CHAPTER IX.

THE MAN ON THE COUCH.

Mercedes Danton was not only herself convinced that her brother was a

murderer, but she had convinced him of his own guilt. Doubtful at first,

and yet half-believing that he might have unconsciously committed the

act which deprived Ramon Orizaba of life, and later, aided by the

reasoning of the detective, assured that he could not have killed him

without knowing it, he was now thrown back into a worse condition of

mind than ever, for here was one--his own beloved and loving sister--who

saw him do the deed.

When she ceased speaking, his mind seemed to drift into a stupor from

which he was aroused a moment later by feeling a heavy hand on his

shoulder.

It was Nick Carter who touched him, and Mercedes discovered the presence

of “Mr. Parsons” at the same instant.

She leaped to her feet and confronted him with flashing eyes, for sorrow

gave place to anger, and all the maternal instinct of woman, which is

aroused quite as thoroughly in the heart of a sister when she is

fighting for a brother as for a mother when she fights for a child--all

that wonderful fighting and enduring quality with which God has endowed

womankind, rose up within her to battle against the peril in which she

believed her brother stood at that instant when his secret became the

property of a third person.

“You heard me!” she gasped. “You heard everything that I said?”

“Yes,” said Nick. “I heard everything;” but the kindly look in his eyes

and the subdued voice in which he spoke convinced her that, at least, he

was not immediately to be feared, and she sank back upon the bench and

buried her face in her hands again.

Suddenly she raised her head and with a quick motion leaned toward him.

“You--you knew about it--before,” she whispered tentatively.

“Yes,” he replied. “I thought I did. Now I am sure that I did.”

“Then--you saw--I mean--he did not chloroform you---- Ah! You were not

unconscious. You saw--the things--that I have--described.

You--saw--them--yourself!”

“Mercedes,” interrupted Danton, “are you mad? What do you mean,

sister?”

“Wait,” said Nick sternly. “Sit over there beside your sister, Danton,

and whatever is said, don’t you speak at all. Your sister saw much more

than she has described, as you will presently discover. It is a

fortunate thing that I overheard this conversation between you, for

through its revelations we will get at the truth. Sit down, Danton, and

wait.”

Then he turned to Mercedes.

“Miss Danton,” he said kindly, “you are overwrought, but you are brave,

and tender, and true. You love your brother, even though now you believe

him to be guilty of a horrible crime--even though you believe it on the

evidence of your own senses, than which, it would seem there could be no

better. But yet, there are times when our own senses deceive us most

outrageously, as I shall presently prove to you. Yours have deceived

you. You saw that murder committed, and you were paralyzed with terror

at the spectacle. Has it occurred to you that your perceptions might

have been dulled, or have become distorted by reason of the same

terrors?”

She shook her head in a slow negative.

“Yet,” continued Nick, “I will presently prove to you that you know

positively that your brother did not commit that act.”

“Oh, sir, if you only can. But it is impossible.”

“Nothing is impossible. Things are only improbable. This one is not even

an improbability. Now, follow me closely. When we--your brother and

I--entered the rose-garden an hour ago, and I was presented to you,

where did you honestly think we had come from?”

“I did not know. I had no thought about it save that you had been out

somewhere together; but I thought I understood the reason for that.”

“Precisely. You mean that you supposed that we had gone out of this

house together this morning, do you not?”

“Certainly.”

“It did not occur to you that I had just come from New York, and, in

fact, had never set foot upon this estate before?”

“No.”

“Why?”

“Because I knew better than that. I beg, sir, that you will not attempt

to deceive me. I will appreciate everything you would do for my brother,

but do not think that I can be deceived.”

“I think you have been deceived and now I am endeavoring to set you

right. You say you knew that I had not just come here from New York.

Tell me exactly why you think you knew that.”

“Because I saw you before.”

“Ah! Now, are you sure that it was I whom you saw? Did you see me

sufficiently plainly to identify me?”

“N-n-no. I did not see your face; but it could have been nobody else

whom I saw.”

“You think so? We will see, for I understand now exactly how you have

made an awful mistake. Was it on the couch in your brother’s room where

you think you saw me? No, let me put the question differently: When you

were looking into that room through the half-open door, and saw the

terrible scene you have just described, were you conscious that there

was a person--a third person in that room?”

“Yes.”

“And where was that third person?”

“Stretched upon the couch, apparently sleeping.”

“And when you saw me in the garden with your brother a little while ago,

you naturally supposed that I was the same person you had seen asleep on

the couch in your brother’s room? Is that it?”

“Yes; but there is also another reason.”

“Indeed, what is that?”

“I know that there were three persons who came into the house some time

after midnight, and I know that those three persons went to my brother’s

rooms.”

“Excellent. Now we are getting at it. How did you know that?”

“I saw them from my window.”

“Describe them as you saw them.”

“My brother came up the walk first, and alone. I think he must have

stopped on the piazza, for I did not hear him come up the stairs,

although I listened.”

“Well! and what next?”

“Soon after that I saw Ramon Orizaba and a stranger approach the house

together. That stranger I now suppose to be yourself.”

“Precisely. And did you again listen to discover if they came up the

stairs?”

“Yes. I thought that all three came up together and went into the room.”

“Now, what was it that called you from your room, so that you happened

to be passing your brother’s door at the moment when the sights you saw

within held your attention?”

“Nothing at all. I was merely restless. I knew from his manner of

walking that my brother was intoxicated. I also saw that Ramon Orizaba

was in a condition that was not much better, and I naturally supposed

the same thing of the third person. I knew they had gone into my

brother’s rooms, and I wished to assure myself that they were not

quarreling.”

“Now tell me what was the first discovery you made inside your brother’s

room. What was the very first thing you saw which attracted your

attention?”

“I saw him. He was standing at the couch with his back toward me, and he

was leaning over the person who was lying on the couch--yourself.”

“We will say that it was I, for the present, if it pleases you, although

I was at that time in my own bed in the city of New York. Now what was

your brother doing?”

“I did not know. He had a bottle in his hand--an ordinary four-ounce

vial.”

“The bottle which you afterward supposed contained chloroform?”

“Yes.”

“And your supposition was that he had been administering it to the

person who was lying on the couch?”

“In the light of what I saw subsequently--yes.”

“Now, when he turned away from the man on the couch, did you see his

face plainly? I want you to be sure about this. You say it was your

brother; I want to know if you saw your brother’s face and so

recognized it.”

“I did not see it plainly; no.”

“Was not the room lighted?”

“Very dimly. There was only one incandescent bulb turned on, and that

was in the adjoining room--not in that one.”

Nick turned to Danton.

“I believe you assured me that all the lights were turned on when you

awoke. Are you certain about that?”

“Absolutely positive,” was the quick reply, for Danton was now leaning

forward in intense excitement, since he had caught the drift of Nick

Carter’s questions.

The detective turned again to Mercedes.

“The light was, then, very dim,” he said. “Now, if you could not see the

man’s face clearly, can you give me any good reason for believing that

it was your brother whom you saw with the bottle in his hand?”

“Only that I felt positive that it was my brother,” said Mercedes, now

beginning to stare in amazement, for she also was beginning to

understand.

“Did this man whom you saw wear a coat?” asked Nick.

“Yes. He was fully dressed.”

“Was it a dress coat?”

“No. I do not think so. I remember thinking afterward that Reginald must

have changed his coat and waistcoat after entering the house, for I

noticed when he came up the walk that he wore a low, white waistcoat and

his dress suit. When I saw him with the bottle in his hand--or the

person whom I did see with a bottle in his hand, wore an ordinary coat

and a dark vest.”

“Like what Reginald is wearing now?”

“No. Dark. Quite dark. Almost black, or quite so in that light.”

“When he turned away from the man on the couch, did he at once approach

the man in the chair--Orizaba?”

“Yes.”

“And during all the time you were there at the door, while the man whom

you supposed to be your brother was using the chloroform and the

needle--while he was murdering Orizaba--could you still see the third

man, on the couch?”

“Certainly.”

“Then, Miss Danton, your brother is guiltless, for Reginald Danton was

unconscious, on the couch, when the murder was committed.”

The Four-Fingered Glove; Or, The Cost of a Lie · 第 9 / 32 章