ST. Clear out!
LES.--should affect me alone.
ST. Clear out!
LES. (_Mock heroically._) Oh father, shall I ever behold you again?
ST. Out, out, out! (_With a final shove._) (_Exit Lesbonicus._) At last, I
've got him away! (_Breathes hard._)"
The fun, if fun there be, lies in the hammer-like repetition of "I modo,"
a sort of verbal buffoonery. A clever actor could din this with telling
effect. The device is employed several times. In _Most._ 974 ff. the word
is _aio_, in _Per._ 482 ff. _credo_, in _Poen._ 731 ff. _quippini_, in
_Ps._ 484 ff. I1/2I+-I I cubedII, in _Rud._ 1212 ff. _licet_ and 1269 ff.
_censeo_. The last two examples are the lengthiest.[123]
The third of these motives is the introduction of clearly unnatural
dialogue, wholly incidental and foreign to the action, for the sake of
lugging in a joke. The _As._ (38 ff.) yields the following conversation
between Demaenetus _senex_ and his slave Libanus:
"LI. By all that's holy, as a favor to me, spit out the words you have
uttered.