CHAPTER XXI

NOVELTY AND VARIETY

When I look back over thirty years of gardening, I see what an

extraordinary progress there has been, not only in the introduction of

good plants new to general cultivation, but also in the home production

of improved kinds of old favourites. In annual plants alone there has

been a remarkable advance. And here again, though many really beautiful

things are being brought forward, there seems always to be an undue

value assigned to a fresh development, on the score of its novelty.

Now it seems to me, that among the thousands of beautiful things already

at hand for garden use, there is no merit whatever in novelty or variety

unless the thing new or different is distinctly more beautiful, or in

some such way better than an older thing of the same class.

And there seems to be a general wish among seed growers just now to

dwarf all annual plants. Now, when a plant is naturally of a diffuse

habit, the fixing of a dwarfer variety may be a distinct gain to

horticulture--it may just make a good garden plant out of one that was

formerly of indifferent quality; but there seems to me to be a kind of

stupidity in inferring from this that all annuals are the better for

dwarfing. I take it that the bedding system has had a good deal to do

with it. It no doubt enables ignorant gardeners to use a larger variety

of plants as senseless colour-masses, but it is obvious that many, if

not most, of the plants are individually made much uglier by the

process. Take, for example, one of the dwarfest Ageratums: what a silly

little dumpy, formless, pincushion of a thing it is! And then the

dwarfest of the China Asters. Here is a plant (whose chief weakness

already lies in a certain over-stiffness) made stiffer and more

shapeless still by dwarfing and by cramming with too many petals. The

Comet Asters of later years are a much-improved type of flower, with a

looser shape and a certain degree of approach to grace and beauty. When

this kind came out it was a noteworthy novelty, not because it was a

novelty, but because it was a better and more beautiful thing. Also

among the same Asters the introduction of a better class of red

colouring, first of the blood-red and then of the so-called scarlet

shades, was a good variety, because it was the distinct bettering of the

colour of a popular race of garden-flowers, whose red and pink

colourings had hitherto been of a bad and rank quality.

It is quite true that here and there the dwarf kind is a distinctly

useful thing, as in the dwarf Nasturtiums. In this grand plant one is

glad to have dwarf ones as well as the old trailing kinds. I even

confess to a certain liking for the podgy little dwarf Snapdragons; they

are ungraceful little dumpy things, but they happen to have come in some

tender colourings of pale yellow and pale pink, that give them a kind of

absurd prettiness, and a certain garden-value. I also look at them as a

little floral joke that is harmless and not displeasing, but they cannot

for a moment compare in beauty with the free-growing Snapdragon of the

older type. This I always think one of the best and most interesting and

admirable of garden-plants. Its beauty is lost if it is crowded up among

other things in a border; it should be grown in a dry wall or steep

rocky bank, where its handsome bushy growth and finely-poised spikes of

bloom can be well seen.

[Illustration: TALL SNAPDRAGONS GROWING IN A DRY WALL.]

[Illustration: MULLEINS GROWING IN THE FACE OF DRY WALL. (_See "Old

Wall," page 116._)]

One of the annuals that I think is entirely spoilt by dwarfing is

Love-in-a-Mist, a plant I hold in high admiration. Many years ago I came

upon some of it in a small garden, of a type that I thought extremely

desirable, with a double flower of just the right degree of fulness, and

of an unusually fine colour. I was fortunate enough to get some seed,

and have never grown any other, nor have I ever seen elsewhere any that

I think can compare with it.

The Zinnia is another fine annual that has been much spoilt by its

would-be improvers. When a Zinnia has a hard, stiff, tall flower, with a

great many rows of petals piled up one on top of another, and when its

habit is dwarfed to a mean degree of squatness, it looks to me both ugly

and absurd, whereas a reasonably double one, well branched, and two feet

high, is a handsome plant.

I also think that Stocks and Wallflowers are much handsomer when rather

tall and branching. Dwarf Stocks, moreover, are invariably spattered

with soil in heavy autumn rain.

An example of the improver not knowing where to stop in the matter of

colouring, always strikes me in the Gaillardias, and more especially in

the perennial kind, that is increased by division as well as by seed.

The flower is naturally of a strong orange-yellow colour, with a narrow

ring of red round the centre. The improver has sought to increase the

width of the red ring. Up to a certain point it makes a livelier and

brighter-looking flower; but he has gone too far, and extended the red

till it has become a red flower with a narrow yellow edge. The red also

is of a rather dull and heavy nature, so that instead of a handsome

yellow flower with a broad central ring, here is an ugly red one with a

yellow border. There is no positive harm done, as the plant has been

propagated at every stage of development, and one may choose what one

will; but to see them together is an instructive lesson.

No annual plant has of late years been so much improved as the Sweet

Pea, and one reason why its charming beauty and scent are so enjoyable

is, that they grow tall, and can be seen on a level with the eye. There

can be no excuse whatever for dwarfing this, as has lately been done.

There are already plenty of good flowering plants under a foot high, and

the little dwarf white monstrosity, now being followed by coloured ones

of the same habit, seems to me worthy of nothing but condemnation. It

would be as right and sensible to dwarf a Hollyhock into a podgy mass a

foot high, or a Pentstemon, or a Foxglove. Happily these have as yet

escaped dwarfing, though I regret to see that a deformity that not

unfrequently appears among garden Foxgloves, looking like a bell-shaped

flower topping a stunted spike, appears to have been "fixed," and is

being offered as a "novelty." Here is one of the clearest examples of a

new development which is a distinct debasement of a naturally beautiful

form, but which is nevertheless being pushed forward in trade: it has no

merit whatever in itself, and is only likely to sell because it is new

and curious.

And all this parade of distortion and deformity comes about from the

grower losing sight of beauty as the first consideration, or from his

not having the knowledge that would enable him to determine what are the

points of character in various plants most deserving of development, and

in not knowing when or where to stop. Abnormal size, whether greatly

above or much below the average, appeals to the vulgar and uneducated

eye, and will always command its attention and wonderment. But then the

production of the immense size that provokes astonishment, and the

misapplied ingenuity that produces unusual dwarfing, are neither of them

very high aims.

And much as I feel grateful to those who improve garden flowers, I

venture to repeat my strong conviction that their efforts in selection

and other methods should be so directed as to keep in view the

attainment of beauty in the first place, and as a point of honour; not

to mere increase of size of bloom or compactness of habit--many plants

have been spoilt by excess of both; not for variety or novelty as ends

in themselves, but only to welcome them, and offer them, if they are

distinctly of garden value in the best sense. For if plants are grown or

advertised or otherwise pushed on any other account than that of their

possessing some worthy form of beauty, they become of the same nature as

any other article in trade that is got up for sale for the sole benefit

of the seller, that is unduly lauded by advertisement, and that makes

its first appeal to the vulgar eye by an exaggerated and showy pictorial

representation; that will serve no useful purpose, and for which there

is no true or healthy demand.

No doubt much of it comes about from the unwholesome pressure of trade

competition, which in a way obliges all to follow where some lead. I

trust that my many good friends in the trade will understand that my

remarks are not made in any personal sense whatever. I know that some of

them feel much as I do on some of these points, but that in many ways

they are helpless, being all bound in a kind of bondage to the general

system. And there is one great evil that calls loudly for redress, but

that will endure until some of the mightiest of them have the energy and

courage to band themselves together and to declare that it shall no

longer exist among them.

Wood and garden · 第 21 / 24 章