CHAPTER XXI

More Animals

[Illustration: MORE ANIMALS: DEPRESSED.

Nurses: Karuna to left (the Duckling of "Things as They Are"); and

Annamai, to right, Lulla's beloved.]

IN full contrast to Teddy-bear is that floppy child, the Coney. In

Hart's _Animals of the Bible_, there is a picture of this baby, only the

fore-paws should be raised in piteous appeal to be taken up. The Coney

is really a pretty child with pathetic eyes and a grateful smile; but

she was long in learning to walk, and felt aggrieved when we

remonstrated. Her feet, she considered, were created to be ornamental

rather than useful, and no amount of coaxing backed up with massage

could persuade her otherwise. So she was left behind in the march; and

when her contemporaries departed for the middle-aged babies' nursery,

she stayed behind with the infants. And the infants had no pity. They

regarded her as a sort of hassock, large and soft and good to jump on.

More than once we have come into the nursery and found the big, meek

child of three kneeling resignedly under a window upon which an

adventurous eighteen-months wished to climb; and often we have found her

prostrate and patient under the dancing feet of Dimples.

However, the Coney can walk now. This triumph was effected with the help

of an Indianised go-cart, which did what all our persuasions had

entirely failed to do. But the process was not pleasant. The poor Coney

would stand mournfully holding the handle of her instrument of torture,

longing with a yearning unspeakable to sit down and give it up for ever.

Someone would pass, and hope would rise in her heart. She would be

carried now, carried out of sight of that detested go-cart. But no, the

callous-hearted only urged her to proceed. She would howl then with a

howl that told of bitter disappointment. Sometimes she would sit down

flat and regard the thing with a blighting glance, the hatred of a

gentle nature roused to unwonted vehemence. Always her wails accompanied

the rumbling of its wheels.

"The Conies are but a feeble folk, yet they make their houses in the

rocks." One day in deep depression of spirits the Coney arrived at the

kindergarten. She sat down before the threshold, which is three inches

high, and climbed carefully over it. She found herself in a new world,

where babies were doing wonderful things and enjoying all they did. The

Coney decided to join a class, and was offered beads to thread. Life

with beautiful beads to thread became worth living, and it may be in the

course of time that the tortoise will overtake the hare. In any case we

find much cheer in the conclusion of the verse, for if our Coney builds

in the Rock her being rather feeble will not matter very much.

Those who possess that friend of our youth, _Alice_, as illustrated by

Sir John Tenniel, may find the photograph twice reproduced of our fat

Cheshire Cat. This baby is remarkable for two things: she smiles and she

vanishes. The time to see the vanishing conducted with more celerity

than Alice ever saw it, is when the babies' warning call is sounded

across the verandah and a visitor appears in the too near horizon. This

baby then vanishes round the nearest corner. There is nothing left of

her, not even a smile. In fact, the chief contrast between her and the

cat among the foliage is that with our Cat the smile goes first.

Sunday morning, to return to the beginning, is full of possible

misadventure. Sometimes the babies seem to agree among themselves that

it would be well to be good. Then their admiring Sittie and Ammal have

nothing to do but enjoy them. But sometimes it is otherwise. First one

baby pulls her sister's hair, and the other retaliates, till the two get

entangled in each other's curls. Piria Sittie flies to the rescue,

disentangles the combatants and persuades them to make friends.

Meanwhile three restless spirits in bodies to match have crept out

through the open door (it is too hot if we shut the doors), and we find

them comfortably ensconced in forbidden places. The Beetle is a quiet

child. She retires to a corner and looks devout. Presently a sound as of

scraping draws our attention to her. "Beetle! Open your mouth!" Beetle

opens her mouth. It is packed with whitewash off the wall. Then a scared

cry rings through the nursery, and all the babies, imagining awful

things imminent, tumble one on top of the other in a wild rush into

refuge. It is only a large grasshopper which has startled the Cheshire

Cat, whose great eyes are always on the look-out for possible causes of

panic. The grasshopper is banished to the garden and the Cheshire Cat

smiles all over her face. Peace restored, Dimples and the Owlet remember

a dead lizard they found in a corner of the verandah, and set off to

recover it. These two walk exactly like mechanical toys; and as they

strut along hand in hand, or one after the other, they look like

something wound up and going, in a Christmas shop window. Presently they

return with the lizard. Its tail is loose, and they sit down to pull it

off. This is not a nice game, and something else is suggested. Dimple's

mouth grows suddenly square; she wants that lizard's tail.

Then a dear little child called Muff (because she ought to be called

Huff if the name had not been already appropriated), who has been

solemnly munching a watch, decides it is time to demand more individual

attention. She objects to the presence of another baby on her Sittie's

lap. Why should two babies share one lap? The thing is self-evidently

wrong. One lap, one baby, should be the rule in all properly conducted

nurseries. Muff broods over this in silence, then slides off the crowded

lap and sits down disconsolate, alone. Tears come, big sad tears, as

Muff meditates; and it takes time to explain matters and comfort,

without giving in to the one-lap-one-baby theory.

[Illustration: TUBBING.]

We have several helpful babies. Dimples has been discovered paying

required attentions to things smaller than herself; and the Wax Doll

pats the Rosebud if she thinks it will reassure her, when (as rarely

happens) that pet of the family is left stranded on a mat. But Puck is

the most inventive. It was one happy Sunday morning that we came upon

her feeding the Ratlet on her own account. The Ratlet was making

ungrateful remarks; and we hurried across to her and saw that Puck,

under the impression doubtless that any hole would do, was pouring the

milk in a steady stream down the poor infant's nose. Puck smiled up

peacefully. She was sure we would be pleased with her. But the Ratlet

continued eloquent for very many minutes.

Sometimes (but this is an old story now) our difficulties were increased

by the Spider's habit of whimpering, which had a depressing effect upon

the family. This poor baby was a weak little bag of bones when first she

came to us. The bag was made of shrivelled skin of a dusty brown colour.

Her hair was the colour of her skin, and hung about her head like

tattered shreds of a spider's web. She sat in a bunch and never smiled.

Something about her suggested a spider. Her Tamil name is Chrysanthemum,

which by the change of one letter becomes Spider. So we called her

Spider.

At first we were not anxious about her; for such little children pick

up quickly if they are healthy to begin with, as we believed she was.

But she did not respond to the good food and care, and only grew thinner

and more miserable as the weeks passed, till she looked like the first

picture in a series of advertisements of some marvellous patent food,

and we wondered if she would ever grow like the fat and flourishing last

baby of the series. For two months this state of things continued; she

grew more wizened every day; and the uncanny spider-limbs and attitude

gave her the air of not being a human baby at all, but a terrible little

specimen which ought not to be on view but should be hidden safely away

in some private medical place--on a shelf in a bottle of spirits of

wine.

We are asked sometimes if such tiny things can suffer other than

physically. We have reason to think they can. As all else failed, we

took a little girl from school for whom the Spider had an affection, and

let her love her all day long; and almost at once there was a change in

the sad little face of the Spider. She had been cared for by an old

grandfather after her mother's death, and it seemed as if she had

fretted for him and needed someone all to herself to make up for what

she was missing.

This little girl, the Cod-fish by name, was devoted to the Spider. She

nestled her and played with her--or attempted to, I should say, for at

first the Spider almost resented any attempts to play. "She doesn't know

how to smile!" said the Cod-fish disconsolately after a week's petting

and loving had resulted only in fewer whimpers, but not as yet in

smiles. A few days later she came to us, and announced with much

emotion: "She has smiled three times!" Next day the record rose to

seven; after that we left off counting.

The Spider is fat and bonnie now. Her skin is a clear and creamy brown,

and her hair has lost its dustiness; but she still likes to sit crumpled

up, and a small alcove in the kitchen is her favourite haven when tired

of the world. Seen unexpectedly in there, bunched in a tight knot, her

dark, keen little eyes peering out of the light-coloured little face,

she still suggests a spider. But it is a cheerful Spider, which makes

all the difference.

Lotus Buds · 第 21 / 30 章