both of mind and body. Within the cavity which

covers the well, there is a shrine dedicated to the patron saint,

at which the pious are constantly seen, by boats passing along the

Bosphorus, offering up prayers and vows for the forgiveness of sins, or

the recovery of health.

Rising from the low and alluvial soil below, is the beautiful and

romantic eminence of Kandeli. This lovely hill projecting into a

promontory, commands an extensive view on both sides, up and down

the strait, nearly to its opening at both seas. It is the favourite

residence of the rich Armenians, who, retiring from the dismal

obscurity of their shops in the bazaars, or the cell-like offices where

they are engaged in the city and confined all day, indulge here in airy

and splendid mansions, an evening repose in more than Asiatic luxury.

[Illustration: T. Allom. F. A. Prior.

OUTER COOLING-ROOM OF THE BATH, NEAR PSAMATIA KAPOUSI.]

A district of Constantinople is called Psamatia, from a miracle of the

Greek church. During one of those verbal and frivolous controversies

which divided it, a priest was reproved by a young child for some

unsound opinion. He replied, he would hold it till convinced by a

sensible miracle that it was wrong. The child was immediately seized

by an invisible hand, and held suspended in the air over the heterodox

priest, till he confessed and recanted his error. This miracle, called

in the Greek church _ypsomathea_, or “the divine elevation,” gave a

name to the whole district, where it is firmly believed at this day. It

is one of the quarters inhabited by the Armenians, and presents many

indications of the wealth and industry of that thriving people.

It contains one of the principal baths of the city, in the luxury of

which, Oriental Christians, as well as Moslems, indulge. After the

process we have already described is gone through, the bather, purged

from all corporeal impurities, and escaped from the sensations of

suffocation and dislocation, is led by the tellah to enjoy the luxury

he has, in the opinion of many, dearly earned. Here, in an apartment

reduced to a moderate temperature, reclined at ease on a divan, his

purified person slightly covered with shawls, entirely divested of

his clothes, and perfectly free from all pressure or restraint, he

feels a renovated existence. Refreshments of various kinds are brought

to him, and, after taking them, he lies for some time sunk in that

dreamy repose of half-conscious existence, which is the very paradise

of an Oriental. When this is past, and the heat of his body is reduced

gradually to its usual temperature, so that he apprehends no peril from

sudden change, he resumes his clothes, and goes on his way rejoicing.

Nothing can afford a stronger contrast than the cautious effeminacy of

a Turk, and the rude hardihood of his neighbour and enemy the Russian,

in this particular. Both equally indulge in hot-baths; but the one

reduces the temperature of his body afterwards, by careful gradations,

even in the midst of summer, and dreads any extreme sensation as

mortal; while the other rushes from burning heat, with every pore

streaming with perspiration, into the intense cold of frozen snow, in

the depth of winter, and thinks the luxury and salubrity of the bath

increased by the contrast.

By a return of the Stambol effendi, or Turkish lord-mayor, there were

in the city 88,115 houses, 130 of which were public baths, in which

most of the inmates of the other houses daily indulged. To accommodate

the number, men and women were obliged to have recourse to the same

bath, at different hours.

[Illustration: T. Allom. J. Redaway.

THE ACROPOLIS OF PERGAMUS.

ASIA MINOR.]

This city of the Apocalypse was distinguished by many circumstances

worthy of record, both in profane and sacred history. It was erected

by Philoterus, a eunuch, into the capital of many nations, comprising

Lydia, Caria, Phrygia, and other states of Asia Minor, two centuries

and a half before the birth of Christ. It possessed the greatest

library then known in the world, consisting of 200,000 volumes,

afterwards brought by Cleopatra to form that of Alexandria. It gave

rise to a material for writing which has since been invaluable in

the world. Ptolemy had prohibited the exportation of papyrus from

Egypt, and an artist of Pergamus invented parchment, thence called

“pergamea.” It was celebrated for the worship of Esculapius, who had

a splendid temple there. The priests were the physicians, and the

temple was crowded with patients, who invoked succour by watching and

prayer. This was communicated by means of dreams and visions through

the priests, who administered the remedies which they affirmed the god

directed. Mighty sovereigns were among the number of these patients.

The last king, Attalus, was noted for his tyranny and singularity. He

obtained the name of Philometor, for his love to his mother, and became

a brass-founder, in order to cast for himself a statue of her. While

engaged in his forge, working as a common artisan, on a hot day, he was

seized with a fever, of which he died. His will was another mark of

singularity: it consisted of one line−-“Let the Roman people inherit

all I possess.” The Romans were charged with forging this will, and

poisoning the waters of the city, to compel the inhabitants to comply

with it. The state from that time became a Roman province; and it was

thus, by force or fraud, this ambitious people finally became masters

of the then known world.

When Christianity expanded itself in Asia, Pergamus became the third

church of the Apocalypse; but it appears, from the reproach of the

evangelist, that it was early infected with that heresy, which has

caused, in all ages, such injury to the church of Christ. “So hast thou

also them which hold the doctrine of the Nicolaitanes, which I hate,”

says St. John.[14] These heretics were the followers of Nicolas−-a

proselyte of Antioch, and one of the seven deacons mentioned in the

Acts.[15] They were “addicted to the vain babblings of science falsely

so called,”[16] pretended to a more deep and mysterious knowledge of

spirits and angels, and were the origin of the sect of “Gnostics,” who,

in the early ages of the Gospel, degraded it by absurd opinions and

foul practices. This church fell like the others, and less perhaps to

be regretted, under the dominion of the Osmanli, when, with the sword

in one hand, and the Koran in the other, they left the inhabitants

of Asia no alternative but death or Mahomet. As they advanced among

the Greek cities, they made their perfection in the arts the means of

subduing them. They not only cut their beautiful marble columns into

portions, and rounded them into cannon-balls, but they perforated the

larger pillars into artillery for throwing the pieces of the smaller.

At Pergamus many of the shafts of the columns of their temples were

thus converted into cannon.

The present city, now called Bergamo, by a slight corruption of the

original name, contains 50,000 inhabitants, of whom 1700 are Christians

of the Greek and Armenian churches, and 100 Jews, who have a synagogue.

It is approached by an ancient bridge passing over a tributary stream

of the Caicus. It forms the front ground of our illustration, with a

caravan passing it. In the background is seen the Acropolis, commanding

a splendid view over the vast and rich plain below, as far as the Egean

sea. On this grand elevation stood the magnificent temple, extensive

remains of which still exist, visible from the sea. On the plain

below was the Naumachia, where naval combats were held, supposed to

be the most splendid in Asia; and among the remains of ruder works

is a portion of a common sewer, consisting of a cylinder of brick,

thirty feet in diameter. But the ruin most interesting to the Christian

traveller is that of Agios Theologus, the Evangelist St. John, erected

by Theodosius, when he surmounted the Globe he held in hand with a

Cross−-to declare that Christianity had now become the paramount

religion of the world.

[Illustration: T. Allom. J. C. Bentley.

THE TRIPLE WALL OF CONSTANTINOPLE.

ON THE LAND SIDE, NEAR TOP KAPOUSI.]

The walls of Constantinople, notwithstanding the shocks of earthquakes,

the numerous assaults of besiegers, the decay of time, and the

dilapidations of neglect, are at this day surprisingly perfect; and

though fifteen centuries have passed since their first erection, they

include the same space, and stand at the same elevation. The great

wall, forming as it were the base of the triangular area on which the

city is built, and running from sea to sea, is nearly five miles in

extent: a broad high road passes parallel to and just under it, so

that a traveller can view without interruption the whole line, from

the Golden Horn to the Propontis, and contemplate, during a delightful

walk, the most interesting remains perhaps existing in the world.

In some places the rising ground so elevates him, that he sees a

considerable part of the interior of the city over the walls, and he

looks down upon places, hallowed by various recollections, which the

narrowness and obscurity of the streets prevent his viewing from within.

This wall, originally erected by Constantine the Great, was enlarged

by Theodosius, and is therefore called after his name. It suffered

various shocks by violence of different kinds−-of nature, time, and

the hand of man−-and was finally repaired by Leo and Theophilus. From

the district called Blachernæ, where it meets the harbour, it rises to

an immense height, and towers to a surprising elevation above the head

of the passenger. The uniformity is broken, however, by the remains of

edifices on the summit of the wall, and the rich drapery of ivy and

various trailing plants, which cover it. Here the wall, secured by its

magnitude, is single, and presents but one defence. But at the gate

called Egri Kapousi, or the crooked gate, where it forms an angle, the

elevation is less, and the defence increased by a triple wall of three

parallel fortifications, which extend to the Seven Towers and the sea.

The walls are eighteen feet asunder, crowned with battlements, and

defended by fifty-nine towers, of various forms and sizes. Inserted in

different places are tablets of stone or iron, containing inscriptions

which commemorate events, or persons who repaired the walls; but most

of them are now entirely effaced, particularly those on iron, by the

rust and corrosion of the metal. The masonry in some parts consists

of huge blocks of granite, resembling those early structures in

Greece called Cyclopean, from the fancy of mythologists, that they

had been erected by gigantic architects. In others, they are composed

of alternate courses of broad flat bricks, resembling our tiles, and

stones twice the thickness. Arcades and arches, both in the walls and

towers, are formed, in a curious manner, of similar materials. The wall

is entered by seven gates, called by the names of the towns to which

they lead, or some circumstance connected with them. Of the latter, is

the gate of Top Kapousi.

This gate, called also _Porta Sancti Romani_, as leading to the Greek

church of St. Romanus, was that rendered memorable by the final attack

of the Turks. Before it stands the Mal Tepé, one of those artificial

mounds, supposed to be sepulchral tumuli, which are spread for many

hundred miles over these regions, both in Europe and Asia. The summit

commands an extensive view of the interior of the city, and here

Mahomet II. erected the Sandjak-sheriff, or great standard of the

Prophet, and directed the operations of the siege. Beside the gate are

seen, yet unrepaired, the breaches made in the walls by that enormous

artillery which he caused to be cast for the purpose, and on the summit

of the gate are placed some of the huge granite balls discharged from

them, in memory of the event; and hence the gate is now called Top

Kapousi, or “Port of the Cannon.” When the cross was sinking under the

crescent, and the great capital of the Christian world was just falling

into the hands of the followers of Mahomet, Constantine retired to the

church of Sancta Sophia, and, after receiving, with his few faithful

adherents, the solemn eucharist, proceeded to make his last effort in

the breach. He was killed in the attack, and the Turks poured into

the devoted city over his body. There is no tomb, or coin, or other

artificial memorial, to preserve the name of this good and gallant

man; but nature has herself supplied the neglect. There grows out of

the breach some picturesque and venerable trees, on the spot where

tradition says he fell; and travellers gather the red berries in their

season, to sow and propagate at home these testimonials of the last and

best of the Palæologi.

[Illustration: T. Allom. W. H. Capone.

YÈRÈ-BATAN-SERAÏ, CONSTANTINOPLE.]

Constantinople and the Scenery of the Seven Churches of Asia Minor Series One and Series Two in one Volume · 第 15 / 29 段