CHAPTER XVII

THE EVENTS OF NEXT DAY

Considering the events of that night, one may be tempted to suppose that

I lay awake for a long time in restless anxiety. But I did no such

thing. I had had a hard day of it, and, in addition to that, my personal

sorrow and the reaction from what I had passed through, so overcame me

that I fell into a kind of stupor, and slept without undressing. When I

awoke in the morning it was broad day. The room, however, was not

bright, for the shutters, which had been open when I went to bed, had

blown together during the night. A sheet of dusty sunlight slanted

through the room. I lay half awake, half asleep, watching the shadows

fold like tapestry in the sunbeams. I tried to see pictures in them as

one does in the clouds of a summer’s night; and soon I found myself

dwelling upon the grotesque features of the dwarf, and on the words he

had spoken to me when we parted the night before.

“I shall not tell you what we have been doing,” he had said. “But I

swear, before God, hereafter to be your true friend.”

I knew that he had spoken the truth. A few moments before he had been

engaged in an attempt to take my life; yet, when he said these words,

his voice rang with unmistakable sincerity. He looked me in the face,

which is not the way of a liar, and the expression in his face was the

expression of truth itself. Of this fact I was mortally certain. What

had I done to make his feeling change towards me? We had had but a small

matter of words. I had helped him to carry poor old Meg to a place of

safety. What else had I done? “Ha!” thought I. “It was she who first

warned me of my danger.” Could it be that there was some connection

between these two, some unexplained relation that would put a new light

upon the small kindness I had shown her? I sprang to my feet. Then I

discovered—for I had come fully awake at last—that the door of my room

was shut tight and barred on the outside.

I fell into a rage. Had they not done enough the night before? Was this

some new trap they had laid for me? I beat and banged upon the floor. I

kicked viciously against the door. It did not take much of this to bring

a response. There was a clattering of feet in the corridor without, the

bolt was quickly drawn back and then the door flew open. In the hallway

opposite my door stood the patroon. The white-haired dwarf, peering

beneath his arm, was making strange faces at me from his half-sheltered

position behind his master’s back. Did he mean them for signs of

warning? Beyond these two clustered half a dozen surprised domestics.

Van Volkenberg gazed at me for a moment and then burst into a fit of

hearty laughter.

“So they locked you in, did they? Ha, ha, ha! I forgot to tell them that

there was a new lodger in the house. We forgot it, eh, Louis?”

He spoke with his usual precision, as if reciting a lesson. There was no

light in his eyes and the moment he was done talking his face became

stolid and set like one who has said his part and was glad to be done

with it. The patroon was a good actor, and yet there were times when a

child could see through his artifice. As he turned to the dwarf, Louis’

face, which a moment before had been strangely contorted, instantly grew

impassive. I conceived the idea that he had been making signs, wishing

to convey some secret intelligence to me. Whereupon I resolved to give

him a chance to speak to me in private if he chose to do so.

“By my soul, St. Vincent!” exclaimed the patroon. “You have slept late.”

“Have I? Indeed, I do not know what time it is,” I answered, scarce

knowing what to say. The patroon was so ill at ease, so manifestly

acting a part, that I knew it behooved me to be careful and not to lose

my temper.

“It is hard upon the hour of noon,” he continued. “Come, come; you shall

break your fast royally despite the hour.”

We set out along the corridor, which was dimly lighted and echoed the

sound of our footsteps in a gloomy manner. This was the time to test the

dwarf, and to find out what he had to communicate to me.

“I have forgotten my sword,” I cried to him. “Will you fetch it?”

Without a moment’s hesitation the dwarf started back towards my room. I

can see him yet, almost running in his quick, mincing steps, his

half-bent arms dipping to the same time, and his ill-shaped head and

flowing locks of white hair all bobbing together in unison. Yet for all

this apparent haste he progressed no faster than an ordinary walk.

I let him proceed but a short distance when I made some excuse to the

patroon and followed his henchman to my room. When I got there, Louis

was already bending over my bed, where my sword lay. One arm was up and

one heel slightly off the ground, as if he had suddenly been arrested in

the midst of his capricious way of walking. I touched him on the

shoulder and he collapsed with startled fear. Evidently he had not heard

me approach.

“Louis,” I said, “that was a strange promise you made to me last night.

What did you mean by it?”

Suddenly his whole figure was transformed. I saw this change often in

the next few weeks, but then it was new to me and almost took my breath

away. When Louis walked he seemed all joints and quivering elastic

bands. Now, like a flash, he turned to stone—nay, to steel and iron.

Every tremor of his body vanished. Every line in his face, the very

droop of his hair made one feel as if the Gorgon’s head had been thrust

before him. Then he gripped my hand, and I winced inwardly from the pain

of it.

“Hush,” he whispered. “You can trust me. She is my mother. Hark! The

patroon is coming back. Let me warn you hastily. There is distrust here.

Do not start whatever you may hear down stairs. Beware, you are treading

on a powder mine. Believe me. I am your friend. She is my mother. Let

that suffice for reason.”

That moment the patroon returned. Louis began helping me to buckle on my

sword. In a moment all his rigidity had disappeared and his old manner

returned to him. I had no time then to think of the suspicion he had

referred to, for the patroon led me down stairs to the dining room at

once. As we traversed the corridor for the second time, I could hear

Louis’ pattering steps behind us like a faithful dog; and in my mind’s

eye I saw his wagging head and bent arms keeping time to his nimble

step.

As I say, we went below, but had hardly entered the dining room when

Mistress Miriam darted into it. She was bonneted, dressed in riding

clothes, and her cheeks were flushed with exercise.

“Oh, father,” she cried passionately, “Monsieur Le Bourse is dead.”

“Dead!” echoed the patroon.

At that moment I felt Louis Van Ramm’s fingers close on my wrist like a

vise. In an instant he relaxed his grip, for the patroon turned to look

at me.

“You are pale,” he said abruptly. “You should be hungry.”

But of the two, he must have been the paler.

However, he would have nothing more to say to me till I had eaten. I was

not sorry, for, in very truth, I was as hungry as a bear, and the

silence that followed gave me time to think over what had happened.

Evidently Louis’s warning and the locking of my door were pieces of the

same cloth. No doubt of Louis’s honesty came into my mind. I knew by an

experience I had had in France that a deformed person like this dwarf

was likely, however vicious he might be at heart, to feel a dog-like

attachment to any one who had befriended him. The fact that Meg was his

mother was enough to justify my belief in his honesty. I felt now that,

beyond peradventure, I might trust in him. But the suspicion he had

warned me against—what was that? What could it be but that I was

discovered? I recalled the fact that both Lady Marmaduke and Pierre had

recognized me. Had the patroon? I confess to trembling at the moment,

and I looked up to see if I were noticed.

“Your hand trembles,” said the patroon. Trust him for seeing everything

that was in sight!

“Trembles,” I answered. “Which?”

“Your right,” he replied, with a vicious smile on his dark features.

I stretched my right hand out before him as steady as his own.

“Mere accident,” I said, careful not to show either too much disregard

or too much interest in what he had just said. “What made you think so,

or did it really tremble for an instant?”

“I thought it did, Le Bourse, but I may have been mistaken.”

I fell to eating savagely. He had called me by my right name! Ah, yes;

Louis was right. That was his master’s suspicion, was it? But now I was

fully warned. He should not catch me napping. I paid no attention to his

remark and went on eating. This behavior seemed to reassure the patroon.

When I next looked up he wore a more satisfied expression. His elbows

were on the edge of the table and his eyes fixed on the tips of his

fingers, which were tapping each other softly.

“Now you are done eating,” he said at last, “let us hear her story.

Miriam, tell us of your visit.”

I then learned that, for some reason unknown to herself, Mistress Van

Volkenberg had been sent by her father to Lady Marmaduke’s, in New York.

Her errand was to inquire my whereabouts. She was told at the hall that

I was dead and that my body lay in the small room upstairs, which had

been mine.

“Ay, but was he dead?” interrupted her father. “Did you see him,

Miriam?”

“Yes,” she answered. “I saw him. Oh!” She shuddered and turned to leave

the room.

Mistress Van Volkenberg, then almost unknown to me, was a woman who

could not pass unnoticed in any place. She was tall and slender, with a

high forehead and piercing brown eyes like her father’s. What most

characterized her, however, was the color in her cheeks. I have seen her

since in sickness and in health, and always there was the same color of

blooming red, which was the more welcome for the beauty it gave her

face. She was flushed, perhaps overflushed, when she left the room, and

both the patroon and I noticed it.

“Poor child,” he said softly with a yearning look in his eyes. “She has

had too much excitement. I should not have sent her.”

Van Volkenberg had little to say for a while. He was wholly taken up

with the news his daughter had brought. Often he would be in a brown

study for minutes at a time. I said nothing to rouse him, for I was

bound that he should lead our conversation till I should be less in the

dark as to what he knew about me. At last he seemed to notice how

evident his moody conduct was.

“This man Le Bourse,” he said, at the same time bending his bright eyes

upon my face as if he would read me through and through, “this man, Le

Bourse, was a man I wished to see. Alas the while! I wish he were yet

alive.”

“A friend of yours?” I asked, mustering my voice as well as I could. I

knew instinctively that I was under examination.

“No, hardly a friend; and yet I owed him some reparation for an injury.

I wish he were here.”

“There is no fetching dead men back to life,” I said. And then I added:

“At least in the flesh.”

“He will not haunt me, if that is what you mean.”

The patroon walked thoughtfully across the room, and stood for some time

with his back towards me, looking out of the window across the broad

terrace where I had seen Ronald Guy and the execution the night before.

I could see his figure relax and droop a little.

“Alas, poor Guy,” I heard him mutter. He could afford to pity, now that

it was all over.

Then his figure against the lighted window stiffened and he seemed to

gather strength again. Two minutes later, when he turned to face us once

more, he was quite himself. The night before I had asked myself a

question; now I was ready to answer it. Yes, there were two actors in

Van Volkenberg manor. I was one. The other was the patroon.

And from that moment I conceived a fair notion of how the ground lay

between us. Perhaps he knew me, perhaps not; but, at any rate, he

suspected me, and this was like to prove my ruin. I recalled just then

one of the war cries of the English revolution that my father used to

talk so much about. The King and the parliament were pitted one against

the other till the bitter end. It was the great church hero, Cromwell,

so my father used to say, who first foresaw what the end was going to

be. Then grew up that motto, “Thy head or my head,” which neither

Roundhead nor Cavalier forgot for many years.

Thus it was between Van Volkenberg and me. Disclaim superstition as I

would, I could not resist the idea that fate had had a hand in our first

meeting and had molded subsequent events. Van Volkenberg, as I learned

later, regarded me with even greater superstition than I felt towards

him. Though I managed to allay his suspicions for a while, he never

seemed quite free in my presence, even when he took me into his

confidence and made me his right hand man.

As I said, he turned towards us from the window overlooking the terrace,

and his manner was quite composed.

“Come to my room,” he said cheerily. “I have something of importance to

say to you. You may come, too,” he added to the dwarf.

We went to the room where he had first received me when I came to the

manor-house to present my silver buttons. I glanced warily around the

room. There were the books and the maps on the walls, the table littered

with papers, and the windows on one side flooding the center of the room

with light. I was with my face to the window and the patroon stood

opposite me.

“Sit.”

As he jerked out the short monosyllable, he waved his hand to Louis and

me. The dwarf climbed into a huge chair and collapsed loosely into a

heap till you would hardly have recognized in him a human being.

The patroon, however, made a more striking figure. He was dressed all in

black, save for the crimson cap he always wore in the house, and the

pale lace about his neck and wrists. His long black coat was trimmed in

silver buttons artificially darkened till they were of a deep grey. His

knee breeches and hose were also black. His shoes, instead of being

fastened with huge silver buttons, as was the custom, were tied with

narrow black ribbons. His black robes set off his silvery

hair—prematurely white through trouble and disease—with superb effect.

The only other bit of color about him was the gold head of his ebony

cane, which he held between his thumb and forefinger, as if he were

about to lift it lightly from the floor.

But all this description of how the patroon looked is the result of a

moment’s glance and after recollection. For almost in an instant I

forgot everything, and saw only those eagle eyes like jewels gazing at

me. Was it the dove and the serpent over again? No, no, Patroon Van

Volkenberg. You have a man to deal with this time. “Thy head or my

head,” saith the King.

At last he spoke to me.

“If you are to cut a figure in the Red Band, you must know somewhat of

my affairs. I spoke a while ago of a man Le Bourse.” He kept his eyes

fiercely on me. “I have cause to hate this dog, for I hold him little

better than a dog. If I ever have him in arm’s reach—you saw how I dealt

with Ronald Guy?”

“Yes, I saw it. What is your grievance against Le Bourse?”

“I have done him wrong.”

“Therefore you would do him more?”

“Is not that logic? I would break him upon the rack. Bah, he is no fool.

I must watch him close.”

“I thought he was dead.”

“Ay, dead if not alive. Lately he had the impudence to hang about that

very window and spy upon my affairs.”

He jerked his thumb over his shoulder, but he kept his eyes on me. I saw

through his plot clearly. He did not know that I was Le Bourse, but he

thought so, and wanted me to betray myself. I was more than a match for

him, however, as events soon proved. He told me briefly what he knew of

my escapade of a few nights before and how it led up to his expulsion

from the privy-council. All the while he watched me narrowly, though now

and then glancing for a moment at Louis, who seemed more asleep than

awake in the great chair. At last the patroon let his cane slip. It came

down with a startling rattle upon the floor, and when he picked it up

again he leaned back in his chair with a silent, sullen manner. He was

evidently at the end of his string for that moment. My first ordeal was

over. He had tried me in the balance and found—nothing. Evidently the

patroon was not convinced one way or the other.

He did not wait long before he was at me again. This time he took a new

tack that was harder to resist ten times over. He began to talk about

Ruth. So long as his thrusts were aimed at me alone the game was in my

own hands. But he played strong cards when he alluded to my sister. I

had much ado to control my feelings. He must have seen me wince more

than once. But, besides an angry flush or two, or a sign of sullen

humor, I did nothing to increase his suspicions, though, on the other

hand, I did nothing to allay them. For my part, I was drawn tight as a

harp string. I felt that one more twist of the key would snap me, come

what would. Then it all ended suddenly and in a marvelous way. Just as I

was at my wit’s end for self-control, I heard the patroon gasp and cry

out:

“My God, St. Vincent, do you know whom I took you for? I thought you

were Le Bourse.”

They say it is nearly a hundred years since the English play writer

wrote his Hamlet; yet it is so good a play that it can still be seen

upon the London stage. I well remember a scene in it where Hamlet is

laying what he calls a mouse-trap to catch his uncle Claudius. Hamlet

has the players play something like the murder of his father before the

King. Hamlet thought that if the King were guilty he would betray

himself by some sign. Once in dumb show and once in real acting the

murder was performed before the King, who remained calm and silent,

betraying no sign of guilt. This failure of his plan so exasperated

Hamlet that he broke down himself and flew into hysterics singing little

nonsense songs. In the confusion, the King called for a light and took

his leave. But I could see from the expression of his face that another

moment would have broken him.

This was the situation of the patroon. While he had been piercing me

with one prong of the fork the other turned and twisted among his own

nerves. It was when my calm behavior became too much for him that he

broke down pitifully, crying that he took me for Le Bourse. Hardly had

he said it than he repented; but it was too late. For very shame he had

to disguise his suspicion now. So he carried on his play-acting; but I

was well aware that the confidence he now pretended to show in me was

acting like the rest.

“Well, well, well. I’ll just tell you all. Henrie—I’ll first name you

now because you are in the Red Band—Henrie, do you know how near you

were to following Ronald Guy? Ronald was a good man in his way, but

there was no obedience in his bones. Louis, whom did we take St. Vincent

for?”

The dwarf looked at me for a full minute before he said a word. Then he

replied:

“We took you for Michael Le Bourse.”

“Ay, that we did,” continued Van Volkenberg. “Do you remember Caesar? We

set him on your track last night. Where do you think he went? Straight

for my study window on the outside. Perhaps you don’t know that this

Michael Le Bourse stood out there the other night—well, if he were not

dead he should feel my hand.” The patroon’s face clouded for an instant;

then he continued: “When the dog went there I thought that you were Le

Bourse in disguise, for there is a familiar look about your eyes, and I

only half believed your story. But Ronald’s business pressed, and after

that Louis held out that it was all a mistake.”

“It was,” mumbled the dwarf.

“Yes, yes, stick to it. Louis is a bulldog to his belief. Nothing would

suit him but to try the hound again. This time he led us a long chase to

a place where Louis had met some friends of his by Webber’s tavern—never

mind who they were. Do what we could, the hound would not take another

scent. So Louis stuck out that there was no meaning in it at all, and I

had to give in to him. But fast on that came a report that you—I mean,

Le Bourse—had gone post for Albany. I’m quick at putting two and two

together, and I said to Louis: ‘Not at all. He’s gone post to the

Hanging Rock.’ It came close to going hard with you then.”

“How did it come to pass otherwise?” I managed to say in a tolerably

firm voice.

“Let Louis tell. It was his doing. Speak up my little hawk.”

He lifted his impassive face slowly. “It is my habit to make sure. The

master could not go. The young mistress was the only other one who had

seen you. I said, 'Send her.'”

“And she found you dead.” The patroon laughed loudly at his joke. “Yes,

she found you dead. So that settled my doubts. Here is my hand. Welcome

to the Red Band.”

After a few more words he dismissed the dwarf in order to talk to me

alone.

“St. Vincent,” he began, “I have a delicate task for you to undertake.

Doubtless you know that I and my household are in bad repute in Yorke.

You see, this putting arms into the hands of my retainers is a new

custom in the province. We patroons are bound to get the power, but I am

the only one who has had the courage to begin in the proper way. The

gossips tell strange stories about me and mine. I keep them away from

the ears of Miriam; but—God bless her!—she loves to see the gay sights

of the town. I shall let her ride to Yorke this afternoon and you shall

ride with her. Mind you keep her ears stuffed with wax against the

common murmur. That is your task.”

Towards three o’clock I stood before the terrace beside our horses

awaiting Mistress Miriam’s coming out. Soon she came. The blood mantled

in her cheek and she drew back when her eyes fell upon me.

“I thought I should go alone or with Annetje,” she said to her father.

“I think that Monsieur St. Vincent will be better company. Pretty maids

like you should not ride alone nowadays.”

Whether she objected to riding with me, or whether she suspected that I

was set as a spy upon her, one could not have told from anything she

said or did. She thanked me kindly, so kindly for my trouble, that I did

not feel the pain of her refusal. She bade me lead her horse back to the

stable and then re-entered the house.

I had hardly taken the saddle off when Louis came in all apant with

running.

“Put it on again,” he cried. “She has changed her mind.”

I resaddled the horse. Five minutes later Mistress Van Volkenberg

stepped upon the terrace. She wore the same riding habit as before, but

this time she wore a mask that concealed her features. When I helped her

to mount, she bowed her thanks, but did not speak to me. Soon we were

riding at a rapid pace through the park towards New York.

I rode behind as fitted a man in my position. When we neared the Kissing

Bridge she reined in her horse slowly till we rode side by side. I

wondered at her action. Something little Pierre had said about Annetje

and the way she always made him go before when they crossed the Kissing

Bridge caused a shadow to fill my heart. Was my young mistress—? I did

not have time to follow the thought further before she laid her hand

upon my bridle. Both horses stopped with their front feet upon the

bridge. I could see her eyes twinkling through the holes in her mask.

“Why do we stop?” I asked.

“Why do we stop? Why don’t you—” She laid her hand lightly upon my

shoulder. “Why don’t you kiss me?”

I started back suddenly. My companion burst into the happiest, merriest

peal of laughter I ever heard.

“What a coward. I shall tell Pierre.”

With that she snatched off her mask. To my astonishment, I saw the

dancing black eyes of my mistress’ maid, Annetje Dorn.

Patroon van Volkenberg · 第 17 / 28 章