THE COCUYO.

A night-ride through the golden tropical forest, when the moon is

bathing its broad and wax-like frondage--when the winds are hushed and

the long leaves hang drooping and silent--when the paths conduct through

dark aisles and arbours of green vine-leaves, and out again into bright

and flowery glades--is one of those luxuries that I wish we could obtain

without going beyond the limits of our own land.

But no. The romance of the American _northern_ forest--the romance that

lingers around the gnarled limbs of the oak, and the maple, and the

elm--that sighs with the wintry wind high up among the twigs of the

shining sycamore--that flits along the huge fallen trunks--that nestles

in the brown and rustling leaves--that hovers above the bold cliff and

sleeps upon the grey rock--that sparkles in the diamond stalactites of

the frost, or glides along the bosom of the cold black river--is a

feeling or a fancy of a far different character.

These objects--themselves the emblems of the stony and iron things of

nature--call up associations of the darker passions: strange scenes of

strife and bloodshed; struggles between red and white savages; and

struggles hardly less fierce with the wild beasts of the forest. The

rifle, the tomahawk, and the knife are the visions conjured up, while

the savage whoop and the dread yell echo in your ear; and you dream of

_war_.

Far different are the thoughts that suggest themselves as you glide

along under the aromatic arbours of the American _southern_ forest,

brushing aside the silken foliage, and treading upon the shadows of

picturesque palms.

The cocuyo lights your way through the dark aisles, and the nightingale

cheers you with his varied and mimic song. A thousand sights and

sounds, that seem to be possessed of some mysterious and narcotic power,

lull you into silence and sleep--a sleep whose dream is _love_.

Clayey and I felt this as we rode silently along. Even the ruder hearts

of our companions seemed touched by the same influence.

We entered the dark woods that fringed the arroyo, and the stream was

crossed in silence. Raoul rode in advance, acting as our guide.

After a long silence Clayey suddenly awoke from his reverie and

straightened himself up in the saddle.

"What time is it, Captain?" he inquired.

"Ten--a few minutes past," answered I, holding my watch under the

moonlight.

"I wonder if the Don's in bed yet."

"Not likely: he will be in distress; he expected us an hour ago."

"True, he will not sleep till we come; all right then."

"How all right then?"

"For our chances of a supper; a cold pasty, with a glass of claret.

What think you?"

"I do not feel hungry."

"But I do--as a hawk. I long once more to sound the Don's larder."

"Do you not long more to see--"

"Not to-night--no--that is until after supper. Everything in its own

time and place; but a man with a hungry stomach has no stomach for

anything but eating. I pledge you my word, Haller, I would rather at

this moment see that grand old stewardess, Pepe, than the loveliest

woman in Mexico, and that's `Mary of the Light'."

"Monstrous!"

"That is, until after I have supped. Then my feelings will doubtless

take a turn."

"Ah! Clayey, you can never love!"

"Why so, Captain?"

"With you, love is a sentiment, not a passion. You regard the fair

blonde as you would a picture or a curious ornament."

"You mean to say, then, that my love is `all in my eye'?"

"Exactly so, in a literal sense. I do not think it has reached your

heart, else you would not be thinking of your supper. Now, I could go

for days without food--suffer any hardship; but, no--you cannot

understand this."

"I confess not. I am too hungry."

"You could forget--nay, I should not be surprised if you have already

forgotten--all but the fact that your mistress is a blonde, with bright

golden hair. Is it not so?"

"I confess, Captain, that I should make but a poor portrait of her from

memory."

"And, were I a painter, I could throw _her_ features upon the canvas as

truly as if they were before me. I see her face outlined upon these

broad leaves--her dark eyes burning in the flash of the cocuyo--her long

black hair drooping from the feathery fringes of the palm--and her--"

"Stop! You are dreaming, Captain! Her eyes are not dark--her hair is

not black."

"What! Her eyes not dark?--as ebony, or night!"

"Blue as a turquoise!"

"Black! What are you thinking of?"

"`Mary of the Light'."

"Oh, that is quite a different affair!" and my friend and I laughed

heartily at our mutual misconceptions.

We rode on, again relapsing into silence. The stillness of the night

was broken only by the heavy hoof bounding back from the hard turf, the

jingling of spurs, or the ringing of the iron scabbard as it struck

against the moving flanks of our horses.

We had crossed the sandy spur, with its chaparral of cactus and

mezquite, and were entering a gorge of heavy timber, when the practised

eye of Lincoln detected an object in the dark shadow of the woods, and

communicated the fact to me.

"Halt!" cried I, in a low voice.

The party reined up at the order. A rustling was heard in the bushes

ahead.

"_Quien viva_?" challenged Raoul, in the advance.

"_Un amigo_," (A friend), was the response.

The Rifle Rangers · 第 65 / 151 题