I was outside a bank on a sunny day in spring.

* * * * *

My fear evaporated instantly--I'd escaped somehow!

But then a couple of realizations slapped me from each side. It was

day instead of night. I was out on the street and not in her

brownstone house.

Even the season had changed!

Dazed, I stared at the people passing by. They looked like characters

in a TV movie, the women wearing long dresses and flowerpot hats,

their faces made up with petulant rosebud mouths and bright blotches

of rouge; the men in hard straw hats, suits with narrow shoulders,

plain black or brown shoes--the same kind of clothes I was wearing.

The rumble of traffic in the street caught me next. Cars with square

bodies, tubular radiators....

For a moment, I let terror soak through me. Then I remembered the

mesh cage and the motors. May Roberts could have given me

electro-shock, kept me under long enough for the season to change, or

taken me South and left me on a street in daylight.

But this was a street in New York. I recognized it, though some of the

buildings seemed changed, the people dressed more shabbily.

Shrewd stagesetting? Hypnosis?

That was it, of course! She'd hypnotized me....

Except that a subject under hypnosis doesn't know he's been

hypnotized.

Completely confused, I took out the stack of envelopes I'd put in my

pocket. I was supposed to have both cash and a bank account, and I was

outside a bank. She obviously wanted me to go in, so I did. I handed

the top envelope to the teller.

He hauled $150 out of it and looked at me as if that was enough to buy

and sell the bank. He asked me if I had an account there. I didn't. He

took me over to an officer of the bank, a fellow with a Hoover collar

and a John Gilbert mustache, who signed me up more cordially than I'd

been treated in years.

I walked out to the street, gaping at the entry in the bankbook he'd

handed me. My pulse was jumping lumpily, my lungs refusing to work

right, my head doing a Hopi rain dance.

The date he'd stamped was May 15, 1931.

* * * * *

I didn't know which I was more afraid of--being stranded, middle-aged,

in the worst of the depression, or being yanked back to that

brownstone house. I had only an instant to realize that I was a kid in

high school uptown right at that moment. Then the whole scene vanished

as fast as blinking and I was outside another bank somewhere else in

the city.

The date on the envelope was May 29th and it was still 1931. I made a

$75 deposit there, then $100 in another place a few days later, and so

forth, spending only a few minutes each time and going forward

anywhere from a couple of days to almost a month.

Every now and then, I had a stamped, addressed envelope to mail at a

corner box. They were addressed to different stock brokers and when I

got one open before mailing it and took a look inside, it turned out

to be an order to buy a few hundred shares of stock in a soft drink

company in the name of Dr. Anthony Roberts. I hadn't remembered the

price of the shares being that low. The last time I'd seen the

quotation, it was more than five times as much as it was then. I was

making dough myself, but I was doing even better for May Roberts.

A few times I had to stay around for an hour or so. There was the

night I found myself in a flashy speakeasy with two envelopes that I

was to bet the contents of, according to the instructions on the

outside. It was June 21, 1932, and I had to bet on Jack Sharkey to

take the heavyweight title away from Max Schmeling.

The place was serious and quiet--no more than three women, a couple of

bartenders, and the rest male customers, including two cops, huddling

up close to the radio. An affable character was taking bets. He gave

me a wise little smile when I put the money down on Sharkey.

"Well, it's a pleasure to do business with a man who wants an American

to win," he said, "and the hell with the smart dough, eh?"

"Yeah," I said, and tried to smile back, but so much of the smart

money was going on Schmeling that I wondered if May Roberts hadn't

made a mistake. I couldn't remember who had won. "You know what J. P.

Morgan said--don't sell America short."

"I'll take a buck for my share," said a sour guy who barely managed to

stand. "Lousy grass growing in the lousy streets, nobody working, no

future, nothing!"

"We'll come out of it okay," I told him confidently.

He snorted into his gin. "Not in our lifetime, Mac. It'd take a

miracle to put this country on its feet again. I don't believe in

miracles." He put his scowling face up close to mine and breathed

blearily and belligerently at me. "Do you?"

"Shut up, Gus," one of the bartenders said. "The fight's starting."

* * * * *

I had some tough moments and a lot of bad Scotch, listening. It went

the whole 15 rounds, Sharkey won, and I was in almost as bad shape as

Gus, who'd passed out halfway through the battle. All I can recall is

the affable character handing over a big roll and saying, "Lucky for

me more guys don't sell America short," and trying to separate the

money into the right amounts and put them into the right envelopes,

while stumbling out the door, when everything changed and I was

outside a bank again.

I thought, "My God, what a hangover cure!" I was as sober as if I

hadn't had a drink, when I made that deposit.

There were more envelopes to mail and more deposits to make and bets

to put down on Singing Wood in 1933 at Belmont Park and Max Baer over

Primo Carnera, and then Cavalcade at Churchill Downs in 1934, and

James Braddock over Baer in 1935, and a big daily double payoff,

Wanoah-Arakay at Tropical Park, and so on, skipping through the years

like a flat stone over water, touching here and there for a few

minutes to an hour at a time. I kept the envelopes for May Roberts and

myself in different pockets and the bankbooks in another. The

envelopes were beginning to bulge and the deposits and accrued

interest were something to watch grow.

The whole thing, in fact, was so exciting that it was early October of

1938--a total of maybe four or five hours subjectively--before I

realized what she had me doing. I wasn't thinking much about the fact

that I was time traveling or how she did it; I accepted that, though

the sensation in some ways was creepy, like raising the dead. My

father and mother, for instance, were still alive in 1938. If I could

break away from whatever it was that kept pulling me jumpily through

time, I could go and see them.

The thought attracted me enough to make me shake badly with intent,

yet pump dread through me. I wanted so damned badly to see them again

and I didn't dare. I couldn't....

_Why_ couldn't I?

Maybe the machine covered only the area around the various banks,

speakeasies, bars and horse parlors. If I could get out of the area,

whatever it might be, I could avoid coming back to whatever May

Roberts had lined up for me.

Because, naturally, I knew now what I was doing: I was making deposits

and winning sure bets just as the "senile psychotics" had done. The

ink on their bankbooks and bills was fresh because it _was_ fresh; it

wasn't given a chance to oxidize--at the rate I was going, I'd be back

to my own time in another few hours or so, with $15,000 or better in

deposits, compound interest and cash.

If I'd been around 70, you see, she could have sent me back to the

beginning of the century with the same amount of money, which would

have accumulated to something like $30,000.

Get it now?

The Old Die Rich · 第 5 / 19 题