I nodded.

“Well, Castello was in with this doctor in a way, for he was engaged by

him to fetch herbs and flowers from the mountains—like the Manzanilla, for

instance, which only begins to grow at an elevation of twelve thousand

feet. Castello believed that the old fellow could make poisons too, as

well as antidotes; and said I to myself, ’Maybe that little dagger in the

cathedral was specially prepared, eh?’ Which would account for Carmona

hurrying off to Granada after it had found the wrong billet.

“Anyhow, I said I’d like to see the dog, so I was taken behind the red

curtain into Mr. Castello’s bedroom, and on a shelf lay a revolver which

might have been twin to the one you bought in Madrid.”

“It was still more nearly related,” said I.

“Well, I thought so, but wasn’t sure enough to call on the police. I went

away when I’d said nice things about the sick dog; but I didn’t go far. I

hung around till Castello’s visitor had been and gone, and then followed

him to the door of this house. Such a mild, intelligent looking,

well-dressed old gentleman, the herb doctor was; but I guess I needn’t

describe him to you!

“Next day I bought some things at a baker’s not far from here, and

buttered up the shopkeeper, saying his store was too good for the

neighbourhood. Of course he told me he had rich customers, and it was

jolly lucky I’d been fagging up Spanish for Pilar’s sake, or I should have

missed a lot, right there. I soon got him on the subject of the herb

doctor, his best client, who, though supposed to be well-off, and living

in a good house, did all his shopping himself and kept no servants. Nobody

knew much about him, except what he said of himself; that he could set

bones, and was able to make as much money as he liked, selling his herb

medicines to great personages. Who were the great personages? The baker

couldn’t tell; but the doctor had lived in his present house for years,

after taking it when in a bad state of repair, and having it done up

inside by workmen he brought from Madrid. From that day on, no one the

baker knew had ever been invited in, though he’d heard stories of veiled

ladies, and sounds of music at night.

“At that, the thought jumped into my mind that maybe the house was

Carmona’s, a little secret plaything of his. And I remembered reading

about a famous old palace in the Albaicín with an underground way to the

Alhambra. Why shouldn’t there be such a way from Carmona’s palace to the

doctor’s house? And what a convenient place it would be to keep a

troublesome person.”

“Or to kill one,” I amended.

“I thought of that; but I hoped. People don’t commit murder when their

blood is cool if they can get what they want cheaper. I went again to the

police, said I believed that my friend was detained against his will in

the house of Doctor Molina. But when they wanted my reasons I couldn’t

give any to convince them. They thought I was mad, and refused to search.

I was afraid they’d warn the old chap to look out for a crazy American, so

I hurried up and took matters into my own hands.

“I wasn’t sure enough of anything to jump on the man outside his own door

and do the burglar act openly, lest the police should jump on _me_, and I

should be laid by before I’d found you. But about that time I began to

have water on the brain; or rather, I got possessed with the idea of

sneaking into houses by means of conduits; and no wonder, when the whole

Albaicín is honeycombed with watercourses, gluddering and gurgling from

morning till night.

“In the next street to this, there’s a Moorish house of much the same

sort, being torn down. They were selling old tiles to curiosity dealers

one day, so I strolled into the _patio_. The pavement was up, and I saw

how the conduit ran underneath and supplied the fountain. That was

instructive. Opposite this place of Molina’s is a mill. I found out how

the miller got his water, and that after it turned his wheel, it poured in

this direction, being turned off every night about nine. At the miller’s

the conduit is open, only guarded by a rail; and I developed a taste for

making sketches and taking photographs—tourist in search of the

picturesque; miller got used to seeing me about, while I made myself

familiar with the landscape. Then I bought a crowbar and a little electric

lamp. The bar I hid under my coat; and when I was ready to shed the

garment, Ropes put it on. I guess it was a looser fit for him than that

conduit was for me, and there were twelve feet of conduit; good long

strait-jacket, but I’ve been in it a lot of times now, and feel quite at

home. You see, the job couldn’t be done in one go, for I had to make the

hole under the fountain bigger, and I’ve been tinkering away for nearly a

week, o’ nights when the water was stopped. And if I’d come up at last,

like a demon in a pantomime, to find I’d had my trouble for my pains, I

can’t say what I should have turned my wits to next.”

“Does Pilar know?” I asked.

“She and the Colonel went off in a hurry to Madrid just before I took the

job on. They thought they could influence the police at headquarters,

which was their principal reason for going; though they had one or two

others besides. But see here, you’ve got the story pat now, and you’re

looking a thousand per cent. more healthy than when you sat down at this

table ten minutes ago. Poor old Ropes, who always hangs about keeping

guard, will be mighty glad to see you; but before we open the door and

walk out as if we owned the house, let’s have a look round. There may be

something which will give me a chance to say ‘I told you so!’ to the

police.”

Refreshed with wine, and such scanty rations as Dick had allowed, I walked

steadily enough into the adjoining room, while Dick carried a lamp. There

were no such gorgeous decorations here, as in the suite I had reluctantly

occupied. A modern bed stood in one corner. There were shelves on the

wall, fitted with glass doors which protected jars and bottles. On a large

table lay an outfit for chemical experiments, and on another some yellow

flowers half buried in green leaves. In the window was a modern desk, and

Dick at once began to rummage among the few papers in the pigeon-holes.

There was nothing, however, which seemed to bear upon our affairs, with

the exception of a telegraph form, which I seized upon. It was dated June

first, and had been sent from a Madrid office. There was no signature, but

there was a hint of something secret in the three words it contained. “Day

after to-morrow.”

Dick and I stared at the paper, as if we expected the meaning of the

message to spring up to our eyes.

“My name’s not Richard D. Waring if Carmona’s signature oughtn’t to be

tacked on to that,” he said. “Now, we’ve something to go upon, for a

beginning. This telegram will be traced to the sender before I’m many

hours older; we can trust our dear old Cherub for that.”

“Day after to-morrow,” I repeated. “What’s going to happen day after

to-morrow, that Carmona should have wired to this man?”

“I should say it was his way of letting Molina know that the cage door

could open.”

“But why day after to-morrow? He—” I broke off suddenly, and it seemed

that my heart would stop beating. “Dick,” I began again, in a queer voice

that did not sound like my own, “is Monica—” I could not finish the

sentence. But Dick understood.

“Forgive me,” he said. “I saw you weren’t strong enough to bear it at

first. I wanted you to eat, and then—I’d have kept it back a bit longer if

I could, just till I got you to the hotel. She’s going to marry him—on the

third of June, Heaven knows why, though Pilar vows the girl can’t be to

blame, and that they’ve made her believe somehow she’s sacrificing herself

for your sake.”

“What day is this?” I asked.

“The first. The Royal Wedding was yesterday, and a terrible bomb

explosion, in which the King and Queen had a narrow escape, and—but come,

Ramón, I want to get you to the hotel.”

“I’m not going to the hotel,” I said. “I’m going to Madrid, to stop

Carmona’s marriage.”

The Car of Destiny · 第 89 / 98 题