LETTER TO EUSEBIUS.

You desire, then, my dear Eusebius, to hear more of the Curate's

difficulty. We left him, you remember, with Gratian, who took him by the

arm, and walked off to see what his authority would do to quell the

parochial disturbance. You have seen the general opinion upon the

countenance Gratian would give to delinquents; you will not, therefore,

augur very favourably of this expedition. Loving a little mischief, as

you do, you will, perhaps, be not quite agreeably disappointed. Had

Gratian trusted alone to his character, he would have failed; which

shows that sometimes it is dangerous to have too good a one.

Not a parishioner but would have looked upon the patronage of Gratian to

the Curate as resulting from the weakness--those who meant to turn it to

compliment would say, the excessive kindness, of his nature. A little

malice interposing, they were by no means disposed, if they loved

Gratian, "to love his dog,"--in the light of which comparison they now

looked upon the Curate. Gratian's sly wit, however, availed more than

his authority. It seems they had not proceeded very far when they met

Prateapace. The Curate having some business in another direction, left

Gratian with the maiden-lady. You can imagine his first advances,

complimenting her upon her fresh morning looks. Then taking her by the

arm, as if for familiar support, transferring his stick to the other

hand, and looking his cajolery inimitably, and with a low voice saying,

"My dear Miss Lydia, what is all this story I hear that you charge the

Curate with?" "Oh, no, not I!" interrupted the maiden; "it is you have

done that. I only know that I heard you reprove him for his behaviour to

some one or other, whom you seriously declared either must be or ought

to be his wife." "My dear _young_ lady," said Gratian, "that is now

quite a mistake of yours:" he then, as he reports, told her what they

had been reading, and that his remarks were upon the book, and the

author of it, and had nothing to do with the Curate. To all which she

nodded her head incredulously, and laughingly said, "Oh, you good,

_good_-natured man; and pray who may that improper author be?" "Why,"

quoth Gratian, "Miss Lydia Prateapace wouldn't, I know, have me

recommend her any _improper_ author." "Oh, no, no!--I don't ask with any

intention to read him, I assure you," she replied. Gratian went on,

"Believe me, he is a very old author, a Roman." "A Roman indeed!" she

quite vociferated--"one of those horrid Papists, I suppose! A Roman is

he? Then the Curate--why should he read Papistical books, and learn such

tricks from them?" It was in vain for Gratian to endeavour to explain.

Miss Prateapace had but one notion of the Romans--that there never was

one that had not kissed the Pope's toe. So here he very wisely took

another tack, and drawing her a little aside, as if he would not have

even the very hedges hear him, and with no little affected caution,

looking about him, he said, in a half whisper--"Now let me, my dear

young lady, tell you a bit of a secret. All this is an idle tale, and is

just as I have told you; but this I tell you, that to my certain

knowledge, the Curate's _affections_"--laying stress on the word

affections--"are seriously engaged;" at which Miss Lydia stared, and

looked the personification of curiosity. "Engaged is he, did you say?"

"No, _he_ is not engaged," said Gratian, "but I happen to know that his

affections are--" "Then," quoth she, "I suppose he has declared as much

to the object." "Ah--no!--there is the very point--you are quite

mistaken--she has not the slightest suspicion of it." This was scarcely

credible to the lady's notion of love-making, but the earnest manner of

Gratian was every thing. "No," said he; "he is a most exemplary

conscientious young man, and so far avoids the making any show of his

feelings, that he affects, I really believe, more indifference towards

that lady than to any other. He tells me that he thinks it would not be

honourable in his present circumstances and position to engage _her_

affections; but he looks forward, as his prospects are fair." Miss Lydia

was interested--pondered awhile, and then said, "You dear good man, do

tell me who the lady is!" "No," replied Gratian, "I dare not betray a

secret; but be assured, my dear Miss Lydia Prateapace, that if our

Curate marries, he will make his choice not very far from this." "You

don't say so!" cried she: "Really now, who can it be?" "I can only say

one thing more," replied our fox Gratian, "and perhaps that is saying

too much; but--" whispering in her ear--"of all the letters in the

alphabet, her name begins with Lydia." Whereupon he made a start, put

his finger upon his lips, as if he had in his hurry told the secret; and

she started back a pace in another direction, looked in his face to see

if he was in jest; finding there nothing but apparent simplicity, she

looked a little confused, and evidently took the compliment and the

_hopes_ into her own bosom. When she could sufficiently collect her

thoughts, she expressed her sorrow for any mischief she might have done,

unintentionally; and added, that she would do all in her power to set

all things right again. At this point the Curate returned: he addressed

her somewhat distantly, which to her was a sign stronger than

familiarity, upon the power of which she gave him her hand _of

encouragement_. Gratian took care to leave well alone--let go her arm,

and leaning upon the Curate's wished her good morning, with a gracious

smile about his insidious mouth, to which he put his finger

significantly as if entreating her silence upon the subject of their

conversation. I have told you the particulars of this interview,

Eusebius, as I could gather them from Gratian's narration; and he has a

way of acting what he says, as if he had studied in that school where

the first requisite for an orator is--action; the second--action; the

third--action!

Our friend Gratian, Eusebius, made no matter of conscience of this

fibbing--did not hesitate--wanted no "ductor dubitantium"--as he told it

to us. He gave, it is true, his limb a smarter tapping; but it was no

twinge of conscience that caused the movement of the stick, and there is

nothing of the Franciscan about our friend. Did he _say_ a word that was

not perfect truth?

But what was the intention?--did he mean to deceive? But this is not a

question to discuss with you. You will do more than acquit him. So I am

answered, and silent. Gratian's answer was this. In his fabulous mood,

he asked--"If you should see a lion, an open-mouthed lion of the

veritable [Greek: chasm' odonton] breed, traversing a wood, and he

should accost you thus, 'Pray, sir, did you chance to see a man I am

looking after go this way?' would you point out his lurking place, his

path of escape? or would you not, if you knew he went to the right,

direct the lion by all means to continue his pursuit on the left? Then,

sir, which will your worshipful morality prefer, to be the accessary to

the murder, or the principal in the deceit?"

I must not omit to tell you that a few days ago Gratian and the Curate

spent a pleasant day with the Bishop, who was not a little amused at

their narration of the circumstances that produced the singular

parochial epistle, which his lordship had duly received. The Bishop's

hospitality is well seasoned with conversational ease, and perfect

agreeability, and has besides that

"Seu quid suavius elegantiusve est"

which our Catullus promises to his friend Fabullus. The Bishop, a ripe

scholar, spoke much and critically of Catullus, and laid most stress

upon the extreme suavity of his measures, especially in the "Acmen

Septimius." There were present two archdeacons and a very agreeable

classical physician. All had at one time or other, they acknowledged,

translated "Vivamus, mea Lesbia, atque amemus." The physician said he

had only satisfied himself with three lines, and yet he thought their

only merit was the being line for line. He repeated both the original

and his translation:--

"Soles occidere et redire possunt:

Nobis, quum semel occidit brevis lux,

Nox est perpetua una dormienda.

"Suns die, but soon their light restore,

While we, when our brief day is o'er,

Sleep one long night to wake no more."

The Curate, with the jealousy of a rival translator, objected to "suns

_die_," and thought "suns _set_" would be quite as well and a closer

translation. The Physician assented. The Bishop smiled, and said, "suns

_die_" was probably a professional lapsus. The Physician replied, that

such would be a very unprofessional lapsus; and Gratian quoted the

passage from Fielding, who says it is an unjust misrepresentation that

"physicians are the friends of death," and instanced the two physicians

who, in the case of the death of Captain Blifil, "dismissed the corpse

with a single fee, but were not so disgusted with the living patient."

At parting, the Bishop took the Curate most kindly by the hand, and

recommended him by all means to cultivate the amiability of

versification.

After this, Gratian and the Curate had much business in hand, and we did

not meet for some time. Gratian stirred a little in this affair of the

Curate's, and with effect. We did meet, however, and recommenced the

Blackwood's Edinburgh Magazine, Volume 61, No. 380, June, 1847 · 第 19 / 61 题