THE CHURCH OF ST. AUGUSTINE, SOUTH KENSINGTON.

ST. AUGUSTINE’S CHURCH, close to Hereford-Square, South Kensington, is a

temporary iron erection, and, like most such buildings, possesses no

architectural features or details worthy of notice. The Incumbent, the

Rev. R. R. Chope, B.A., five or six years ago conceived a necessity for a

church in that place, and, means failing him to obtain a substantial

structure, or to procure a separate site, he made use of a corner of his

own private garden, put up the iron building, and called it the “Church

of St. Augustine.” It is a low, dull, dingy-looking object outside, and

as a stranger approaches it—with its roof only just visible above the

garden-wall, it is in danger of being passed without notice, except one

should suppose it a rather large conservatory or garden shed. It must

have required some courage in a minister to attempt a church for himself

in such a position; and we are not surprised after this that Mr. Chope is

now going on to a larger and more promising enterprise. In the

Queen’s-gate, a new and permanent church is rising, under the same energy

which originated the first.

The present “St. Augustine’s,” in the interior, is a long narrow space

fitted with very plain benches, all being free to all-comers, and capable

of containing 700 or 800 persons. They were well filled on Sunday

morning, the 7th of May, with a congregation remarkable for its

preponderance in the female element. One whole side of the church is

reserved entirely for females, and no intrusion of the other sex is

allowed. On the other side both sexes are compelled to mingle, and even

there two-thirds are of the feminine gender. To say that the service

here is High Church is not saying all the truth; it is Ritualistic, and

highly so, in its whole spirit and ceremonial. It is, in fact, the

nearest approach to Romanism that we have yet witnessed in an Anglican

Church in the course of these visitations, if indeed it be not very

Popery itself under the thinnest guise of the Protestant name. The

communion-table is called an _altar_, and regarded as such in fact, and

decorated accordingly. It is covered with a white cloth embroidered with

yellow and red flowers and fringe. It has a large gilt cross upon it,

two huge gilt candlesticks, and several vases of flowers. Branching

candelabra also on its right and left. The ministers are called

_priests_, and look very priestly in their garments, with short surplice

and long cassock, and stole of yellowish silk with rich embroidery and

fringe. In the absence of the Incumbent, the Curate, the Rev. A. J.

Foster officiated.

Prior to the beginning of the service, an official in long cassock with

tassels was busy in arranging the chancel furniture, and adjusting a silk

embroidered covering upon the altar over the elements to be used in the

celebration of the Eucharist. This work he performed with the minutest

punctilio, moving backward and forward and on one side to see its effect,

and never failing to bow on passing the Cross, and on leaving off moving

backward and bowing.

On entering church, the people, before taking their seats, bow one knee

in the aisle towards the altar, and some cross themselves precisely in

the manner of Roman Catholics. The time of service arrived, the organist

takes his seat, having on a surplice and purple hood with white fur

trimming, and, sending out a few solemn strains, the choir is heard in

the vestry at the remote end of the church singing “Amen.” It sounds

like a distant echo among the mountains. Immediately the people rise,

and choristers and clergy walk in procession through the centre aisle to

the chancel.

Except the lessons, which were read in a serious and rational manner by a

stranger, an aged clergyman, who did not seem quite at home in his

priestly apparel, and appeared, amidst all the circumstances, somewhat to

dislike himself, the whole service was intoned and sung. The music was

Gregorian, and performed in its most sombre mood. The congregation

appeared perfectly trained to bowings and genuflexions. At every mention

of the Saviour’s name they bent lowly, and during the whole of the first

part of the _Gloria Patri_. In one of the hymns, the sacred name

occurred in every verse, and in some verses almost every line, and there

was a constant bending and rising. It appeared merely a mechanical

process, and quite inconsistent with that mental gravity which is

essential to true devotion. Amidst all this mechanism of outward

worship, we regret to say there was small visible evidence of spiritual

concern. It was the coldest piece of formalism it has been our lot to

witness in an English church.

In intoning the Litany, the clergyman came out of his desk, crossed

himself, and knelt with both knees on the lowest step of the chancel in

front of the altar, with his back to the people. This motion is quite

advanced in Ritualistic practice; and, taken together with the peculiar

strain of the intoner’s voice, and its rising at the end of every verse

of that sublime and all-comprehending prayer, gave the service the stamp

of parody rather than of sincere and enlightened Christian devotion. We

can only express ourselves in this form, for nothing else will indicate

our real sense and conscience of this mode of religious service. The

puerilities of Romanism Englishmen we thought had learnt to despise, and

yet here are some untalented young gentlemen in the Church of England

whose habits would deprave our Protestant religious instincts and lead

the young and weaker intellects of our race back into the thraldom of

Popish superstition. After the Litany there was a hymn, and then

followed the sermon, differing in this respect from the usual church

order, which places the sermon after the Creed in the Communion Service.

After ascending the pulpit and crossing himself, pronouncing “To God the

Father, the Son and the Holy Ghost,” whilst standing erect, the text was

taken from John xvi. 7, “Nevertheless, I tell you the truth; it is

expedient for you that I go away,” &c. As in most cases where excessive

attention is lavished on the mere ceremonial, the sermon failed to fulfil

the most modest ideal of pulpit work. There appeared to be no intention

or effort to give it effect either as an exposition or application of

Scripture. In this case, too, it was evident the preacher could not

shake off the intoning habit of voice, but carried it in great measure

with him from the desk to the pulpit. The principal point of doctrine in

the sermon was on the important subject of God _dwelling_ in believers,

and was stated in this way: “As St. Paul said we were the temples of God

by the Holy Ghost dwelling in us; so God the Son dwelt in us by _means of

his holy sacraments_”. “For,” it was further explained, “by the holy

sacraments he gives us spiritual life; for, except we eat the flesh of

the Son of God and drink his blood, we have no part in him,”—a strange

confusion of ideas between the outward and visible, and inward and

spiritual. Baptismal regeneration, sacramental efficacy, were clearly

articles in the preacher’s creed. We always thought the teaching of

Scripture to be that both God the Father and God the Son dwelt in the

true believer by one and the same inhabitation of the Holy Ghost. In

connection with this sublime principle of spiritual life, there is no

place in the Bible where such words as “by means of the holy sacraments”

are to be found. Feeble preaching can diffuse error if it cannot do

justice to the truth. After the sermon, during the singing of the hymn,

the offertory is taken every Sunday, by which the church is wholly

supported, and the minister passes to the Communion Service. The

collectors bow towards the altar on presenting the offertory bags in the

chancel, or on leaving; and in preparing for the celebration the

_priest_—with his back to the people—is long engaged, and on one occasion

kneels and rises quickly twice or thrice in succession before the

consecrated bread. The Rev. R. R. Chope has studied to make his service

as ornamental, high, and formalistic as can be under the Anglican name.

He says he believes that “the meanness and costliness of worship reflects

the spirit of the worshippers,” a fundamental error if it be attempted to

apply it as a general rule. We take it that there is a medium to be

observed, and in all cases the _costliness_ must be regulated by

circumstances.

Every Sunday at 8 A.M. there is Communion, Prayer (choral), with sermon,

at 11; second celebration at 12 30. Evening prayer (choral) and sermon

at 7 P.M. Thursday, at 8. A.M., Communion. 11 A.M., morning prayer.

Saints’ days: Two celebrations and daily prayer, at 8 A.M. and 5 P.M.

There are several small charities, a day-school, and Sunday-school, both

in their infancy.

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